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Conference bookie::movies

Title:Movie Reviews and Discussion
Notice:Please do DIR/TITLE before starting a new topic on a movie!
Moderator:VAXCPU::michaudo.dec.com::tamara::eppes
Created:Thu Jan 28 1993
Last Modified:Thu Jun 05 1997
Last Successful Update:Fri Jun 06 1997
Number of topics:1249
Total number of notes:16012

708.0. "Bullets over Broadway" by EVMS::HALLYB (Fish have no concept of fire) Sun Nov 27 1994 18:08

    This delightful little film was playing at the Wilton theater over the
    (11/26/94) weekend. Written (partially) and directed by Woody Allen.
    
    New York theater district, 1928. A struggling playwright (played by
    John Cusack, looks to be Joan's brother) has written a good play, but
    producer friend (Jack Worden) can't get the financing. Furthermore,
    Cusack demands to direct the play having seen previous works mangled
    by inept directors and actors. He refuses to compromise, so the play
    appears to be headed for the dustpile.
    
    At a nearby nightclub "Olive" is one of a dozen dancers in a chorus
    line, but with big dreams to be a stage star. Olive is the current
    girlfriend of wealthy mobster Jack Valenti and wants him to find her an
    acting job. In short order, Valenti becomes the financial backer for
    the play with the proviso that Olive have a part in the play. This
    being a Woody Allen film it should go without saying that Olive has
    zero acting talent. This turns out to be the first of many compromises
    Cusack finds himself making as writer/director.
    
    About midway through this movie has a really cute twist that hits from
    out of the blue. Nothing fantastic (as in "Purple Rose of Cairo"), just
    a surprising turn of events that ends up heaping both fame and pressure
    on the young writer/director. The other actors in the play all have
    their agendas, and there are a few homages to the "early, funny" Woody
    Allen movies.
    
    This is only a light comedy with no pretentions otherwise. Well, except
    that perhaps Woody is asking us if we like him as an artist or as a
    person -- a recurring theme throughout the show.
    
    A big thumbs up for anyone with an opposable thumb.
    
      John
    
T.RTitleUserPersonal
Name
DateLines
708.1BUSY::FISED::SLABOUNTYThailboat!!Mon Nov 28 1994 10:185
    
    	Yes, John and Joan are brother and sister.
    
    							GTI
    
708.2Shoot from the hipSWAM2::SMITH_MAMon Nov 28 1994 21:469
    I saw this over the holiday.  I thought Diane Weist was great but Tracy
    Ullman really bored me.  Everyone else was good and I laughed a lot.  I
    loved all the "don't speak" stuff.
    
    Jennifer Tilly, as annoying as she always is, was perfect for the role.
    Woody Allen rarely disappoints me with his casting choices but I always
    miss him when he's not in his films.  Also...no Mia Farrow.
    
    MJ
708.3And the ending was tired and limpTNPUBS::NAZZAROWill edit for foodWed Nov 30 1994 13:2410
    I was rather disappointed in this movie.  Woody's writing didn't seem
    up to his usual standards.  Too much was predictable.  Too often he
    went for the obvious little laugh, which made scenes seem staged. 
    Dianne Wiest was terrific, but the rest of the cast was ordinary. 
    Chazz Palmentieri played the exact same person from "A Bronx Tale",
    not exactly a stretch.  John Cusack has done much better.
    
    5.5 out of 10, mostly for the quality of the period piece
    
    NAZZ
708.4not as biting as usual Woody, but still was pure '20s funAPLVEW::DEBRIAEMon Mar 13 1995 15:3238
  I simply loved this movie! It's definitely a light comedy and not something
  I'd nominate for the best-of-the-year category, but what fun it was! I
  enjoyed it immensely.

  Somehow the film found my fun nerve and tapped into it.  I didn't even mind
  the mafia murdering which would normally make me annoyed and bored in a
  movie, it was all under the "relax, it's a comedy" spell. 

  I liked everyone in the film.  Tracy Ullman did an amazing job, throughout
  the film I didn't see Tracy at all but her character instead.  She's a master
  of getting into character, yet this was even better than anything I'd seen
  her do in her TV show.  The same holds true for the rest of the crew.  The
  casting of all the characters was perfect.

  I liked the central themes of "liking the artist vs the man" and "do you save
  the art or the person if you're an artist" that ran throughout the movie.  I
  liked the lines which poked fun at the art community intelligentsia, lines
  such as "he's such a genius that even other geniuses can't understand his
  plays" and most of all, "he's genius enough to create his OWN moral
  universe," which naturally led to his wife explaining that the affair began
  when their genius friend "unzipped his fly to best illustrate his thoughts on
  Greek mythology." :-)

  The period 1920's aspects of the film were high quality and just a lot of fun
  all the way around.  The manner of 'acting' back then is always a blast to
  revisit.  The quality of the period piece was very high throughout, except
  for one nit I'm surprised that escaped Woody...  when you see them actually
  performing the play in Boston, their acting on stage was the style of acting
  on today's stage, NOT the manner of acting of the 1920's stage.  Both of us
  caught this and were surprised by it.  But otherwise the film was a real
  treat from start to end. 

  Of course "Don't speak...no...DON'T speak" has been used in the household
  several times already...  :-) 

  -Erik