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Conference mr1pst::music

Title:MUSIC V4
Notice:New Noters please read Note 1.*, Mod = someone else
Moderator:KDX200::COOPER
Created:Wed Oct 09 1991
Last Modified:Tue Mar 12 1996
Last Successful Update:Fri Jun 06 1997
Number of topics:762
Total number of notes:18706

36.0. "RUSH" by LUDWIG::VAGHINI (I'll throw a chimney at them !) Tue Nov 05 1991 04:16

    
               This is the place for stuff about RUSH,
               one of the finest Art/Rock/Pop bands 
    	       ever to grace a stage.....
    
T.RTitleUserPersonal
Name
DateLines
36.1National Midnight StarLUDWIG::VAGHINII'll throw a chimney at them !Tue Nov 05 1991 04:1715
     
    	For anyone who cares, there is a Rush mailing list which comes
    	out everyday.  It caters to TRUE Rush fans and is full of Rush
    	fans of all types fighting and drooling over Rush.  Be forewarned
    	if you are only a part time Rush fan, don't bother.
    
    	All you've got to do is send mail to 
    
    		Rush-request@syrinx.umd.edu
    
    	And ask to be put on the mailing list....
    
    
    					A True RUSHIAN
    						Listenup
36.2mailing listSOURCE::ZAPPIAMiles of SmilesWed Nov 06 1991 16:4910
    
    	Thanks for reminding me, all of a sudden I stopped getting them
    	and my mail address hasn't changed.  I sent mail but haven't
    	heard back yet.
    
    	I caught a bit of a live broadcast Sunday night but they didn't
    	say where it was recorded.  It was from a few years back though.
    	I haven't seen them in a few years so I'm looking forward...
    
    	- Jim
36.3LUDWIG::VAGHINII'll throw a chimney at them !Thu Nov 07 1991 04:464
    
    Hey, did anyone else get tickets for the show in Worcester Ma ?
    
    
36.4tixWILLEE::OSTIGUYThu Nov 07 1991 10:176
    Yes, I did...I went down the Thursday before they went on sale, and got
    a wrist-band, expecting good close seats...but, by the time I got in
    there Saturday AM, the next best tix were in section 105...which isn't
    bad, but not as good as I expected
    
    looking forward to Dec 10th !!
36.5I'll be thereMRKTNG::GOLDMANCreate changeThu Nov 07 1991 10:4710
    	I'll be there - section 125!  I can't wait either!

    	The radio show Sunday night was on the King Biscuit Flower
    Hour, a repeat from 1986 (right, adam? :^) ).  I wish I had known
    it was going to be on...

    	The reviews of the tour so far have been pretty good (I can't
    resist reading the spoilers in TNMS!).

    	amy
36.6EZRIDR::SIEGELThe revolution wil not be televisedThu Nov 07 1991 14:0625
re:< Note 36.5 by MRKTNG::GOLDMAN "Create change" >
>                               -< I'll be there >-
>
>    	I'll be there - section 125!  I can't wait either!

I'll be in Sec. 102, row D (straight back, first section above the floor).

>    	The radio show Sunday night was on the King Biscuit Flower
>    Hour, a repeat from 1986 (right, adam? :^) ).  I wish I had known
>    it was going to be on...

I was rushing to get my tape deck ready and I just started recording after he
said "from 1986".  I don't believe they mentioned the venue.  That's one thing
I dislike about the KBFH.  I wish they'd mention the venue and date, but
usually they mention a venue only, or a year only.  Oh well.

  **************************************************************************
                           IMPORTANT NOTE!!!
  **************************************************************************

Tickets for the 12/9 Providence CC show go on sale this Saturday (11/9) at 10
am at Ticketmaster!  All seats are reserved, $19.50 is the price, I think.  The
lady at the box office made no mention about "Gold Circle" seats.

adam
36.7LUDWIG::VAGHINII'll throw a chimney at them !Fri Nov 08 1991 03:457
    
    I dunno, I can't bring myself to read the spoilers in the NMS,
    But I must know...
    
    		ARE THEY PLAYING BYTOR AND THE SNOWDOG ?!?
    
    					Listenup
36.8come on Tuesday !!WILLEE::OSTIGUYThu Dec 05 1991 14:448
    Just wondering if anyone out there has seen any of the shows on this
    tour yet ?? I hear that Vinnie Moore is opening for them....anyone
    familiar with his work ?? I'm not, but I've heard him classified as
    "pretty heavy metal"   whatever that means
    
    I like "Roll The Bones" and I'm sure it will be a good show.
    
    Wes
36.9BTOVT::BEST_Ga thousand human time-bombsThu Dec 05 1991 16:068
    
    Vinnie Moore is in the category of "Neo-Classical".  Basically it
    consists of a zillion bursts of wicked fast notes all strung to-
    gether in a semi-meaningful sequence.
    
    Not bad if you like that sorta thing.
    
    guy
36.10Oh, well, Rush was once an opening act...STAR::WALLThu Dec 05 1991 17:317
    
    Well, I wasn't going to the Centrum show, but a ticket fell out of the
    sky, so I'm going!
    
    Vinnie who?
    
    DFW
36.11AND THE MERCURY IS RISINGUSWAV1::GERTZMon Dec 09 1991 12:388
    I SAW VINNIE ON THE HEADBANGERS BALL,AND BY THE WAY HE'S TERRIBLE!
    WHEN HAVE THEY EVER HAD A GOOD OPENING ACT!!!
    
    
    
    BRING ON THE PROFESSOR!!!
    
    
36.12VCSESU::MOSHER::COOKF.D.D.Mon Dec 09 1991 12:533
    
    In your opinion. Vinnie Moore is one of the best guitarists in the
    world.
36.13I SEE REDUSWAV1::GERTZMon Dec 09 1991 16:277
    MAYBE YOUR RIGHT,EVERYONE IS ENTITLED TO THEIR OPINION.
    
    
    
    GOOD DAY,AYE
    
    BANG YOUR HEAD!
36.14The Boys and FishSTAR::WALLTue Dec 10 1991 11:009
    
    Marillion opening for Rush on the Power Windows tour was, for me,
    pretty much a perfect combination, although I can see where they
    wouldn't be everyone's cup of tea.
    
    I wasn't going to be seeing them on this tour, but a ticket fell out of
    the sky, so I'm going...
    
    DFW
36.15ARRODS::OHAGANBAre you with me Doctor Wu?Tue Dec 10 1991 11:299
    I remember reading a interview with Fish where he gave the Rush 
    tour management a right slating over the way Marillion were 
    treated on the "Power Windows" tour. Usual stuff about the sound
    being dire for Marillion but recovering substantially for Messrs Lee,
    Lifeson and Peart. He did however give credit to the band for
    being genuine geezers. 
    
    Barry. 
    
36.16Perhaps you can't appreciate them as Alex doesDREGS::BLICKSTEINSoaring on the wings of dawnTue Dec 10 1991 14:564
    >     WHEN HAVE THEY EVER HAD A GOOD OPENING ACT!!!
    
    How about when a guy Alex Lifeson has described as the "probably the
    best guitar player on the planet" was their opening act?
36.17Centrum Show, 12/10STAR::WALLWed Dec 11 1991 16:1623
    
    It was fun to be a Rush fan last night.
    
    I have come to realize, as I have grown older, that my liking Rush has
    a lot to do with sentimentality.  They were one of the first bands
    whose music I actively sought out.  I've been listening since junior
    high school.  It can be hard to let go of things you get attached to at that
    age.
    
    There's been a lot of mention made of Rush finding a new energy since
    releasing Roll the Bones, and while I'm not as fond of the album as I
    am of some others, I saw real evidence of that energy last night.  More
    than any other time I've seen them, they seemed to be having a really
    good time.  In fact, they were projecting sufficiently to overcome some
    really bad mixing.  
    
    It was a terrific show, especially the closing medley of songs from
    Rush, Fly By Night, and 2112.
                                   
    Vinnie Moore.  Obviously technically proficient.  But it was all rather
    reminscent of Trevor Rabin.
    
    DFW
36.18How was the opening act?DREGS::BLICKSTEINSoaring on the wings of dawnWed Dec 11 1991 18:062
    Would it be heresey for me to ask for people's impression's of
    Vinnie Moore?
36.19Well, he didn't make me sick...STAR::WALLThu Dec 12 1991 12:3342
    
    Well, I didn't see the whole opening act, but I suppose I can try and
    oblige.
    
    I don't think anybody there would deny Vinnie Moore can play the
    guitar.  I'm not really qualified to comment technically on his
    performance.  He seems to rely a lot on technique and basic
    manipulation of the strings.  If he had pedals, I didn't see him use
    them, although there was an effects rack somewhere in the setup, given
    the way the show closed.  Lot of quick bursts of notes, lots of
    movement up and down the neck.
    
    Kind of reminiscent of Eric Johnson with a sharper edge, or Yngwie
    Malmsteen.
    
    I didn't hear any vocals anyplace in the performance.
    
    My impression is this:
    
    	1) Concerts are a really bad place to be introduced to someone's
    	   music, especially in a hall the size of the Centrum full of
    	   people waiting for someone like Rush.
    
    	2) Vinnie struck me as way ahead of the other two members of his
    	   trio.  He's pretty slick, where as the bass player and the
    	   drummer were merely competent.
    
    	3) While there was the usual dose of heavy-metal on-stage antics,
           Vinnie struck me as coming off as having a good attitude.  He had
    	   enough class to acknowledge Rush and didn't waste a lot of time
    	   trying to sway the audience.  He put out his stuff for people
    	   to listen to, thanked them for listening, and left it at that.
    
    I didn't think he was actively rotten.  I think that he's got a long
    way to go as a composer and arranger, and I think he's still trying to
    find his own style.
    
    Of all the acts I've seen open for Rush, I'd rank him behind Marillion,
    but ahead of MSG, and way ahead of Mister Big.
    
    Comments from the guitar-naive,
    DFW
36.20Rush Q&ALUDWIG::VAGHINIConditioned for IllusionFri Dec 13 1991 09:26873
    
    	
    	Here is a little something(well a big something) from the NMS
    I'll try and post the first half at a later date....Copied without 
    permission...
    
    						Listenup
    
          The National Midnight Star, Number 401

               Wednesday, 11 December 1991
Today's Topics:
        Frequently Asked Questions List (Part 2 of 2)
----------------------------------------------------------
    
             The RUSH Fans Digest Frequently Asked Questions List
                     Part 2 of 2     Updated Nov 19, 1991

    This file contains questions that seem to crop up frequently in the Rush
 Fans Digest.
    
 THE FAQL IS A FILE OF FREQUENTLY ASKED QUESTIONS ABOUT RUSH AND THEIR
 ANSWERS.  IT IS NOT AN "OBSCURE RUSH TRIVIA" FILE.
 Please consider this before sending me a suggestion for an addition.

 DISCLAIMER: The information in this file is accurate to the best of my
 knowledge, but I'm not perfect.  If you have an answer to one of these
 questions that doesn't match the one given here that you can verify, let me
 know, and I'll put it in!


 Anyway, on to the questions...

One of my friends gave me this file.  How can I subscribe to The National
Midnight Star?

   Send email to rush-request@syrinx.umd.edu asking to have your name added
   to the list.  Don't send email to me - I can't add you!

Where did By-Tor's name come from?

   Rush's road manager, Howard, came up with the title at a party.  There
   were two dogs at the party, one was a german shepherd and the other
   was a tiny white nervous dog.  Howard used to call the shepherd 'By-Tor'
   because anyone that walked into the house was bitten.  The other dog was
   a snow-dog (white...).  So from that night on Howard called the pair of
   dogs "By-Tor and the Snow Dog." -- from scrs_ltd@uhura.cc.rochester.edu

In "By-Tor And The Snow Dog" By-Tor is the bad guy, but he's a hero in "The
Necromancer."  What happened?

   When asked about this on Rockline, Geddy said something along the lines
   of, "He saw the light."  Neil commented, "I guess he's like
   all of us - sometimes good, and sometimes he's bad!" in the Dec.
   1985 Backstage Club newsletter.

Where is Lakeside Park?

   This was posted in TNMS by Loretta Vidos <rushlyn@athena.mit.edu>.
   (So blame her if you get lost, not me.  :-) )

   It's in a town called either Oakland or Oakville (I think the latter is
   correct).  Anyway, this town is somewhat southwest of Toronto -  not but
   maybe a 15 minute drive away.  The CN Tower is still visible.  If you do
   happen to go, remember, there are MANY parks on the lakeside.
   When you are IN Oakland, simply drive to the water, get out, and
   look for the lighthouse!!  The park is rather small, so just keep
   driving in its general direction.  The sign "Lakeside Park" is at the
   end of a deadend street.
   If you're interested in the street's name, I may be able to remember it
   (not at the moment, though) - just let me know if you want to know.

Does anybody know the lyrics to "Didacts and Narpets"?

   Here's the best version I've seen:
   Deep Voice:  "Stay!"
   Geddy        "Go!"
   Deep         "Work!"
   Ged          "No!"
   Deep         "Think!"
   Ged          "Live!"
   Deep         "Earn!"
   Ged          "Give!"
   Deep/Ged     <Wait or Fight?>/<Right>
   Deep/Ged     <Laugh?>/<Right or Wait?>

                Listen!

In the COS liner notes, a city is mentioned in small print after each
song.  Why is this?

   "Ah yes.  This goes back to the "bad old days" when all we did was tour,
   and consequently had to do most of our song writing on the road, with
   acoustic guitars and notebooks in hotel rooms.  Not the best method of
   compostion, you may imagine, but the only one available to us at the time.
   Those cities represent the places in which those songs were written."
       -- Neil Peart, in the Dec. 1985 Backstage Club newsletter

Where did the story of _2112_ come from?

   2112 is _very_ loosely based on _Anthem_, by Ayn Rand.  Much of
   Neil's early work was influenced by Rand.

I read that "Xanadu" was based on a famous poem.  Does anybody have a copy?

   The poem is "Kubla Khan" by Samuel Taylor Coleridge.  Your local
   library probably has a copy.  It appeared in the Digest issue #88.

Has anybody noticed that you can hear part of the 1812 Overture in
_2112_?

   Yes.

Where does the name 'Rocinante' come from?

   It was the name of Steinbeck's motor home in _Travels With Charlie_.
   It was also the name of Don Quixote's horse.

What do the French lyrics in "Circumstances" mean?

   "The more that things change, the more they stay the same."

What does "La Villa Strangiato" mean?

   'Weird City' is a rough translation of the title, according to _Visions_.

   Atthe Tossavainen <d37690r@kaira.hut.fi> has told me that
   "La villa, be it spanish or italian, doesn't mean a village or a
   city, but rather a HOUSE.   Strangiato is probably just pidgin spanish, a
   made-up word."

   The song itself is based on several of Alex's nightmares and some cartoon
   themes.  Much of this music can be heard on a CD called The Carl Stalling
   Project - "Music From Warner Bros. Cartoons 1936-1958".  Warner Bros -
   26027-2 (aproximatly 77 minutes on cd) These are the original soundtracks
   from Loony Tunes/Merrie Melodies, mostly in the 40s and 50s.
               -- thanks to jdinkins@polyslo.calpoly.edu for catalog info

   schaaphe@serc.nl (Frank Schaapherder) gave me this information:
     The first part of La Villa Strangiato, "Buenos Nochas, Mein Froinds"
     is based on the German song "Gute Nacht, Freunde", written by
     A. Yondrascheck.  I noted the resemblance between the two songs
     immediately when I first heard La Villa. The notes until the fast
     part are almost identical. Also note the similarities in the titles,
     they have the same meaning, and the reference to German in Rush's
     title (Mein Froinds).

Where do the different parts of "La Villa Strangiato" start/end?

   This chart was made up by Brad Armstrong <71161.1313@CompuServe.COM>.
   Thanks, Brad!

    La Villa Strangiato (An exercise in Self-Indulgence)

                                              Studio    Live
    I.    Buenos Nochas, Mein Froinds!        0.00      0.16
    II.   To sleep, perchance to dream...     0.27      0.49
    III.  Strangiato theme                    2.00      2.18
    IV.   A Lerxst in Wonderland              3.16      3.36
    V.    Monsters!                           5.43      6.09
    VI.   The Ghost of the Aragon             6.09      6.30
    VII.  Danforth and Pape                   6.45      7.07
    VIII. The Waltz of the Shreves            7.26      7.48
    IX.   Never turn your back on a Monster!  7.52      8.14
    X.    Monsters! (Reprise)                 8.03      8.24
    XI.   Strangiato theme (Reprise)          8.17      8.40
    XII.  A Farewell to Things                9.21      9.14

Why was the headline on the newspaper on the cover of _Permanent Waves_
blocked out?

   "There are always the inevitable last minute crises, such as the Chicago
   Daily Tribune being still so embarrassed about their 'Dewey defeats Truman'
   error of more than thirty years ago, that they actually refused to let us
   use it on the cover!"  -- Neil Peart, in the _Permanent Waves_ tourbook

   To clarify this:  When Truman ran against Dewey for President, Truman
   lost in most of the states with early returns.  So, it looked like
   Dewey was going to win.  The Tribune released an early morning paper
   the next day with a 'Dewey defeats Truman' headline.

What is the "words of the profits" quote in "The Spirit Of Radio" about?

   It's referring to "Sounds of Silence."  Here are the lyrics:

   Sounds of Silence:
   "And the sign said the words of the prophets are written on the
    subway walls,
    And tenament halls
    And whispered in the wells of silence"

   Spirit of Radio:
   "For the words of the profits were written on the
    studio wall,
    Concert hall,
    And echoes with the sound of salesmen..."

What is "Free Will" about?

   "The song is about freedom of choice and free will, and you
   believing in what you decide you believe in." -- Geddy Lee, in the
                                              12/4/89 Rockline interview

In "Free Will" which lyrics are correct (the ones on the album sleeve or
the ones Geddy sings)?

   "That's a funny question.  I've had a few lately from people who are so
   sure that what they hear is correct, that they disbelieve what I've put
   in the lyric sheets!  Imagine!  People have quoted me whole verses of
   what they hear, as opposed to what's printed, sure that they are right
   and the cover (me) is wrong.  Scarry stuff, these ego-centric individuals.
   I assure you, other than perhaps dropping an "and" or a "but", we take
   great care to make the lyric sheets accurate."
      -- Neil Peart, in the Dec. 1985 Backstage Club newsletter

Where is "Lotus-Land?"

   "Lotus-land as it appears in 'Free Will' is simply a metaphor for an
   idealized background, a 'land of milk and honey'.  It is sometimes
   also used as a pejorative name for Los Angeles, though that was not
   in my mind when I wrote it." -- Neil Peart

What building is on the cover of _Moving Pictures_?

   The building pictured is the old Parliament building in downtown
   Toronto.  It is several blocks south of the Toronto Planetarium
   surrounded by a park.  There is a multilane road that splits into two
   multilane roads to run around both sides of it and joins up again on
   the south side.  The entrance on the cover is on the south of the
   building.

What do the pictures on the MP cover mean?

   "When Hugh Syme was developing the multitude of puns for the cover,
   he wanted the guys "moving pictures" to have some "moving pictures"
   to be moving past the people who were "moved" by the "picture" - get
   it? So he asked us to think of some ideas for these pictures.  The
   "man descending to hell" is actually a woman - Joan of Arc - being
   burned at the stake (as per "Witch Hunt") and the card-playing dogs
   are there because it was a funny, silly idea - one of the most
   cliche'd pictures we could think of - a different kind of
   'moving picture'."  -- Neil Peart, in the Dec 1985 Backstage Club
                                newsletter

What is "Tom Sawyer" about?

   "I've been avoiding most of the question that ask for explanations for
   different songs, as really the song is meant to do the explaining for
   me!  But since you ask so nicely... "Tom Sawyer" was a collaboration
   between myself and Pye Dubois, an excellent lyricist who wrote the
   lyrics for Max Webster.  His original lyrics were kind of a portrait
   of a modern day rebel, a free-spirited individualist striding through
   the world wide-eyed and purposeful.  I added the themes of reconciling
   the boy and man in myself, and the difference between what people are
   and what others perceive them to be - namely me I guess."
                 -- Neil Peart, in the Dec 1985 Backstage Club newsletter

My _Moving Pictures_ CD is missing the first half second or so from
"Tom Sawyer".  Can I get a new one?

   Yes.  Here's the address for PolyGram QA :

          Cecilia E. Schultz
          Customer Service / Warranty Department
          PolyGram Group Distribution, Inc.
          6220 Churchman Bypass
          Indianapolis, IN 46203

          Phone:  (800) 428-4437
          FAX:  (317) 788-1803

Who is Pye Dubois?

   Pye Dubois was the lyricist for Max Webster.  "Tom Sawyer" began life
   as a Max Webster song called "Louis The Warrior," but Pye gave the
   lyrics to Neil after "Battlescar" was recorded.  Pye also helped
   Neil write "Force Ten."

What is a barchetta?

   The barchetta is a type of Ferrari race car - read on for "details
   till you puke."

   Barchetta is Italian for little boat.

   The history of the Ferrari barchetta:
   (note the lower case b, it designates a body style like coupe, spyder,
   cabriolet or berlinetta, not an actual model name)

   Ferrari 166MM -

   V-12, 1995cc, 60x58.8mm, 140 bhp @ 6600 rpm, CR 10:1, single ohc per bank,
   Weber carbs, 5-speed gearbox integral with engine, double wishbone front
   suspension, rigid axle rear suspension.

   First shown at the Turin Salon in November of 1948. It's simple but
   effective barchetta styling became greatly admired and many times
   copied. The MM designation was added to the 166 model number to
   designate the 1948 victory of a 166 in the Mille Miglia. A total of
   46 166MMs were built in Series I & II between 1948 and 1953. 25 of the
   series I cars (1948-1951) carried the barchetta designation, none of
   the Series II cars were barchettas.

   Ferrari 195 Sport -

   V-12, 2431cc, 65x58.8mm, 180 bhp @ 7000 rpm, CR 7.5:1, rest same as above

   This car had essentially the same engine as the 166MM bored out to 65mm.
   The body was very similar to the 275S discussed below. As a hybrid
   prototype, it is not known exactly how many of these cars were made.
   Probably at least one barchetta (certainly no more than three) were
   made in 1950. The one known barchetta finished second in the 1950
   Mille Miglia.

   Ferrari 275S -

   V-12, 3322cc, 72x68mm, 270 bhp @ 7200 rpm, CR 8:1, rest same as above

   A prototype of the type 340 America series of cars, only two were made
   in 1950.  Both cars, in barchetta configuration, entered the Mille
   Miglia in April but retired the race with clutch problems.

   Ferrari 340 America -

   V-12, 4101 cc, 70X68mm (?), 220 bhp @ 6000 rpm, CR 8:1, rest same as above

   This car was a downsized formula 1 racer with a smaller displacement than
   it's 4.5 liter F1 counterpart. These cars evolved into the 342 America as
   the GT version and the 340MM as the sport. Of the 25 340s produced in
   1951, 7 were touring barchettas.

   Ferrari 225S -

   V-12, 2715 cc, 70X58.8mm, 210 bhp @ 7200 rpm, CR 8.5:1, rest same as above

   Considered as the final link to the extremely successful 3-liter 250
   series of cars, 20 225Ss were built in 1952, but only 1 in the barchetta
   configuration.

   Since only 35-37 barchettas were built between 1948 and 1953 under various
   model numbers it's not surprising that few people were even aware
   they existed.

   Source: "The Complete Ferrari" by Godfrey Eaton 1986 by Cadogan Books Ltd.

   { Interestingly, 2 Italians that I know have independently told me
    that it's actually pronounced 'barketta'. }

What does "YYZ" mean?

   YYZ is the transmitter code for Toronto International Airport.  Every
   airport is assigned a unique 3 letter code, and that code is always
   being transmitted so that pilots can tell,roughly, where they are and
   verify that their navigational radios are tuned properly.  These
   codes are also written on your luggage tags when you fly.  The intro
   to the song is Morse code for "YYZ".

How does Neil play plywood?

   "Well you wear gloves so as not to get splinters, you take a piece of
   1/4" plywood, and smack it down HARD on the top of a wooden stool.
   Very demanding, technically - took years of practice." -Neil Peart

Near the end of "The Camera Eye," there are some mumblings that I can't
quite make out.  Does anybody know for sure what is being said?

   No.  {The first time I posted this FAQL, I received no fewer than 8
         emails from people who claimed to know exactly what is being
         said there.  Unfortunately, none of them agreed with each other,
         which tells me that at least 7 of them were wrong, so I'm only
         going to change this answer if somebody can come up with proof
         that they are right, such as an interview or magazine article.}

What does Geddy say, just before "Jacob's Ladder", on ESL?

   "We'd like to do an old song for you right now... This was done a long
   time ago by the [possibly "that"] old T.C. Broonsie.. This is called
   'Jacob's Ladder'." -- thanks to Michael Sensor <JPJ103@psuvm.psu.edu>

Who is T.C. Broonsie?

   Terry Brown.

Who is the writer in "Losing It" about?

   Neil discusses this song in _Modern Drummer_ magazine, in the April 1984
   issue.  The writer represents Ernest Hemingway.  The dancer "...drew
   a bit from that film with Shirley MacLaine called _The Turning
   Point_..."

Who are Young & Crippen?

   They were the astronauts on the first Shuttle flight.

Who is Count Floyd?

   He was a character on the Canadian TV show SCTV.  {similar to "WKRP
   in Cincinatti", but a TV station.}  The Count Floyd character had a
   show that featured really bad movies.  {movies so bad that even
   Elvira wouldn't show them.}

Is that crackling noise about 10-20 seconds into "Distant Early Warning" on
the _Grace Under Pressure_ CD supposed to be there, or is my copy
defective?

   It's supposed to be there.  There is a rumbling at that point on the
   _A Show Of Hands_ CD and on the _Grace Under Pressure Tour_ video,
   but people without subwoofers may be unable to detect it.

Who was Absalom?

   He was King David's favorite son, who rebelled against his father,
   and was killed by Joab, according to my trusty Websters.

   To quote Neil:
   "Before I ever knew who or what Absalom was, I always loved the sound
   of it.  I had thought perhaps it was an ancient prayer or something.
   There is a book by William Faulkner called _Absalom, Absalom_, which,
   again, I loved the sound of.  I wanted to put it in the song, as a play
   on words with "absolute" and "obsolete", but I thought I'd better find
   out for sure what it meant.  So I called my wife and asked her to look
   it up in the encyclopedia.  When I learned the real story, and its
   Biblical roots, I decided that it was still appropriate, as it was the
   ultimate expression of compassion, which is what the song was really
   about.  "Absalom, Absalom.  My son, my son.  Would God I had died for
   thee." (Now don't anyone go reading any religion into that!)"

Who is the boy in the "Distant Early Warning" video?

   He is Geddy's son, Julian.

What is "Red Sector A" about?

   Red Sector A is the area the band watched a shuttle launch from.

   On the other hand, the song...

   The inspiration for Red Sector A was indeed the Holocaust.  Neil even
   read many books on the subject, and was really moved by the fact that
   some of the survivors of the concentration camps actually DID think
   that they (and their liberators) were the last people alive on earth.
   ("That's intense..."  -Neil)

   But Neil specifically does not make any *direct* reference to the
   Holocaust, just several indirect ones.  The motivation for this was to
   make the song have "a more timeless quality".  Neil points out that
   all throughout history, countries, races, and people have been guilty
   of persecution, and America is no exception.

What songs make up the "Fear" trilogy?

   The "Fear" trilogy consists of:
      Part 1: The Enemy Within (Grace Under Pressure)
      Part 2: The Weapon (Signals)
      Part 3: Witch Hunt (Moving Pictures)

Has this trilogy ever been performed live?

   Yes.  It's on the _Grace Under Pressure Tour_ video.

Why do the songs appear in reverse order?

   "It's really kind of strange how it turned out, and it's not meant to be
   as mysterious and clever as it looks.  It was more accidental.  At the
   time of _Moving Pictures_, I had actually sketched out each of the three
   songs in my notebook and talked to the other guys about them and what I
   was going to go for, but the easiest one for me to clarify in my mind
   and in words was 'Witch Hunt,' because it was the simplest concept to
   deal with, and then 'The Weapon' came next because my thinking led up to
   that point, but in fact a couple snatches of lyrics and even both of the
   verses for 'The Enemy Within' were written as long ago as that, and all
   of the titles and everything were fixed on, and what I wanted to write
   about, but 'The Enemy Within' was the most difficult one to deal with,
   so it ended up being the last one done, so they happened to go in the
   order 3-2-1." -- Neil Peart, in an interview on KGB 101 FM, San
                                Diego: 10/2/84

What is the significance of 1001001 in "The Body Electric?"

   In the video, the protagonist is a prisoner attempting to escape
   from some sort of prison.  The number on his uniform is 1001001.
   Many people have converted this number into ASCII and noticed
   that ASCII 73 is a capital I and read significance into that,
   but I've never seen anything "official" on the subject.  My
   _opinion_ is that 1001001 was used because it fits and sounds neat.

   1001001 is also not a valid choice for a California license plate,
   but UNIT ONE is. (but it's taken now.)

What is the Omega Concern?

   As Alex realized that he had to play acoustic guitar for some Rush tunes
   and then quickly switch to his electric (Closer to the Heart, etc.), he
   crafted a stand (actually an attachment to a Tama Titan cymbal stand)
   that holds his acoustic in an adjustable playing position.

   He soon began to sell this as a product (1st to Music Emporium) under the
   company label "The Omega Concern."  Apparently, Alex's "company" also made
   Geddy a light-up lyric stand and Neil got a newspaper/book holder so he
   could read while he eats breakfast.

What do the three spheres on the _Hold Your Fire_ cover represent?

   "It's so difficult to describe the album cover because you want to
   leave a little bit of mystery, and you want it to be interpreted by
   the person who is holding the thing in front of them.  So I'm really
   not going to say too much about what the cover says to me, but it's
   nothing extremely mystical or anything.  It has nothing to do with
   brown rice."  -- Geddy Lee, on Rockline 10/5/87

How many Rush symbols are there in the _Hold Your Fire_ inside photo?

   the fire hydrant from "Signals"

   the TV from "Power Windows"

   the clock indicating 9:12 (21:12 military time)

   the number 15 on the main building... in the "Hold Your Fire"
   tour book, they mentioned that this was their 15th album to
   date.

   the juggler is clearly holding his fire.

   at the very far left, underneath the chains is a trunk with
   the logo from their first album.  This was spotted on a 12
   inch picture disk from the album.  It cannot be seen in many
   other versions of the picture.

   The Chinese neon sign above the restaurant reads "Tai-Shan".

   A friend told me that the car is a Mercury, but I don't know this
   for sure.

   Look right off of the juggler's right shoulder in the open window.
   There is someone's hand shown holding a pistol.

   In one of the upper right hand windows of the right hand most apartment
   building you can see part of the head and crown of the Statue of Liberty
   who we all know holds a burning torch in her right hand.

   The arches on the building are suspiciously similar to the MP cover.

   Special mention goes to nth@cs.brown.edu (Nate Huang) for the most
   obscure observation yet: "The restaurant sign has the same recognizable
   font style as the lettering on the Grace Under Pressure cover."

   Leaning against the trash can in the front is an oxford shoe, just like
   the one the girl wears on the ESL cover.

   The back side of the owl on FBN is resembled on the lamp post on the far
   right side.  (Only on the CD and tour book)
    { I think this is pushing it a little, but I can see how one might
      see it as an owl...  Dan }

   There is a woman looking out the window next to the Statue of Liberty.

   A copy of the painting on the far left on MP, is wrapped up in cloth and
   leaning against the front steps.

How did Pye Dubois come to be involved with "Force Ten"?  What does
the title of that song mean?

   "It was more or less an afterthought in the writing stage.  We took
   two months to do all of our writing and preproduction, you know,
   preparation for the making of the record, and we had nine songs, and
   we had about a day and a half left of time booked before we were
   supposed to leave and get ready to make the record.  And our producer
   and all of us were pushing for ten tracks on the album, and some
   lyrics had been submitted to us by a friend of ours, Pye Dubois, who
   co-wrote 'Tom Sawyer' with us in years gone by.  And Neil was able to
   put some of his own thoughts to one of the songs that he had an
   present it to us in the morning of the last day that we were there,
   and we loved the results, so we got together and brainstormed for
   about 2 or 3 hours, and we had Force Ten."  -- Geddy Lee, on Rockline
                                                                10/5/87

   Gregg Jaeger (jaeger@buphy.bu.edu) sent me this tidbit:
   In the Presto mailing from the Backstage Club a writer asks: ``What
   does the title `Force Ten ' refer to?'' and Neil responds: ``The
   Beaufort Scale -- look it up!''.

What film are the clips in the "Lock And Key" video and the _A Show Of
Hands_ laserdisc, just before "Lock And Key," from?

   It's called _The Last Mile_.

What is Tai Shan about?

   Tai' Shan (from Hold Your Fire) is the name of an actual "holy mountain"
   in China.  The mythical (?) emperor Huang Ti had so much power that he
   was able to summon all the spirits of the world to him on top of
   Tai' Shan to proclaim his power.

   Legend has it that if you climb to the top of this mountain and
   "raise your hands to heaven," you _will_ live to be at least 100
   years old.  Neil wrote these lyrics while sitting at the top of
   the mountain.

What is happening during the "censored" section of the Show Of Hands
video?

   "That's kind of a joke, but it doesn't seem like many people are
   getting that joke.  Actually, Alex, at certain parts of that song,
   would just start rambling into the microphone -- all kinds of various
   nonsense, and it actually never got recorded anywhere.  So no one had
   any idea, including him, what he had actually said.  But we loved the
   shot of him just ranting into this microphone, so we decided we would
   put up this bogus 'radioactive' warning about the fact that we had
   'censored' what he had said, and we thought we did it in kind of an
   obvious way -- it looked like it was phony, because we put the
   radioactivity symbols right on the screen, but nobody seems to be
   getting that." -- Geddy Lee, in the 12/4/89 Rockline interview

In the _A Show Of Hands_ video, does Geddy really say "Catch a fish?"

   Yes, he does.  Nobody knows why.

In the _A Show Of Hands_ video, has anybody noticed that Alex's guitar
keeps changing?

   Yes.  This has been discussed several times in the Digest.  The _A
   Show Of Hands_ video was filmed during a 3-night concert series at the
   National Exhibition Centre in Birmingham, England.  Test footage was
   shot the first night.  The majority of the video comes from the second
   night, but several shots were used from the third night's performance.
   In some cases, this was because the shots taken on the second night
   weren't quite right, but in a few places, like the beginning of _2112_,
   it was Geddy having fun in the editing stage.

   Yes, Alex does break a string at the end of "Tom Sawyer", but the
   guitar changes more than once, so it isn't just Alex swapping in a
   new guitar.

Does anybody know what stuff Geddy has sitting on the keyboards in the
_A Show Of Hands_ video?

   The following was posted on Fri, 12 Apr 91 by Dan Dickerman
                                 GSY 1-447-4425 <dickermn@hpcugsya.cup.hp.com>

   >I have yet to find a clear shot of the dolls, but from what I can decipher
   >it seems he has 6 dolls and a brandy snifter (with cash, of course)
   >distributed onto 2 keyboards: nearest the snifter is Boris Badenov
   >(Bullwinkle fame) and further to our left is a group of 3 consisting
   >of Rocky the Flying Squirrel (Bullwinkle), a toy robot, and something
   >that looks vaguely like a cowboy drawing both pistols (knees bent, etc).
   >
   >[ I think this last one might be Roger (?) Kneebend, one of Julians old
   >  toys, which the group sort of adopted as a mascott during the recording
   >  sessions.  I'll try to find the reference to him....        :rush-mgr ]
   >
   >On the other keyboard (facing the front of the stage) is a thinner toy
   >robot and (this one's really a ballpark guess) a cartoon dog (though
   >none that I recognize) that is acting the part of the gracious waiter.

What is the round thing on Alex's guitar in the _A Show Of Hands_ video?

   Here's what rjf@maxwell.physics.purdue.edu says it is:
   That circular "thing" on Alex's guitar is a patrol patch used by
   some Boy Scouts.  That particular one is the "panther" patrol patch.

What are the hands in the "Presto" liner doing?

   They are making scissors, paper, and stone, like in the children's
   game.  There is also a discussion of the scissors/paper/stone
   symbols in the Presto tour book.  This is paraphrased in TNMS #212.

What is "Chain Lightning" about?

   "I'm a weather fanatic - I really love weather, and I watch the
   weather and look for a good weatherman.  And, one night I was watching
   it, and there are two incidents in that song that are synchronicity to
   one weather report, where the weatherman showed a picture of sun-dogs,
   and described them, and they are just two little points of light that
   appear at sunset, often in the winter when the sky is clear and
   crystalline, and they are like little prisms, and they sit about ten
   degrees north and south of the setting sun, and they are just
   beautiful little diamonds of light, and often-times there's a circle
   of light -- one line, that connects them.  So they are a really
   beautiful natural phenomenon, and I love the name too.  'Sun-dogs'
   just has a great sound to it.  And in that same weather forecast, the
   weatherman announced a meteor shower that night, and so my daughter
   and I went out on the lake in the middle of the night and watched this
   meteor shower.  So the whole idea of the song was response and how
   people respond to things, and it's a thing I've found a lot in
   travelling around the world, too.  It's not enough just to travel and
   see things.  You have to respond to them -- you have to feel them, and
   a lot of the thrust of that song is how things are transferred, like
   chain lightning or enthusiasm or energy or love are things that are
   contagious, and if someone feels them, they are easily transferrable
   to another person, or in the case of watching a meteor shower, it's
   made more special if there is someone else there.  'Reflected in
   another pair of eyes' is the idea that it's a wonderful thing already,
   just you and the meteor shower, but if there's someone else there
   with you to share it, then it multiplies, you know, it becomes
   exponentially a bigger experience, so response is a theme that recurs
   in several of the songs and was one of my probably dominant sub-themes
   in the writing." -- Neil Peart, on the _Rush - Profiled!_ CD

What is "The Pass" about?

   "There was a lot I wanted to address in that song, and it's
   probably one of the hardest ones I've ever written.  I spent
   a lot of time on it, refining it, and even more doing research.
   There was one song previously, called 'Manhattan
   Project' where I wanted to write about the birth of the nuclear
   age.  Well, easier said than done, especially when
   [writing] lyrics, you've got a couple of hundred words to say
   what you want to say.  So each word counts, and each word had
   better be accurate, and so I found in the case of the
   Manhattan Project, I was having to go back and read histories
   of the time, histories of the place, biographies of all the
   people involved, and that's not without it's own rewards, but
   it's a lot of work to go to to write a song - having to read
   a dozen books and collate all your knowledge and experience
   just so you can write, you know, if it says the scientists
   were in the desert sands, well, make sure they were and why,
   and all that.  So with this song it was the same.  I felt
   concerned about it, but, at the same time, I didn't want the
   classic thing of 'Oh, life's not so bad, you know, it's worth
   living' and all that.  I didn't want one of those pat, kind
   of cliched, patronizing statements, so I really worked hard
   to find out true stories, and among the people that I write
   to are people who are going to universities, to MIT, and collecting
   stories from them about people they had known and
   what they felt, and why the people had taken this desperate
   step and all of that and trying really hard to understand
   something that, fundamentally, to me is totally ununderstandable.
   I just can't relate to it at all, but I wanted to
   write about it.  And the facet that I most wanted to write
   about was to de-mythologize it - the same as with 'Manhattan
   Project' - it de-mythologized the nuclear age, and it's the
   same thing with this facet - of taking the nobility out of it
   and saying that yes, it's sad, it's a horrible, tragic thing
   if someone takes their own life, but let's not pretend it's a
   hero's end.  It's not a triumph.  It's not a heroic epic.
   It's a tragedy, and it's a personal tragedy for them, but
   much more so for the people left behind, and I really started
   to get offended by the samurai kind of values that were attached
   to it, like here's a warrior that felt it was better
   to die with honor, and all of that kind of offended me.  I
   can understand someone making the choice; it's their choice
   to make.  I can't relate to it, and I could never imagine it,
   for myself, but still I thought it's a really important thing
   to try to get down."  -- Neil Peart, on the _Rush - Profiled!_ CD

What is "Scars" about?

   "I think it's part of everyone's experience that a certain
   record reflects a certain period of their life, and that's a
   pleasurable scar, you know, there's a mark left on you, a
   psychological fingerprint left by a very positive experience.
   And music is an easy one, but it translates to so many other
   parts of life where it's a given that, for instance, the
   sense of smell is one of the strongest forces in your memory,
   where a given smell will suddenly conjure up a whole time of
   your life, and again, it triggers another scar, it triggers
   another psychological imprint that was left by a pleasurable
   thing.  So it was just, again, the metaphor of scars and
   using it to say that, as the song does, that these are positive
   and negative aspects of life that have both left their
   mark.  Trying to make it universal, it's not autobiographical,
   and I took a whole autobiographical story of my own and
   made it one line, basically, but there are other things in
   there, parts of life that I've responded to in a sense of
   joy, and in a sense of compassion, and there's the exaltation
   of walking down a city street and feeling like you're above
   the pavement, and Christmas in New York is the perfect time
   to feel that, really, where you just get charged up by the
   whole energy and the positive feelings of it all."
     -- Neil Peart, on the _Rush -- Profiled!_ CD

What is the song, "Anagram (for Mongo)" about?

   "It doesn't really say one thing; it says a bunch of little things, and
   I think that's OK as long as it sounds good.  You know, as long as it
   rolls off the tongue kind of thing?  So I think different songs are
   different exercises, to a degree, and I think that if they feel like
   exercises, then there's something wrong with the song.  But if they
   can slip by in a kind of cohesive and fluid way, or if the effect is
   to be disjoint, and sometimes that's what you're after.  Sometimes you
   want it to be jarring and disjointed and nonsensical.  I think it
   depends on what you're trying to do, and whether you've achieved it in
   your mind, and whether it actually worked, and 'Anagram,' I think,
   did work, even though it's a game - the whole song is a game.  The
   choruses are quite smooth and quite interesting, and they have a nice
   sound to them and they kind of mock the whole song itself, so I think
   it was effective there."  -- Geddy Lee, on the _Rush - Profiled!_ CD

Has anybody noticed that  Anagram (for Mongo) contains lots of anagrams?

   Yes.  {I resisted putting this into the faql for a long time, since
          this seems to be about as shocking as pointing out that
          "The Big Money" is about, of all things, money, or that
          "Countdown" is about a launch.  But it shows up in TNMS
          every once in a while.  Dan}

What does (for Mongo) after "Anagram" on the "Presto" album mean?

   It's a joke from the movie _Blazing Saddles_, referring to the
   "Candygram for Mongo" scene, according to Geddy on Rockline 12/4/89.

What is "Red Tide" about?

   "It's a bit of a selfish concern, really.  I really love
   wildlife, and I spend a lot of my time in the outdoors when
   I'm not working, so that's important to me.  One of my main
   hobbies is cycling, so air quality kind of becomes of critical
   importance.  So it is a selfish thing, and it's something
   I've written about before, on the previous album - the song,
   'Second Nature'.  So, again, you want to say things in a way
   that is not only not preachy, but also not boring.  So finding
   the images like 'Second Nature' - I was really fond of
   that analogy of saying 'we want our homes to be a second
   nature', you know.  That was, again, taking a common phrase
   and being able to twist it to say what you want it to say.
   So, with 'Red Tide'  it was a little more adamant, because I
   think the time is a little more critical, and I had to be
   firmer about it, but still there are ways of getting at it,
   and to me there are jokes in there, too, that probably no one
   in the world will ever get, but in the first verse, when I'm
   talking about 'Nature's new plague' and then 'Lovers pausing
   at the bedroom door to find an open store' and all that, to
   me that was obviously referring to AIDS, but it was the irony
   of modern life, you know, where spontaneous love still certainly
   does occur, but here are two lovers who have just met
   in the middle of the night, and they have to go find a store
   before they can consummate their new relationship, you know,
   and to me, when I put those things down, I have a smile, but
   I know that it's one that will never be shared."
     - Neil Peart, on the _Rush-Profiled!_ CD

Who does the RTB chat section?

   Rumor has it that Geddy does this section, but I haven't seen
   anything definitive on this subject.  Rockline?

Who is the boy in the RTB video?

   According to "The New Music Magazine" 11/11/91, his name is
   Michael Vander Veldt.

Is there a "Gangster of Boats" trilogy?

   No songs other than "Where's My Thing?" are labelled as being part of
   this trilogy.

Is there a reason for the arrangement of the numbers on the dice on the RTB
cover?

   I doubt it.  And if there is a reason, I doubt that it will be
   made public.  (Much like the significance of the HYF cover)

Has anybody noticed that the "Gangster of Boats" is mentioned in the HYF
liner notes?

   Yes.


 ##############################################################################

        Please send me your suggestions for additions or corrections.


----------------------------------------------------------

For administrative matters (subscription, unsubscription, changes, and 
questions), send mail to:

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36.21Maybe it's because...ARRODS::OHAGANBAre you with me Doctor Wu?Fri Dec 13 1991 11:159
    re. mumblings near the end of "The Camera Eye".
    
    This is the tale of two cities right? New York(?) and London. Well
    I'm sure that one of the mumbles you chaps across the pond can't make 
    out is actually "Morning Guv!" delivered in a London Cockney accent. 
    You'll probably want to know this means now, judging by the "no stone
    left unturned" mentality of Rush fans. :^)
    
    Barry. 
36.22RUSH 12/10/91WILLEE::OSTIGUYFri Dec 13 1991 14:1310
    I was at the Centrum show (I missed Vinnie Moore) and thought RUSH
    sounded great. They always put on an entertaining show, and I got a
    good laugh out of the inflatable rabbits, especially when they "danced"
    during Tom Sawyer.
    
    I'm not a HUGE Rush fan, I have seen them 3 times, but I am not
    familiar with all of their music. I would appreciate if someone who was
    there could post the entire set-list
    
    Roll The Bones
36.23EZRIDR::SIEGELThe revolution wil not be televisedFri Dec 13 1991 17:5542
RUSH, Worcester Centrum, Tuesday, December 10, 1991

Force Ten
Limelight -> Distant Early Warning
Time Stand Still
Geddy says Hello to everyone
Dreamline
Bravado
Roll The Bones
Show Don't Tell
Big Money
Ghost of a Chance
Subdivisions
The Pass
Where's My Thing -> Drum Solo
Closer to the Heart
Xanadu -> Superconductor
Moving Pictures Intro (cartoon) -> Tom Sawyer

(break)

Spirit of Radio ->
Overture ->
Finding My Way ->
middle of La Villa Strangiato ->
Anthem ->
middle of Red Barchetta ->
end of Spirit of Radio

This was my seventh Rush show and one of the best in my memory.  I was pleased
to see Geddy rocking on his bass more than any other show I've seen.  He only
had a small keyboard and a few pedals.  He spent most of his time away from the
keyboard, it seemed.  He was very animated, and his bass playing was great (and
audible, not muddy).  I had my earplugs in, (first time for a Rush show) and I
was glad to have them.  My usual complaint with this band is they are generally
too loud!  With the plugs in, I actually wanted it to be a bit louder, though.

These guys never fail to amaze me live, even though their last few albums do
not have the same impact on me that their older ones have.  Their shows are
always excellent.

adam
36.24Never was a trainspotter (honest)ARRODS::OHAGANBAre you with me Doctor Wu?Mon Dec 16 1991 14:0514
    Why does Neil Peart insist on playing drum solos? We all know he's
    a brilliant drummer so what's the point? Add this one to the list
    of questions that could be asked at the next fan convention.
    
    Barry.
    
    p.s. The mumbling at the end of "The Camera Eye" is definitely:
    
    "Hello"       -  a well spoken voice, perhaps a city businessman?
    "Morning Guv" -  in reply from, no doubt, a blue collar worker. 
                     A dig at the English class system...and why not?
    
     
    
36.26Lots of drummers in the audience?STAR::WALLTue Dec 17 1991 11:2110
                                                                
    >Why does Neil Peart insist on playing drum solos? We all know he's
    >a brilliant drummer so what's the point? Add this one to the list
    >of questions that could be asked at the next fan convention.
    
    I'd say the number one reason is a lot of Rush fans like it.
    
    And it gives Geddy and Alex a break.
    
    DFW
36.27Was there a drum solo in Spinal Tap?ARRODS::OHAGANBAre you with me Doctor Wu?Fri Dec 20 1991 09:438
    >> And it gives Geddy and Alex a break.
    
    Poor souls, as if they need one! Does'nt make sense really. A drummer
    obviously gives more in a performance than anyone else in a band. I 
    usually find myself asking why the band can't play another song in 
    in the solo alloted time? 
    
    Barry. 
36.28VMPIRE::CLARKsleep in the starsFri Dec 20 1991 10:165
re                        <<< Note 36.26 by STAR::WALL >>>

>    I'd say the number one reason is a lot of Rush fans like it.
    
I'd say that's one of the reasons.  And maybe ... Rush likes it too!  8^O
36.292183::GILLETTAnd you may ask yourself, 'How do I work this?'Fri Dec 20 1991 17:079
Hey, Neil can play solos all night if he wants.  Listening to the
guy is a virtual clinic on Neat Stuff You Can Do to Turn Obvious
Rhythms into Cool Riffs.  When I'm looking for neat ideas, Rush
albums are always a worthwhile place to listen.  

And Rush fans DO seem to get into the solo work.

/Chris
Generic Drummer in a Brand X Band
36.30I would pay $20 for 2 hours of just NeilGAMGEE::ROBRWhy are we here? Because we're here...Tue Dec 31 1991 05:147
    
    One of my favorite parts of the show is the drum solo.  I am always
    just in awe watching and listening.  -.1 said it well.
    
    - Rob, another drumming Rush fan
    
    
36.31Rush in concertBAHTAT::FRANZChris Franz, Leeds, UKSun Apr 26 1992 13:368
    
    
    	I went to see Rush a couple of weeks ago. What an experience.
    
    	Has anyone out there been to see them ? If so perhaps you could
        reply and tell me about it.
    
    	Byeeeeeee
36.32NOTHING UP MY SLEEVE...WMOIS::HORNE_CHORNET-THE FALL GUYMon Apr 27 1992 13:1912
    
    
    
    .....saw them last year at the Centrum in Worc. Mass. 
    
    was't a big fan but after seeing them live i apprecite them alot more.
    
    got a kick out of the rabbit coming up out of the hat.....
    
    think it was the Presto Tour 91....
    
    HORNET
36.33RUSH live in concertNBOIS::DIETRICHMike DietrichWed Apr 29 1992 13:3733
36.34Blown awayBAHTAT::FRANZChris Franz, Leeds, UKTue May 05 1992 16:456
    I can only describe the beggining of Xanadu as,
    
    SPECTACULAR.
    
    
    It did my head in....
36.35WHERE ARE THEY PLAYING?WMOIS::SPAGNUOLO_GWed May 06 1992 18:158
    I UNDERSTAND THAT RUSH WILL BE BACK IN THE AREA ON JUNE 16 AT GREAT
    WOODS IN MASSACJUSETTS.  I UNFORTUNATLY WILL BE IN FLORIDA THEN.
    DOES ANYONE KNOW WERE THEY GO FROM GREAT WOODS AND WHEN?
    
    THANKS,
    
    GERRY (FOR MY SON STEVE) WHO IS A RUSH DIE HARD!
    
36.36USOPS::ZAPPIAarmed &amp; hammeredWed May 06 1992 18:3710
	I just looked QUICKLY through the mounds of mostly unread mail I have 
	from the mailing list but I see that they're in New Jersey in early 
	May and Chicago in mid-June - I doubt that helps you, I'm just 
	mentioning for anyone in those areas.  I thought they were in Hartford
	in June but I'd have to double check...Also, isn't the Great Woods
	show the 17th?  Never seen them outdoors.

	If I run across the complete tour schedule I'll post it here.

	- Jim
36.37Great Woods date is the 17th...STAR::WALLWed May 06 1992 19:407
    
    The 17th @ Great Woods -- got my tix!
    
    Rush usually goes down the West Coast and up the East, but that's just
    an observation, nothing hard and fast.
    
    DFW
36.38Tentative datesNEMAIL::MERCIERWill that Redeem us Uncle RemusThu May 07 1992 15:0311
    Tentative Schedule
    
    
    May 21	Memphis, TN    	Mid South Coliseum
    May 23	Kansas City	Kemper Arena
    May 24	Witchita, KS	Kansas Coliseum
    May 25	Oklahoma City	Myriad Arena
    May 27	Denver, CO	Fiddlers Green
    May 29	Salt Lake City	Delta Center
    May 31	San Francisco	Shoreline
    
36.39More DatesNEMAIL::MERCIERWill that Redeem us Uncle RemusThu May 07 1992 15:0921
    
    More Dates.....
    
    June 1	Reno, NV	Lawlor Events Ctr
    June 3	LA		Irvine Meadows
    June 7	Phoenix,AZ	Desert Sky Pavillion
    June 9	Albuquerque	Tingley Coliseum
    June 10	Lubbock,TX	
    June 12	St Louis,MO	Riverport Performing Arts
    June 13	Nashville,TN	Starwood
    June 14	Charlotte,NC	BlockBuster Pavillion
    June 16	DC
    June 17	Boston		Great Woods
    June 19	Meadowlands,NY
    June 20	Jones Beach Long Island
    June 23	Dayton/Cincinatti	
    June 24	Idianopolis	Deer Creek
    June 26	Detroit,MI	Pine Knob
    June 27	Chicago		World Music Theatre
    
    
36.40NEMAIL::MERCIERDo U hear the Pig? The Devil says..Tue Jun 16 1992 12:472
    Is anybody going to the show at Great Woods on June 17th? Ill be there!
    
36.41DittoREFINE::BARKERI like to do drawrings.Tue Jun 16 1992 15:074
    Me Too.
    
    -Jesse
    
36.4225th rowMRKTNG::GOLDMANGimme some good stuffWed Jun 17 1992 12:134
    	I'll be there - section 1!


    	amy
36.43MILKWY::LEDigupgraves,sexwiththedeadiswhatIcraveWed Jun 17 1992 18:549
    	Does anyone needs a ticket for Rush tonight at Great Wood?  My
    friend Eric has an extra one.  If anyone needs it, please send mail
    or call him at DTN 228-5314, Enet AV8Or::REN.
    
    Thanks,
    
    -Dle
    

36.44? Lyrics ??PCMV01::SCALIANTEMon Jul 05 1993 20:4922
    Hi, Rushians.  Such a good choice.  
    
    The first album I got from Rush was Flight By Night (simply
    EXCELLENT!!!)  and then I looke for a long time for Moving Pictures
    because I was yearning to listen dozens of times 'Tom Sawyer'.  Then, I
    got it it very pleased found out that not only TS is terrific, but ALL
    of the trax got to my head...! .
    
    ==> I 'm very interested in having the Lyrics of songs from Moving
    Pictures,  or at least, PLEASE, be kind to send me the words for
    Limelight.  (as English is not my mother language, I found difficulties
    in understanding all of the song...)
    
    Waiting on these TOO GOOD news,
    
    Dorival.
    
    *(  a  brand new Rush listener...).
    
    Tx.
    
    
36.45New album in the fallCADSYS::PALTRY::LARRICKTue Jul 27 1993 14:016
Heard from a friend of mine who works at a record store.  A new Rush album is
due out in September or October.

Does anybody have any more info?

-Doug
36.46ROYALT::BARKERNothing is true...Everything is permittedWed Jul 28 1993 13:073
    Current title: "Critical Mass"
    
    -jesse
36.47Info from the NMS MR4DEC::AGOLDMANA is for AmyWed Jul 28 1993 13:088
>Heard from a friend of mine who works at a record store.  A new Rush album is
>due out in September or October.

    	Yes, it's due out in October (5th? 12th?).  Rumor had it that
    the working title was "Critical Mass", but new information has the
    release title as "Counterpart".

    	Amy
36.48QUIVER::SIEGELThe revolution wil not be televisedThu Oct 14 1993 16:4716
Either the new album is out now or radio stations have received the single
because I heard the new Rush song this morning on WBCN!

It sounded excellent!  The opening was mostly Geddy playing some
all-over-the-place bass, and Neil doing a fast riff on drums.  I couldn't tell
if it was really Rush, but the bass sure sounded like Geddy (in style more so
than sound).  Then Alex came in and I figured it must be Rush.  I don't know
the name, but the verse had a lot of "<verb ending in -ate> me", like
"complicate me, educate me", etc.

It's a pretty long song (probably 4-5 minutes).  The guitar solo was a bit
weak, not too long or too powerful, but the song itself sounds really great!

I can (and definitely will!) see them rocking out on this one in concert!

adam
36.49MAYES::OSTIGUYThu Oct 14 1993 17:414
    the new single has been getting airplay for at least a week
    
    "Stick It Out"  I believe is the title, album to be released next
    Tuesday ??  10/19
36.5020th Anniversary tour to start in January!!QUIVER::SIEGELThe revolution wil not be televisedFri Oct 15 1993 16:2326
The song I heard was not "Stick It Out".  But, I was lucky enough to run across
a Westwood One broadcast last night - it was a live broadcast from a Toronto
station, debuting the album, with Neil, Alex, and Geddy in the studio!  They
played the whole album (or most of it - I missed the first 10 minutes),
including "Stick It Out".  It's called Counterpart (I had heard "Counterpoint"
from rumors but they said "part" on the air).

This album is EXCELLENT!  A lot of raw energy and more basic guitar rock.  Neil
made a big deal about how the 80's were concerning him due to the electronic
drums being so prevalent, and the computerization of everything.  He's said
that for the past few albums but it is clear now that they've done something
about it!  And I'm defintely a member of the "Old Rush" club so I hope you can
trust my judgement when I say this is a great album!  I remember getting a real
good feeling when I first heard "Show Don't Tell" on the radio a few years ago. 
I got an even better feeling last night, and all the songs are great.  There is
an instrumental called "Take Your Hands Off That Thing" which is also
excellent.  There is one "love/relationship" song as well, and Geddy told us
how they don't normally do that kind of song because it's done to death.  But
they liked it, and so did I.  There was another Pye Dubois collaboration, and
that seemed to be the weakest one for me.  In general, there are lots of good
rhythm and key changes that Rush is known for, and no cheese like some of their
80's albums.

Can't wait to see the concert!

adam
36.51Rush in Worcester!QUIVER::SIEGELThe revolution wil not be televisedWed Jan 12 1994 21:596
Rush will play the Worcester Centrum on March 11.  Tix on sale at ticketmaster
Sat. Jan. 15

good luck,

adam
36.52Counterparts shows were a good timeRNDHSE::WALLShow me, don't tell meMon Mar 14 1994 15:4130
    
    Caught both shows over this past weekend, and it was one of the most
    energizing concert experiences I've had for a long time.  I admit to a
    certain bias -- I've been listening to Rush since I was in seventh
    grade and they'd have to be pretty horrible for me to go to a show and
    not enjoy it.
    
    Probably the thing that made it most for me was the selection of songs. 
    I liked everything they chose to play off of Counterparts, and some
    things have swum back into selection after many, many years off the
    concert stage.  This show was a big inspiration to go back and listen
    through all the albums again, which I've not done in a while.
    
    I note, with mixed feelings, the composition of the crowd.  I'm pleased
    that the band appears to be acquiring fans among the next generation of
    listeners.  Even though it makes me feel old.
    
    Big surprises for me, this time:
    <spoiler post-FF>
    
    
    1) Alex speaks, and sings lead (albeit briefly).
    
    2) The pyrotechnics.  I didn't think the Fire Marshal would let them do
    that sort of thing in the Centrum -- the Worcester Fire Marshal was
    notoriously conservative in that department.
    
    3) The Stage Left Bunny goes bad.
    
    DFW
36.53great time, great showMAGEE::OSTIGUYMon Mar 14 1994 16:3528
    I saw the Friday night show...missed Candlebox, but I really didn't
    care, I was there to see RUSH...it was my 4th Rush concert, and though
    I'm not a huge fan, I have enjoyed every show I've seen, and this one
    the most..probably because I am now more familiar with their "older"
    material...Signals was my 1st Rush tour, and I really didn't know
    anything except that album, Moving Pictures, and the older hits, like
    Closer to the Heart, Freewill, Spirit of Radio.
    
    I bought Chronicles a few months back, so "The Trees" was a highlight,
    as well as YYZ to close the show...I also thought the instrumental from
    Counterparts "Leave That Thing Alone" was great...
    
    yeah, Alex said something about going over to "The Cove"  which didn't
    get a big response, but I was surprised to hear him tell a crowd of how
    many thousand people that the band may be going to a local club...But
    did they ??  I didn't go the The Cove after the show, but I did happen
    to be there Saturday for Flesh (and Metropolis) and Paul Bettencourt
    said something about doing Rush covers...so who knows, maybe 1 or all
    of Rush did go Friday...
    
    the "show" that Rush puts on is always entertaining as well, the
    opening scene of the nut & bolt (the visual theme of Counterparts) to
    the music of 2001 was appropriate, and the rabbit scene and Roll the
    Bones was pretty funny as well...
    
    did they change the set at all for Saturday ??  
    
    Wes
36.54QUIVER::SIEGELThe revolution wil not be televisedMon Mar 14 1994 16:5541
I went to both shows, and they played the exact same set both nights.  I
thought the crowd the first night was kind of laid back, but that was probably
due mostly to where I was seated (205).  The second night, I was in 102, which
is closer to the floor, and everyone around us was standing, which was good
because my back was hurting from sitting down after the first show. :-)

I liked the songs they did off Counterparts.  For once I was familiar with all
the new songs they did.  I couldn't wait to hear Cold Fire, which is my
favorite new song, and they didn't let me down.

I hope they play Great Woods again this year!

Set list (after FF):

2001 Intro ->
Dreamline
The Spirit of Radio
Analog Kid
Cold Fire
Time Stand Still
Nobody's Hero
Roll the Bones
Animate
Stick It Out
Double Agent
Limelight
Mystic Rhythms
Closer to the Heart
Show Don't Tell
Leave That Thing Alone ->
Drum Solo
Trees
Xanadu ->
Hemispheres parts 1 and 2 (!!!!!) ->
Tom Sawyer

encores:
Force Ten ->
YYZ ->
Cygnus X-1 snippet ->
YYZ ending