| RE <<< Note 2461.0 by PAULUS::BAUER "Richard - ISE L10N Center Frankfurt" >>>
-< FOSTEX 2016 mixer >-
Are you sure you mean "post"-fader? Post-fader is the norm for FX
sends (where the amount going to the fx device is governed by the main
fader on that channel). Pre fader is the one that requires more
co-ordination on fadeouts, because if you pull down the channel fader
without touching the fx pot, you don't eliminate the output of that
channel (i.e., you still get it coming out of the reverb/delay/fx bus).
|
| Hmmm,
maybe I'm to biased because my previous mixer had pre-faders. My typical
application is that I want strings with chorus or flanger or I want my guitar
with distortion. But I know that upfront, so I can fiddle that on two knobs.
Which I need to do on the post-fader as well. I turn fx to 100% and reduce the
gain to reduce the dry signal. But I cannot elimate the dry signal. With the
strings that's ok. But with guitar that's not sounding too good.
I still would have the option to modify the amount of fx thru the fx
processor. Or I could change program or press bypass. Connected to a sequencer,
I could even change that automatically.
What worries my most, is that I have to change all my fx programs to adjust the
various levels and the noise gate, because I need more gain in the fx, so that
I can minimize the dry signal on the mixer. Oh well.
BTW, has anyone heard of the 16 channel MIDI mixer by YES Audio ?
best regards
Richard
>================================================================================
>Note 2461.2 FOSTEX 2016 mixer 2 of 2
>MAIL::EATOND "In tents" 9 lines 27-SEP-1990 10:02
>--------------------------------------------------------------------------------
> -< Post-fader is the norm for fx >-
>
> RE <<< Note 2461.0 by PAULUS::BAUER "Richard - ISE L10N Center Frankfurt" >>>
> -< FOSTEX 2016 mixer >-
>
> Are you sure you mean "post"-fader? Post-fader is the norm for FX
> sends (where the amount going to the fx device is governed by the main
> fader on that channel). Pre fader is the one that requires more
> co-ordination on fadeouts, because if you pull down the channel fader
> without touching the fx pot, you don't eliminate the output of that
> channel (i.e., you still get it coming out of the reverb/delay/fx bus).
>
>
>
|