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Conference napalm::commusic_v1

Title:* * Computer Music, MIDI, and Related Topics * *
Notice:Conference has been write-locked. Use new version.
Moderator:DYPSS1::SCHAFER
Created:Thu Feb 20 1986
Last Modified:Mon Aug 29 1994
Last Successful Update:Fri Jun 06 1997
Number of topics:2852
Total number of notes:33157

1590.0. "Studio Ergonomics" by HPSRAD::NORCROSS () Tue Aug 02 1988 17:00

I know that this topic may come across as trivial or not music related
or even silly to some, (and I think some related things have been touched
on before)
But...

Studio Ergonomics. What are the "useability features" of your home set-up?
Any general or specific comments would be appreciated.

------------
To me, it's important to be able to sit down without any futsing around
and get right to work. So I like striving for an ultra-useable set-up.

I just cleaned up my set-up over the weekend. Broke everything down and
re-stacked and re-wired it up from scratch.

  o Removed unused MIDI and audio cables from the work area.
  o Reduced power extension cords from 4 to 2.
  o Stacked audio related components on the side with easy rear access
      (mixer, tape deck, amplifier, reverb).
  o Stacked Sound Generating Units (SGUs) on other side so that their
      displays would be near my computer display. Helps to have all displays
      within a few inches of eachother.
  o I now have two desk lamps lighting the area. I am one to believe that
      people work better in well lighted areas.
  o Finally got my speakers right on the rear of the desk, instead of
      on the floor off to one side.
  o Threw-out 2-ton stereo/recvr/phono/8-track that I was using as an amp
      (which took up about 4 sq feet of floor space)
      and replaced it with a tiny little rat shack amp that suited my needs.
  o Got a clock on my desk.
  o I use a tabletop USS two-teir keyboard stand. By raising the bottom teir,
      I now have 'desk-space' underneath my keyboard. This is perfect for
      having the computer keyboard and/or mouse just slide under or half-way
      under. This is also perfect for keeping the 6 pages of voices listings/
      reverb settings/etc. that I need to use within easy reach.
  o Have second desk off to side for books/manuals etc.
  o Organized all tapes and disks for easy access, yet out of the way
     so as not to take up desktop space. I bought additional
     storage units for all this instead of having the stuff scattered
     all about.
  o I Finally have all my magazines neatly stacked inside milk crates for
      reference instead of stacked vertically for no access. A bookshelf
      would be better.

------------
Comments on your own set-ups?

/Mitch
T.RTitleUserPersonal
Name
DateLines
1590.1MIZZOU::SHERMANsocialism doesn't work ...Tue Aug 02 1988 17:1321
    My speaker setup is not good.  But, since I'm in an apartment and
    the setup is in the living room, I'm usually confined to my headphones,
    anyway.  I prefer to work on stuff standing.  That way, I can reach
    all the controls easier.  I have the CZ on the first tier, the S-10
    on the second tier, and the rack, GE, sequencer, and drum machine on
    the third tier.  The sustain pedal is on the floor.  The amp 
    and tape deck sit behind me on the floor.  Nice thing is I can power
    up and begin work within seconds.  I have very easy access to
    everything but the CZ and the drum machine.  I sit down to
    diddle with the CZ (which I haven't done much of lately).  And,
    I usually pull off the drum machine and diddle with it on the couch
    when I'm doing heavy stuff with it.  
    
    One problem is, when my equipment turns on it messes up the TV 
    reception on WGBH channel 2 (the antenna is behind my equipment - 
    only place in the living room we could put it).  So, when my wife
    wants to watch Frugal Gourmet or whatever, I can't play with my toys.  
    But, I usually have to come to the couch and rub her feet then, so 
    it's no big deal.
    
    Steve
1590.2Stacked on a rackDYO780::SCHAFERBrad ... DTN 433-2408Tue Aug 02 1988 17:3916
    I racked everything I had.  Put the KX76 on the top tier of 3-tier USS
    and OB-Xa on bottom tier.  Rack is immediately left of stand, and ST
    sits on top of rack.  Minimal movement required (normally between ST
    and KX).  Use headphones out of M160 (in rack).  No amp/speakers
    to deal with (yet).

    Gripe - rack mount stuff is great for compactness and portability, but
    stinks for programming or patch accessing.  I need to write a pgm that
    will print out listings of the patches currently contained in the
    modules so I don't have to remember KX -> ESQ mappings. 

    My studio is usually organized like Mitch's . . . but it's been so
    blasted hot that I moved all my gear downstairs into wifeland for a/c
    access.  Dues paid daily (she's a pretty good sport, actually).  8-) 

-b 
1590.3I have a plastic saxophone on the wall...JAWS::COTESuperBowl '89 OR YOUR MONEY BACK!Tue Aug 02 1988 17:4761
    This works for me...          (aerial view)
    
                   +------------------------+
                   |                        |
                   |        U S S           |
                   |                        |
                   +------------------------+     +---+
                                            +----+|QX |
                                            | HR |+---+
                                            +----+
                                            +------------+
                                            |            |
                                            |  XR1200    |
                                            |            |
                                            +------------+
                                            +------+
                                            |      |
                                            | AKAI |
                                            +------+
    
                  
    The USS is assembled over my Rhodes 73. From top to bottom the
    tiers are Rhodes, Mirage, DX, and on top I have my 8 space rack
    with the MKS-30, TZ, 6 ch submix, and 1 MIDIVERB. Top left is
    a little RS/Moog unit. 
    
    One stereo pair runs from the submix to the board. 4 HR outs go
    to the board, so I get 10 outputs worth of function outta 6 
    channels of board. The remaining 6 XR1200 channels get used for
    whatever I need them for; mikes, FX, tape...
    
    Speakers are mounted on the walls on either side of the USS. The
    second MVII sits on the back of the 12 ch board.
    
    Everything is away from the walls so I can easily get behind it.
    
    The sequencing units (HR & QX) are located just to my right (I'm
    right handed) making it easy for me to always reach in the correct
    place to kill the music. The are located on a stand that holds all
    my manuals, sheet music, etc...
    
    A shelf directly under the mixer holds 1 TEAC cassette dec. A second
    shelf holds coffee cups, etc. Just to the right is my AKAI 4-track
    reel-to-reel. Having all the "production" gear (mixer, FX, DEX)
    located near each other makes mixdown a lot more convenient.
    
    Powerup is essentially 2 switches, the mixer (1) and a distribution
    panel (2) which all the MIDI gear is on. The dex are run from their
    own on/off switches so as not to keep them running for hours on
    end when I'm not recording.
    
    The room has an over head light that's fine for everything other
    than editing on the DX's non-backlit LCD. For that I've got a 
    battery powered clamp on book light that I use on gigs. Just clamp
    it and aim it. Batteries last forever.
    
    It takes me about 10 minutes to pull the keyboards and rack, crate
    the synths and get it to the car. 15 minutes to set it all back
    up. Acceptable.
    
    Edd
1590.4SALSA::MOELLERDECblocks Product SupportTue Aug 02 1988 17:5019
My setup.. 12x14 room    
                   +--------+                                      +-----+
                   | spkr   |                                      |spkr|
                   +--------+                                      +------+
    
                                         +----------+
                                         |Yamaha 8x2|
                              +----------|mixer w/fx|----------+
                              |KX88      +----------+          |
                              +--------------------------------+
    Rack:          +----------+                              +----------+
    Midi sw,fx,    |18-hi rack|                              | Table
    Emax,Kurzweil  |          |                              | w/MAC
    EQ, ster.Amp   |          |                              +-----------
                   +----------+
    Recorder HiRise+----------+
    tEAC 3340      |          |
    Fostex A8      |          |
    Nakamichicass  +----------+       
1590.5Computer Accessories?HPSRAD::NORCROSSTue Aug 02 1988 18:198
Does anybody use a "trackball" instead of a mouse with their computer?
  ...or any other computer accessories?

I was using a "copy holder" to hold reference sheets and scratch music
paper, but it ended up just getting in the way, so now I just use the
second desk.

/Mitch
1590.6The Ugly ZoneCTHULU::YERAZUNISJust a puppet who can see the strings.Tue Aug 02 1988 18:3841
    Here's mine (setup in one corner of dining/stereo/video room). 
    It's an aerial view; the stand is a 3-tier USS with mucho extra
    clamp-ons, and is NOT shown.  It's (mal)adjusted so the back tubes
    are vertical, up against the wall.  Everything except the big 
    speaker and the cheap mixer are clamped onto it (Boses via the bose
    clamp arms, Octapad via a modified APC-66 clamp).
    
                           
    
    ======================WALL====================================||
                                                                  ||
    				    Sheet music                   ||
           ---------               -----------    _____ --------- ||
           |Bose   | ___________   |    |    |   /     \|Bose   | ||
           | rmmate|            |  |    |    |  /clamp  | rmmate| ||
           ---------  DX-100    |  |    |    |  \  lamp --------- ||
    		|_______________|  |    |    |   \_____/          ||
                                   |    |    |  ---------         ||
               ------------------- |_________|  |       |         ||
               |                                |       |         ||
               |                            |   | HR-16 |         ||
               |    Oberheim Xpander        | _ |       | ___     ||
               |____________________________|   |_______|    |    ||
                                                             |    ||
                 |                                           |    ||
                 |          ESQ-1                            |    ||
          /\     |___________________________________________|    ||
         /  \       \   \    | ddl ped|  / \                      ||
        /    \       \   \   ---------- /sus\ -------  ---------  ||
       /      \       \cv/ped           \   / |        | cheap |  ||
      /        \       \/                \ /  |        |  mixer|  ||
     / Octapad /     /\       USER HERE   v   |        ---------  ||
     \    on  /     / /         XXXXX         | big               ||
      \  slant     / / IR       XXXXX         |   speaker      |  ||
       \    /      \/ link to                 ------------------  ||
        \  /      / VCR control
         \/      /
                /
               /
              /
             L
1590.7Maybe my pickup is crummy?PANGLS::BAILEYTue Aug 02 1988 20:2317
    Speaking of studio layouts, does anybody else have problems with
    all that electronic junk interfering with the guitar?
    
    The FCC qualification of  equipment seems to keep the RF interference
    to a tolerable level (people can watch TV in the other room), but in
    the audio frequencies, there is still tons.  I have to turn off my
    computer and most of my synths to get a clean take on my guitar.  Even
    then, I sometimes get noise from other sources (the TV that people are
    watching in the other room, I think). 
    
    I suppose I could just crank up the distortion and chalk that incessant
    BrrrawBrrraw up to a point of style.
    
    I can never find a good place to put my computer so that I can
    alternately use it for music and hack on it...
    
    Steph 
1590.8I back-offHPSRAD::NORCROSSTue Aug 02 1988 20:279
>    Speaking of studio layouts, does anybody else have problems with
>    all that electronic junk interfering with the guitar?

Yes, My computer introduces interference when I sit facing it with my guitar,
but I can make the interference go away by just turning away and moving my
seat back a few feet.

/Mitch

1590.9PAULJ::HARRIMANWhy won't this thing record????Tue Aug 02 1988 20:4034
    
    
    My setup:
    
    
    			+--------+ +----------+
			|	 | |	      |
    			|deck/   | | computer |
    			|stereo  | |	      |
    			+--------+ +----------+
    
    						+------+
    						|rack  |
    						|      |
    						+------+
        
    +------+	+-------------------------------+  +------+
    | speak|	|	keyboards		|  | speak|
    +------+	+-------------------------------+  +------+

    
    notes: Everything is within arm's reach. I have a rolling chair,
    too. speakers are suspended from ceiling to reduce mechanical
    vibrations and keep neighbors happy during the day (commercial space)
    
    Task lighting is used on keyboards and computer/deck areas. There
    is a separate room for miked sources (to the left of the picture)...
    
    This has been the most stable setup. My configurations tend to last
    about two to three weeks, and I constantly reconfigure for whatever
    project I am doing. Now that I have enough patchbays, this may happen
    less... maybe.
    
    /pjh
1590.10BMBFREKE::LEIGHTue Aug 02 1988 20:4010
   
>    I can never find a good place to put my computer so that I can
>    alternately use it for music and hack on it...
 

How about a big metal box?

:-)

Chad
1590.11Not a USS in siteMINDER::KENTI can't Dance to ThatWed Aug 03 1988 08:0530
    
    
    This is an issue which causes me perrenial (Sp?) problems. Bear
    in mind that my sudio is in an attic which has walls that slope
    inwards so the floor space is not the same area as the ceiling space
    and consequently I have no Shelves. SO everything is floor mounted.
    
    The easy answer is to change rooms but this would be a waste of
    a good attic so ergonomics and good design is the answer. The other
    problem is that the whole for getting in to my "studio" is about
    3 foot by 2 foot. So no big pieces of furniture are available. 
    
    I can't draw one of those pretty pictures but I have never been
    able to get a good ergonomic design that meets my requirements.
    
    Which are		1 Neat and Tidy.
    			2 Everything Accessible
    			3 When I put in or take out a piece of gear
    		          I don't have a major rebuild on my hands.
    			4 Pleasing to the eye !
    			5 I don't knock something over everytime I get
    				up to walk across the  room
    			6 I can invite people into the room without
    				risk of electrocution.
    
    
    	Any ideas would be appreciated.
    
    					Paul.
   
1590.12Have guitar, have noiseDYO780::SCHAFERBrad ... DTN 433-2408Wed Aug 03 1988 15:3514
1590.13Another loft studioDYO780::SCHAFERBrad ... DTN 433-2408Wed Aug 03 1988 15:3912
RE: PK's studio probs

    I have the same problem.  The loft I use has floor space of around
    8x12, but it only 6' high at the peak.  The roof angle is severe enough
    that I can't setup the USS without eating half the room.  At least I
    have a real door instead of a chute. 

    Do what I did, PK.  Move your stuff into the downstairs.  The wife will
    understand (won't she?).  Of course when the hots weather's over, back
    up I go. 

-b
1590.14Not a Chance ?MINDER::KENTI can't Dance to ThatWed Aug 03 1988 15:5211
    
    
    I thought of that and am at the moment trying to make a takeover
    bid for the garage. This means that wifey's car has to sit out in
    the cold and rain. It may be interesting to come back to this note
    in a year or so to see who won. The car ? or the Studio ?
    
    	Any Bets ?
    
    					PK.
    
1590.15MTBLUE::BOTTOM_DAVIDbehind blues eyes...Wed Aug 03 1988 16:0442
    
    +---------------------+ +------------------------------+
    |Soldering table      | |2ea. 4 tracks/cassette deck   |
    |wire storage etc.    | |side by each, cheezy patch bay| <--ye olde
    |                     | |  HR-16, mixer, gobs of cable |    rats nest
    +---------------------+ +------------------------------+    
                                                  +--------+
                                                  |        |
                                                  |        |
                                                  |        |
                                                  |        |
                                                  | JX3P   |
                                                  | on a   |
                                                  | table  |
                                                  |        |
                                                  +--------+
    +---+
    |   |
    |   | <---guitar amp
    |   |
    +---+
                        
     +-+
     +-+ <--guitar on stand
    
       /-------------------montior speakers------------------\
      /                                                       \
    +---+                                                     +---+
    |   |                power amp                            |   |
    |   |                 +----+                              |   |
    +---+                 +----+                              +---+
    
                                                                         
    not easily functional as patching and repatching is anightmare of
    tangled cables all over the place...
    
    re: Steph and guitar noises, are you using a strat with stock pickups?
        If so your noise problem will go away or be reduced considerably
        by using stacked pickups.
    
    
    dbII
1590.16Wifey wins.DYO780::SCHAFERBrad ... DTN 433-2408Wed Aug 03 1988 16:1110
RE: .14

    20 bucks on the wife/car combo.  Experience talks.

RE: .15

    I don't have a Strat (Hagstrom Swede) ... noise seems to be worse on
    one pickup than the other.  Is it possible that my pickups are hosed? 

-b the_non_guitarist
1590.17MTBLUE::BOTTOM_DAVIDbehind blues eyes...Wed Aug 03 1988 16:1712
    re: Brad's guitar
    
    If you figure out how to get to to stop humming/buzzing/whatever when
    you're not touching it let me know....all of my guitars do that at high
    gain and so some small degree even at low gain, but touch them and it
    goes away almost entirely. I've had phone conversations with folks like
    Semour Duncan trying to eliminate this....the only cure I know of is to
    use EMG low impedance pickups with the active electronics....and that
    isn't perfect just nearly so....explains why so many guitarists like
    noise gates...
    
    dbII 
1590.18Don't let equipment exceed ability, much.PANGLS::BAILEYWed Aug 03 1988 20:147
    Actually, I'm using an acoustic with a Deam Markely Pro-Mag pickup.
    It's supposed to be a hum-bucker (that's what the so-called literature
    says) but it doesn't buck the hums all that well.
    
    So I should just buy a Steinberger and get it over with? :-).
    
    Steph
1590.19Fat Hands...DRUMS::FEHSKENSlen, EMA, LKG2-2/W10, DTN 226-7556Fri Sep 14 1990 20:509
    re 2450.9 - only three tiers on my USS stands - I needed some clearance
    for the keyboard, so I could get my hands in over it, and the racks are
    8 space (about 16" high), and the keyboard has to be at a reasonable
    height, so all that could fit were three.  I suppose I could have put a
    few *under* the keyboard, but I chose to put some low cheapy Sears
    steel shelves underneath instead.
    
    len.
    
1590.20well, not just once ;-)MILKWY::JANZENSun Sep 16 1990 01:3410
    I actually went into a music store that had little Steinway and measured
    the keyboard from the floor: 29 inches (no rolling stand).
    So eventually I will put the keyboard at that height (that's to the top
    of the white key surface from the floor).
    Once in college at 19 I said something stupid; I met a nice young woman
    and my friend introduced her, saying she was stuyding ergonomics, so I
    said, "oh, do you measure people's noses?" and she was justifiably
    upset and said "most people get the wrong impression."
    darn.                                       
    Tom
1590.21RAVEN1::COOPERMIDI rack pukeMon Sep 17 1990 14:1228
    RE: Interference from computer or TV.
    
    Happens to me all the time.
    Well, the old trick with Stratocasters was to "Pot" the pickups
    by dipping them in wax.  Perhaps you could dip the computer
    and TV in wax.  That may tend to squelch the noise.   ;)  (sorry).
    
    On Ergonomics:
    
    One of my problems is that I have a four space rack for my guitar
    gear.  One single space power amp, one DSP128+, One Rocktron Hush 
    (to 'hush' the TV noise) and a MIDI Tube preamp.
    
    When I go to use the DSP128+ for FX with the studio, I'll have to turn the
    rack around and reset all the bloody wires.  This is going to get really 
    old.  I also have a 6 space rack (it's a heavy brute) with an EQ in it.
    
    Is there an easy way to get around this ?  Keep in mind that I'll
    be carrying that guitar rack around with me to rehearsals and
    gigs.  I need some way to do that also, without tearing apart my
    room, also without blowing out my hernia from hoisting the old 6sp
    rack.
    
    Fortunately, since I'm moving to Colorado this weekend, I get to kick
    back now and scribble out a plan.  I'd like to have an idea of what I'm
    going do with all my stuff (mostly guitar equipment) when I arrive.
    
    jc
1590.22In defense of patchbaysPAULJ::HARRIMANDeb in AirMon Sep 17 1990 20:3052
>    One of my problems is that I have a four space rack for my guitar
>    gear.  One single space power amp, one DSP128+, One Rocktron Hush 
>    (to 'hush' the TV noise) and a MIDI Tube preamp.
>    
>    When I go to use the DSP128+ for FX with the studio, I'll have to turn the
>    rack around and reset all the bloody wires.  This is going to get really 
>    old.  I also have a 6 space rack (it's a heavy brute) with an EQ in it.
>    
>    Is there an easy way to get around this ?  Keep in mind that I'll
 

	Have you tried a patch bay?

	I now have three, two in my studio rack, one in my stereo rack. 

	Using prepatched (nc) patchbays, I was able to set up a default
	patch for everything (i.e. fx sends/returns, mixer line inputs, etc).
	When i want to do something twisted, I just use patchcords on the
	front side - I almost never venture inside the rack anymore. Moving it
	isn't that much of a problem - everything is labeled on the front of the
	patchbay, and I left an empty space in the rack to get my hand in
	from the front so if I had to pull something I could get it back in
	without climbing around in the back of the thing. 

	They aren't cheap ($125 per, plus cabling costs), and cabling costs
	can be stupefying - I bought cables this last time, since I didn't feel
	like making 32 1-meter cables. But I got a volume discount and it
	ended up costing half what I expected, and I didn't have to spend
	hours with a soldering iron making cables (just hours wiring the rack,
	which I would have had to do either way). 

	Planning was as tough as planning the studio layout. I swear I spend
	as much time planning, wiring, cleaning, labelling, and copying as I
	do making music. I wrote out a schematic for all of the connections
	I wanted to have, and made judicious edits of the schematic to decide
	which patch points to make. I then labelled the patch bay, then made
	the patches. I ended up filling up two patch bays - a 32 point Tascam
	and a 40-point Furman. Cost about $400 by the time I was done, but I'm
	probably an extreme case, and I wanted to be able to move FX boxes
	to different FX busses on two different mixers (and prepatched the
	M-160 out to the tascam 388 stereo buss), and I also wanted to have
	my spare inputs on the M-160 available on the front of the rack. And
	much of the 388's backside is patched into the patchbay too. 

	Like I said, I'm probably an extreme case, a smaller rack might not
	need more than 20 patch points, but if it saves you from crawling
	around changing wires and tracing things in the dark, maybe it's
	worth it to you. It has certainly made my life easier since I got
	done wiring. Now it's a matter of taking little 2-footers and 
	patching them from label to label.

	/pjh
1590.23RAVEN1::COOPERMIDI rack pukeTue Sep 18 1990 16:038
    I've heard (and maybe even seen) a patch bay, but never used one.
    I *did* have a MIDI Patch Bayette (from Kitty Hawk), but I think
    it's a different animal.
    
    How do these things work ?  How would I use one to over come my
    ergo-problems ?
    
    jc (Thanks!)
1590.24AQUA::ROSTRockette Morton takes off into the windTue Sep 18 1990 18:4515
    Re: .23
    
    A patch bay usually is wired up like an FX loop on a guitar amp.  That
    is, if you don't plug anything into the jacks the signal is routed
    "through", but by use of patch cords, you can route the sources to any
    destination you like.
    
    What it *looks* like is a row of pairs of phone jacks one over another,
    kind of like a telephone switchboard used to look like.
    
    So you install the thing and wire it up for gigging.  When at home, use
    patch cords to route things differently.
    
    
    							Brian
1590.25rathole rathole alertKEYS::MOELLERDEC-rewarding successful risk takersTue Sep 18 1990 21:037
    re .23
    
    There is a topic, # 404, on audio patchbays.
    
    There is a topic, # 1871, on MIDI patchbays.
    
    karl