| I read some information in a Roland advertising magazine a week or so ago,
but I don't recall all of the details. I believe patch selection specifies
some parameters that have to be specified independently on the DX-7, but
I don't remember which ones. The price seemed a bit high to me, too, compared
to a multi-track recorder. Does anybody have the details from the magazine?
John Sauter
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| The following is excerpted from 'the IMA Bulletin, the newsletter of the
International MIDI Association', Feb. 1985, without permission from an article
entitled 'Yamaha Packs Power into QX1 and TX816':
"...Yamaha's TX816 is a rack mountable device consisting of a main rack unit
and 8 separate TF1 modules. Each TF1 consists of an FM tone generator and
controlling functions, in essence, the sound generating capability of a DX7.
Each TF1 is capable of storing 32 voice programs loaded from a DX7. In
addition, each TF1 can memorize function parameters along with each voice patch
unlike the DX7.
The TX816 has four operating modes: PLAY, EDIT, STORE, and UTILITY. There are
also 14 sub-modes accessed by a sinle multi purpose select buttin in the front
panel of each module. These modes include MIDI channel selection, output level
attenuation, data dumping, vioce editing, master pitch tuning, storage of vioce
sets, and 440hz audio check tone. There is also a note limit function which
allows each TF1 to be restricted to a particular area of a MIDI keyboard. This
feature makes it possuble to have 8 different DX7 patches on one keyboard, each
with its own range and the ability to overlap! The TX816 retails for $4995.00.
There is also a 2 module version called the TX216 that retails for $2095.00.
The user can then purchase additional TF1's at $545.00 each to fill up his or
her rack. For more information and specifications contact Yamaha International:
PO Box 6600, Buena Park, CA 90622; phone (714) 522-9152."
The ability to purchase a small rack and build it up over time is a great
feature. Just think, for $2100 you can have two DX7s! Actually you get
two DX7-pluses since the TF1 modules allow function parameter storage.
That's about 2 DX7s for the price of one since my DX7 cost about $2000.
I saw a TX216 box at Daddy's Junky Music Store in Nashua. Since it was
already sold by the time it arrived, they would not open it and let me
take a look. But that means Yamaha is shipping them now.
-jim
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| Yes I agree, but $550! That means I'm paying $1450 for a keyboard. I think I'd
much rather spend that money on one of the Roland keyboard controllers
mentioned in .-1. In the case of the smaller one, I have about $400 left over,
and in the case of the larger 88-key beauty, I have to add about $500, which I
would probably do since I am a PIANIST at heart, NOT an ORGANIST.
I have played the Roland keyboards with a Roland rack box (SX-80, I think), and
was WELL pleased with the action on both of them. If you were raised playing a
Story&Clark instead of a Hammond, I would recommend giving these keyboards a
look. They have some bank switch/select for voice and MIDI channel selection.
How well this integrates with the TX816, I have no idea. I would like a
TX{8|2}16 to stay at a music store long enough to find out.
Yes, I will admit the attractiveness of the Yamaha racks is more pronounced for
me since I already have a keyboard (two, a DX7 and a Mirage). Folks who don't
already have a MIDI instrument should give serious consideration to buying their
sound producing modules without a keyboard and buying a good general MIDI kybd
instead. It continues to be the case that keyboards are expensive and
complicated mechanical devices (even in their synthetic environments), so that a
large share of the cost of a synthesizer is the keyboard. I'm glad to see the
industry providing better solutions.
-jim
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| I just got the Roland 88-key MIDI keyboard controller. Also being a
pianist, I would sell my soul before giving it up. I couldn't agree more
regarding purchasing keyboard-less sound modules. After all, most of the
manufacturing cost is in those keys (if they're good) and you only need
one keyboard to control 16 (+) synth modules.
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