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Conference napalm::guitar

Title:GUITARnotes - Where Every Note has Emotion
Notice:Discussion of the finer stringed instruments
Moderator:KDX200::COOPER
Created:Thu Aug 14 1986
Last Modified:Fri Jun 06 1997
Last Successful Update:Fri Jun 06 1997
Number of topics:3280
Total number of notes:61432

2473.0. "Exclusive,.. tone war battles" by STAR::SALKEWICZ (It missed... therefore, I am ) Fri Mar 13 1992 16:44

    
    	Last night my good buddy Dave Russo dragged his equipment over
    to my place for a little firendly (!) comparison of ToNe. Here's
    the basic set ups,. although Dave wil have to fill in theblanks on his
    bank-o-pedals
    
    Me =>Ibanez RG550 => Marshall 50w JCM900 Dual reverb head => Marshall
    	2X12 cab (note,. no FX)
    
    Dave => Tele => bank-o-pedals =>  Kitty Hawk M3 => Fender 2X10 cab.
    
    We played a bunch of bluse and some rock-n-rollie thingies and
    well,.. we had a real good time. Switched rigs for a couple
    toonz, played acoustics,.. listened to some CD stuff. I'd say
    throughout the course of the night we heard enough different stuff
    to keep our minds clear and unbiased (!) for the tonanalysis.
    
    Anyway,.. to my ears,.. the Tele has got the tone over the Ibanez.
    Its just seems to be a hravier/more solid guitar,. and I don't know
    if thats wht gives it the extra ring/sustain/warmth or if its
    in the pickups or what,.. but it just seemed like the guitar itself
    was nicer sounding than mine. However,. when we switched axes,. I
    noticed that my hands began to cramp up immediately upon trying
    to deal with the thicker neck on the Tele,...  that problem diminshed
    slightly after playing one song,.. but the one department I give the
    Ibanez the nod is in the "playability". Access was easier higher on the
    neck with the Ibanez,.. and it isn't so hard to reach all those weird
    chord/fingering positions.
    
    I had no external FX,... so ... no comparison there
    
    The amps,.. Over all,. I like the Marshall better. Thats not to say
    that the Kitty Hawk aint cool,.. it is. In fact dave got a killer
    lead tone going on our hacked version of the WHo's "Eminance Front"
    that had me going zonkers playing that rythm... that amp can really
    growl nicely,.. but it seemed a bit bas heavy to me. In the short time
    I played with it,.. I couldn't get the kind of brightness I like
    for some stuff. The Marshall coulnd't get quite as clean a bell tone
    sound as the KH,.. but it could come close enough for me to not be
    unhappy about it. I think in the pure over the top gain department,
    the Marshall definitely comes through. The KH has all the gain,.. but
    something was missing to my ears,...like mids and highs I guess were
    kind of over powered by the growling bass of the M3. I guess you could
    say the M3 growls, and the 900 screams.
    
    So after a full night of jamming, we cam to the conclusion that
    these two rigs were "tied" overall... no winners,.. no losers,..
    just a couple friends having fun....
    
    Comments anyone?
    
    :-)
    							/Bill
    
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2473.1Bill, have you seen the bridge? :^)AWECIM::RUSSOFri Mar 13 1992 17:1633
    
>>    Dave => Tele => bank-o-pedals =>  Kitty Hawk M3 => Fender 2X10 cab.
    
    
    Make that Fender 4X10 cab.....
    
    Bank-o-pedals was an Ibanez sustainer/compressor => Ibanez graphic EQ
    pedal.  I used them both to crank the signal a bit more and add a
    little extra sustain and "growl."  My signal w/out those pedals is
    crystal clear usually.....
    
    Funny you should say that the KH growled more......I think a lot of
    that is just the characteristics of a Telecaster; to me its not a
    guitar that screams.....twangs is a different story :^)
    
    The Kitty Hawk definitely has a lot of low-end....I had the bass set no
    higher than *4* all night.  The Marshall has a much clearer lead tone
    than I can get with the M3.....but there's no way that a Tele could
    compete with those humbuckers either....that probably had a little bit
    to do with it.  Still, the Marshall won hands down on the ability to
    "cut through."
    
    However, on the "Cranked Fender just over the edge of sanity....I mean
    clarity" sound, the M3 faired a bit better :^)
    
    Those Ibanez necks are *amazing*......it'd been a while since I'd
    played one.  Still prefer the warmth and simplicity of the Tele, just
    fits my style more.  Someday I'll learn how to really play it, too.
    
    A year ago I got rid of my Roland JC amp, in search of a "grungier"
    sounding amp.....I found it!!!
    
    Dave very happy with his rig
2473.2Woah, reviewing my amp rigs!GOES11::G_HOUSENow I'm down in itFri Mar 13 1992 17:2913
    Man, there's a comparison that really hits home, since Dave's Kitty M3
    used to be mine.  I replace it with a Marshall JCM900 like Bill's.
    
    Like he says, there's not winner or loser of those two amps, they both
    sound great!  I think the Marshall fits my playing style and what I'm
    doing better then the Kitty did, but I missed that amp terribly when I
    got rid of it.
    
    BTW, I think a 4x10 cab is a very good complement to the M3, which is
    very bass heavy.  Seems like it would also be a good complement for a
    Tele, which can get thin and trebly sounding too.
    
    Greg
2473.3AWECIM::RUSSOFri Mar 13 1992 17:419
    
    >Man, there's a comparison that really hits home, since Dave's Kitty M3
    >used to be mine.  I replace it with a Marshall JCM900 like Bill's.
    
    Not to mention that Bill was playing a guitar almost the same as the
    one that used to be mine that you now own!  Except Bill's is *REALLY*
    purple!! :^)
    
    Dave
2473.4CAVLRY::BUCKVIII days to Coaster Season!Fri Mar 13 1992 17:575
    When I read Bill's review of the Tele sound in .0, I said to myself
    "Self, there must have been a compressor on that Tele to make it sing
    and sound so full"
    
    Floor thangs = compressor/limiter and graphic EQ ... nuff said!
2473.5Amazing how gear gets around this net...GOES11::G_HOUSENow I'm down in itFri Mar 13 1992 18:173
    But they played the Tele through Bill's Marshall with no fx too, right?
    
    Greg
2473.6ooopsSTAR::SALKEWICZIt missed... therefore, I am Fri Mar 13 1992 19:016
    no,.. we didn't try the Tele through the Marshall,..
    
    sh*t,.. we should have :-/
    
    						/Bill
    
2473.7FDCV09::GOODWINFri Mar 13 1992 19:1212
    I would have expected the jcm900 to blow a KH M3 away... if it was
    really only a tie, then I would also expect a KH M1 to blow the JCM900
    away, as the M1's are a much higher gain animal than the M3's.
    
    Are the jcm900's a dual-mode amp like the M3?  I though they offered
    at least three different sounds (i.e. clean/crunch/lead).
    
    Bill- I know we never did a tone-test, but when we jammed, my tone
    was coming from a Gibson SG => Quadraverb+ (via loop) => KH M1 =>
    Fender 2x12 (w/ celestions).  How did that compare with your new rig?
    
    Steve
2473.8M1 blow JCM900 away? Not in my book.GOES11::G_HOUSENow I'm down in itFri Mar 13 1992 19:3826
    Steve,                                  

    I think what they were saying is that both amps are both good in their
    own respect, and good at different things.  At least that was my
    opinion of those two amps.

    The JCM900 they demoed with is a Dual Reverb model, which has two
    channels.  I'm not aware of any Marshall head with three channels.

    Quite honestly, I don't think a Kitty M1 has much over an M3 tone wise.
    Yeah, it's got a high gain channel and you can access four sounds using
    the footswitch, and that gives it some added versatility.  I've heard
    an M1 and wasn't all that impressed.  The high gain channel sounded
    very compressed and Boogie-esque and I don't really care for that sound
    very much.  I actually liked my old M3 better...

    Sure, it kind of goes without saying that the JCM900 rips the M3 to
    shreds in terms of gain, but it sounded to me like they were simply
    comparing overall tonal quality and usability.

    Re: Teles & Marshalls
    
    BTW, occasional noter Joe Minville runs a Tele through a Marshall
    JCM800 and he told me he loves the tone!
    
    Greg
2473.9how equip makes it's way around this conf!CAVLRY::BUCKVIII days to Coaster Season!Fri Mar 13 1992 20:005
    I can attest that Joe Minville's Tele thru a JCM 800 2205 is quoite the
    fierce tone.  Those 2205's ROOL!
    
    Buck, citing the 2205 in question is his ex amp, and wishes he never
    sold it!!  8^(
2473.10rat hole alert!!!FDCV09::GOODWINSat Mar 14 1992 11:3029
    re: .8
    
    Greg,
    
    I'd have to disagree- the rhythm player in my band uses an M3, and I
    use an M1, and the M1 unequivically wins by a substantial margin in
    all categories, particularly tone (IMHO).
    
    I can't help but wonder if some of the blow-out kittys had problems
    that affected their sound/tone.  A couple of themes that have re-
    emerged repeatedly about kitties is that they lack high-end, have
    too much bass, and are over compressed ala boogie.  I can say without
    a doubt that my M1's have plenty of highs (more than I can use, and
    the lead modes are very 'open' sounding, not compressed like boogies.
    I was on the verge of shelling out $1500 for a boogie when I found my
    first M1 for $500, so I know what you mean about the boogies being over
    compressed... I don't care for that sound either.
    
    But getting back to the base note concept, to do a really objective
    tone test of any two (or group) of amps,  one would have to use the
    same guitar, same cables, same speakers, and preferably _no_ effects.
    That's the only way you could really get a true comparison of what
    impact the amps have on the overall sound.
    
    My compliments to Soko for starting what could be a great rat-hole
    topic... we haven't had one of these in a long time !!  8^)
    
    Steve
    
2473.11simple mathFREEBE::REAUMERACKer-not a STACKerMon Mar 16 1992 10:2516
    
    
       IMHO the KH equation is:
    
    	   M1  >  M5  >  M3
    
         I still love my M1's to death and can't sem to get away from the 
    M5's vintage sound either. If I was in a small R & B band I'd use the M5
    and my Boss CH-1 Super Chorus. The illuminated rack would just seem out
    of place in a small R & B format. Although I just got done doing my 
    "Texas Blues" patch in the ACCESS. 
         If I did a BIG, BIG rock gig, it's the M1 stack with the MIDI-rack
    on the side for effects (and a backup). 
    
    							-B()()M-
    	
2473.12M1 does it allFRETZ::HEISERmaranathaMon Mar 16 1992 12:2115
>    the footswitch, and that gives it some added versatility.  I've heard
>    an M1 and wasn't all that impressed.  The high gain channel sounded
>    very compressed and Boogie-esque and I don't really care for that sound
>    very much.  I actually liked my old M3 better...
    
    Yeah but the M1 you heard had preamp tube problems at the time. 
    
    I don't know about the M3 (does it have a presence knob?), but when I
    want a metal-shredmaster-lead-tone on my M1, I put the Presence and
    Gain on 10.  It would do any Marshall proud! ;-)
    
    I've been satisfied with my M1 for a looonngg time.  I wouldn't mind a
    4500 to switch to once in a while, but the M1 is a keeper.
    
    Mike
2473.13CAVLRY::BUCKWe heard the angels of madnessMon Mar 16 1992 12:245
    -1
    
    With all due respect to Boom's M1 stack I played thru, it was great,.
    but it really didn't sound like a Marshall to my ears, and I tried
    all my fav settings!
2473.14FREEBE::REAUMERACKer-not a STACKerMon Mar 16 1992 12:297
    
    -1
    
    --better.....
    
    
    				ooooops. B-}.		-B-
2473.15MARSHALL RULES!!!CSC32::THOMASTraveling is better than arriving.Mon Mar 16 1992 12:3417
    JC ain't gonna like this...
    	Friday night I had a chance to hear the Coop and his band HARDBALL.
    Everybody played pretty well but it seemed that Coop was having a few
    problems with his RACK of DOOM. The other guitar player was sounding
    pretty good and making Coop sound kinda thin... That is until the third
    set when Coop turned on his
    
                                MARSHALL
                                         and then all of a sudden, it was
    the other guitar player that was sounding kinda thin while Coop blasted
    away with really nice tone. Now I know Coop is gonna say that it was
    the problems with the rack that was responsible. All I gotta say to
    that is; when the RACK is back, lets A/B them again. I get to be the
    judge though.
    
    Lowell
    
2473.16Stack, don't rack!CAVLRY::BUCKWe heard the angels of madnessMon Mar 16 1992 12:463
    I herd from Jesse Hernandes (a non-guitarist) that Coop's Marshall
    had an ultra-rippin tone as well...blew doors on the MP-1 (Mosquito
    Preamp - 1).
2473.17suit my needs/wants just fineFRETZ::HEISERmaranathaMon Mar 16 1992 13:2311
    If I had my way, I'd have the best of both worlds:
    
    Rack'o'Doom for effects only + {insert fav amp head} + Marshall 1960B
    
    I still have visions of using my M1 as a head + a 4500 sitting on top
    of a Marshall 4x12 (the new stereo models so I can dedicate a head to
    each channel) plus a 4 space rack with some of my fav processors.
    
    Then a footswitch to switch between heads or both at the same time.
    
    Mike
2473.18Coop....same guy?NAVY5::SDANDREAWhat, me worry?Mon Mar 16 1992 13:2711
    The last few remind me of a similar happening....I used to play in a
    band with a guy named Coop.  He had a Rack-O-Doom, and all I had was a
    KH M3 stacked on a Peavey 4 X 12. I played a Les Paul Deluxe thru a
    tube screamer, and had a footswitch to turn on the KH overdrive.  This
    guy Coop ended up buying a KH M3......interesting!  Wonder if it's the
    same guy??  He even was quoted to say (once) "Steve, how can I get that
    tone"........
    
    8^)
    
    Bulldawg (AKA "steve, the Coop harasser)
2473.19KDX200::COOPERStep UP to the RACK !Mon Mar 16 1992 13:554
Of course it was cutting thru - I had a 50wt FULL stack cranked FULL BLAST !
:)

jc (Who'll start up a new discussion on Friday nights events)
2473.20Marshall RulesCSC32::THOMASTraveling is better than arriving.Mon Mar 16 1992 14:156
    Didn't Tom (the other guitarist) have a MOSVALVE that was cranking out
    120 watts.. and didn't you say that you were having problems with
    volume on stage??
    
    Lowell
    
2473.21RAVEN1::JERRYWHITEHey you're pretty good - NOT !Mon Mar 16 1992 14:236
    I would wager that using similar speaker cabs, that the Marshall would
    devour the Mosvalve concerning volume.  In my last band, I was on stage
    with a VTM-60 (Peavey) using the exact same cabs, and it made my
    Mosvalve hustle.
    
    Jerry
2473.22KDX200::COOPERStep UP to the RACK !Mon Mar 16 1992 16:0274
Well, maybe this *is* a reasonable place to discuss this.

RE: Lowell
Actually the MOSvalve has 80wts.

Friday night wasn't such a good night...

All week I'd been struggling with a major "Zzzzzzzz" coming from my rig.
After our first set Friday night I decided I'd bring down the programmed 
masters in the Mp1 to try to reduce the buzz via my noise gate.  Bad idea...  
I'd be in edit mode with a bunch of people asking what I was doin'...  Kinda 
lost track and hosed a couple of my fave presets.  Opppss...  Played another 
set...

Decided I'd best use my backup (a 2550 Marshall head) - So I reconfigured.
I was still getting a major buzz from the Marshall, but I finished the night
with it:  The Marshall head, to me, was barely acceptable:  No sustain, no 
hi-gain-induced-squeely-harmonics - I was BUMMIN' !  I will say though, that
it got me thru.  But I'm very dependent on a real hi-gain signal, lots of 
compression, high-end response etc...etc...  The worst of it was I was so 
preoccupied with my equipment problems, it was effecting my playing, which
in turn made even MORE upset!  Ack!    Oh, and yes it 'cut thru' the mix 
alright.  I had the Marshall up on full volume (as I'd mentioned previously),
and running thru (2)4x12s.  It was takin' my head off on stage.  

Anyway, I took the rack home and pulled my Mp1 backups, and restored my 
patches.  No buzz at the house at all - everything worked.  I decided
that my noise had to be the lights we were using.  I also decided I needed
a backup in my *rack*.  :) 

We'd used all our lights, plus rented some PAR64's and a rack of dimmer packs
from our favorite light dood.  All in all, we had (6) 1000watt/channel -
12 channel dimmer packs in use...  That plus a 45+ lights and all the wires 
and cables hanging from lighting bars...

Bad idea.  Ever stand in front of your dining room light dimmer switch and 
play with the fader ??

Anyway, I was using (3) 4x12's - two stacked, and one half-high.  The rack was 
on the half-high right next to the dimmers with the power distribution snake
running up the wall (a bundle of 110 wires about 8" in diameter).  

I went down early Saturday and switched the speaker stacks around to get the 
rack away from the dimmers.  That was what it took.  The buzz was still there, 
but not nearly as bad...  It was actually the guitar pickups that would pick 
up the noise; just compounded by the proximty of the rack to the dimmers/snake.

Also, as a side-note, for future backup purposes, I snarfed a 9004 Preamp that 
was on sale cheap.  Nice little unit !!

So, RE: Tone wars 

To each his own.  A 'guitar - cord - Marshall' just doesn't work for me...  
Especially when my mind is all fouled up on top of that.  I love that Marshall
when I'm supposed to be playing thru it...  It's got two really cool tones
that really hump !   Unfortunately for me, searing hi-end, hi-harmonic laden 
distortion, compression etc... isn't one of the Marshalls high-spots.

If I were playing the Marshall and my strat in a blues band, I'd be in tone
heaven, but doin' Lynch Mob covers I gotta have my rack.  Ig-snay on the 
Arshall-May.

Also, while a lot of people seemed to like the tone I got with the Marshall
Friday night, I've had at least that many folks drop in here this morning 
asking about my tone Saturday night too.  One particular dood (Mike Ferris)
raved about it, and said I could quote him as saying "You had the sound that
so many guys with Marshalls try to get".

So, to summarize - To each his own I guess.  What works for me probably won't 
work for y'all.   But y'all don't have to play thru my rig in front of people- 
I do.  :)

jc

2473.23CAVLRY::BUCKWe heard the angels of madnessMon Mar 16 1992 16:0320
    Similarly...
    
    A local boston band, Boa, has two great guitarist...both are mgr's for
    EU Wurly's in Framingfart and Woosta respectively.  Now, the Woosta
    dude plays eitehr a Les Paul or a Custom Ibanez thru a 50wt Super Lead
    top, which is modded with a Soldano preamp retrofit, and a master
    volume.  EVERYONE used to compliment this guy on his roolin tone!!
    Now, the Framingfart dude plays a custom ESP thru an MP-1, plugged into
    the output stage of a JCM 900 high gain mk III.  No one ever
    complimented him on his sound, cuz he was always drowened out by the
    other dude.  Seriously it may have been a good sound, but I could never
    tell?!
    
    Well, I saw this band a couple of weeks ago and guess what?!  The MP-1
    is GONE, and the farmingfart dude was playing stright thru the JCM 900
    top.  And, surprisingly enough, he had a better tone than the other
    dude with the hot rod Marshall!!  He's very happy now becuase now he is
    getting compliments.  And everyone in Boa lived happily ever after.
    
    As for the MP-1?  It was sold to some young rack puke...
2473.24call me curiousFRETZ::HEISERmaranathaMon Mar 16 1992 16:204
    Coop, what does your soundman think of your MP-1's sound and ability to
    cut thru the mix?  Afterall, we know he wouldn't lie to ya ;-)
    
    Mike
2473.25curious to knowCAVLRY::BUCKWe heard the angels of madnessMon Mar 16 1992 16:212
    Yeah, what was the sound man's comments on the MP-1 vs. Marshall
    scenario??
2473.26KDX200::COOPERStep UP to the RACK !Mon Mar 16 1992 16:2810
He likes both.  He likes the Marshall sound and he likes the sounds 
AND diversity of the Mp1.  He hates dimmer-pack induced hum.  :)

FWIW - Jeff is an cool soundman - a little lacking in the experience
department, but he has his feces all lined up.  He's organized and
works hard for us.  My only feedback to him (ever) is he's a little
afraid to rail the volumes, and he tends to listen with his meters more
than his ears sometimes.

jc
2473.27go for it Greg! ;-)FRETZ::HEISERmaranathaMon Mar 16 1992 17:201
    
2473.28FREEBE::REAUMERACKer-not a STACKerMon Mar 16 1992 17:2117
    
    
      May my presets that I've worked so hard on the last few days never
    get bonked. I'd be bummin' cause now that I've put in my time I'm real
    happy with the ACCESS/Intellifex/SP-1000 arrangement. Maybe it's good
    that I wasn't floored right away because now I know what the ACCESS is
    capable of. Remember - I had knobs on my other preamps that are capable
    of four modes and *only* two EQs. No more K-nobs. Gotta make those
    LED ladders do the right steps to get the right sound. The range of
    the EQ is BIG, so it is easier to not get what your after by being
    somewhere you don't want to be. (I don't know if *I* understand what I
    just said?) Anyway - I bet that Cooper could've helped me set it
    up quicker since he's a speedy, experienced MP-1 programmer.
       All's well. And my REXX 1602/601 is a very small and inconspicuous
    backup unit always at the ready to rock.
    
    							-B()()M-
2473.29KDX200::COOPERStep UP to the RACK !Mon Mar 16 1992 17:245
Yo BooM - I gotta have a crack at an Access one day - they sound way-cool!!

Also, I tried a PV 5150 this weekend.  Pretty neet !

jc
2473.30CAVLRY::BUCKWe heard the angels of madnessMon Mar 16 1992 17:313
    >Also, I tried a PV 5150 this weekend.  Pretty neet !
    
    Dats all ya gonna say??  
2473.31FREEBE::REAUMEACCESS the Tone ZoneMon Mar 16 1992 17:446
    
    
    
    	   ----not enough LED's.
    
    						-B()()M-
2473.32My take...GOES11::G_HOUSENow I'm down in itMon Mar 16 1992 17:4519
>                            -< go for it Greg! ;-) >-
    
    Go for what, instigator?
    
    I thought Coop's Marshall had a totally ROOLIN tone Friday night.  It
    sounded a lot better then the rack rig.  Like Lowell said, Tom's sound
    from his GP-16/MosValve rig was making the Mp-1 rig sound really thin,
    but the Marshall made Tom's rig sound wimpy in comparison.
    
    It was fat, punchy, cut through the mix, but didn't dominate it. 
    Everything I like about a good hard rock guitar sound!
    
    
    
    
    Naturally Coop hated it...
    
    
    Greg
2473.33KDX200::COOPERStep UP to the RACK !Mon Mar 16 1992 18:0623
>    It was fat, punchy, cut through the mix, but didn't dominate it. 
>    Everything I like about a good hard rock guitar sound!

Naturally it was all that - It was full blast!  :) My ears are still flopped
over backwards from standing in front of it.  I was totally out of the mix,
according to 'sound_man_jeff'  Anything in the PA mains was bled thru my vocal
mike !  It was crankin' REALLY loud !!  

Also, FWIW - Is there not a difference between metal and hard rock ??

>    Naturally Coop hated it...

Yeah, we gotta face facts here - you're tastes and my tastes are exactly
180 out of phase.  I like NO mids, you like 'em cranked.  I like processed
gear, you like cords and amps.  You like to stick out in the mix, I like to
contribute to it. (Hmm, didn't come out quite right).  Anyway, about the 
only thing we DO agree on is that Ibanez ROOL and Rice is tres-cool !  
Chances are dood we'll never come to an impasse.  Perhaps thats why we get
along ??  :)

jc (Who'll stick with his rack)


2473.34;-)FRETZ::HEISERmaranathaMon Mar 16 1992 18:163
>    Go for what, instigator?
    
    moi?!
2473.35X-posted from HEAVY_METAL...KDX200::COOPERStep UP to the RACK !Tue Mar 17 1992 12:3133
             <<< LANDO::ADMIND:[NOTES$LIBRARY]HEAVY_METAL.NOTE;1 >>>
                                -< HEAVY_METAL >-
================================================================================
Note 666.241                        HardBall                          241 of 249
CYNO::FERRIS "Guaranteed to blow your head apart"    24 lines  16-MAR-1992 18:13
                                 -< My Review >-
--------------------------------------------------------------------------------
    
    
      I agree Kat! Its been some time now since I heard HARDBALL. I have to
    say I was impressed by how much you guys improved since the last time I
    saw you. The overall sound quality was improved also. I thought that
    the band played a good selection of tunes that kept the overall crowd
    happy, and still catering to the HM people at the same time.
     I thought your new drummer was a good move for the band. Much more
    dynamic than the last guy you had.
     The thing that really stood out to me was the sound that Coop was
    getting. Both guitarists in the band play Marshall, which is my fav to
    hear. But, the sound that Coop was getting was much fuller and richer
    sounding that the other guitarist (can't remember his name). I don't
    mean to say he sounded bad, its just that his tone was kinda weak in
    comparison to the sound of your set up. Thats why I was asking you if
    you had a tube Marshall, when you were explaining your set up to me, I
    didn't know the rack set up was really being used.
     My opinion, if both you guys could have the sound you were getting
    last Saturday when I heard you, WOW, you'd be puttin some hair on the
    wall if you know what I mean! I really enjoyed hearing you guys and
    will make a point to come out again. A band you must check out in the
    Springs area. Well done Coop! Keep it up!
                                                  mike
    
   
2473.36CSC32::THOMASTraveling is better than arriving.Tue Mar 17 1992 13:008
    Coop,
    	Sounds like everybody really liked the Marshall
    
                           except YOU...
    
    
    Lowell
    
2473.37RAVEN1::JERRYWHITEHey you're pretty good - NOT !Tue Mar 17 1992 13:113
    Everyone knows how stupid your average bar crowd is ... 8^)
    
    Jerry
2473.38KDX200::COOPERStep UP to the RACK !Tue Mar 17 1992 13:1610
Well, Mike is a drummer with many years of experience...and a budding 
guitarist.  You'll note that he didn't realize I was using my rack until
I pointed it out to him.

>    when you were explaining your set up to me, I
>    didn't know the rack set up was really being used.

The point of the cross-post was that not *everyone* thinks my tone is shit.

jc
2473.39I want Coop's tone now dammit! :-)STAR::SALKEWICZIt missed... therefore, I am Tue Mar 17 1992 16:4952
    Well beside the fact that Coops tone is Sh*t ... :-) :-)
    
    I can't believe what a debate has been started here... great stuff
    and interesting too ,.. keep it up doodz,.. but,.,. honestly,
    	I think we should all give Coop a break about now...
    
    	Anyway,,. I was out sick yesterday and missed out on a lot
    of this conversation, .. but in the "catching up" department
    
    	re Steve Goodwin
    
    		For those of you that may not know,.. Steve and I were
    jamming together in a band not too long ago. ,... And "Soko"
    pronounced (sock-oe) is one of my many nick names...
    
    		Anyway,. Steve,.. you had the only rig with tone when
    we were playing together and I was using the Peavey. Your KH blew that
    Peavey so far into the woods that,.. well,.. ther was really no
    contest. In fact, this was part of what got me shopping for the
    Marshall. Unfortunately,. that line up broke up before I scored
    the new amp.... I'd like to get together for a comparison with the new
    rig sometime.
    
    	I hesitate to compare the tone of your rig "from memory" to my
    current rig. And as someone said,.. should really use all the same
    external equipment (guitars, peramps etc etc.) to the amp to do
    a real apples to appes comparison. Dave and my "externals" were about
    as far apart as night and day,. so we didn't do a true amp to amp
    comparison. But,.. I do feel it is safe to say that the Marshall amp
    does have more "deliverable" gain. All I mean by deliverable is that
    it still cuts through. The KH has decent gain,.. maybe even as much
    as the Marshall,.. but it gets muddied up by the ever-present bass.
    It just didn't seem to cut through with the same fully rounded
    clarity of tone that the Marshall does in its high gain settings.
    
    	However,..we declared the amps an "overall tie",.. meaning the gain
    was only one factor in an array of factors. We also comapred low
    gain tonality,.. and in low gain (clean, bell tone style) mode,
    Dave was getting better tone out of the M3. He had the bell tones
    that were just so nice,.. where mine were only "pretty good". So in
    that department,.. the KH came out on top,.. although I still
    think the Tele and the extra pedals he had were contributing to his
    success in this area.
    
    	Anyway,.. I didn't realize what fun we would have with this topic.
    Glad to see everyone enjoying themselves,..
    
    							/Bill_aka_Soko_aka_
    							Catlydian...
    
    PS Coop,.. smile dood ! :-)
    
2473.40\CAVLRY::BUCKWe heard the angels of madnessTue Mar 17 1992 16:577
    Re: Cat-o-lydian-nine-tails...
    
    >Unfortunately,. that line up broke up before I scored
    >the new amp.... I'd like to get together for a comparison with the new
    >rig sometime.
    
    and the new chops!  8^)
2473.41KDX200::COOPERStep UP to the RACK !Tue Mar 17 1992 17:0116
Yeah, the bottom line is what works for you...  Not if you endorse 
someones head OR a line of rack-mounted-gear OR both...

I still submit that your 'tone' comes more from your fingers than
your rig...But if you find something that will enhance...  GO FOR IT!

I promise you that if you wanna play BB King and Muddy Waters material,
you won't be happy with a rack_from_hell...  getcha a Twin...

Besides all that - it's important what YOU think of your tone,
not what someone else thinks.  Should I care if everyone thinks my tone
is better thru a Marshall or a rack ??   <Insert Homey The Clown Voice>

"I don't think so - Homey don play dat!"

jc
2473.42Umm...GOES11::G_HOUSENow I'm down in itTue Mar 17 1992 17:5212
>Well, Mike is a drummer with many years of experience...and a budding 
>guitarist.  You'll note that he didn't realize I was using my rack until
>I pointed it out to him.

    Umm...no offense or anything man, but also remember that Mike has
    severe hearing damage and has to wear very thick custom molded earplugs
    to be able to go see a band...  
    
    Not saying his opinion isn't valid, just that it might be slightly
    tainted.

    Greg
2473.43tone comparison time!GOOROO::CLARKI'm too sexy for my jobWed Mar 18 1992 11:3811
    so, all this disussion has me curious. Is anyone up for a 
    'tone-a-thon' wherein everyone could get together with their
    stuff and we could HEAR all these subtle tonal differences?
    
    I don't the particulars, like how we're going to keep everybody
    from playing at the same time, but I bet we could work something
    out.
    
    yay/nay? 
    
    - Dave
2473.44DECWIN::KMCDONOUGHSet Kids/NosickWed Mar 18 1992 12:596
    
    
    I'd be interested.  Maybe a Northboro F+G event?  
    
    Kevin
    
2473.46KDX200::COOPERStep UP to the RACK !Wed Mar 18 1992 13:193
I'd love too...  Wish I lived in Massachusetts though...

:(
2473.47FDCV09::GOODWINWed Mar 18 1992 13:2011
    re:  last couple
    
    I'd be up for it...  I'd be curious to hear how the JCM900's
    stack up (no pun intended), and I could bring the KH M1 entry.
    
    Depending on how much interest there is, it could range from
    a few folks getting together in someones basement to a much
    larger organized event.  We would probably need someone to
    to organize and coordinate...  
    
    /steve
2473.49CAVLRY::BUCKWe heard the angels of madnessWed Mar 18 1992 14:262
    I'll bring the JCM 900 MK III and the 5150!
    
2473.50RGB::ROSTThe Legend Lives On: Jah RostafariWed Mar 18 1992 14:353
    I'll rent the tow truck if someone wants to bring a Twin....
    
    						Brian
2473.51the voice of the people has spokenGOOROO::CLARKI'm too sexy for my jobWed Mar 18 1992 14:358
    Okay, sounds like there is a lot of interest in this. Why don't
    you send me EMAIL if you're interested (and geographically 
    contiguous); depending on how many people respond we'll try
    to figure out how do pull this off. I don't think the F&G was
    overly happy with our last outing there about 3 years ago; the
    extreme volume drove away all their regular customers :-)
    
    - Dave
2473.52GIAMEM::RATTEYWed Mar 18 1992 14:406
    
    
    	I'd be interested.....don't know if I should I bring my 
    	KH M3 or the blackface Super Reverb....maybe I'll bring both...
    
    Ray.
2473.53DECWIN::KMCDONOUGHSet Kids/NosickWed Mar 18 1992 14:478
    
    
    If the dates work out, I'll bring a 50-watt JCM900 Dual-Reverb head
    with Marshall 2-12 cab.
    
    
    Kevin
    
2473.55CAVLRY::BUCKWe heard the angels of madnessWed Mar 18 1992 15:142
    If this happens, I'll bring the GUITAR Noters Photo Album (which I
    still have, btw).
2473.56GOES11::G_HOUSENow I'm down in itWed Mar 18 1992 15:203
    Not taking the REXX, Buck?
    
    Greg (who would *love* to be involved, but lives in CO)
2473.57first pass at organization ...GOOROO::CLARKRunning on FaithWed Mar 18 1992 15:3330
    okay, thanks for the enthusiastic response so far!
    
    here's a rough idea at what I think would work:
    
    1. We need to have some RULES!
    
    2. this is not a free-form jam; what we're trying to do is 
       benchmark (how's that for a how buzzword?) the tones of
       different amps and decide who's 'best-in-class'. Clearly,
       different amps are better for different purposes. So we
       need to test amps under different circumstances. I propose
       we get a place (like the F&G, we can always lie to them about
       out true intent :-) ) and do something like:
    
    have a 'house' band which would consist of rhythm guitar (plus
    vocals?), bass, and drums. Then have maybe 3 people at a time 
    get up and play, taking turns doing leads. That way people could
    A/B different rigs without everybody playing at the same time.
    
    Also, it might be nice to breakthe night down into different
    sections; e.g. drag out the Twins for some blues tunes, then 
    do Metal, country, rock, and jazz. That way we could see how
    Marshalls rule for metal but M3's rule for that just over-the-
    edge blues tone. (Could also see who's a hot country or metal
    or jazz player.)
    
    I'd like to keep it informal but not chaotic. Like a Twin turned
    up to 8 1/2 :-)
    
    how does that sound? - Dave
2473.58Otherwise, It's Just Another JamRGB::ROSTThe Legend Lives On: Jah RostafariWed Mar 18 1992 15:4411
    Re: .57
    
    Dave, the thing you left out is that if people really want to make
    comparisons, you need some A/B boxes, so say one guy gets up and plays
    and the amps can be kicked in and out and compared in real time.  That
    way there's no question what part of the sound is the amp as opposed to
    the contribution of the axe and player.  I'd think that one lead player
    at a time is the way to go.  And if the idea is to check out amps, why
    bother with a singer?  
    
    							Brian
2473.59DECWIN::KMCDONOUGHSet Kids/NosickWed Mar 18 1992 15:4919
    
    
    As another approach, how about if everybody demos their particular rig
    in several styles, one at a time.  Fer instance, Larry could demo the
    clean/blues/high-gain sounds of his Marshall combo, while the rest of
    of just listened.  Then the next person would demo their rig.
    
    This would eliminate the jam aspect (until the end, of course!) and
    keep the volume down.
    
    Kind of like a Guitar Player amp shootout.
    
    Thoughts?
    
    Kevin
    
    
    
    
2473.60CAVLRY::BUCKWe heard the angels of madnessWed Mar 18 1992 15:521
    I'd like to see (hear) this more as a demo thing than a jam...
2473.62KDX200::COOPERStep UP to the RACK !Wed Mar 18 1992 16:1311
RE: Singer

I have to quote my favorite drummer:

"Vocals are just filler between guitar solos"

Man, I'm jealous that no one will show with an Mp1 (=Marshall Pouncer)...
:)

I *wanna* come !!
jc
2473.63ZZZZZzzzzzzzzzzzzzzzZZZZZZZZZZZZZZzzzzzzzzzzCAVLRY::BUCKWe heard the angels of madnessWed Mar 18 1992 16:166
    -1
    
    You got it wrong, bucko...
    
    
    MP = Mosquito Preamp!
2473.64wahhhhh, I wanna come!NAVY5::SDANDREAWhat, me worry?Wed Mar 18 1992 16:1910
    *  I'll just bring my Les Paul......it won't matter WHICH amp I use...8^)
       (Yes, that Gibson tone...)
    
    *  If ALL of you guys can wait and accomodate MY schedule, I'll be in
       Boston (Bahston) the week of May 11--15.  I'd LOVE to meet and jam
       with yous guys.
    
    
    Steve (who's sorry he's gonna miss this one....)
    
2473.65PHAROS::SAKELARISWed Mar 18 1992 16:235
    I too prefer the demo approach, or whatever so long as there's more
    organzation than chaos. Count me in on this. I'll bring "the
    Twin". It'd be good to put faces to names.
    
    "sakman"
2473.66dreamin....NAVY5::SDANDREAWhat, me worry?Wed Mar 18 1992 16:407
    Sak,
    
    I'd LOVE to hear my LP thru "The Twin"....no FX, just plug 'er in and
    turn it up!  I saw a Toy Caldwell (Of Marshall Tucker Band) concert. 
    He used an ES335 thru a "The Twin"......beautiful tone!
    
    Steve (sigh)
2473.67CAVLRY::BUCKWe heard the angels of madnessWed Mar 18 1992 16:425
    No Steve,
    
    You poor, misdirected man...you want to hear your LP thru the 5150.
    
    Here, plug in, and lemme dial up my LEAD FROM HELL setting...  ];^>
2473.68GOES11::G_HOUSENow I'm down in itWed Mar 18 1992 18:088
    I think you probably want to hear different amps with the same person
    playing them.  Another good demo type test would be showing how the amp
    sounded with various types of guitars (and pickups).
    
    It's also my opinion that it's impossible to generate a viable test of
    an amp without hearing it in a band context.
    
    Greg (bummin 'cause he can't come check it out)
2473.70we could _structure_ it..FDCV09::GOODWINWed Mar 18 1992 18:2620
	We could make it a formal process with a panel of judges. There
	could be an official scoring form listing the various categories
	of characteristics to be compared. If necessary, different types
	of performance criteria could be weighted any way the judges feel
	would be appropriate.  Then each amp could be rated and scored
	in each category, and an overall score established. The results
	could be tallied by the judges and announced or published in the
	notes file.

	We probabaly don't need multiples of the same type of amp (i.e.
	a dozen Marshalls) unless there is a fair representation of
	different models (i.e. plexi, super lead, jcm800, jcm900, etc...)
	Perhaps if we choose a panel, they could even select which amps
	will compete in the tone test.

	Another aspect which may be more difficult to organize is rules
	around effects used, speaker configurations, etc.. because these
	all will have a significant impact on the resulting sound. Are
	we trying to compare just the amps, or the overall sound of each
	different rig?
2473.71CSC32::THOMASTraveling is better than arriving.Wed Mar 18 1992 19:398
    I suppose that someone could record the evening and we could make our
    own decision...
    I think that testing one variable at a time would be the best way to
    do the test. In otherwords, using the same speakers for the different
    amps as well as the same front end equipment and guitarist.
    
    Lowell
    
2473.72count me inVIKING::JACQUESVintage taste, reissue budgetWed Mar 18 1992 23:5927
    I'd be up for it too. "The Twin" could use a good workout to blow 
    the dust off the speakers. I have a Morley panning pedal, which
    has two outputs and allows you to pan quickly from one amp to 
    another. This could be handy for doing A/B testing between 
    differant amps.
    
    Of course, I predict that after a couple of rounds of drinks, this
    "Amp contest" will turn into another jam, which would be fine with 
    me as long as it doesn't turn into another "volume jam".
    
    If we have a hall for an evening (~4 hours) why not do the amp
    comparisons early in the evening (while we're all sober), and
    then have small groups of people jam together for like 3-4 tunes
    per group. There should be no more than 2-3 guitarists in a single
    group, otherwise people start competing to be heard.
    
    If you guys really want to hear great tone, I should have my buddy
    Dennis come with his Vox AC30 and colorsound fuzztone. This rig get's 
    the most vicious tone I've ever heard, period. I've considered selling
    my Twin and buy one of these, but these amps can be troublesome. His
    other AC30 has been in the shop for the last 3 months, after the last 
    smoke show. Joe Minville can testify to the great tone these amps get 
    after hearing Dennis at Club 77. 
    
    Mark
    
    
2473.73howcum they never do these things out here?EZ2GET::STEWARTthe leper with the most fingersThu Mar 19 1992 02:545
    
    
                       JC, House_unit....road trip?
    
    
2473.74wait for the tone...FREEBE::REAUMEACCESS the Tone ZoneThu Mar 19 1992 10:029
      Hmmmm - it's only ~300 miles for moi-
    
      When the time/place is set I'll see what I can do! By that time I
    should have the new gig rig fine tuned. Obviously the ACCESS rack would
    make the trip, but maybe I should also bring the REXX 610s or 1602/601
      I'd bring a KH but I think there's already gonna be one represented.
    Sounds cool to me-
    
    							-B()()M-
2473.75tongue in cheek.....NAVY5::SDANDREAWhat, me worry?Thu Mar 19 1992 10:4118
    I know, why don't you guys HIRE a panel of professional judges,,,one
    from each major amp manufacturer.  This could be a kind of "Tone
    Olympics"...eh?  You could have opening ceremonies, lots of colorful  
    costumes, you could make a Tone Olympics Flame by torching one of
    Coops' guitars.  There could be TV coverage, with stupid commentators
    giving stupid opinions on yer Tone demos.  You could have your parents
    there to be interviewed, and they could even show stupid home movies on
    the sidebars....like when you slammed your first guitar into your
    birthday cake, and screamed "Metallica ROOOLZ!" on your second
    birthday.  Let's see, what else....oh yeah, you could have events too.
    Like....uh, guitar floor exercise.....the judges could not only judge
    tone, but your backflip style while soloing.  Thsi has defenite
    possibilities.....any other ideas?
    
    Or, you could just get together and have fun........nahhhhh, that would
    be too easy....8^)
    
    Steev
2473.76DECWIN::KMCDONOUGHSet Kids/NosickThu Mar 19 1992 12:0220
    
    I'd be in favor of everyone doing a demo of their own rig, for several
    reasons:
    
       1. We know our own gear and what it will do.
    
       2. We picked our amp/speakers for how they sound as a whole; using a
          reference cab might require big-time eq changes.
    
       3. It keeps a demo simple.
    
    Of course, doing a demo in front of a bunch of other players could be a
    little intimidating.  I'd prefer to demo my stuff without bass/drums,
    just to keep the emphasis on the tone and not my chops.
    
    Just MHO, natch.
    
    Kevin
     
    
2473.77my second or third $.02GOOROO::CLARKRunning on FaithThu Mar 19 1992 12:0711
    I agree with Kevin, everybody demos their own rig. And I agree
    with (?) that getting judges is overorganizing this a bit.
    
    What about breaking it down into different sections then having
    WWF-style battles with 2 guitarists and a rhythm section? 
    
    "In this corner, with a pukey Ibanez and Marshall Stack, is 
    Bill Buckley ... In this corner, with a maple-neck Tele and
    Kitty Hawk M3, is Dave Russo" 
    
    - Dave
2473.78CAVLRY::BUCKWe heard the angels of madnessThu Mar 19 1992 12:131
    Coop has my "pukey" Ibanez now!!
2473.79this would be fun....NAVY5::SDANDREAWhat, me worry?Thu Mar 19 1992 12:165
    An interesting demo would be to let two or three different players play
    the same axe, thru the same rig, with the same tone settings, and
    listen for the difference in tone!
    
    Steev
2473.80CAVLRY::BUCKWe heard the angels of madnessThu Mar 19 1992 12:311
    This sounds like a job for the Brotherhood of Tone!
2473.81FDCV09::GOODWINThu Mar 19 1992 13:4110
Judges certainly aren't a necessity.  We can make this into anything we
want it to be...  I only suggested some formal structure because I'd hate
to see it turn into a free-for-all volume wars type of thing where we
couldn't really focus on the tone.

re: B()()M, if you're thinking of making the trip and have the inclination
to bring the 100W M1 stack,  I'd be more than happy to defer the KH M1 slot
to you...I could always enter the SOHO/MosValve rack instead of the 60W M1.

/steve
2473.82WHy Bother,. we already know Marshall is "best" :-) :-)STAR::SALKEWICZIt missed... therefore, I am Thu Mar 19 1992 19:5324
    Wow,.. looky here what I started! :-0
    
    I'd definitely be into participating/providing my rig for comparison
    (although its now identical to Kevin's, except for guitars). Hell
    I'd even be into just listening...
    
    Some thoughts:
    
    	1) No more than two guitars at a time please,.. preferrably one
    
    	2) I don't like the idea of juges, scoring, and competition.
    Everyone who is there can make up their own minds. I'd rather give
    everyone more time to demo and play than to spend time doing detailed
    analysis etc etc... at the end of the night,.. everyone could cast
    an informal vote ... The value to me is in hearing all the different
    rigs and stuff,.. and to have that chance to make up my own
    determination. The "best" is again a subjective matter of taste,..
    and I wouldn't want us to get hung up trying to determine whats
    best,...cuz really no one thing is...
    
    	3) Everyone shoudl get equal treatment with respect to alloted time
    to demo or jam or whatever...
    
    							/Bill
2473.83and the winner is.......TRUCKS::LITTENFri Mar 20 1992 05:3413

What you guys ought to do is the same trick they do for HiFi rigs 
ie. blind testing.

Set up a stage with an accoustic curtain, and do pair "play-offs, with the 
judges giving their verdict. A semi-final then a final.....winner declared.

The curtain stops posing/gear preference biasing opinions.

Dave


2473.85wish I could see this stuffEZ2GET::STEWARTthe leper with the most fingersFri Mar 20 1992 13:2116
    
>	Set up a stage with an accoustic curtain, ...
    
    But can still see the LEDs???
    
    I can't see this as a black tie affair...I think I'd favor the candy
    store approach...a row of guitars and a row of racks and a row of
    stacks.  Every fifteen minutes, a flashpot explodes and you have to
    switch rigs.
    
    Not satisfactory, either, huh?  Not enough time, too loud, and no
    pretense at objectivity.
    
    Actually, I can't see anyway to do anything more than casual analysis
    with this much gear in one night...so why try?
    
2473.86More Questions than answersNEST::CONROYWatch out! U might get what u're after.Fri Mar 20 1992 14:3721
This sounds like it might be interesting, as long as it doesn't
degenerate into a volume war.

Count me in as definitely interested in coming, but I've got a few questions.

My amp is a Marshal microstack. I'd bring it for demo purposes, if
anyone wants to see what they sound like, but I don't think it's
loud enough to play over a band.

Would this be an opportunity to try out other people's equipment?
For example, I'd love to hear my guitar through Larry's JCM900
combo. Would this be possible or would that be too crazy to organize
with all the equipment and people?

I could bring a nylon string electric also, and that wouldn't really fit
into the band format.

One last thing, why does it have to be a tone "contest". I would forget
about the judging stuff, although comparisons would be interesting.

Bob
2473.88PHAROS::SAKELARISFri Mar 20 1992 15:425
    re .-1
    
    Agreed, bring your ministack. I'd like to hear it.
    
    "sakman"
2473.89NEST::CONROYWatch out! U might get what u're after.Fri Mar 20 1992 17:314
    
    Sounds good to me. We'll have our own "DAMM" show!
    
    Bob
2473.90I've had enough ADA bashing !FSOA::BKALINOWSKITue Mar 24 1992 17:259
    COOP.......
    
    There will be an ADA_MP1, Mosvalve, SE50 Rig there........
    
    
    Mine...... I be the keeper of the ADA faith.  If the day permits Count
    me in !
    
    Brian
2473.91KDX200::COOPERStep UP to the RACK !Tue Mar 24 1992 17:357
RE: Brian

'Ats my BOY !!

Take no prisoners !!  Show 'em that lovely chorus too.

:)
2473.92"I think there's a mosquito in here!"GOES11::G_HOUSENow I'm down in itTue Mar 24 1992 17:575
    Yo Brian, do you think anyone will be able to hear it?
    
    Yuk yuk yuk!
    
    gh
2473.93BUZzzzzzzzzzzzZZZZZZZZZZZZZzzzzzzzzzzzzZZZZZZZZZzzzzzzzzzCAVLRY::BUCKcry to meTue Mar 24 1992 17:573
     >                  -< "I think there's a mosquito in here!" >-
     
    Swat that annoying thing...
2473.94KDX200::COOPERStep UP to the RACK !Tue Mar 24 1992 18:0712
I'll swat both you guys...

:)

FWIW - Brian has agreed to demo my patches for me too - just to show you the
       verstility thing, I'm gonna have my MPU401 dial my built-in modem to
       Brians MPU401 with built in modem and do the patch load in real-time
       whilst all you Marshall pukes are fiddling with knobs and cables.
       Right Bri !?!?!       Wagagagagagagaaaaa...  Just as good as being 
       there.  :)

Wagagagagagagagagaaaa...
2473.95better than RaidFRETZ::HEISERmaranathaTue Mar 24 1992 19:121
    A few power chords from the JCM900 and it will magically disappear.
2473.96Bucks a monster,.. believe itSTAR::SALKEWICZIt missed... therefore, I am Tue Mar 24 1992 19:2810
    the  "tone" of this conversation has this thing turning into
    a real competitive kind of deal,.. 
    
    I'm going to downgrade myself to (maybe) casual observer
    
    If I want to get blown away, .. all I gotta do is show up for
    my next guitar lesson...
    
    							/Bill
    
2473.97KDX200::COOPERStep UP to the RACK !Tue Mar 24 1992 19:376
Yo Bill - haven't you been around  here long enough to knwo that use folks
in the "B.O.T."  THRIVE on trying to get each other dander up ??

jc (Who knows buck is a monster, but this is a TONE war, not a chops war :)

PS - if it were the later, I'd lock myself in the basement.  :)
2473.98CAVLRY::BUCKcry to meTue Mar 24 1992 19:542
    Brian K has a NICE 100wt Marshall he should be proud of, so THAIR!
    8^P
2473.99KDX200::COOPERStep UP to the RACK !Tue Mar 24 1992 20:058
Gee, everyone with Mp1s who owns Marshalls also, seems to have a #1 
rig tho.

>:-0

Wagagaga.

jc (who doesn't own a marshall any longer)
2473.100oh yeah - 100 repliezzzzUNYEM::REAUMEACCESS VALVEWed Mar 25 1992 10:098
    
    
      Maybe I'll just bring my acoustic ---- B-}.
    
      Are we closing in a proposed date for this. I can possibly rack and 
    roll out to MA, I-90 all the way!
    
    							-B()()M-
2473.101Geeze are you guys mean FSOA::BKALINOWSKIWed Mar 25 1992 10:3735
    
    
    Who's the sicko' that suggested I was going to attempt a "Chop Off"
    with anyone.....Bahha aha ha ahaha aaaah. NO..NO..NO....  This is a 
    tone benchmarking party ! Geeze if I had to try to play better than 
    someone I'd lock myself in Coops basement.
    
    JC and I  will do a real time long distance (better yet we'll use TSN to 
    avoid those Lond distance modem charges) midi link and download. Then I'll
    play some lame'o leads and a coupla power chords so all those who
    didn't have the patients to learn how to program their ADA's can hear
    what they can really do. 
    
    Coop....Make sure to send me tose patches you'd like them to hear just
    incase the modem card I installed in the ADA sh*ts the bed. No reason
    to bring a "Scholar" when you've got a built in modem. ;*)
    
    I think these sound tests should be done blindfolded. Too many of you
    ADA bigots are prone to condem it before you even give it a fair
    Listen.
    
    Audience: "Oh that's an ADA....sounds like mosquito,buzzzzzy, crap....
    	       Really...geeze next to the Marshalls I can't hear it at all." 
    
    Common guys ... we all work for Digital.... shouldn't Valuing
    Differences be extended to include amplification preference and
    orientation. 8*)
    
    RE: Buck
    
    I put three new 12AX7's in the Marshall head. It now has new life.
    Crunches like Grape Nuts. Maybe I'll bring the Marshall head also.
    Thanks for the endorcement
    
    BK
2473.102does that Marshall stay crispy in milk?RICKS::CALCAGNImultiple sarcasmWed Mar 25 1992 10:547
    "Crunches like Grape Nuts", I love it!
    
    If I decide to show up and play some 6 at this shindig, none of you will
    have to worry about being embarrassed by your chops; I'll have that
    market cornered.
    
    /rick
2473.103any other takers?GOOROO::CLARKRunning on FaithWed Mar 25 1992 11:0819
    So far, the following people have expressed interest in being at
    this 'tone benchmarking party' (I like that! Kinda blends 90's
    buzzwords with timeless guitar Darwinism). Not everyone wants to
    play, but hey, that's okay, I can value your differences.
    
    octave::vigneault
    calvry::buck
    decwin::mcdonough
    e::evans
    uspmlo::desrochers
    ardev::goodwin
    ricks::calcagni (offered to play bass)
    star::salkewicz
    stout::russo (my tone brother-in-law to be!)
    
    anyone else? I'd like to get together somewhere in the near future
    (offsite after work over a few brewskis of course) and hammer out a plan.
    
    - Dave
2473.104;-)FRETZ::HEISERmaranathaWed Mar 25 1992 11:161
    hey Greg, Coop, don't ya think we should sign up for a class that week?
2473.1051 moreFSOA::BKALINOWSKIWed Mar 25 1992 11:566
    re:-2
    
    Geeze Dave.....Don't forget me.
    Or do us ADA people not count 8^)
    
    Brian
2473.106FREEBE::REAUMEACCESS the Tone ZoneWed Mar 25 1992 11:5811
    
    
      .....an addition to .103 (if I make it I betcha I would travel the 
    furthest!)
    
    freebe::reaume
    
    						-B()()M-
    
    p.s. scheduled date will detemine if I can make it!
    
2473.107PHAROS::SAKELARISWed Mar 25 1992 12:269
    Count me in on this. I'll be bringing my "The Twin". 
    
    I'm also thinking if someone has a jam tape or a sequencer with a
    couple of jam tunes -guitar we could set up, it might be useful. I do have
    a keybaord that I have a couple of things loaded that I play along with, 
    but one of our midipeople or some of you with recorders might be
    better. Whatever, its gotta be generic - like blues or basic R&R based.
    
    "sakman" 
2473.108MANTHN::EDDI refuse to talk to myselfWed Mar 25 1992 13:015
    I'd be willing to provide the same sequences I offered on the jam
    tape, if I could be provided with amplification. I'd need a minimum
    of 4 inputs, preferably in stereo...
    
    Edd
2473.109WASTED::tomgI'd rather eat dirt....Wed Mar 25 1992 13:287
I'd like to attend, though I have no rig to show (or is that
show off? ;^) ).

I can play a little bass, if that's on the agenda...

-T
2473.110Not I, sorry...GOES11::G_HOUSENow I'm down in itWed Mar 25 1992 13:387
>    hey Greg, Coop, don't ya think we should sign up for a class that week?
    
    Oh, if getting out of town were *that* easy.  They offer so many
    classes here, no manager in the Springs will sign off on travel for
    training... (except in *extremely* rare conditions)
    
    gh
2473.111So what do you have so far?WEDOIT::ABATELLIWho knew?Wed Mar 25 1992 14:1425
    So ya gonna make it really fair?
    
    Like...
    1.) No effects (makes it fair for any amp w/o reverb)
    2.) Straight into the amp (no added gain devices except for the amp)
        (exception to the rule would be preamp/pwr amp rigs)
    3.) One LARGE cable to go to all the rigs
    4.) Many MANY colored sheets to go in front of the amps so folks
        don't know *what* they's playing.  8^)
    
    So just out of curiousity...   how many rigs do you guys have so far
    and *what* are they?  
    
        Make	    Model		Quantity  ;^)		Owner
    ____________________________________________________________________
         ???         ???                  ??                  ??????????
    
    
    
    		Just call me curious....
    
    
    				Rock on,
    					 Fred
                                             
2473.112KDX200::COOPERStep UP to the RACK !Wed Mar 25 1992 14:158
Yeah, what he said.  

Bummer though.

But - I'll be out in early June for a couple weeks...

jc (Who might not be able to bring his rig, but would liek to attend a
    gathering of sorts...)
2473.113DPE::STARRThey call it Paradise, I don't know whyWed Mar 25 1992 14:5112
Actually, if you really want to have a fair comparison of amps, the best way
to do it is to have ONE guitar player, using the same guitar, plays through 
each of the amps while everyone else listens. Otherwise, you'll never know
how much of the tone is the amp, and how much is the player and/or guitar.

Not that that would be nearly as fun, just more reliable....

BTW, you can sign my up (depending of course upon location and date). I'll be
bringing a KH Quattro -> SP-1000 power amp -> 2 1x12 Marshall cabs (assuming
effects are left out of the chain).

alan
2473.114life isn't fairRICKS::CALCAGNImultiple sarcasmWed Mar 25 1992 15:0411
    Personally, I don't care how fair or scientific a test this thing is.
    I suggest keeping it simple.  Each player get up there with his/her
    own amp and guitar and just do your thing.  If you want to go solo,
    that's cool.  If you want bass/drums backing you up, or even another
    guitar for rhythm, that's cool too.  I like the suggestion of no
    effects, just straight into the amp, but hey, if someone *HAS* to
    have their favorite box inline to really get that boss tone, I won't
    kick to much.  Just keep within the spirit, and not turn this into
    the battle of the network microprocessors.
    
    /rick
2473.115PHAROS::SAKELARISWed Mar 25 1992 15:0716
    Well I guess the title of the topic does sugest some sort of
    competition, but that's not at all what I'm interested in. I've written
    before about maybe trading amps with someone for a week or some such
    just to get to know the product in an environment different than at the
    store. 
    
    In particular, I would like to know a little better how my
    Fender compares with a Marshall. I've always loved the sound of a
    Marshall on record or on stage, but I've never had any real experience
    with one outside the store.  I see this as an opportunity to find out
    exactly what a Marshall or a Boogie or a .... sounds like. I'd like to
    hear you playing your rig, and I'd like to try it too using my guitar.
    
    "sakman"
    
    
2473.116dittoRICKS::CALCAGNImultiple sarcasmWed Mar 25 1992 15:192
    Yeah, I was going to mention that.  I'd definitely hope to
    see some "rig swapping" going on.
2473.117I'm still up for thisMILKWY::JACQUESVintage taste, reissue budgetWed Mar 25 1992 16:033
    Re 103.  Don't forget me and my Fender "The Twin" 
    
    Mark
2473.118FREEBE::REAUMEACCESS the Tone ZoneWed Mar 25 1992 17:3119
    
    
      Geeez - it's getting tougher. I won't pull my effects out of the 
    rack. What do I have to do, leave the effects in bypass?
    
      Timing is gonna be important here!
    
      What I can bring unaffected::
    
        H & K ACCESS MIDI tube preamp thru a Metaltronix SP-1000
    
        REXX 610S preamp into a MOSvalve power amp
     			-or-
    	   Kitty Hawk M5 (6V6 tubes) combo
    
      I could -punch in- the Intellifex is someone want to hear the 
    diff between effected and un-effected.
    
    							-B**M-
2473.119CAVLRY::BUCKWe shall be a nation free as oneWed Mar 25 1992 17:323
    -1
    
    REXX 1602 into KH 4x12...BOOM!
2473.120FREEBE::REAUMEACCESS the Tone ZoneWed Mar 25 1992 18:069
    
      C'mon Buck _ I gotta bring the newest GTS contraption!
    
      And the 610S is a lot like the 1602 w/ additional good.
    The KH 4X12? We'll see! I'm not gonna say any more until the 
    schedule gets set.
    
    						-B**M-
    						
2473.121FDCV08::GOODWINWed Mar 25 1992 18:3218
What I can do is either:

	KH M1  into  2x12 or 4x12

		-or-

	SOHO tube preamp  into  Quadraverb  into  MosValve  into  2 or 4 12's


If we're going to bypass effects,  I'll leave the QV+ out of the loop
altogether because the SOHO puts out a much hotter signal than the QV.
I have to use the input level on the QV to "tone" it down a bit.

And of course, the above will ultimately be tone-ified by the trusty
ol'  Gibson SG  (their famous Steve Goodwin model)...  8^)  8^).. insert
many smiling faces!!

Steve_who_wants_to_fill_out_an_application_to_join_the_brotherhood_of_tone
2473.122FRETZ::HEISERmaranathaWed Mar 25 1992 19:143
    Don't forget the Olympic-style-judge's-scoring cards.
    
    Marshall's will get the 10s.
2473.123KDX200::COOPERStep UP to the RACK !Wed Mar 25 1992 19:343
No Mike, Marshalls scoring cars go to 11.  

:)
2473.124I got clean ....RAVEN1::JERRYWHITEHey you're pretty good - NOT !Wed Mar 25 1992 20:096
    Hey, I could bring both configurations of my Laney.  That consists of a
    10' cable for home use, of a 25' cable for applications where my beer
    may be further than 10' from my amp.  My clean mode would hurt some
    folks feelings ...  8^)
    
    Jerry
2473.125GANTRY::ALLBERYJimThu Mar 26 1992 13:022
    The new 900-series scoring cards go to 20.
    :)
2473.126possible meeting spot?FDCV08::GOODWINThu Mar 26 1992 13:037
How about the Rusty Scupper on route 2A in Acton as a place to meet to
iron out details?   It's fairly central to the 3M area, and it's got a
large bar that can handle reasonably sized groups unannounced...

Is this a good or bad choice for anyone interested?

/Steve
2473.127SureFSOA::BKALINOWSKIThu Mar 26 1992 13:486
    Steve 
    
    Sounds good to me.....any night but Wednesday
    
	
    BK
2473.128let's get the ball rolling ...GOOROO::CLARKRunning on FaithMon Mar 30 1992 16:5314
    so, let's get down to business .. let's hook up somewhere and
    work out the details of this battle. Somebody suggested the
    Scupper in Acton; that's pretty central. I can meet after work 
    given enough lead time (depending on my wife's busy schedule).
    The week before Easter is bad for me since my wife is a church
    keyboardist.
    
    How about lunch? Anyone up for meeting then? We could meet at
    that Chinese place next to LKG (what's the name?)
    
    Send me email with your availability and I'll try to find a time 
    that's convenient for most people.
    
    - Dave
2473.129great buffet!CAVLRY::BUCKHeartbreak BoulevardMon Mar 30 1992 18:284
    >How about lunch? Anyone up for meeting then? We could meet at
    >that Chinese place next to LKG (what's the name?)
    
    Sure...Yanzee River (aka LKG3)  8^)
2473.130I'm In.FSOA::BKALINOWSKIMon Mar 30 1992 23:254
    Let me know when and if I'm here ( I have 2, 4 day to Canada comming up
    back to back over the next 2 weeks) I'll be there.
    
    Brian
2473.131next week ..GOOROO::CLARKRunning on FaithWed Apr 01 1992 18:506
    So, let's do lunch at the Yangtze River. What are the best days for
    you next week? Tuesday and Friday are not good for me. Other than
    that, I'm clear. Pls. send EMAIL so I don't have to wade through
    a bunch of replies here.
    
    - Dave
2473.132Wednesday, April 8, Yantze, be thereGOOROO::CLARKRunning on FaithThu Apr 02 1992 13:437
    Lunch it is, next wednesday at the Yangtze river at, say, 11:45.
    Is that okay with everyone? I'll make reservation/post an agenda
    in here early next week so we know basically what we're going to
    talk about. So far there are 4 people (including myself) who have
    expressed an interest in showing up.
    
    - Dave
2473.133FSOA::BKALINOWSKIThu Apr 02 1992 13:494
    How about some directions ?
    I don't know where this place is.
    
    BK
2473.134CAVLRY::BUCKHeartbreak BoulevardThu Apr 02 1992 14:004
    It's on RT 110 in Littleton, about 800 feet North of Littleton Common.
    It is DIRECTLY next to LKG2 (on your left), hence the surname name of
    the rest. being LKG3!  If you pass Kimball's Ice Cream, bang a Uee,
    you've gone too far!
2473.135GOOROO::CLARKI didn't inhaleThu Apr 02 1992 15:428
    re .-1
    
    further simplification ...
    
    take the rt. 119 exit off 495; head toward littleton. Make a left at
    the first light, Yangtze is about .1 miles up on the left.
    
    - Dave
2473.136KDX200::COOPERStep UP to the RACK !Thu Apr 02 1992 15:474
You guys are makin;' me DROOL FOR A KIMBALLS BANNANA SPLIT !!!!!!!!!
Whaaaaa...

jc (Semi-Weened)
2473.137DECWIN::KMCDONOUGHSet Kids/NosickThu Apr 02 1992 16:3511
    
    
    Are we really having a *meeting* to discuss a guitar rig comparison? 
    Arrrgggghhh.
    
    Then again, if the idea is to have lunch and shoot the breeze about
    tone, that's different. 8-) 
    
     Kevin
    
    
2473.138see you tomorrow ...GOOROO::CLARKI didn't inhaleTue Apr 07 1992 14:4115
    I'll make reservation for 8 for 11:45; so far about 5-6 people have 
    indicated interest.
    
    Here's some of the stuff I thought we should decide:
    
    1. Format; i.e. do we want to have a bass player and drummer? 
       2 rigs at a time? 1 at a time? Have some metal settings then
       some blues settings?
    
    2. Do we want to bother with a PA?
    
    3. Jam out at the end? If so, I'd still like to keep things
       from becoming '32 guitars all at 11'.
    
    - Dave
2473.139GOOROO::CLARKI didn't inhaleWed Apr 08 1992 13:193
    reservations for Clark for 11:45; hope to see some of you there!
    
    - Dave
2473.140UNYEM::REAUMEACCESS VALVETue Apr 28 1992 13:075
    
    
      ...looks like this topic is a "clean-up" candidate!
    
    							-B()()M-
2473.141ToneDemo is comingCAVLRY::BUCKAunty Emme ... It's a TWISTER!Tue Apr 28 1992 13:102
    No need to clean this up ... The Cat and I will probably plan 'just
    an equipment demo' affair sometime for the future.  Watch this space...