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Conference napalm::commusic_v1

Title:* * Computer Music, MIDI, and Related Topics * *
Notice:Conference has been write-locked. Use new version.
Moderator:DYPSS1::SCHAFER
Created:Thu Feb 20 1986
Last Modified:Mon Aug 29 1994
Last Successful Update:Fri Jun 06 1997
Number of topics:2852
Total number of notes:33157

736.0. "Hi-Fi VCRs for mixdown?" by NIMBUS::DAVIS () Fri Mar 27 1987 19:30

    Has anybody had any experience using a Hi-Fi VHS VCR as a stereo
    mixdown deck. I'd really like to own a 2 track deck of some kind
    that would approach pro quality for mixdown or direct to stereo
    recording. I've seen some of these "Hi-Fi" VCRs advertised for less
    than $400. Is there anything else in this price range that sounds
    as good or better?  Metal tape cassettes, reel-to-reels, 4 track 
    3 3/4 IPS cassettes ?
                        
    Rob Davis
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736.1But wait! There's more!JAWS::COTEFight for your right to pate'..Fri Mar 27 1987 19:5810
    I believe in addition to a $400 hi-fi VCR, you'll also need an outboard
    PCM unit. I've no idea of the cost. Certainly under $1000.
    
    Keyboard had a short blurb about using this type of setup. After
    24 generations of copies there was *no* discernable degradation
    of sound quality...
    
    Edd
    
    
736.2SSDEVO::MCCOLLUMFri Mar 27 1987 20:3012
    re: .1
    Using PCM does give you the ultimate, but I think it's not necessary
    for many (most) applications. WITHOUT using PCM, my Sony has audio
    specs that are WELL BEYOND anything short of a studio mastering
    deck. 
    
    I think the real advantages of PCM comes out when you want to make
    copies of a master (to another VCR), and the multi-track capabilities
    that I've heard about with dedicated PCM gadgets.
    
    Peter
    
736.3Great for mixdowns!COROT::CERTOFri Mar 27 1987 21:0125
    I do it, works great!  with Sony Super Beta Hi-Fi, no PCM.
    I highly recommend it, in vhs or beta, not 8mm. Get a vcr
    that was rated well for audio performance in the mags.
    
    some caveats, keep in mind, I'm being very picky:
    
    	you need two machines to edit, but no razor blades necessary,
    and there's less of a problem with generational loss than reel 
    to reels.
                                           /////////////       
        scan noise (due to the glitch between slices of the tape
    by the tape heads may occasionally be detected with certain
    sustained instrument notes, but I never hear it.  Using DBX on
    my reels is a hundred times worse (like poping and breathing
    on drums or dynamic sections).
                            
        If you get an editing deck like the SLHF-1000, you can
    edit at 1/30'th of a second accuracy, but you may want more
    available only with reel to reel.
                                           
    You said "PRO," well a lot of studios use a PCM converter to
    master in digital stereo: and you still can use the 2 hi-fi,
    and the linear tracks (within limits) at the same time, too.
    
    Fredric     DALI::CERTO
736.4But wait, there's even more!LDP::WEAVERLaboratory Data ProductsFri Mar 27 1987 21:388
    And for a possibly limited time only, if you buy a PCM adapter
    for your VCR, you can listen to broadcast digital PCM on channel
    44 at night!
    
    						-Dave
    
    p.s. I'd love to hear how broadcast PCM sounds, it may be the wave
    of the future!
736.5PCM unnecessarySKYLRK::MESSENGERThings fall apart-it's scientificFri Mar 27 1987 22:019
    
    Re: .0
    
    The specs I've seen for Hi-Fi VCR audio tracks indicate 80+ dB dynamic
    range and 25-20000 Hz frequency response... this should be more
    than adequate -- far superior to reel-to-reel.
    
    Try it -- tell us how it does...
    				- HBM
736.6EMERLD::DUBEMon Mar 30 1987 13:098
    I have heard nothing but rave reviews regarding the use of HiFi
    VCRs for mixdown. In fact, I'm planning on buying one for my recording
    studio in the very near future.
    
    It may be a good idea to rent one for a weekend and give it a try
    to see if you like it. Rent-A-Center or other such places can usually
    rent them out for a reasonable price.
    
736.7Beta or VHS?NIMBUS::DAVISWed Apr 01 1987 15:1510
    RE: .6 
    
    Rent-a-VCR sounds like a good way to try it. Thanks for the tip.
    
    Second part of the question is what about Beta vs. VHS. I saw a
    closeout on a hifi Beta deck at Radio Shack for $299, and I've heard
    that the quality is even better than VHS. Any problems getting Beta
    tape or repairs in the near future?
    
    Rob
736.8Beta is better, but VHS is more availableEMERLD::DUBEWed Apr 01 1987 15:5317
    RE: .7
    
    From what I've heard, Beta is superior in quality to VHS, even though
    VHS is by far the most popular choice. As a result, Beta is getting
    more and more scarce, and you probably have good reason to be concerned
    about it.
    
    If you live in the Nashua area, I know that P.E. Fletcher's on Main
    Street still sells a lot of Beta machines, rents the biggest selection
    in the area of Beta tapes, and (I believe) repairs Beta machines.
    You can call them at (603)-889-4146. Ask for Jim Hinkle. He's a
    salesperson who specializes in the stereo/video merchandise in the
    store. He also happens to be the other guitar player in my band
    and the co-owner of my recording studio.
    
    -Dan
    
736.9From a videophileDREGS::BLICKSTEINDaveWed Apr 01 1987 17:3142
    re: Rob Davis
    
    I'm a sort of videophile.  I have both Beta and VHS.
    
    Beta is better video quality than VHS, and SuperBeta (a Beta
    enhancement that is both forwards and backwards compatable with
    regular Beta) is significantly better than VHS for video.
    
    The audio quality of both are pretty much the same.
    
    My advice on which format to get is simple: if you're planning to
    rent tapes or trade tapes with friends, buy VHS.  If not, buy Beta.
    It is getting increasingly harder to find Beta tapes to RENT, but
    I think you'll be able to find blank Beta tapes at good prices for
    many years without any problem.  Getting them repaired isn't a problem
    either.
    
    Now I hate to seem to take business away from Dan Dube's bandmate,
    but if you live in the Nashua area, I highly recommend you check
    out Deluxe Radio and Television on E. Pearl Street: (603) 883-5722.
    
    Deluxe is almost legendary in the VIDEO notesfile (DSSDEV::VIDEO).
    I can safely tell you that they are widely regarded to be the best
    place anyone has ever bought video equipment.  If you don't believe
    me, just check out the VIDEO notesfile.
    
    The consistent experience we've seen with Deluxe is that they have
    the best prices, and the best customer service (often RAVED about
    in VIDEO).   They are very nice people to deal with.
    
    Deluxe also specializes in Beta.  With most stores that claim to 
    "specialize in Beta" it only means they carry some Beta decks.
    Beta is MOST of Deluxe's business.   Their Beta tape library is
    2 to 4 times as big as their VHS library.
    
    I must have hidden motives for recommending them so emphatically
    right?  you are right.   My motives are that I like to support stores
    that will bend over backwards for their customers.  Deluxe is the
    finest example of such a store I've encountered.  Read VIDEO, you'll
    see.
    
    	db    
736.10PCM-R>R-cassette-then VCR'sNEXUS::DICKERSONWed Apr 01 1987 19:3150
    As the owner and user of a synth (ESQ1), numerous other musical
    instruments and as a long-time recording enthusiast, I've tried
    r-r, casette, hi-fi vcr's, and pcm digital recording (using an
    adapter and a vcr.)  Nothing comes close to pcm for low noise
    wide dynamic range recording.  This has only ever been an issue
    doing "live" (read.. on-site) recording.  For "home" or studio
    recording where you (presumably) have control over the recording
    environment, pcm is overkill.
    
    As far as using a hi-fi vcr for stereo mix-down is concerned, I
    have a few reservations.  The first is a matter of poor editing
    facilities ( with the possible exception of the high end Sony
    but I've never used it and thus am not entitled to an opinion.)
    My second concern is sound quality.  NOT A SINGLE HI-FI VCR THAT
    I HAVE TESTED OR THAT I HAVE SEEN TEST REPORTS ON HAS COME CLOSE
    TO MEETING ITS PUBLISHED SPECS!  On a more subjective level, the
    very pumping and breathing phenomenon mentioned in a reply above
    about dbx exists and can be heard when recording wide dynamic
    range material.  This, I am sure, is due to the noise reduction
    circuits that are used but not advertised on all VHS hi-fi units.
    
    I have had better luck with Beta hi-fi than VHS hi-fi in this regard
    but the problem exists on both.  
    
    Technical note... Beta hi-fi and VHS hi-fi while both using an FM
    recording technique go about it in quite different ways.  Beta 
    simply "steals" some unused "space" in the wide frequency spectrum
    used by video and stores the audio there.  VHS hi-fi uses something
    they call "depth multiplexing" which takes advantage of the fact
    that different freqencies exist at different depths in a magnetic
    storage medium.  The azimuth angle of the video and audio heads
    are very different and thus head alignment becomes much more 
    critical.
    
    In short, hi-fi vcrs are a good enough choice for most mix down
    chores.  But, there are cassette decks on the market that are
    sonically superior ( and competitively priced.) My Nakamichi
    BX300 is audibly superior to my h-fi vcr. List price on the
    vcr was higher than the cassette deck.  The best choice is
    either a good reel-to-reel or a pcm box but these options are
    in the 2k$$ range.  Second best is a good cassette deck. This
    is a $700-1000 option. Third choice would be a good hi-fi vcr
    ( Beta first, VHS second ). Mail order this can run from $350
    to >$1000.
    
    Contrary opinions ( based on experience and data, not theology )
    are invited.
    
    				Doug Dickerson
    
736.11Deluxe is excellent!COROT::CERTOMon Apr 06 1987 21:4627
    Concerning Dave Blickstein's reply .9; I agree with everything
    he said.
    
    Deluxe is excellent; I personally have spent a few thou' there
    and intend to continue!  He'll give us Digital types a discount;
    talk to Paul, feel free to mention my name and notes! Great
    place for repairs too, I'm told.     
    
    
    re .10  I'm a bit spoiled, cause I've been using the top of
    the line Sony Super Beta Hi-Fi VCR's.  My recording quality
    is excellent, and in my opinion, they meet their exellent specs.   
    
    PCM and R/R may beat or equal it though; I have an excellent R/R
    with frequency response less than 3 db down at 28,000 hz, so...
    You are right about editing, much easier on a R/R, imposible on
    cassette, easy on SLHF-1000's, but a bit inaccurate, probably
    hard on others.
                                                           
    A great advantage is the video tape length: I can tape ~six CD's 
    on an L-750 (there's also a longer tape: L-850).  The best audio 
    specs are, surprisingly, at the slowest speeds (all excellent 
    though).
                   
    Fredric Certo
                                               
    
736.12SSDEVO::MCCOLLUMTue Apr 07 1987 21:063
    re:.11 "The best audio specs are at the slower speeds"
    Why is that? Any idea?
    
736.13COROT::CERTOWed Apr 08 1987 03:3317