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Conference napalm::commusic_v1

Title:* * Computer Music, MIDI, and Related Topics * *
Notice:Conference has been write-locked. Use new version.
Moderator:DYPSS1::SCHAFER
Created:Thu Feb 20 1986
Last Modified:Mon Aug 29 1994
Last Successful Update:Fri Jun 06 1997
Number of topics:2852
Total number of notes:33157

295.0. "synth patch exchange (esp. CZ-101)" by RAJA::SCHMIEDER () Thu Apr 03 1986 18:13

The CZ-101 and its siblings seems to be a very popular keyboard in this notes
file.  I was wondering if there's any interest in sharing/swapping patches.
I have written patches for clarinet and electric-violin so far (really haven't
had much time due to my emphasis on practicing bass guitar and jazz guitar),
which I would be willing to share (after cleaning them up a bit).  If there
is interest in patches for other keyboards, feel free to post and/or request
them also.  Please don't infringe on any copyrights, though.

Although I can probably do it myself if I ever get the time, I am ESPECIALLY
interested in a saxaphone patch (tenor) for my CZ-101.


				Mark
T.RTitleUserPersonal
Name
DateLines
295.1Sax AppealERLANG::FEHSKENSThu Apr 03 1986 18:5114
    I have some patches I could share with folks too.
    
    Give up on the sax patch.  There are certain instruments whose
    sound is so much a function of playing style and interaction with
    the musician that attempts to duplicate them on a keyboard synth
    are doomed to frustration.  Among them, sax and electric guitar.
    Likewise brushes on a snare drum, which you'll never get, even out
    of a sampler.  You can get "sax-like" sounds, but you'll never be
    fooled into thinking it's real, like you can with some flute or
    harpsichord patches.  Sorry to sound so defeatist, but I've been
    looking for a synthetic sax for a long time now.
    
    len.
    
295.2the sound that you're hearing...BARTOK::ARNOLDJohn E. ArnoldThu Apr 03 1986 20:5629
    I think patch sharing would be a great idea (even if it's only a 
parameter list or diagram representation)!  Perhaps a separate note for 
each of the major synth types could be started specifically for patches.
(Maybe that will convince me to perform "spring cleaning" on my studio, 
sell some lesser-used stuff, and get one of these new whiz-bang synths!)

    At the risk of further degenerating down the saxaphone road, I can't 
help but recount a story where I was completely fooled into thinking that 
something was an electric saxaphone...

    I've been a fan of Traffic for quite some years.  I remember listening 
to Low Spark of High-Heeled Boys for eons thinking that the late, great
Chris Wood had come up with yet another unique sound of his sax playing
through a distortion box or "blown" amp for much of the soloing.  The 
attack, the breathiness; without ever questioning it, I presumed that was 
a processed saxaphone.

    I was floored when 2 or 3 years ago I read an interview with Steve 
Winwood where he talked about playing those solos on a distorted Hammond 
organ.  Back to the turntable and, what do you know, if you really pay 
attention, you can sort of hear that it's an organ (occasionally trading 
riffs with the sax).  Oh well.  Admittedly, a Cannonball Adderley solo 
would be (almost) impossible to pull off on a synth without it sounding 
like a synth.  If you change the context of the sound so it's OK to just 
remind you of a sax, however, it might be OK.

Just thought I'd add my 2 cents,

- John -
295.3Sax FantasiesERLANG::FEHSKENSThu Apr 03 1986 21:044
    Well, I *did* say "sax-like".
    
    len.
    
295.4NOVA::RAVANThu Apr 03 1986 23:1317
    I've been told that the sax patch on the DX-7 sounds a lot better
    if you use the breath controller, especially one that has been
    used often and is broken in.  I haven't tried it, but we all understand
    the problem:  attack envelopes.  Some folks call 'em 'signatures'.
    The signature of a sax (as was implied in .1) is so complex and
    varies so much in a single phrase that something like a breath control
    is necessary to get close to the right different shapes to all the
    different attack signatures required.  The other problem of doing
    reeds well is the further complication that for every different
    attack signature, there is a corresponding frequency envelope.
    Yes, this is true of every 'traditional orchestral' instrument,     
    but it always seems to be worst in trying to get good reed sounds.
    
    (and to digress even farther from the original topic, I've also
    heard that the breath controller helps the voice sound on the DX-7.)
    
    -jim
295.5NOVA::RAVANThu Apr 03 1986 23:289
    Back to the original topic (patch swapping) and as file moderator,
    feel free to create a note for each 'significantly different' group
    of synths.  I'd expect one note for the DX-7/9/5/21/100/TX series,
    one for Oberheim Matrix-6/12/Xpander (yes they're different,
    but they're cousins), one for Casio-101/1000/3000/5000, etc.
    
    And to reiterate, just be careful not to infringe on any copyrights.
    
    -jim
295.6We could use notes 55 for DX7...PIXEL::COHENRichard CohenFri Apr 04 1986 18:174
    Note 55 has a few DX7 patches in it.
    
    	- Rick
    
295.7Mello Bass for CZ-101RAINBO::SAVAGEFri Apr 04 1986 18:4265
    Below is a patch for the CZ-101 to start things off.
    
    This is a good template for the 101 synth.
    
    Dennis Savage
    
    ---------------------------------- cut here -----------------------
    
    
    TONE NAME- MELLO FAT BASS              CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|  1+1'     | |    |     | | - | 1 | 0  | 07 | | 3  | 0 |48|99 | | - |  1  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
| 1   |  0   |                          |     |      |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |68 |   |   |   |   |   |   |0-99 rate|   |   |   |   |   |   |   |   |
levl|33 |0  |   |   |   |   |   |   |0-99 levl|   |   |   |   |   |   |   |   |
s/e |   |e  |   |   |   |   |   |   |     s/e |   |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     2     |(0-9)                      |           |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|82 |47 |37 |26 |   |   |   |   |0-99 rate|   |   |   |   |   |   |   |   |
levl|99 |96 |52 |0  |   |   |   |   |0-99 levl|   |   |   |   |   |   |   |   |
s/e |   |   |s  |e  |   |   |   |   |     s/e |   |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     2     |(0-9)                      |           |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|82 |36 |79 |55 |   |   |   |   |0-99 rate|   |   |   |   |   |   |   |   |
levl|99 |91 |59 |0  |   |   |   |   |0-99 levl|   |   |   |   |   |   |   |   |
s/e |   |s  |   |e  |   |   |   |   |     s/e |   |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
*****************************************************************************
COMMENT: I like this sound using portamento on time=07. Edited from preset 1
         not harsh at all like the bass preset. Sharper attack than the brass.
The vibrato is just an added program that can be transfered to other programs.
It is really neat if the sound has a long release on the DCA after the sustain.
The vibrato is optional and may be altered to your liking.
*****************************************************************************
                                                                       
295.8Any more?MOSAIC::SAVAGETue Apr 22 1986 17:403
    Are we going to get any patches here or is this a dead issue.
    
    Dennis Savage
295.9In Time...ERLANG::FEHSKENSWed Apr 23 1986 16:134
    OK, ok, I'll write some of mine up.  Over the weekend.
    
    len.
    
295.11On the wayMINDER::KENTMon Apr 28 1986 11:077
    I've got one or two on the way to it's just finding the time and
    ...... 
    
    But i still think it's a great idea.
    
    				PK.
    
295.12CZ template???BARNUM::RHODESMon Apr 28 1986 17:566
    Maybe if someone created a CZ-101 patch template as a note entry/reply
    it could be extracted and used by everyone.  I don't have a CZ-101
    (yet) otherwise I would volunteer.  Any volunteers?
    
    Todd
    
295.13already thereMOSAIC::SAVAGEMon Apr 28 1986 18:595
    see my entry under this note (295) titled mello-bass. It's a good
    CZ-101 template.
    
    Dennis Savaeg
    
295.14A PATCH FROM PK.MINDER::KENTTue Apr 29 1986 07:4356
    What would be really neat would be an rs232 out on the CZ's then
    this might be easier. Any way here goes.
    
        TONE NAME- CHAIN GANG              CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|  1+2	    | |    | 1   | | + | 1 | 0  | 00 | | 1  | 0 |0 |0  | | - |  0  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  2  |3     |                          | 4   | 6    |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |   |   |   |   |   |   |   |0-99 rate|99 |   |   |   |   |   |   |   |
levl|0  |   |   |   |   |   |   |   |0-99 levl|0  |   |   |   |   |   |   |   |
s/e |e  |e  |   |   |   |   |   |   |     s/e | e |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     0     |(0-9)                      |      0    |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|76 |89 |   |   |   |   |   |   |0-99 rate|76 |89 |   |   |   |   |   |   |
levl|42 |0  |   |   |   |   |   |   |0-99 levl|42 | 0 |   |   |   |   |   |   |
s/e |   |e  |   |   |   |   |   |   |     s/e |   |e  |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     0     |(0-9)                      |   0       |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |61 |50 |   |   |   |   |0-99 rate|99 |83 |50 |50 |   |   |   |   |
levl|99 |72 |0  |0  |   |   |   |   |0-99 levl|99 |91 |0  |0  |   |   |   |   |
s/e |   |   |   |e  |   |   |   |   |     s/e |   |   |   |e  |   |   |   |   |
_____________________________________     _____________________________________
 
*****************************************************************************
COMMENT: I never had to give this sound a name before but chain gang seems to 
fit the sound. I use it as a replacement or addition to a SNARE in a Rhythm 
pattern

295.15preamble to two CZ-101 harpsichord patchesRAJA::SCHMIEDERThu May 08 1986 18:1851
While I'm waiting for my three-hundred page printout, I might as well do
something mildly useful.  I'm accessing COMMUSIC using /NONOTEBOOK, though,
as I only have time to do what I came in here for.

On Sunday, I spent two to three hours putting the finishing touches on some
harpsichord patches, my favourite two of which will follow this reply.  The
basic sound was pretty easy to achieve, and I'm not at all certain that I
didn't achieve some better sounds on the path to the ones I wound up with.

I reviewed my clarinet and e-violin patches, and want to edit them some
before sharing them.

There are an endless number of harpsichord sounds available on the CZ-101.
Also, I accidentally created a harp sound while making the harpsichord
sound, but I was too foolish to save it as I didn't want to be side-tracked.

Anyway, the most important thing is to select 1+2', select very fine detuning
two octaves above the fundamental and deselect vibrato (harpsichord strings
are plucked rather than struck, and have little if any vibrato).

Next most important thing is to select 3 as the first DC0 1/2 waveform,
and any combination of 6 through 8 as the second.  The envelope should stay
at the maximum rate no matter how many steps, and probably shouldn't exceed
three steps.  No sustain on one oscillator, with sustain on the other.
The level of step one of DCO 2 will affect the colour of the sound; too
high a value will get you further away from emulating a true acoustic
sound.

The key follow on should be anything between 5-9 on DCW 1 and anything between
0-4 on DCW 2.  The values should be spaced apart somewhat, and sound more
realistic towards the centre of the range.  This time the envelope should
go abruptly from the highest rate (99) to the lowest (00), with the level
somewhere towards the centre of the scale (around 50).

The same thing applies to key follow on DCA, although this time the values
towards the ends of the range give better results.  A four to five step
envelope is necessary here in order to properly emulate the sound that
the harpshichord strings make when they are released (you know, that airy
thunkping sound that sound almost like a key on the keyboard got temporarily
stuck and then snapped back into place).  You can play around with the
sustain on this one; whether it occurs and where it occurs (also, whether
it is used on one or both waveform generators) will determine the most
subtle colouration of sound.

I haven't had time to check these since Sunday, but feel confident about
the description above so feel that people could use the above description
to produce good harpsichord patches even if the ones I have provided below
aren't any good.


				Mark
295.16harpsichord patch #1 (CZ-101)RAJA::SCHMIEDERThu May 08 1986 18:2950
    
    
    TONE NAME harpsichord #1		CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|  1+2'     | |    |     | | + | 2 | 0  | 06 | | 1  | 0 |00|00 | | + |  1  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  3  |  6   |                          |  3  |  6   |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |99 |   |   |   |   |   |0-99 rate|99 |99 |   |   |   |   |   |   |
levl|99 |00 |00 |   |   |   |   |   |0-99 levl|21 |00 |   |   |   |   |   |   |
s/e |   | s | e |   |   |   |   |   |     s/e |   | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     5     |(0-9)                      |     3     |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |00 |   |   |   |   |   |   |0-99 rate|99 |00 |   |   |   |   |   |   |
levl|50 |00 |   |   |   |   |   |   |0-99 levl|52 |00 |   |   |   |   |   |   |
s/e | s | e |   |   |   |   |   |   |     s/e |   | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     8     |(0-9)                      |     3     |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |34 |74 |99 |   |   |   |   |0-99 rate|69 |92 |53 |42 |91 |   |   |   |
levl|88 |44 |00 |00 |   |   |   |   |0-99 levl|01 |99 |92 |00 |00 |   |   |   |
s/e |   |   | s | e |   |   |   |   |     s/e |   |   |   |   | e |   |   |   |
_____________________________________     _____________________________________
 
295.17harpsichord patch #2 (CZ-101)RAJA::SCHMIEDERThu May 08 1986 18:3150
    
    
    TONE NAME harpsichord #2		CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|  1+2'     | |    |     | | + | 2 | 0  | 06 | | 1  | 0 |00|00 | | + |  1  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  3  |  6   |                          |  3  |  7   |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |99 |   |   |   |   |   |0-99 rate|99 |99 |   |   |   |   |   |   |
levl|99 |00 |00 |   |   |   |   |   |0-99 levl|21 |00 |   |   |   |   |   |   |
s/e |   | s | e |   |   |   |   |   |     s/e |   | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     5     |(0-9)                      |     3     |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |00 |   |   |   |   |   |   |0-99 rate|99 |00 |   |   |   |   |   |   |
levl|50 |00 |   |   |   |   |   |   |0-99 levl|52 |00 |   |   |   |   |   |   |
s/e | s | e |   |   |   |   |   |   |     s/e |   | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     9     |(0-9)                      |     3     |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |33 |57 |99 |   |   |   |   |0-99 rate|76 |94 |58 |44 |99 |   |   |   |
levl|90 |16 |00 |00 |   |   |   |   |0-99 levl|02 |99 |90 |00 |00 |   |   |   |
s/e |   |   | s | e |   |   |   |   |     s/e |   |   |   | s | e |   |   |   |
_____________________________________     _____________________________________
 
295.18CZ-101 Pipe OrganERLANG::FEHSKENSMon May 12 1986 14:1859
    
    TONE NAME - Pipe Organ             CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|    12'    | | no |  no | | + | 0 | 0  | 02 | |  1 | 0 | 0| 0 | |   |  0  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  4  |  4   |                          |  2  |   1  |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate| 99| 00| 00|   |   |   |   |   |0-99 rate| 99|   |   |   |   |   |   |   |
levl| 66| 66| 00|   |   |   |   |   |0-99 levl| 00|   |   |   |   |   |   |   |
s/e | s |   | e |   |   |   |   |   |     s/e | e |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     0     |(0-9)                      |     0     |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate| 99| 0 |   |   |   |   |   |   |0-99 rate| 99| 0 |   |   |   |   |   |   |
levl| 50| 0 |   |   |   |   |   |   |0-99 levl| 83| 0 |   |   |   |   |   |   |
s/e | s | e |   |   |   |   |   |   |     s/e | s | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     0     |(0-9)                      |     0     |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate| 90| 60|   |   |   |   |   |   |0-99 rate| 90| 60|   |   |   |   |   |   |
levl| 99| 0 |   |   |   |   |   |   |0-99 levl| 99| 0 |   |   |   |   |   |   |
s/e | s | e |   |   |   |   |   |   |     s/e | s | e |   |   |   |   |   |   |
_____________________________________     _____________________________________

Comments:  The heart of the pipe organ sound is the doubling a couple of 
octaves up.  I chose to do that in this patch by using the DCO pitch
envelope rather than the detune parameters (I had a good reason at the 
time, I don't remember what it was).  The modest detuning fattens the 
sound a little, so it sounds like more than one pipe.  Overall this is
a very simple but effective patch.  You can manipulate the timbre to 
your liking by changing the DCW envelope levels.  The noninstantaneous
DCA envelope rates soften the onset and simulate some hall ambience.
A good reverb still helps enormously.
295.19Factory patches from Casio.BEAGLE::MULELIDTue May 13 1986 15:238
    Casio is now selling a series of books with CZ patches. I think
    there is 80 patches in each book. I guess it is a series because
    the one I saw a picture of was vol. 1.
    They are also selling the RAM cartridge with preprogrammed patches
    that you can keep or overwrite if you like to.
    
    Svein
    
295.20new CZ template for LN03XYLAR::MARSHALLThu Jun 12 1986 12:5625
    I just picked up a CZ-101 recently and I think it's super. Originally,
    I only wanted a keyboard(elec piano or equiv.) to have in the corner 
    to help me figure out things on my guitar, but I found a good deal
    on the CZ and I find myself spending a copious amount of time on
    the thing.
    
    After typing in many patches from the one of the Casio books, I became
    frustrated with the layout of their Sound Data pages, so I drew
    up a new layout/template of my own on my VAXstation. It is layed
    out in the same block diagram as the parameter sections of the synth.
    If you have an LN03 hanging off of your VAX you can copy the sixel 
    file and print it out just as you would print out a text file. 
    If you have access to a VAXstation, you can copy the binary data
    file and modify it as you like using MAGGIE_tosh(look in the VWS
    notesfile on BULOVA.) Enjoy!
    
    the sixel file:
    
    		XYLAR""::SYS$PUBLIC:SOUND_DATA.SIX	(for an LN03)
    
    and the data file:
    
    		XYLAR""::SYS$PUBLIC:SOUND_DATA.DAT	(for MAGGIE_tosh)
    
    rick
295.21What about an LN01?NOVA::ARNOLDFri Jun 13 1986 18:335
    Can you print the sixel file to a LN01?
    
    I tried this, but it didn't work...
    
    -Jeff
295.22NopeRAJA::SCHMIEDERMon Jun 16 1986 13:534
I work in hardcopy engineering.  The LN01 does not accept SIXELS files.


				Mark
295.23Here's my first creation...AKOV68::EATONPERSONAL_NAME="string"Thu Oct 16 1986 17:0757
    
        TONE NAME- CHIFF STRINGS              CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|  1+'1	    | |    |     | | + | 0 | 0  | 07 | | 1  | 0 |0 |0  | | - |  1  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  1  |0     |                          |     |      |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|85 |80 |00 |   |   |   |   |   |0-99 rate|   |   |   |   |   |   |   |   |
levl|85 |66 |00 |   |   |   |   |   |0-99 levl|   |   |   |   |   |   |   |   |
s/e |   |sus|end|   |   |   |   |   |     s/e |   |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     3     |(0-9)                      |      0    |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|80 |63 |42 |   |   |   |   |   |0-99 rate|   |   |   |   |   |   |   |   |
levl|95 |70 |00 |   |   |   |   |   |0-99 levl|   |   |   |   |   |   |   |   |
s/e |   |sus|end|   |   |   |   |   |     s/e |   |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     0     |(0-9)                      |   0       |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|75 |55 |40 |   |   |   |   |   |0-99 rate|   |   |   |   |   |   |   |   |
levl|68 |99 |00 |   |   |   |   |   |0-99 levl|   |   |   |   |   |   |   |   |
s/e |   |sus|end|   |   |   |   |   |     s/e |   |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
*****************************************************************************
COMMENT: This sound was developed to improve one of the factory internals.
It has been quite useful to me as an all-around string sound with that slight
difference that makes it just a bit unusual.  I used the pitch envelope
    to get that "chiff" sound.  It probably could have been done with
    the noise modulator, but once I got the sound I wanted, I didn't
    bother checking out a "more correct way".

295.24Oh, by the way...AKOV68::EATONPERSONAL_NAME="string"Thu Oct 16 1986 17:1313
    	Just a comment on the fly...
    
    	I just purchased on of the "switchable bank" CZ RAM cartridges
    (the kind with 64 memory locations) for $39.95!  That's what many
    people still ask for on the 16-memory cartridges.  So if you live
    in the Eastern Mass area, check out R|S|F Music in Cambridge.  I'd
    strongly suggest calling first, though.  They go fast at that price.
    I went on a Saturday after having them tell me they had 'em in stock
    on Friday - they were sold out.  Fortunately, they shipped one out
    from the next order at no shipping charge when I told them I had
    called beforehand.  I got it within a week.  I was impressed!
    
    	Dan
295.25Free CASIO Book/I Want a Piano/One QuestionLEAGLE::GOLDSTEINOutrageousness!!? Just a way to WAKE PEOPLE UP!Thu Oct 16 1986 19:2420
    
    TWO COMMENTS
    
    1.  If you call CASIO in Fairfield NJ (I don't know the exit) they
    will send you ***FOR FREE!!!*** a book which explains their entire
    MIDI implementation, and is also a pretty good beginners guide to
    MIDI for just about any instrument.
    
    2.  I am looking for a REALLY GREAT PIANO PATCH!!!!!!!
    What is the best that can be done?
    
    Also a question>  If I use my CZ101 on batteries (new DURACELLS)
    the low battery warning seems to start flashing after about 3 hours,
    but there is no indication that the batteries are really low.  Should
    I worry?  How long do DURACELLS or the like really last?
    
    Thanks,    
    Rich Goldstein
    DTN 223-5950
    
295.26Great piano soundJON::ROSSBOZONICSThu Oct 16 1986 21:3712
    
    The best piano? Easy: an MKS20.
    
    (hate to sound like a wise-*** but, couldnt resist.)
    
    On my Cz5000 I've learned to settle for a good dx7-ish
    elec. piano...
    
    good luck.
    
    ron
    
295.27Lets Hear itMINDER::KENTFri Oct 17 1986 14:024
    re. 26 Perhaps you could post the patch so we can see what I DX7
    sounding patch may look like.
    
    	    			Paul.
295.28This guy said he'd swop patc... but gave away free?RDGE43::DUCEslowly we change the world ....Thu Mar 05 1987 06:391707
For those of you who do not subscribe to the USENET, here are some 
patches I received recently. Tried some ... interesting ... pressure 
of work (sob,sob) keeps me from doing much at the moment though! 

See what you think. 

It's kinda long (1710+ lines), so if space is a problem MR Moderator, 
perhaps you should delete it,  as I'd be happy to MAIL anyone who is 
interested, that missed out.

Pete



Newsgroups: rec.music.synth
Path: decwrl!decvax!ucbvax!cartan!ucbcad!ames!rutgers!mit-eddie!bacchus!paul
Subject: CZ Patches Vol II
Posted: 27 Feb 87 21:14:06 GMT
Organization: MIT Project Athena
 
 
 
NAME: background swell
 
line	mod	detune		vibrato		octave
1+2	-	+ 0 00 07	1 11 51 23	0
DCO1
wave
1 0
rt lv
0 0e
DCO1
key
2
rt lv
99 97s
40 00e
DCA1
key
2
rt lv
72 15
31 93s
31 0e
DCO2
wave
2 0
rt lv
00 00e
DCW2
key
2
rt lv
99 99s
40 00e
DCA2
key
2
rt lv
72 15
31 93s
31 00e
 
Comments:
 
turn down DCW1 sustain level if using without tons of processing
 
-------------------------------------------------------------
 
 
NAME:Ministry horns
 
line	mod	detune		vibrato		octave
1+2	-	+ 1 00 14	3 00 40 11	+1
DCO1
wave
4 1
rt lv
86 99
99 33
68 00e
DCO1
key
2
rt lv
67 99
47 96
37 52s
26 00e
DCA1
key
2
rt lv
82 99
36 91s
79 59
55 00e
DCO2
wave
1 0
rt lv
97 99
89 00e
DCW2
key
7
rt lv
97 87
43 79
50 74s
52 00e
DCA2
key
0
rt lv
99 99
21 97
61 00e
 
Comments:
 
Again, use tons of chorus & reverb.  Guaranteed to sound like Alain
Jourgensen in short punches. Play parallel ocatves for bigger sound. 
-------------------------------------------------------------
 
NAME: popcorn
 
line	mod	detune		vibrato		octave
1+2	ring	+ 1 00 00	4 00 97 27	-1
DCO1
wave
5 2
rt lv
95 91
99 00e
DCO1
key
0
rt lv
99 78
47 79s
50 00
47 00e
DCA1
key
4
rt lv
97 99
56 49
99 00e
DCO2
wave
8 3
rt lv
99 99
93 00e
DCW2
key
0
rt lv
99 81s
64 00e
DCA2
key
0
rt lv
99 99
56 00e
 
 
Comments:
 
Great for adding attack to sequencer bass lines.
-------------------------------------------------------------
 
NAME: Kick #1 (extender for TR505)
 
line	mod	detune		vibrato		octave
1+1	noise	- 3 00 06	4 00 53 90	-1
DCO1
wave
4 1
rt lv
98 67
99 00e
DCO1
key
0
rt lv
99 99
99 00e
DCA1
key
0
rt lv
99 99
45 00e
DCO2
wave
 
rt lv
 
DCW2
key
 
rt lv
 
DCA2
key
 
rt lv
 
 
Comments:
 
MIDI to TR505 bass drum, pick a low note (25-40).
-------------------------------------------------------------
 
NAME:kick #2 (TR505 extender)
 
line	mod	detune		vibrato		octave
1+1	-	- 1 00 00	4 04 63 89	-1
DCO1
wave
5 4
rt lv
90 76
90 00e
DCO1
key
0
rt lv
99 15s
50 00e
DCA1
key
0
rt lv
99 99
49 00e
DCO2
wave
 
rt lv
 
DCW2
key
 
rt lv
 
DCA2
key
 
rt lv
 
 
Comments:
 
MIDI to TR505 bass drum, has different sounds in different octaves
-------------------------------------------------------------
 
NAME: snare #1 (TR505 extender)
 
line	mod	detune		vibrato		octave
1+1	noise	+ 2 04 08	3 00 56 88	-1
DCO1
wave
4 7
rt lv
99 62
76 00e
DCO1
key
0
rt lv
00 00e
DCA1
key
0
rt lv
99 99
38 51
53 00e
DCO2
wave
 
rt lv
 
DCW2
key
 
rt lv
 
DCA2
key
 
rt lv
 
 
Comments:
 
MIDI to snare drum.  I use notes in the lower half of the keyboard.
-------------------------------------------------------------
 
NAME: Snare #2
 
line	mod	detune		vibrato		octave
1+2	noise	+ 1 10 0	-		-1
DCO1
wave
1 4
rt lv
99 70
54 00s
50 00e
DCO1
key
0
rt lv
99 99
99 00e
DCA1
key
9
rt lv
99 99
51 00e
DCO2
wave
1 4
rt lv
99 70
54 00s
50 00e
DCW2
key
0
rt lv
99 99
99 00e
DCA2
key
9
rt lv
99 99
43 00e
 
Comments:
 
For those of us without an SPX-90.
-------------------------------------------------------------
 
NAME: Rayz
 
line	mod	detune		vibrato		octave
1+2	-	+ 1 07 10	1 07 61 23	+1
DCO1
wave
1 4
rt lv
00 00e
DCO1
key
0
rt lv
88 99s
47 25
44 00e
DCA1
key
0
rt lv
93 87s
39 00e
DCO2
wave
6 0
rt lv
00 00e
DCW2
key
0
rt lv
99 99s
47 25
44 00e
DCA2
key
0
rt lv
92 99
85 97
92 99
99 98s
32 00e
 
Comments:
 
Sounds even cooler if you use the pitch wheel for glissandi.
(Did I really use the word "glissandi"?)
-------------------------------------------------------------
 
NAME: Whistlin
 
line	mod	detune		vibrato		octave
 
DCO1
wave
 
rt lv
 
DCO1
key
 
rt lv
 
DCA1
key
 
rt lv
 
DCO2
wave
 
rt lv
 
DCW2
key
 
rt lv
 
DCA2
key
 
rt lv
 
 
Comments:
 
Take the preset "Whistle" and change the detune to + 0 0 20
-------------------------------------------------------------
 
NAME: Bowp/Industrial [Bass]
 
line	mod	detune		vibrato		octave
1 +2	*	+ 3 05 00	-		-1
DCO1
wave
6 *
rt lv
0 0e
DCO1
key
0
rt lv
72 53
52 00e
DCA1
key
0
rt lv
99 99 
44 00e
DCO2
wave
4 0
rt lv
00 00e
DCW2
key
2
rt lv
99 10
48 00e
DCA2
key
0
rt lv
99 81
42 00e
 
Comments:
 
* This is one of my most-used sounds.  There are four variations
according to the following matrix:
	
		Bowp		Industrial
 
Regular		ring mod	noise mod
		DCO1 6 0	DCO1 6 0
 
Bass		ring mod	noise mod
		DCO1 6 2	DCO1 6 2
-------------------------------------------------------------
 
NAME:Pan Pipes / Danger Sound
 
line	mod	detune		vibrato		octave
 
DCO1
wave
 
rt lv
 
DCO1
key
 
rt lv
 
DCA1
key
 
rt lv
 
DCO2
wave
 
rt lv
 
DCW2
key
 
rt lv
 
DCA2
key
 
rt lv
 
 
Comments:
Take the "Internal #3" setting and change DCO1 to
	2 0	for pan pipes
	7 0	for Dangersound
 
	"Dangersound" on the low D note is something like Ministry
opened their show with last time I saw them.  Excuse me for making fun
of those Casio Sound Data book names like "Dangerous Sound #2".
 
-------------------------------------------------------------
 
NAME: Traffic Doppler (Barry Kirsch, modified by me)
 
line	mod	detune		vibrato		octave
1+1	noise	+ 00 03 00	1 00 00 97	-1
DCO1
wave
7 0
rt lv
99 15s
16 00e
DCO1
key
0
rt lv
00 00e
DCA1
key
0
rt lv
35 99
00 00
30 00e
DCO2
wave
 
rt lv
 
DCW2
key
 
rt lv
 
DCA2
key
 
rt lv
 
 
Comments:
 
Hold the key down and wait.  I like clusters of low notes best
-------------------------------------------------------------
 
NAME: Sampled Snap
 
line	mod	detune		vibrato		octave
1+2	noise	+ 1 07 00	1 00 67 09	0
DCO1
wave
5 0
rt lv
96 75
99 00e
DCO1
key
0
rt lv
91 66
93 00e
DCA1
key
0
rt lv
93 99
54 00e
DCO2
wave
2 0
rt lv
97 74
93 00e
DCW2
key
0
rt lv
93 41
64 00e
DCA2
key
0
rt lv
94 99
49 00e
 
Comments:
 
Any resemblance to snare #1 is purely intentional.
-------------------------------------------------------------
 
NAME: Kalimba #3,452,156 
 
line	mod	detune		vibrato		octave
1+2	ring	+ 2 10 00	1 60 50 03	0
DCO1
wave
5 0
rt lv
96 75
99 00e
DCO1
key
9
rt lv
97 24
88 00e
DCA1
key
2
rt lv
95 99
43 00e
DCO2
wave
2 0
rt lv
97 74
93 00e
DCW2
key
9
rt lv
95 82
64 00e
DCA2
key
0
rt lv
96 99
49 00e
 
Comments:
 
Yup, more Afro-percussion.  This one has radically different timbres in
different octaves (the second octave on the 101 keyboard is my
favorite). Noise percussion makes some interesting sounds too.
-------------------------------------------------------------
 
NAME: Helicopter (Glenn Bruns, modified)
 
line	mod	detune		vibrato		octave
1+2	ring	+ 2 00 08	3 00 70 99	-1
DCO1
wave
6 5
rt lv
00 00e
DCO1
key
8
rt lv
60 57s
00 00e
DCA1
key
0
rt lv
99 93s
66 00e
DCO2
wave
1 0
rt lv
00 00e
DCW2
key
8
rt lv
60 57s
00 00e
DCA2
key
1
rt lv
99 93
66 00e
 
Comments:
 
Noise modulation makse a meaner helicopter, and a machine gun in the
upper range.
-------------------------------------------------------------
 
 
 
 
 
 
 
 
						Paul

Newsgroups: rec.music.synth
Path: decwrl!decvax!ucbvax!cartan!ucbcad!ames!sri-spam!rutgers!mit-eddie!bacchus!paul
Subject: CZ Patches Vol I (January 1986)
Posted: 27 Feb 87 21:16:22 GMT
Organization: MIT Project Athena
 
Name: synth organ
 
line	mod	detune		vibrato		octave
1+2		+ (1,2) 00 06			+1
 
DCO 1
wave 
2 4
rate	level
99	33
33	00 e
 
DCW 1
key 
0
rate	level
80	99
47	96
37	52 s
26	00
50	00 e
 
DCA 1
key 
0
rate	level
99	90
78	65
83	95
70	75
70	99 s
79	59
33	00 e
 
DCO 2
wave 
3 5
rate	level
99	33
33	00 e
 
DCW 2
key 
0
rate	level
80	99
47	96
37	52 s
26	00
50	00 e
 
 
DCA 2
key 
0
rate	level
99	90
78	65
83	95
70	75
70	99 s
79	59
33	00 e
 
Comments:
 
Boring but useful.
 
Name: drum hit
 
line	mod	detune		vibrato		octave
2		+ 1 10 25			0
 
DCO 1
wave 
5 2
rate	level
50 	00e
 
DCW 1
key 
0
rate	level
99 	99
99	99e
 
DCA 1
key 
0
rate	level
93	55
99	00e
 
DCO 2
wave 
 
rate	level
 
 
DCW 2
key 
 
rate	level
 
 
DCA 2
key 
 
rate	level
 
 
Comments:
If you don't have a drum machine, put some of this under your drum noise.
I boost 200hz for extra umph.
 
 
Name: drum wash
 
line	mod	detune		vibrato		octave
1+1'	noise	+ (1,2,3) 03 08	1 00 38 15	-1
 
DCO 1
wave 
5 0
rate	level
99	62
76	00e
 
DCW 1
key 
0
rate	level
99	83
99	00e
 
DCA 1
key 
6
rate	level
99	99
38	51
53	00e
 
DCO 2
wave 
 
rate	level
 
 
DCW 2
key 
 
rate	level
 
 
DCA 2
key 
 
rate	level
 
 
Comments: I put the three different versions (different detune octave
settings) on adjacent Internal memory keys , and by switching back
and forth between beats (it takes practice) I got a "drum kit", and
even gated off some of the hits by switching to the next sound before
the note had died out.  Primitive, but it got on the local college
station a few times.  This is one of those sounds that sounds really
big on tape.
 
Name: Simmons SDS-7
 
line	mod	detune		vibrato		octave
1+1	noise	+1 03 00			-1
 
DCO 1
wave 
1 5
rate	level
99 	70
42	00e
 
DCW 1
key 
0
rate	level
99	99
99	00e
 
DCA 1
key 
9
rate	level
99	99
43	00s
50	00e
 
DCO 2
wave 
 
rate	level
 
 
DCW 2
key 
 
rate	level
 
 
DCA 2
key 
 
rate	level
 
 
Comments: I tried to duplicate the sound on Duran Duran's "Rio".
 
Name: Phil-in-a-box
 
line	mod	detune		vibrato		octave
1+1'	noise	+ 0 10 00			-1
 
DCO 1
wave 
1 4
rate	level
99	70
54	00s
50	00e
 
DCW 1
key 
0
rate	level
99	99
99	00e
 
DCA 1
key 
9
rate	level
99	99
43	00e
 
DCO 2
wave 
 
rate	level
 
 
DCW 2
key 
 
rate	level
 
 
DCA 2
key 
 
rate	level
 
 
Comments: I was trying to emulate the big crashes on "In the Air
Tonight" and "I Don't Care Anymore".  Having heard it on CD last
week, there's no comparison.  However, SOMEONE on the net (I lost the
message) claims to have improved it.  ???
 
Name: Trevor Horns
 
line	mod	detune		vibrato		octave
1+1'		- 0 02 24	3 06 02 99	+1
 
DCO 1
wave 
3 0
rate	level
99	33
33	00e
 
DCW 1
key 
2
rate	level
67	99
47	96
37	52s
26	00e
 
DCA 1
key 
2
rate	level
82	99
36	91s
79	59
55	00e
 
DCO 2
wave 
 
rate	level
 
 
DCW 2
key 
 
rate	level
 
 
DCA 2
key 
 
rate	level
 
 
Comments: Everybody likes this one, but you have to play it a certain
way or it sounds stupid.  Turn your reverb WAY up and playing three
or four octaves in unison, tap short horn-punch chords.
 
Ha ha ha, five people have mistaken it for a Fairlight on tape so
far!
 
Name: organ brass
 
line	mod	detune		vibrato		octave
1+1'		+ 1 00 06			+1
 
DCO 1
wave 
3 5
rate	level
99	33
68	00e
 
DCW 1
key 
0
rate	level
80	99
47	96
37	52s
26	00
50	00e
 
DCA 1
key 
0
rate	level
99	90
78	65
83	95
70	75
70	99s
79	59
33	00e
 
DCO 2
wave 
 
rate	level
 
 
DCW 2
key 
 
rate	level
 
 
DCA 2
key 
 
rate	level
 
 
Comments: I forget what this sounds like.  I'll have to try it again.
Probably an organ set to "brass".
 
Name: Herbie Scratch
 
line	mod	detune		vibrato		octave
1+1'		+ 0 02 00	1 00 54 88	+1
 
DCO 1
wave 
3 4
rate	level
47	99
99	00e
 
DCW 1
key 
0
rate	level
80	99
47	96
38	85s
26	00e
 
DCA 1
key 
2
rate	level
99	90
85	65
85	95
78	75
78	99
01	98
99	00e
 
DCO 2
wave 
 
rate	level
 
 
DCW 2
key 
 
rate	level
 
 
DCA 2
key 
 
rate	level
 
 
Comments: In lieu of having a record to scratch...
 
Name: Fuzzy bass
 
line	mod	detune		vibrato		octave
1+1'	ring	+ 1 00 00	1 33 55 23	+1
 
DCO 1
wave 
2 3
rate	level
00	00e
 
DCW 1
key 
7
rate	level
97	99
43	79
50	74s
52	00e
 
DCA 1
key 
0
rate	level
99	99
21	00s
61	00e
 
DCO 2
wave 
 
rate	level
 
 
DCW 2
key 
 
rate	level
 
 
DCA 2
key 
 
rate	level
 
 
Comments: Only so-so, but here it is.
 
Name: fat synth bass
 
line	mod	detune		vibrato		octave
1+1'	ring	+ 0 07 04	1 33 55 23	0
 
DCO 1
wave 
2 3
rate	level
50	00e
 
DCW 1
key 
7
rate	level
97	99
43	79
50	74s
52	00e
 
DCA 1
key 
0
rate	level
99	99
21	89s
61	00e
 
DCO 2
wave 
 
rate	level
 
 
DCW 2
key 
 
rate	level
 
 
DCA 2
key 
 
rate	level
 
 
Comments: Modified version of Casio "Electric bass" that sustains.
I play Wham tunes on it -- drives my roommates *nuts*!
 
Name: 1-Octave bass
 
line	mod	detune		vibrato		octave
1+2		+ 1 00 05	1 54 11 04	-1
 
DCO 1
wave 
1 2
rate	level
66	58
72	00
43	05
65	00e
 
DCW 1
key 
9
rate	level
82	88
42	63
00	00e
 
DCA 1
key 
9
rate	level
99	99
28	00
56	00
 
DCO 2
wave 
5 4
rate	level
00	00e
 
DCW 2
key 
7
rate	level
92	80
44	62
00	00e
 
DCA 2
key 
0
rate	level
90	99
30	86s
86	00e
 
Comments: I put this under other bass patches (via tone mix) to get
more bottom end.
 
Name: 2-Octave bass (Tony Levin)
 
line	mod	detune		vibrato		octave
1+2		+ 0 00 05	1 54 11 04	-1
 
DCO 1
wave 
1 2
rate	level
66	58
72	00
43	05
65	00e
 
DCW 1
key 
9
rate	level
82	83
42	63
00	00e
 
DCA 1
key 
9
rate	level
99	99
28	00
56	00e
 
 
DCO 2
wave 
3 4
rate	level
00	00e
 
DCW 2
key 
7
rate	level
92	80
44	62
00	00e
 
DCA 2
key 
0
rate	level
90	99
30	86s
86	00e
 
Comments: I used this to add bottom to bass parts played in higher
registers until someone pointed out that it sounds just like Tony
Levin's Chapman Stick.  "I wanna be.... your Sledgehammer..."
It does have a nice voice of its own.
 
Name: ArtoNoise Trumpet (#3)
 
line	mod	detune		vibrato		octave
1+2	ring			1 27 49 11	+1
 
DCO 1
wave 
3 0
rate	level
00 	00e
 
DCW 1
key 
4
rate	level
67	79
00	00e
 
DCA 1
key 
2
rate	level
70	91
70	67
70	96
70	77
70	99s
56	00e
 
DCO 2
wave 
4 0
rate	level
00	00e
 
DCW 2
key 
4
rate	level
72	79
00	00e
 
DCA 2
key 
2
rate	level
70	91
70	67
70	97
70	77
70	99s
48	00e
 
Comments: Mix with Casio Preset turmpet.  You can set Bend Range to
12 and go a whole octave higher still sounding great.
 
Name: Lazy Trumpet (#4)
 
line	mod	detune		vibrato		octave
1+1'		+ 0 00 07			0
 
DCO 1
wave 
1 0
rate	level
99	33
68	00e
 
DCW 1
key 
2
rate	level
67	99
47	96
37	52s
26	00e
 
 
DCA 1
key 
2
rate	level
70	90
70	65
70	95
70	75
70	99s
50	00e
 
DCO 2
wave 
 
rate	level
 
 
DCW 2
key 
 
rate	level
 
 
DCA 2
key 
 
rate	level
 
 
Comments: I mix this with the Casio Trumpet, set Bend Range to 2, and
get some pretty cool leads with this (a long echo helps).
 
Name: snap percussion
 
line	mod	detune		vibrato		octave
1+2	noise	+ 1 00 00			0
 
DCO 1
wave 
1 0
rate	level
99	82
99	00e
 
DCW 1
key 
0
rate	level
99	99
28	00e
 
DCA 1
key 
0
rate	level
99	99
99	00e
 
DCO 2
wave 
1 0
rate	level
00	00e
 
DCW 2
key 
0
rate	level
00	00e
 
DCA 2
key 
0
rate	level
99	99
58	00e
 
Comments: Four notes within an octave with a slapback echo make
realistic handclaps.
 
Name: Star Trek noise
 
line	mod	detune		vibrato		octave
1+1'				1 00 60 98	+ 1
 
DCO 1
wave 
3 4
rate	level
63	99s
99	00e
 
DCW 1
key 
0
rate	level
80	99
47	96
38	85s
26	00
50	00e
 
DCA 1
key 
2
rate	level
99	90
85	65
85	95
78	75
78	99
01	98s
99	00e
 
DCO 2
wave 
 
rate	level
 
 
DCW 2
key 
 
rate	level
 
 
DCA 2
key 
 
rate	level
 
 
Comments: Just another stupid noise.  Doesn't sound like anything on
Star Trek per se, or does it?  I guess it depends on how Trekkie you
are...
 
Name: Woh-Wow-Yeh 	FROM BARRY KIRSCH
 
line	mod	detune		vibrato		octave
1+2'		+ 00 00 07		-1
 
DCO 1
wave 
6 0
rate	level
51	33
68	00e
 
DCW 1
key 
2
rate	level
58	99
47	96
37	52s
26	00e
 
DCA 1
key 
2
rate	level
62	71
36	91s
79	59
55	00e
 
DCO 2
wave 
7 0
rate	level
53	33
68	00e
 
DCW 2
key 
2
rate	level
33	99
47	96
37	52s
26	00e
 
DCA 2
key 
2
rate	level
82	99
36	91s
79	59
55	00e
 
Comments: "All at once, the clouds are parting,
	    light streams down in bright unbroken beams..."
	  Is this a Rush sound or WHAT, I ask?  I love it anyway :) .
 
Name: Flutelight	ERIC PERSING, _KEYBOARD_ MAGAZINE
 
line	mod	detune		vibrato		octave
1+2	noise	- 1 00 00	1 46 52 17	+1
 
DCO 1
wave 
1 0
rate	level
52	50
15	00e
 
DCW 1
key 
9
rate	level
72	88
99	53s
50	00e
 
DCA 1
key 
0
rate	level
99	17
70	91
59	99
12	83s
65	00e
 
DCO 2
wave 
5 0
rate	level
83	67
50	00e
 
DCW 2
key 
8
rate	level
60	57
00	00e
 
DCA 2
key 
2
rate	level
76	67
61	00e
 
Comments: Yes, THAT sound again.... play happy major thirds and see.
 
 
 
 
						Paul
295.29more CZ patchesVCQUAL::MARSHALLThu Apr 02 1987 12:35766
    Here's a whole slew of CZ patches that appeared in today's
    rec.music.synth. I removed the headers and put a form feed
    between the patches. NOTE: they are in many different
    formats and some don't have titles so it may be somewhat
    interesting getting through these things. Enjoy!
    
    rick
     
    
    
    
    
    *********************************************************
Name: Woody metal.
 
line	mod	detune		vibrato		octave
1+1'    ring    + 2 00 06       1 50 65 07         0
 
DCO 1
wave 
1 0
rate	level
00      00 end
 
DCW 1
key 
9
rate	level
83      27
37      10 sus
88      00 end
 
DCA 1
key 
5
rate	level
99      99
38      85
21      78
31      65
32      60
40      55
17      00
37      00 end
 
*****************************************************************************
Comments: Detune, octave=3 also useful. Expriment with vibrato.
 
 
*****************************************************************************

Name: Reverb Flute (September 1986 Electronics & Music Maker)
 
Line: 1+2'
Mod: Noise on
Detune: +,0,0,0
Vibrato: Wave=1,delay=26,rate=55,depth=9
Octave: +1
 
DCO1:     1st wave = 2, 2nd wave = 0
          Rate=70,level = 66 (sus)
               00         00 (end)
 
DCW1:     Key follow = 0
          Rate=60, Level = 35 (sus)
               00,         00 (end)
 
DCA1:     Key follow =1
          rate=82   Level = 99 (sus)
               58           89
               71           54
               44           30
               63           66
               44           30
               61           51
               50           00 (end)
 
DCO2:          1st wave = 1, 2nd wave = 0
               rate = 00,     level = 0 (end)
 
DCW2:          Key follow = 9
               rate = 99, level = 00 (sus)
                      00          00 (end)
 
DCA2:          Key follow = 1
               rate = 92, level = 64
                      56          00 (end)
 
----------------------------------------------------------------
 
Name: Guitar with distortion
 
Detune: +, oct=2,note=7, fine=8
Vibrato: wave=1,delay=0,rate=99,depth=24
Octave=-1
Line: 1+1'
mod: ring
 
DCO1:     1st wave = 8, 2nd wave = 4
          rate =00, level = 00 (end)
 
DCW1:     Key follow = 0
          Rate = 99, level = 21 (sus)
                 33          00 (end)
 
DCA1:     Key follow = 0
          rate = 99, level = 99 (sus)
                 31          83
                 52          00 (end)
 
------------------------------------------------------------------
 
Name: Mean Electric Guitar
 
Detune: +,1,2,4
Vibrato: 1,53,0,0
Octave:+1
Line:1+1'
Mod:Ring
 
DCO1:     1st wave = 3, 2nd wave = 4
          Rate = 19, Level = 00 (End)
 
DCW1:     Key follow = 1
          Rate = 86, Level = 64
                 07          00 (End)
 
DCA1:     Key follow = 4
          Rate = 94, Level = 96 (sus)
                 92          00 (End)
 
Comments: Try small amount of glide or portamento to make
          it more of a realistic guitar sound.
 
 
 
Name: Scratchy Trumpet
 
line	mod	detune		vibrato		octave
1+2'		+ 0 00 00	1 19 50 14	0
 
DCO 1
wave
4 0
rate	level
00	00e
 
DCW 1
key
0
rate	level
99	99s
27	00e
 
DCA 1
key
4
rate	level
70	99
20	89s
49	00e
 
DC0 2
wave
3 5
rate	level
00	00e
 
DCW 2
key
0
rate	level
51	77
39	00e
 
DCA 2
key
4
rate	level
99	79
32	00e
 
Comments:
 
 
 
 
    TONE NAME harpsichord #2		CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|  1+2'     | |    |     | | + | 2 | 0  | 06 | | 1  | 0 |00|00 | | + |  1  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  3  |  6   |                          |  3  |  7   |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |99 |   |   |   |   |   |0-99 rate|99 |99 |   |   |   |   |   |   |
levl|99 |00 |00 |   |   |   |   |   |0-99 levl|21 |00 |   |   |   |   |   |   |
s/e |   | s | e |   |   |   |   |   |     s/e |   | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     5     |(0-9)                      |     3     |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |00 |   |   |   |   |   |   |0-99 rate|99 |00 |   |   |   |   |   |   |
levl|50 |00 |   |   |   |   |   |   |0-99 levl|52 |00 |   |   |   |   |   |   |
s/e | s | e |   |   |   |   |   |   |     s/e |   | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     9     |(0-9)                      |     3     |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |33 |57 |99 |   |   |   |   |0-99 rate|76 |94 |58 |44 |99 |   |   |   |
levl|90 |16 |00 |00 |   |   |   |   |0-99 levl|02 |99 |90 |00 |00 |   |   |   |
s/e |   |   | s | e |   |   |   |   |     s/e |   |   |   | s | e |   |   |   |
_____________________________________     _____________________________________
 
 
 
 
CZ PATCH NAME: swept reed
COMMENT: modified casio reed
ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8);
DCO1 (wave-env): 3.4-99.29-72e
DCW1 (key-env): 9-74.93-93.86s-50e
DCA1 (key-env): 1-86.99-63.93-65.94-29e
DCO2 (wave-env): 6.4-99.66-73e
DCW2 (key-env): 2-43.60-24.49-26e
DCA2 (key-env): 0-62.94-18.85-24.77-26e
DETUNE (+- oct - semi - fine): (-)0-0-7
MODULATION (1'or 2' - ring or noise): either 1' or 2'
VIBRATO (wave-delay-rate-depth): 4-81-41-99
KEYBOARD OCTAVE (+ o -): 0
 
CZ PATCH NAME: minor vox chorus
COMMENT: fairly modal based on casio human voice
ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8);
DCO1 (wave-env): 1.4-55.65-40.66s-2e
DCW1 (key-env): 0-99e
DCA1 (key-env): 0-79.99-21.74s-31.75-60e
DCO2 (wave-env): 5.0-50e
DCW2 (key-env): 8-46.65-35.20s-54e
DCA2 (key-env): 0-67.77-21.77-12.90s-35e
DETUNE (+- oct - semi - fine): (-)0-7-10
MODULATION (1'or 2' - ring or noise): 2'
VIBRATO (wave-delay-rate-depth): 1-72-46-19
KEYBOARD OCTAVE (+ o -): 0
 
CZ PATCH NAME: Synth Bass II
COMMENT: modified casio
ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8);
DCO1 (wave-env): 2.3-0e
DCW1 (key-env): 7-97.99-43.79-50.74s-52e
DCA1 (key-env): 0-99.99-21e
DETUNE (+- oct - semi - fine): (-)1-0-3
MODULATION (1'or 2' - ring or noise): 1' - ring
VIBRATO (wave-delay-rate-depth): 1-33-55-23
KEYBOARD OCTAVE (+ o -): 0
 
CZ PATCH NAME:swept mute ens.
ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8);
DCO1 (wave-env): 2.1-67.55-42.60-54.6-50e
DCW1 (key-env): 0-52.99-28.90-30.97-31.93-22.71s-50.52-50e
DCA1 (key-env): 0-71.99s-38.82-30.75-49e
DCO2 (wave-env): 2.4-53.15-49e
DCW2 (key-env): 0-53.99-79.72-50.70s-50e
DCA2 (key-env):  0-89.91-49.86-18.73(?s?)-20.70-22e
DETUNE (+- oct - semi - fine): +1-0-2
MODULATION (1'or 2' - ring or noise): 2' ring
VIBRATO (wave-delay-rate-depth): 1-42-31-20
KEYBOARD OCTAVE (+ o -): 0
 
CZ PATCH NAME: Bright electric piano
COMMENT: I could really use some nice pianos
ENVELOPE DATA (wave or key - R1.L1 - R2.L2 - *** - R7.L7 - R8);
DCO1 (wave-env): 5.2-99.66-99e
DCW1 (key-env): 0-99.99s-0e
DCA1 (key-env): 0-92.99-95.87-92.99-99.88s-43e
DCO2 (wave-env):3.1-99.66-99e
DCW2 (key-env): 0-99.99s-0e
DCA2 (key-env): 0-92.99-95.87-92.99-99.88-44e
DETUNE (+- oct - semi - fine):+0-0-10
MODULATION (1'or 2' - ring or noise): 2'
VIBRATO (wave-delay-rate-depth): 1-45-52-11
KEYBOARD OCTAVE (+ o -): +1
 
--------------------------------------------------------------------------
						
                            Bird call #1 :
    
Line    Modulation
Select  Ring Noise  +/- Octave Note Fine  Wave Delay Rate Depth  +/- Range
------  ----------  --------------------  ---------------------  ---------
  1     off  off     0    0     0    0      1    00   80    68    +    1
 
 
-- DCO 1 --                 -- DCW 1 --              -- DCA 1 --
Wave  Form                  Key Follow               Key Follow
First Second                ----------               ----------
------------                     4                        0
  4     0
 
  ENV (pitch)               ENV (wave)               ENV (amp)
-------------               ----------               ------------------
Step   1   2                Step   1                 Step   1   2   3
Rate  99  40                Rate  00                 Rate  69  46  64
Level 65   0                Level 00                 Level 88  99  00
         End                      End                              End
 
NOTES : Built from the "whistle" preset.  Play around with portamento,
and quickly a notes followed by their third or fourth.

--------------------------------------------------------------------------
 
                           Bird call #2 :
 
Line    Modulation
Select  Ring Noise  +/- Octave Note Fine  Wave Delay Rate Depth  +/- Range
------  ----------  --------------------  ---------------------  ---------
1       off  off     0    0     0    0      1    00   48    49    +    1
 
 
-- DCO 1 --                 -- DCW 1 --              -- DCA 1 --
Wave  Form                  Key Follow               Key Follow
First Second                ----------               ----------
------------                     4                        0
  4     0
 
ENV (pitch)                 ENV (wave)               ENV (amp)
----------------            ----------               ------------------
Step   1   2   3            Step   1                 Step   1   2   3
Rate  52  00  00            Rate  00                 Rate  69  46  64
Level 66  00  00            Level 00                 Level 88  99  00
             End                 End                              End
 
NOTES : Built from the "whistle" preset.  Vibrato can be taken off.
Short repeated key strokes work well.
 
 
 
TONE NAME-  MASSIVE BASS              CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|   12'     | | off| off | | + | 0 |  0 |  4 | | 1  |33 |23| 06| | - |  1  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
| 4   |  4   |                          | 3   |  4   |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|50 |   |   |   |   |   |   |   |0-99 rate|50 |   |   |   |   |   |   |   |
levl| 0 |   |   |   |   |   |   |   |0-99 levl| 0 |   |   |   |   |   |   |   |
s/e | e |   |   |   |   |   |   |   |     s/e | e |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     7     |(0-9)                      |     7     |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|97 |43 |50 |50 |   |   |   |   |0-99 rate|97 |43 |50 |50 |   |   |   |   |
levl|99 |79 |87 | 0 |   |   |   |   |0-99 levl|99 |79 |87 | 0 |   |   |   |   |
s/e |   |   | s | e |   |   |   |   |     s/e |   |   | s | e |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     9     |(0-9)                      |     9     |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |21 |61 |   |   |   |   |   |0-99 rate|99 |21 |61 |   |   |   |   |   |
levl|99 |88 | 0 |   |   |   |   |   |0-99 levl|99 |88 | 0 |   |   |   |   |   |
s/e |   | s | e |   |   |   |   |   |     s/e |   | s | e |   |   |   |   |   |
_____________________________________     _____________________________________
 
 
*****************************************************************************
COMMENT: 
 
Based on Elec Guitar preset C-5.   Play in the second octave.
 
*****************************************************************************
 
 

 
 
TONE NAME- THWACK DRUMS               CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|   12'     | | off| on  | | + | 0 | 10 | 0  | |  3 | 0 |55| 85| | - |  1  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  5  |   1  |                          |  6  |   4  |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|92 |99 |   |   |   |   |   |   |0-99 rate|99 |99 |13 |   |   |   |   |   |
levl|93 | 0 |   |   |   |   |   |   |0-99 levl|99 |53 | 0 |   |   |   |   |   |
s/e |   | e |   |   |   |   |   |   |     s/e |   | s | e |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     0     |(0-9)                      |      8    |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |99 |   |   |   |   |   |0-99 rate|99 |94 |50 |   |   |   |   |   |
levl|99 |86 | 0 |   |   |   |   |   |0-99 levl|99 |99 | 0 |   |   |   |   |   |
s/e |   |   | e |   |   |   |   |   |     s/e |   | s | e |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     0     |(0-9)                      |      1    |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |41 |52 |   |   |   |   |   |0-99 rate|99 |53 |52 |   |   |   |   |   |
levl|99 | 0 | 0 |   |   |   |   |   |0-99 levl|81 |35 | 0 |   |   |   |   |   |
s/e |   | s | e |   |   |   |   |   |     s/e |   |   | e |   |   |   |   |   |
_____________________________________     _____________________________________
 
 
*****************************************************************************
COMMENT: 
 
Based on "Tom toms 1" from Casio "Pro-tone data book."  Play octaves 2+3.
 
*****************************************************************************

 
 
TONE NAME- BELL ORGAN                  CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|   12'     | | off|  off| | + | 3 | 07 | 08 | | 1  |49 |50| 10| | - |  1  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  2  |  5   |                          |  2  |  2   |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|50 |   |   |   |   |   |   |   |0-99 rate|50 |   |   |   |   |   |   |   |
levl| 0 |   |   |   |   |   |   |   |0-99 levl| 0 |   |   |   |   |   |   |   |
s/e | e |   |   |   |   |   |   |   |     s/e | e |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     0     |(0-9)                      |      7    |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |   |   |   |   |   |   |   |0-99 rate|99 |50 |52 |50 |   |   |   |   |
levl| 0 |   |   |   |   |   |   |   |0-99 levl|70 |68 |97 | 0 |   |   |   |   |
s/e | e |   |   |   |   |   |   |   |     s/e |   |   | s | e |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|      0    |(0-9)                      |      0    |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |55 |31 |31 |   |   |   |   |0-99 rate|99 |81 |31 |31 |   |   |   |   |
levl|99 |89 |65 | 0 |   |   |   |   |0-99 levl|90 |86 |29 | 0 |   |   |   |   |
s/e |   |   | s | e |   |   |   |   |     s/e |   |   | s | e |   |   |   |   |
_____________________________________     _____________________________________
 
 
*****************************************************************************
COMMENT: 
 
Based on "fairy tale" preset, B-8.
 
*****************************************************************************
 
------------------------------------------------------------------------------
Line Select  Modulation        Detune                 Vibrato          Octave
                         +/- Octave Note Fine  Wave Delay Rate Depth  +/- Range
1+1'                     +   1           8     1    38    60   4          0
 
DCO 1
Wave Form
First Second
2     3
    
Step   1   2
Rate   99  68
Level  33  0
           END
 
DCW 1
Key Follow 9
 
Step   1   2   3   4
Rate   73  99  99  00
Level  88  96  99  00
               SUS END
 
DCA 1
Key Follow 0
Step  1   2   3   4
Rate  82  99  88  62
Level 81  99  96  00
              SUS END
 
* Use it at the extreme low end for a fat slightly distorted deep organy
  sound.  I don't know how else to explain it.
 
-------------------------------------------------------------

 
line	mod	detune		vibrato		octave
1+2		+ 2 00 01	1 51 60 05	-1
 
DCO 1
wave 
1 0
rate	level
50	00e
 
DCW 1
key 
5
rate	level
99	27
48	00e
 
DCA 1
key 
6
rate	level
94	99
32	00s
45	00e
 
DCO 2
wave 
2 0
rate	level
50	00e
 
DCW 2
key 
1
rate	level
99	12
12	00e
 
DCA 2
key 
3
rate	level
95	99
54	36
28	00s
60	00e
 
------------------------------------------------------------------
 
Name: Space Shots
 
line	mod	detune		vibrato		octave
1+1'   off/off	- 0 00 06	3 0 35 93	(whatever you like best)
 
DCO 1
wave 
8 0
rate	level
99	33
33      0       END
 
DCW 1
key 
0
rate	level
99  	99
46	99
37	52	SUS
26	0	END
 
DCA 1
key 
0
rate	level
99	50
77	99
67	91	SUS
79	92
26	0	END
 
 
Comments: 
This sounds kind of like the laser fire in a cheap video game.
To change the number of shots fired each time you push a key,
change the rate of DCA 1, STEP 5.   
To vary the speed at which shots are fired, vary the vibrato 
rate (most effective if you do this while playing.) 
 
------------------------------------------------------------------
 
Name: Glissando Filter Sweep
 
line	mod	detune		vibrato		octave
1+1'   off/off	- 0 00 06	1 0 0 6		- 1
 
DCO 1
wave 
8 0
rate	level
99	33
70      0       END
 
DCW 1
key 
0
rate	level
99  	99
46	99
37	52	SUS
26	0	END
 
DCA 1
key 
0
rate	level
99	50
77	99
67	91	SUS
79	59
33	0	END
 
 
Comments: 
This sound creates a "high-to-low" filter sweep in discrete increments
(hence, glissando) each time a key is pressed. The sweep is most noticable
in the lower range of the keyboard. For really gothic song intros, 
try setting DETUNE OCTAVE to -1 and playing single notes going slowly 
>from high to low on the keyboard.
(Notice that the parameter values of this sound are very similar 
to those of Space Shots. By tweaking the vibrato, DCO1, DCA1
it becomes a semi-musical sound.)
 
------------------------------------------------------------------
 
 
 
 
 
=========
Name: Diva Harmonic
An ethereal third harmonic fades in as the fundamental fades out.
Play slowly & hold down the keys for several seconds for full effect. 
Reminiscent of some of the music in the film _Diva_.
 
Line 1+2'  Octave 0
Detune +  OCT 1, NOTE 7 FINE 0
Vibrato: Wave 1 Delay 0 Rate 0 Depth 0
Modulation: None
 
DCO 1 Wave 1 Env 0/0/END
DCW 1 Key 0 Env 53/5 37/0/END
DCA 1 Key 0 Env 38/99 30/0/END
 
DCO 2 Wave 1 Env 0/0/END
DCW 2 Key 0 Env 32/5 25/0/END
DCA 2 Key 0 Env 32/99 30/0/END
 
=========
Name: Landing 747
The best sound comes from keys at the low end of the keyboard, I think.
Hold down the key to let the effect complete its cycle.
Holding several adjacent keys works well, too.
 
Line 1+2'  Octave -1
Detune -  OCT 1, NOTE 0 FINE 0
Vibrato: Wave 1 Delay 31 Rate 36 Depth 0
Modulation: Noise
 
DCO 1 Wave 5 Env 99/95 9/43/SUS 8/0/END
DCW 1 Key 0 Env 99/73/SUS 9/62 9/0/END
DCA 1 Key 6 Env 56/88/SUS 10/28 37/0/END
 
DCO 2 Wave 5 Env 99/80 24/43/SUS 8/0/END
DCW 2 Key 0 Env 99/81/SUS 9/62 9/0/END
DCA 2 Key 2 Env 53/81/SUS 10/37 30/0/END
 
========
Name: Thompson Bass
Similar to the plucked bass sound used on several Thompson Twins records.
After an initial transient, the note fades to a muted drone.
 
Line 1+2'  Octave -1
Detune -  OCT 0, NOTE 0 FINE 0
Vibrato: Wave 1 Delay 0 Rate 0 Depth 0
Modulation: None
 
DCO 1 Wave 3 Env 0/0/END
DCW 1 Key 9 Env 99/94 55/23/SUS 37/0/END
DCA 1 Key 0 Env 99/99 63/70/SUS 50/0/END
 
DCO 2 Wave 3 Env 0/0/END
DCW 2 Key 9 Env 99/94 55/23/SUS 37/0/END
DCA 2 Key 0 Env 99/99 63/70/SUS 50/0/END
 
==========
Happy listening.
 
    
295.30Wanted: CZ-101 Harpsichord PatchFGVAXU::MASHIAFast falls flatten flutesTue Apr 14 1987 19:295
    I'm looking for a good harpsichord patch for my CZ-101 for a tune
    I'm working on.  Anybody have one they'd be willing to share?
    
    Thanks,
    Rodney M.
295.31REGENT::SCHMIEDERWed Apr 15 1987 20:0715
RE: .30

I assume your reply means you tried the ones I posted earlier in this note and
didn't like them.  There is supposed to be a professionally designed harpsichord
patch in the package that was mentioned in yet another note, part of a hundred
or so other patches.  Someone here ought to remember the information on that;
I think I located it once doing a "dir/title="cz101" or "dir/title="patch".

My harpsichord patches really stink, and unfortunately were better before I
tweaked them too much.  Wish I had saved the preliminary patches before I
ruined them.  If you find some good patches that aren't copyrighted, I will
be interested in seeing them as well (hopefully posted in this note).


				Mark
295.32Must've missed 'emFGVAXU::MASHIAFast falls flatten flutesThu Apr 16 1987 12:1910
    Re: .31
    
    I thought I had extracted all the CZ patches already, but I don't
    remember running across the "hundred or so".  I think I've seen a couple
    dozen.  I'll look some more.  
    
    If I find anything worthwhile, or can tweak one of them into something
    worthwhile, I'll post it here.
    
    Rodney M.
295.33REGENT::SCHMIEDERFri Apr 17 1987 16:3226
RE: .32

Sorry, I must have given the impression that the hundred or so CZ patches were 
in this file!  What I meant was someone mentioned a mail-order number to call 
for a published book full of LOTS (number escapes me) of 
professionally-designed CZ patches.

I haven't bought it yet, or extracted the more recent patches posted here that 
were in the harder-to-read format, because I'm not certain I'm going to hang 
on to my CZ101 even as a MIDI-driven keyboard.  I just have this feeling that 
Casio's going to be coming out with a backwards-incompatible replacement that 
will dry up the support for the CZ101 in terms of new patches/etc.

My honeymoon with the CZ ended long ago, but not as quickly as with other 
keyboards I have owned.  I didn't think $400 was too bad when I bought it, got 
pretty upset when the price dropped below $200, but right now I could sure use 
the money.

I'm glad I bought it, though, because it helped me to learn about synthesis.  
I don't think I would have learned as much on a (more expensive) Roland or 
Korg.  And, with digital delay, some of the sounds still sound decent to me.  
One of the best sounds is the church organ sound that Len Fehskens developed 
and posted earlier in this note.  I haven't gotten sick of that one yet.


				Mark
295.34Oops! Found 'em!FGVAXU::MASHIAFast falls flatten flutesFri Apr 17 1987 20:3716
    Re: .33
    
    You were right, Mark.  There were a bunch that I had somehow missed,
    including the two harpsichord patches.  I haven't had a chance to
    try them yet.
    
    I originally bought my CZ simply as an intro synth.  I don't play
    keyboards, and simply wanted to play with it.  Like most people,
    when I heard the factory presets, I was underwhelmed, but it was
    a great buy for the money (I paid $300). I've since found that it
    has a LOT more capability than I really expected.
    
    I'm primarily interested in tunes, not "sounds" per se, so there
    are already more than enough patches than I'll ever need...probably.
    
    Rodney M.
295.35CZ acoustic Piano (sorta)AKOV68::EATONDThen the quail came... Mon May 25 1987 21:2451
    
        TONE NAME- PIANO		CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|  1+'2	    | | X  |     | | + | 1 | 0  | 03 | | 1  | 57|0 | 1 | | - |  0  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  1  |  1   |                          |  3  |  2   |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |40 |50 |50 |50 |   |   |   |0-99 rate| 0 | 0 | 0 | 0 |50 |   |   |   |
levl| 0 | 0 | 0 | 0 | 0 |   |   |   |0-99 levl| 0 | 0 | 0 | 0 | 0 |   |   |   |
s/e |   |   |   |   |END|   |   |   |     s/e |   |   |   |SUS|END|   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     8     |(0-9)                      |      4    |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|85 |13 |   |   |   |   |   |   |0-99 rate|67 |13 |   |   |   |   |   |   |
levl|34 | 0 |   |   |   |   |   |   |0-99 levl|37 | 0 |   |   |   |   |   |   |
s/e |   |END|   |   |   |   |   |   |     s/e |   |END|   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     8     |(0-9)                      |      8    |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |32 |31 |17 | 8 |16 | 5 |47 |0-99 rate|47 |44 |28 |26 |   |   |   |   |
levl|99 |46 |17 |14 |17 | 8 | 5 | 0 |0-99 levl|11 |24 | 1 | 0 |   |   |   |   |
s/e |   |   |   |   |   |   |   |END|     s/e |   |   |   |END|   |   |   |   |
_____________________________________     _____________________________________
 
*****************************************************************************
COMMENT: This is about as close to a piano as I've heard on the CZ.
295.36CZ Fender RhodesAKOV68::EATONDThen the quail came... Mon May 25 1987 21:2652
    
        TONE NAME- Rhodes Piano		CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|  1+'2	    | |    |     | | + | 2 | 10 | 05 | | 1  | 0 |27| 4 | | - |  0  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  3  |0     |                          |  4  |  0   |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|62 |76 |   |   |   |   |   |   |0-99 rate|92 |99 |   |   |   |   |   |   |
levl|10 |00 |   |   |   |   |   |   |0-99 levl|59 |00 |   |   |   |   |   |   |
s/e |   |end|   |   |   |   |   |   |     s/e |   |end|   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     2     |(0-9)                      |      9    |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|85 |54 |27 |50 |   |   |   |   |0-99 rate|99 |99 |99 |   |   |   |   |   |
levl|65 |58 |46 |00 |   |   |   |   |0-99 levl|99 |40 |00 |   |   |   |   |   |
s/e |   |   |sus|end|   |   |   |   |     s/e |   |sus|end|   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     3     |(0-9)                      |     3     |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|91 |21 |60 |   |   |   |   |   |0-99 rate|99 |36 |24 |46 |   |   |   |   |
levl|99 |00 |00 |   |   |   |   |   |0-99 levl|45 |18 |00 |00 |   |   |   |   |
s/e |   |sus|end|   |   |   |   |   |     s/e |   |   |sus|end|   |   |   |   |
_____________________________________     _____________________________________
 
*****************************************************************************
COMMENT: This patch was published in the FEB '86 issue of KEYBOARD.  I've used 
it extensively as a bright Rhodes piano.
295.37... and another piano.NIMBUS::DAVISThu May 28 1987 15:0964
295.388-note polyphonic PianoORION::LAQUERREFri Jun 26 1987 01:5866
This is the piano voice I've been using lately, but the one in the 
previous reply looks interesting.  I'm looking forward to trying that 
one as well.

My goal is to come up with an 8-note polyphonic piano patch.  I've got 
a CZ-1000, and with the larger keys, it's more tempting to try and 
play it like an acoustic piano.  4-note piano voices just don't do it.

Of course, trying to get a nice bright piano voice without the DETUNE 
function makes it pretty tough.  There's not much to this one, but 
it's a start.

Peter
*****************************************************************************
    
    TONE NAME- 8-note Polyphonic      CARTRIDGE NO.           TONE NO.
 	       Piano

PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|  1        | |    |     | |   |   |    |    | | 1  | 06|06|06 | |   |  0  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
| 1   |  0   |                          |     |      |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |   |   |   |   |   |   |   |0-99 rate|   |   |   |   |   |   |   |   |
levl|00 |   |   |   |   |   |   |   |0-99 levl|   |   |   |   |   |   |   |   |
s/e |e  |   |   |   |   |   |   |   |     s/e |   |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     9     |(0-9)                      |           |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |45 |20 |   |   |   |   |   |0-99 rate|   |   |   |   |   |   |   |   |
levl|66 |33 |0  |   |   |   |   |   |0-99 levl|   |   |   |   |   |   |   |   |
s/e |   |   |e  |   |   |   |   |   |     s/e |   |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     9     |(0-9)                      |           |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |20 |44 |   |   |   |   |   |0-99 rate|   |   |   |   |   |   |   |   |
levl|99 |11 |00 |   |   |   |   |   |0-99 levl|   |   |   |   |   |   |   |   |
s/e |   |   |e  |   |   |   |   |   |     s/e |   |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 

295.39Help with reproducing templatesLOLITA::DIORIOTue Jul 28 1987 21:1911
    Soon I will be entering a bunch of new patches that I worked out
    on my newly acquired CZ101. Can some one tell me how to reproduce
    the CZ patch template here with a minimum  of work? There has to
    be a better way than putting all those dots and dashes in from scratch.
    Is there a way to extract the template from a previous reply, store
    it in a buffer, and transfer it to this reply? If there is a way,
    could someone please detail how to do it (send me a mail message
    if you wish). So far I have created 8 new patches...and expect to
    working on more this week.
    
    Mike D
295.40FORWARD the templateNIMBUS::DAVISWed Jul 29 1987 13:199
    I think what you want to do is use FORWARD to mail one of the previous
    replys to yourself and then extract the template from the VAX mail. You
    can then you your favorite text editor to make multiple copies of the
    template and type in all your patches. When the file (or multiple
    files) is ready you can specify the complete file name (including your
    node) with the REPLY command to bring it back into notes. 
    
    Rob
    
295.41Template follows....ECADSR::SHERMANone rubber nose!Wed Jul 29 1987 13:238
    I extracted note .7 to get the template which is in the next reply.
    Juset do 
    		extract file.name
    when you are at the template note.  Edit the template, and enter
    it with
    		reply fine.name
    
    Steve
295.42CZ-101 Template (hacked from note .7)ECADSR::SHERMANone rubber nose!Wed Jul 29 1987 13:2454
    
    
    TONE NAME- 				CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|  	    | |    |     | |   |   |    |    | |    |   |  |   | |   |     |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|     |      |                          |     |      |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|   |   |   |   |   |   |   |   |0-99 rate|   |   |   |   |   |   |   |   |
levl|   |   |   |   |   |   |   |   |0-99 levl|   |   |   |   |   |   |   |   |
s/e |   |   |   |   |   |   |   |   |     s/e |   |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|           |(0-9)                      |           |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|   |   |   |   |   |   |   |   |0-99 rate|   |   |   |   |   |   |   |   |
levl|   |   |   |   |   |   |   |   |0-99 levl|   |   |   |   |   |   |   |   |
s/e |   |   |   |   |   |   |   |   |     s/e |   |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|           |(0-9)                      |           |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|   |   |   |   |   |   |   |   |0-99 rate|   |   |   |   |   |   |   |   |
levl|   |   |   |   |   |   |   |   |0-99 levl|   |   |   |   |   |   |   |   |
s/e |   |   |   |   |   |   |   |   |     s/e |   |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
*****************************************************************************
COMMENT: 
*****************************************************************************
                                                                       
295.43Thanks!LOLITA::DIORIOFri Jul 31 1987 14:016
    Thanks all for the help! I should be posting my 8 patches either this
    weekend or the beginning of next week. 
    
    Thanks again...
    
    Mike D
295.44My first 8 CZ101 patchesLOLITA::DIORIOMon Aug 03 1987 18:09454
Here are the 8 patches. These are my first attempts at programming  the 
CZ-101, although I've had lots of experience programming analog synths. I 
would appreciate any feedback on these patches....e.g. which ones you like, 
which ones you don't like and why. This will help me improve the next group 
of patches that I submit. Thanks.. Mike D. 
****************************************************************************
    TONE NAME- 	Ring Modulo 1		CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|  1+1'	    | |Yes |     | | - | 1 | 00 | 00 | | 1  | 5 |14| 5 | | + |  1  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  8  |  4   |                          |  2  |  2   |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|62 |76 |   |   |   |   |   |   |0-99 rate|92 |99 |   |   |   |   |   |   |
levl|10 |00 |   |   |   |   |   |   |0-99 levl|59 |00 |   |   |   |   |   |   |
s/e |   | e |   |   |   |   |   |   |     s/e |   | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     9     |(0-9)                      |     9     |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|85 |54 |27 |50 |   |   |   |   |0-99 rate|99 |99 |99 |   |   |   |   |   |
levl|65 |58 |46 |00 |   |   |   |   |0-99 levl|99 |50 |00 |   |   |   |   |   |
s/e |   |   | s | e |   |   |   |   |     s/e |   | s | e |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     0     |(0-9)                      |     0     |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|91 |21 |60 |50 |   |   |   |   |0-99 rate|99 |36 |36 |24 |46 |   |   |   |
levl|99 |00 |50 |00 |   |   |   |   |0-99 levl|45 |30 |25 |00 |00 |   |   |   |
s/e |   | s |   | e |   |   |   |   |     s/e |   |   |   | s | e |   |   |   |
_____________________________________     _____________________________________
 
*****************************************************************************
COMMENTS: This is a very raucous sound.
            

*****************************************************************************

*****************************************************************************
    TONE NAME- Slow Saw Sweep		CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|  1+2'	    | |    |     | | + | 0 | 00 | 06 | | 1  |00 |00|00 | |   |  0  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  1  |  8   |                          |  1  |  6   |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |57 |   |   |   |   |   |   |0-99 rate|99 |57 |   |   |   |   |   |   |
levl|65 |00 |   |   |   |   |   |   |0-99 levl|66 |00 |   |   |   |   |   |   |
s/e |   | e |   |   |   |   |   |   |     s/e |   | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     0     |(0-9)                      |     0     |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |30 |   |   |   |   |   |   |0-99 rate|30 |99 |   |   |   |   |   |   |
levl|99 |00 |   |   |   |   |   |   |0-99 levl|99 |00 |   |   |   |   |   |   |
s/e | s | e |   |   |   |   |   |   |     s/e | s | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     0     |(0-9)                      |     0     |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|72 |45 |   |   |   |   |   |   |0-99 rate|72 |45 |   |   |   |   |   |   |
levl|92 |00 |   |   |   |   |   |   |0-99 levl|92 |00 |   |   |   |   |   |   |
s/e | s | e |   |   |   |   |   |   |     s/e | s | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
*****************************************************************************
COMMENTS: This is a traditional analog-type filter sweep sound. Hold down 
          the keys for 4 to 5 seconds to get the full sweep effect.


***************************************************************************** 

*****************************************************************************
    TONE NAME- 96 Tears			CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|  1+1'	    | |    |     | | + | 2 | 00 | 01 | | 1  |00 |56|14 | | + |  1  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  3  |  4   |                          |  4  |  3   |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|88 |   |   |   |   |   |   |   |0-99 rate|97 |   |   |   |   |   |   |   |
levl|00 |   |   |   |   |   |   |   |0-99 levl|00 |   |   |   |   |   |   |   |
s/e | e |   |   |   |   |   |   |   |     s/e | e |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     1     |(0-9)                      |     4     |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |91 |75 |75 |97 |84 |00 |0-99 rate|97 |99 |91 |90 |99 |97 |83 |02 |
levl|88 |80 |99 |70 |99 |77 |89 |00 |0-99 levl|83 |99 |91 |93 |99 |83 |84 |00 |
s/e |   |   |   |   |   |   | s | e |     s/e |   |   |   |   |   |   | s | e |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     1     |(0-9)                      |     3     |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |   |   |   |   |   |   |0-99 rate|99 |99 |   |   |   |   |   |   |
levl|99 |00 |   |   |   |   |   |   |0-99 levl|99 |00 |   |   |   |   |   |   |
s/e | s | e |   |   |   |   |   |   |     s/e | s | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
*****************************************************************************
COMMENTS: This is a Vox Continental-type organ sound. This sound has made 
          somewhat of a comeback lately. Dedicated to those of you who love
          cheesy organ sounds!
*****************************************************************************

*****************************************************************************
    TONE NAME- Lucky Man		CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
| 1+1' 	    | |    |     | | - | 0 | 00 | 04 | | 4  |28 |42|06 | |   |  0  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  2  |  2   |                          |  2  |  2   |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|00 |   |   |   |   |   |   |   |0-99 rate|00 |   |   |   |   |   |   |   |
levl|00 |   |   |   |   |   |   |   |0-99 levl|00 |   |   |   |   |   |   |   |
s/e | e |   |   |   |   |   |   |   |     s/e | e |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     3     |(0-9)                      |     7     |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|74 |60 |42 |   |   |   |   |   |0-99 rate|93 |60 |42 |   |   |   |   |   |
levl|92 |87 |00 |   |   |   |   |   |0-99 levl|99 |87 |00 |   |   |   |   |   |
s/e |   | s | e |   |   |   |   |   |     s/e |   | s | e |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     6     |(0-9)                      |     0     |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|86 |68 |56 |78 |36 |78 |30 |38 |0-99 rate|75 |55 |55 |   |   |   |   |   |
levl|72 |99 |50 |72 |40 |42 |52 |00 |0-99 levl|68 |99 |00 |   |   |   |   |   |
s/e |   | s |   |   |   |   |   | e |     s/e |   | s | e |   |   |   |   |   |
_____________________________________     _____________________________________
 
*****************************************************************************
COMMENTS: This is a classic Moog-type sound. I set my Portamento ON, 
          Time=10, but adjust it to suit you.


*****************************************************************************

*****************************************************************************
    TONE NAME- Reverse Perc		CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|    1+2'   | |    |Yes  | | + | 1 | 00 | 00 | |  1 |00 |00|00 | |   |  0  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  2  |  3   |                          |  4  |  6   |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |   |   |   |   |   |   |   |0-99 rate|99 |   |   |   |   |   |   |   |
levl|00 |   |   |   |   |   |   |   |0-99 levl|00 |   |   |   |   |   |   |   |
s/e | e |   |   |   |   |   |   |   |     s/e | e |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     9     |(0-9)                      |     9     |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|76 |89 |   |   |   |   |   |   |0-99 rate|76 |89 |   |   |   |   |   |   |
levl|42 |00 |   |   |   |   |   |   |0-99 levl|42 |00 |   |   |   |   |   |   |
s/e |   | e |   |   |   |   |   |   |     s/e |   | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     0     |(0-9)                      |     0     |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|37 |54 |61 |50 |   |   |   |   |0-99 rate|54 |83 |50 |50 |   |   |   |   |
levl|00 |00 |00 |00 |   |   |   |   |0-99 levl|99 |91 |00 |00 |   |   |   |   |
s/e |   |   |   | e |   |   |   |   |     s/e |   |   |   | e |   |   |   |   |
_____________________________________     _____________________________________
 
*****************************************************************************
COMMENTS: I hear this as a potentially useful percussion sound. It sounds
          like a backwards something!?! Playing A,Bb, and B outlines an 
          F# Major triad (by sounding F#, A#, and C# respectively).

*****************************************************************************

*****************************************************************************
    TONE NAME- Clap Plus		CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|  1+2'	    | |    |Yes  | | + | 1 | 00 | 00 | | 1  |00 |00|00 | |   |  0  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  2  |  3   |                          |  4  |  4   |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |   |   |   |   |   |   |   |0-99 rate|99 |   |   |   |   |   |   |   |
levl|00 |   |   |   |   |   |   |   |0-99 levl|00 |   |   |   |   |   |   |   |
s/e | e |   |   |   |   |   |   |   |     s/e | e |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     9     |(0-9)                      |     9     |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|76 |89 |   |   |   |   |   |   |0-99 rate|76 |89 |   |   |   |   |   |   |
levl|42 |00 |   |   |   |   |   |   |0-99 levl|42 |00 |   |   |   |   |   |   |
s/e |   | e |   |   |   |   |   |   |     s/e |   | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     0     |(0-9)                      |     0     |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|37 |54 |61 |50 |   |   |   |   |0-99 rate|80 |83 |50 |50 |   |   |   |   |
levl|00 |00 |00 |00 |   |   |   |   |0-99 levl|99 |91 |00 |00 |   |   |   |   |
s/e |   |   |   | e |   |   |   |   |     s/e |   |   |   | e |   |   |   |   |
_____________________________________     _____________________________________
 
*****************************************************************************
COMMENTS: For a passable handclap sound, play E1,F1,F#3,and G3 
          simultaneously. Hitting other keys gives various other percussive
          hits. Glisses from top to bottom and from bottom to top yield 
          interesting effects also. 

*****************************************************************************

*****************************************************************************
    TONE NAME- Pseudophone		CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|  1+2'	    | |    |Yes  | | - | 1 | 00 | 00 | | 1  |46 |52|17 | | + |  1  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  2  |  6   |                          |  5  |  0   |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|52 |50 |   |   |   |   |   |   |0-99 rate|83 |50 |   |   |   |   |   |   |
levl|15 |00 |   |   |   |   |   |   |0-99 levl|67 |00 |   |   |   |   |   |   |
s/e |   | e |   |   |   |   |   |   |     s/e |   | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     9     |(0-9)                      |     8     |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|72 |99 |50 |   |   |   |   |   |0-99 rate|60 |00 |   |   |   |   |   |   |
levl|88 |53 |00 |   |   |   |   |   |0-99 levl|57 |00 |   |   |   |   |   |   |
s/e |   | s | e |   |   |   |   |   |     s/e |   | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     0     |(0-9)                      |     2     |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |70 |59 |12 |65 |   |   |   |0-99 rate|76 |61 |   |   |   |   |   |   |
levl|17 |91 |99 |83 |00 |   |   |   |0-99 levl|67 |00 |   |   |   |   |   |   |
s/e |   |   |   | s | e |   |   |   |     s/e |   | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
*****************************************************************************
COMMENTS: This was an attempt at a sax sound, that didn't quite work out, 
          but hopefully you'll find some use for it as I did. Sounds best 
(to me) from C1 to Bb4. Above that it sounds too flute-ish.

*****************************************************************************

*****************************************************************************
    TONE NAME- Ring Mod Synth Bass	CARTRIDGE NO.           TONE NO.
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|      1+1' | |Yes |     | | - | 1 | 00 | 00 | |  1 |05 |14|05 | |   |  0  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  8  |  4   |                          |  2  |  2   |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|62 |76 |   |   |   |   |   |   |0-99 rate|92 |99 |   |   |   |   |   |   |
levl|10 |00 |   |   |   |   |   |   |0-99 levl|59 |00 |   |   |   |   |   |   |
s/e |   | e |   |   |   |   |   |   |     s/e |   | e |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     0     |(0-9)                      |     0     |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|85 |54 |27 |50 |   |   |   |   |0-99 rate|99 |99 |99 |   |   |   |   |   |
levl|65 |58 |46 |00 |   |   |   |   |0-99 levl|99 |50 |00 |   |   |   |   |   |
s/e |   |   | s | e |   |   |   |   |     s/e |   | s | e |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     0     |(0-9)                      |     0     |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|91 |21 |60 |50 |   |   |   |   |0-99 rate|99 |36 |36 |24 |46 |   |   |   |
levl|99 |00 |50 |00 |   |   |   |   |0-99 levl|45 |30 |25 |00 |00 |   |   |   |
s/e |   | s |   | e |   |   |   |   |     s/e |   |   |   | s | e |   |   |   |
_____________________________________     _____________________________________
 
*****************************************************************************
COMMENTS: This bass sound is not for the faint of heart! Unfortunately has 
          a limited good-sounding range of from F1 to F3 (approximately). 
          This sound is a variation of Ring Modulo 1. The envelope is not 
          intended to be that of a bass guitar. "Bass" in this context only 
          refers to the range, not the 4-stringed instrument.

*****************************************************************************

295.45picky, picky!!LOLITA::DIORIOTue Aug 11 1987 18:419
    Someone has brought to my attention that on some of my patches,
    the ones that use lines 1+1', I listed out all the DCO2 signal path
    parameters, when they are actually irrelevant. This is true. Sorry
    for the unnecessary information...and thanks to the person who told
    me about this. I am a little embarrassed, but at least I learned
    something! Keep those cards and letters (Electronic mail) coming!
    
    Mike D
     
295.46I Promise to Leave Out Bombers OverheadDRUMS::FEHSKENSTue Aug 11 1987 20:176
    Programmed up the 96 Tears patch last night, loved it!
    
    OK, I'll list some of my own patches and post them.
    
    len.
    
295.478-note polyphonic pianoCAD::MERLETTEMon Aug 17 1987 17:3368
RE: .38
	I took a course in Computer Music last semester and I learned just
how hard it is to synthesize a good piano sound. Two classmates of mine tried
in vain to do it with Fourier Analysis. There seems to be just too many
parameters to take into account. (eg., the resonance of the other strings
when one key is pressed). Even sampled piano sounds are good only at the
note they were sampled on. I found the task of creating an 8-note polyphonic
piano sound on the CZ-101 interesting enough to pursue. My result is given
below. It's been a long time since I heard a real piano, but I hope this
is close. Enjoy!
    
    TONE NAME-8 Note PIANO
 
PARAMETER
 
 LINE SELECT   MODULATION         DETUNE            VIBRATO        OCTAVE
|1,2,12',11'| |ring|noise| |+/-|oct|note|fine| |wave|dly|rt|dep| |+/-|range|
|    1      | |    |     | | + | 0 |  0 |  0 | |  1 |51 |52| 05| |   |  0  |
|___________| |____|_____| |___|___|____|____| |____|___|__|___| |___|_____|
 
************************************    ************************************
(1)					(2)
DCO 1					DCO 2
  WAVE FORM  			 	  WAVE FORM
|first|second|				|first|second|
|  1  |   0  |                          |     |      |                      
|_____|______|                          |_____|______|                        
 (1-8)  (0-8)                            (1-8)  (0-8)  
               ENV(PITCH)                             ENV(PITCH)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |   |   |   |   |   |   |   |0-99 rate|   |   |   |   |   |   |   |   |
levl| 0 |   |   |   |   |   |   |   |0-99 levl|   |   |   |   |   |   |   |   |
s/e | e |   |   |   |   |   |   |   |     s/e |   |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCW 1                                   DCW 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     9     |(0-9)                      |           |(0-9)
|___________|                           |___________|
 
               ENV(WAVE)                             ENV(WAVE)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |99 |   |   |   |   |   |   |0-99 rate|   |   |   |   |   |   |   |   |
levl|40 | 0 |   |   |   |   |   |   |0-99 levl|   |   |   |   |   |   |   |   |
s/e | s | e |   |   |   |   |   |   |     s/e |   |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
DCA 1                                   DCA 2                                 
  KEY FOLLOW                              KEY FOLLOW                           
|     3     |(0-9)                      |           |(0-9)
|___________|                           |___________|
 
               ENV(AMP)                             ENV(AMP)
step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|     step|_1_|_2_|_3_|_4_|_5_|_6_|_7_|_8_|
rate|99 |57 |38 |40 |   |   |   |   |0-99 rate|   |   |   |   |   |   |   |   |
levl|99 |86 |15 | 0 |   |   |   |   |0-99 levl|   |   |   |   |   |   |   |   |
s/e |   |   |s  |e  |   |   |   |   |     s/e |   |   |   |   |   |   |   |   |
_____________________________________     _____________________________________
 
*****************************************************************************
COMMENT: This is modified from the  Electric Piano Preset. If you select
Preset #5 and change the line select from 1+2' to 2 and turn the volume on
max, you get a fair sounding piano. What I did was basically copy the 
envelopes of line 2 into line1 and changed the DCA to approximate a piano
envelope. (Perhaps using all 8 steps would offer a better approx.) It seems
that the middle registers sound the best.
*****************************************************************************
                                                                       
295.48Piano Revisited/GoodbyeCAD::MERLETTEFri Aug 28 1987 12:2918
    One of the reasons synthesized piano sounds lack that "real feel"
    is that the initial sound of the hammer striking the string is missing.
    It occurred to me that maybe this effect could be done with the
    aid of a sampling drum machine (the RZ-1 immediately comes to mind).
    By sampling the sound of the hammer striking the string and playing
    this drum sample for every note using the piano patch, I'd bet some
    sort of realism could be added. I haven't tried this myself, but
    I will as soon as I get back to school (where there's a real piano!)
    
    	Speaking of school (if you haven't figured this out already)
    I'm a summer hire and today is my last day :-(
    I've really enjoyed this notesfile, particularly this note.
    I've learned a great deal from this notesfile, and I only hope that
    someone out there has found my replies helpful. Hopefully I'll
    return next summer! Until then, keep interfacing!
    
    					--Darryle
    
295.49Sampling meets Synthesized meets AdditiveBARNUM::RHODESFri Aug 28 1987 12:508
Great idea, Darryle.  Very similar to the D50 style of synthesis, using
a sampled initial sound, and a synthesized following.  Sounds like it
will take lots of work to get it to sound right, tho.

Good luck back at school...

Todd.

295.50Everybody wants a piano....JAWS::COTEPractice Safe SysexFri Aug 28 1987 12:5310
    How do you propose to get just the sound of the "hammer" and not
    get any "string"?
    
    A big problem people run into when sampling pianos is that the initial
    hammer thwack gets transposed over the length (in keys) of the sample.
    Better piano samples are always multi-sampled.
    
    On DX type machines you can dedicate a carrier to hammer thwack.
    
    Edd
295.51The C2 hammer is a foot wide, but the C6 is only a micronDRUMS::FEHSKENSFri Aug 28 1987 14:2611
    Couldn't you set the keyboard follow for the "oscillator" (sample)
    pitch to 0?
    
    You mean your synth doesn't have keyboard follow for oscillator
    pitch?
    
    Well, don't despair, most don't.  The only one I've run into is
    the Polaris, which could even map the keyboard backwards!
    
    len.
    
295.52ESQ's do that too- handy for practical jokes...CTHULU::YERAZUNISThis is intense!Mon Aug 31 1987 21:339
    Er, you get keyboard follow for free on an ESQ- but you can undo
    it by adding KBD2 to the pitch at -63.  
    	
    Then, you modulate the pitch with VEL2, at -63.  Result- a patch
    that sounds high when you hit it hard, low when soft, and keyboard
    position has approximately no effect on!
    	
    Very annoying to "conventional" keyboardists...
    
295.53Cartrides for CZ5000IMBACQ::BERDATFri Dec 04 1987 13:1110
    
    	I am looking for some good cartridges for my CZ5000.  I have
    seen alot advertised in KEYBOARD, but I have was wondering if someone
    knew of some good ones to get.  Also where is the best place to
    get them?
    
    
    
    							Bob
    
295.54This note's been quiet for while...4TRACK::LAQUERREWed Jan 13 1988 00:3018
    
    What are all you CZ owners out there using for bass sounds?  I've been
    borrowing a bass guitar from a friend and when I give it back I was
    hoping to use my CZ-1000 as a fillin until I get around to buying my
    own bass.  I've already been using the CZ as a bass in some songs, but
    I've had trouble finding a nice clear bass patch that's full and clear
    without being boomy.  All the canned "fat" bass sounds just don't do it
    for me. 
    
    After messing around a lot, I ended up coming back to one
    of the patches described in the Sound Data book that comes with the
    CZ--it's called the Wood Bass patch.  But even that one falls down
    if you're not in just the right octave.
    
    What's your favorite CZ bass patch?  If you have your own, how about
    posting it?
    
    Peter
295.55Hear! Hear!ECADSR::SHERMANI have an M.S. - in SCIENCE!Wed Jan 13 1988 00:404
    Gee, I'm kinda' interested, too.  I've been using my TZ for bass
    'cause I don't like the CZ bass stuff.  

    Steve_who's_*still*_satisfied_with_his_CZ-101
295.56New CZ Patch Dump From the USENETAQUA::ROSTI feel your innuendoWed Jan 20 1988 14:461024
Here are some new CZ patches that came over USENET this morning.
Obviously, I haven't heard these yet, so I can't vouch for quality.
They were part of a CZ patch archive dump, the others are already posted 
elsewhere in this note.

BTW, most of the patches I've tried from this note so far are great, 
particularly Len's pipe organ and Mike's "Lucky Man" Moog.  These patches 
put the Casio factory patches to shame.

I'm currently trying to get a Mellotron  patch together but it may be 
nearly impossible.....I did come up with a Lowrey organ patch for you Soft 
Machine/Caravan/Pink Floyd fans, though.  Also struggling to get some 
decent drum sounds, I'm too cheap to buy a drum machine.  :-)  :-)

Here goes:


	1) Real fat Oberheim-like moan
 
line 1+1'	octave 0 or -1	 vibrato  w1  d28  r49  d21
det + 1 00 10
 
DCO 1		DCW 1		DCA 1
wave		key fol		key fol
 4  3		0		0
rt  lv		rt  lv		rt  lv
99  66		91  67s		77  60
99  00e		00  00e		48  68
				39  99
				68  99s
				32  00e
 
	2) Snare double for drum machine
 
line 1+2'	octave 0(?)	vibrato off	noise	detune + 3 11 60
 
DCO 1		DCW 1		DCA 1
wave		key fol		key fol
2 2		0		0
rt  lv		rt  lv		rt  lv
99   99		95  29		88  99
77  00e		41  00		36  91
				79  60	
				54  00
				55  00  \
				51  00   >  Hey, do these do anything?
				47  00  /
				50  00e
 
DCO 2		DCW 2		DCA 2
wave		key fol		key fol
2 2		0		2
rt  lv		rt  lv		rt  lv
99  99		96  34		89  99
77  00		41  00e		36  91
				79  59
				55  00
				50  00
				50  00
				50  00
				49  00e
 
	Note: I didn't write down the octave setting, but when set up
correctly there will be this surprise "clank" somewhere in the second
octave of the keyboard, and a more electronic-drum-like bash on the
low C.  Reuben had this timed to go with the snare on his TR-707, and
the resulting clank sounded like a Depeche Mode sample.  In fact, I
*thought* he was doing this on his Prophet 2000, it sounded so good.
 
 
	4) MIDI looping?
 
	Yup.  If you want to fatten up a sound, try running a cable
from MIDI OUT to MIDI IN.  It's not like digital delay, it's real
doubling (again due to the CZ MIDI-playback end-play bug/feature that
throws the timing off by a different random amount every time).  It
improves some sounds and deteriorates others, but get a Radio Shack
MIDI cable and try it, it's worth it!
 
 
Name: Bushy		
 
line	mod	detune		vibrato		octave
1+2		+ 0 00 03	0 00 00 00	0
 
DCO 1
wave 
5 0
rate	level
99	65
38	66s
00	00e
 
DCW 1
key 
2
rate	level
99	99s
40	00e
 
DCA 1
key 
2
rate	level
72	92s
45	00e
 
DCO 2
wave 
1 0
rate	level
99	66
00	00e
 
DCW 2
key 
2
rate	level
99	99s
40	00e
 
DCA 2
key 
2
rate	level
72	92s
45	00e
 
Comments: Reminds me of Kate Bush.
 
 
Name: Spacious
 
line	mod	detune		vibrato		octave
1+1'		- 0 00 02	0 00 00 00	0
 
DCO 1
wave 
2 6
rate	level
00	00e
 
DCW 1
key 
4
rate	level
99	60
30	75s
50	80
00	00e
 
DCA 1
key 
0
rate	level
99	90
40	93s
45	30
60	00e
 
Comments: 
 
 
Name: Wild Kingdom
 
line	mod	detune		vibrato		octave
1+2	ring	+ 1 00 01	1 15 28 06	0
 
DCO 1
wave 
2 0
rate	level
99	33
68	00e
 
DCW 1
key 
2
rate	level
67	99
47	96
37	52s
26	00e
 
DCA 1
key 
2
rate	level
90	99
36	91s
79	59
55	00e
 
DCO 2
wave 
5 0
rate	level
99	33
68	00e
 
DCW 2
key 
2
rate	level
63	99
66	96
37	52s
26	00e
 
DCA 2
key 
2
rate	level
70	99
36	75s
79	55
55	00e
 
Comments: I called this "Wild Kingdom" because it's sounds like a
nature TV show patch.  The patch is based on CZ-101 patch #1 (Brass
ens. 1).  The slow vibrato is critical for this patch.
 
 
Name: Rising resonance
 
line	mod	detune		vibrato		octave
1+2'		+ 0 00 04	0 00 00 00	0
 
DCO 1
wave 
3 0
rate	level
00	00e
 
DCW 1
key 
6
rate	level
99	90s
40	00e
 
DCA 1
key 
9
rate	level
72	92s
50	00e
 
DCO 2
wave 
6 0
rate	level
99	95
27	66s
00	66
00	00e
 
DCW 2
key 
9
rate	level
99	40s
40	00e
 
DCA 2
key 
0
rate	level
80	80
60	90s
55	00e
 
Comments: Try different waveforms, esp. on DCO 2.
 
 
Name: Chunky Blocks
 
line	mod	detune		vibrato		octave
1+1'	ring	- 3 03 08	1 00 38 15	-1
 
DCO 1
wave 
2 1
rate	level
99	62
76	00e
 
DCW 1
key 
0
rate	level
99	83
51	00e
 
DCA 1
key 
6
rate	level
99	99
52	00e
 
Comments: Use tone mix if you're using this patch for bass line.
Also, I'm not sure if the detune is supposed to be "-".
 
 
Name: Electric bubbles
 
line	mod	detune		vibrato		octave
1+2'	ring	+ 2 00 08	3 00 75 99	0
 
DCO 1
wave 
6 5
rate	level
00	00e
 
DCW 1
key 
8
rate	level
60	57s
00	00e
 
DCA 1
key 
0
rate	level
99	36
70	91
59	99
12	93s
66	00e
 
DCO 2
wave 
1 8
rate	level
00	00e
 
DCW 2
key 
8
rate	level
60	57
00	00e
 
DCA 2
key 
1
rate	level
99	36
70	91
59	99
12	93s
66	00e
 
Comments: Strictly for special effects.  High notes sound like a ray
gun (don't ask what kind of ray); low notes sound like a helicopter.
Based on CZ-101 patch #7 (flute) -- which explains the gratuitous
detail in the DCA's.
 
Tone Name: "Choral oooh"
 
Line Select:  1 + 2'
Modulation: none
 
Detune     (-)       oct:  0
	 Note: 00   fine: 07
 
Vibrato  wave:  1   delay: 40
	 rate: 26   depth: 03
 
Octave  -1
 
DCO1  wave   1st: 1   2nd: 0
step       1   2   3
rate      86  00  74
level     66  10  00
sus/end  sus     end
 
DCW1  key follow: 6
step       1   2   3
rate      70  00  50
level     24  79  00
sus/end  sus     end
 
DCA1  key follow: 0
step       1   2   3   4
rate      85  36  40  50
level     99  40  00  00
sus/end  sus         end
 
DCO2  wave   1st: 2   2nd: 0
step       1   2   3
rate      59  81  00
level     66  62  00
sus/end  sus     end
 
DCW2  key follow: 5
step       1   2   3
rate      70  69  50
level     28  79  00
sus/end  sus     end
 
DCA2  key follow: 9
step       1   2   3
rate      85  83  50
level     99  37  00
sus/end  sus     end
 
Comments:  "Choral oooh" was a semi-successful experiment to see if
           something close to vocals could be obtained. As you CZ
	   owners know, the "human voice" preset sounds ok, but not
	   at all like a human voice. "Choral oooh" sounds something
	   like a person singing "oooh" (long u sound). It is not
	   perfect, but I think you will find it outclasses the human
	   voice preset by far. This voice sounds best when you play
	   major chords on the middle-high octave range.
---------------------------------------------------------------------
Tone Name: Reverb Strings
 
Line Select:  1 + 1'
Modulation: none
 
Detune     (+)       oct:  0
	 Note: 00   fine: 10
 
Vibrato  wave:  1   delay: 28
	 rate: 52   depth: 11
 
Octave  +1
 
DCO1  wave   1st: 1   2nd: 3
step       1   2
rate      99  99
level     66  00
sus/end      end
 
DCW1  key follow: 0
step       1   2
rate      99  00
level     99  00
sus/end  sus end
 
DCA1  key follow: 4
step       1   2   3   4   5   6   7
rate      64  95  75  75  79  63  26
level     99  99  76  76  33  87  00
sus/end          sus             end
 
DCO2  wave   1st: 1   2nd: 3
step       1   2
rate      99  99                  (Same as DCO1)
level     66  00
sus/end      end
 
DCW2  key follow: 0
step       1   2
rate      99  00                  (Same as DCW1)
level     99  00
sus/end  sus end
 
DCA2  key follow: 0
step       1   2   3   4   5
rate      92  95  92  99  32
level     99  87  99  88  00
sus/end              sus end
 
Comments:  "Reverb Strings" is a modification of the preset "Synth
	   Strings". The "reverb" comes from playing the note not
	   only when a key is pressed, but also when the key is 
	   released. Try holding a chord and then letting off the
	   keys one at a time, and you will hear the effect. With
	   a little practice on the timing of pressing and releasing
	   the keys, you can get some interesting effects such as
	   eight eighth notes when only when four eighth notes
	   separated by eighth rests are played.
Name: YABS (Yet Another Bass Sound)
 
Line: 1+1'
Detune: +,0,0,1
Vibrato: Wave=1,delay=0,rate=50,depth=0
Octave: +0
 
DCO1:     1st wave = 2, 2nd wave = 3
          Rate=99,level = 99
               99         00 (end)
 
DCW1:     Key follow = 0
          Rate=99, Level = 99
               50,         00 (end)
 
DCA1:     Key follow =0
          rate=99   Level = 99 (sus)
               50           00 (end)
----------------------------------------------------------------
 
Name: NOISE SWEEP
 
Noise: On
Line: 1+1'
Detune: +,0,0,1
Vibrato: Wave=1,delay=0,rate=50,depth=2
Octave: +0
 
DCO1:     1st wave = 2, 2nd wave = 3
          Rate=99,level = 99
               49         00 (end)
 
DCW1:     Key follow = 0
          Rate=99, Level = 99
               50,         00 (end)
 
DCA1:     Key follow =0
          rate=99   Level = 99 
               02           98
               53           00 (end)
 
 
Name: Nightporter
 
line	mod	detune		vibrato		octave
1+2		+ 0 00 12			0
 
DCO 1
wave 
1 0
rate	level
00	00e
 
DCW 1
key 
9
rate	level
60	60
12	00e
 
DCA 1
key 
0
rate	level
95	30
99	00e
 
DCO 2
wave 
2 0
rate	level
50	00e
 
DCW 2
key 
9
rate	level
77	50
12	00e
DCA 2
key 
5
rate	level
95	30
99	00e
 
Comments:
	"'Nightporter' was programmed (surprise, surprise) in an
attempt to recreate the mood of the Satie-influenced Japan song of the
same name.  If the sound comes across too sweet for your taste, reduce
the Fine Detune to around 09 for a more piano-like sound.  Some slow
modulation delayed to the tail-end of the sound adds a different
dimension, too."  -_MT_
Name: newhorn
 
line	mod	detune		vibrato		octave
1+2	ring	+ 0 00 12	1 27 49 11	(0,+1)
 
DCO 1
wave 
3 2
rate	level
00 00e
 
DCW 1
key 
4
rate	level
67 79
15 00e
 
DCA 1
key 
2
rate	level
70 91
70 67
70 96
70 77
70 99s
44 00r
 
DCO 2
wave 
3 2
rate	level
00 00e
 
DCW 1
key 
4
rate	level
72 79
15 00e
 
DCA 1
key 
2
rate	level
70 91
70 67
70 96
70 77
70 99s
35 00r
 
Comments:
 
Tone mix one voice in octave 0 with one in octave +1
Well?
 
Tone Name:         Brass Strings
 
Line Select:       1+2'
Modulation:        Ring   = OFF   Noise = OFF
Detune:            Octave = 0     Note  = 0      Fine = +6
Vibrato:           Wave   = 1     Delay = 28     Rate = 52      Depth = 11
Octave:            
 
 
DCO1                                   DCO2
----                                   ----
 
First = 1     Second = 5               First = 1      Second = 3
 
Rate:         99 99                    Rate:          99 68
Level:        66 00                    Level:         33 00
Sus/End:         E                     Sus/End:          E
 
DCW1                                   DCW2
----                                   ----
 
Key Follow:   0                        Key Follow:    0
 
Rate:         99 00                    Rate:          80 47 37 26
Level:        90 00                    Level:         99 96 52 00
Sus/End:      S  E                     Sus/End:             S  E
 
DCA1                                   DCA2
----                                   ----
 
Key Follow:   0                        Key Follow:    0
 
Rate:         92 95 92 99 45           Rate:          99 77 67 79 33
Level:        99 87 99 88 00           Level:         50 99 91 59 00
Sus/End:               S  E            Sus/End:             S     E
 
Comment: This patch started as a combination of the Synth Strings preset and
Synth Brass 1.  It works well for lead lines on the upper half of the keyboard.
 
--------------------
 
Tone Name:         Ice Blue
 
Line Select:       1+1'
Modulation:        Ring   = OFF   Noise = OFF
Detune:            Octave = 0     Note  = 0      Fine = -7
Vibrato:           Wave   = 1     Delay = 0      Rate = 0       Depth = 0
Octave:            
 
 
DCO1                                   DCO2
----                                   ----
 
First = 2     Second = 0               First =        Second = 
 
Rate:         00                       Rate:          
Level:        00                       Level:         
Sus/End:      E                        Sus/End:       
 
DCW1                                   DCW2
----                                   ----
 
Key Follow:   5                        Key Follow:    
 
Rate:         99 50                    Rate:          
Level:        85 00                    Level:         
Sus/End:      S  E                     Sus/End:       
 
DCA1                                   DCA2
----                                   ----
 
Key Follow:   0                        Key Follow:    
 
Rate:         99 50 50 40              Rate:          
Level:        80 99 50 00              Level:         
Sus/End:         S     E               Sus/End:       
 
Comment: Sounds almost like a synth clarinet.
 
--------------------
 
Tone Name:         Pseudosilk
 
Line Select:       1+1'
Modulation:        Ring   = OFF   Noise = OFF
Detune:            Octave = 0     Note  = 0      Fine = +7
Vibrato:           Wave   = 1     Delay = 0      Rate = 0       Depth = 0
Octave:            
 
 
DCO1                                   DCO2
----                                   ----
 
First = 1     Second = 0               First =        Second = 
 
Rate:         00                       Rate:          
Level:        00                       Level:         
Sus/End:      E                        Sus/End:       
 
DCW1                                   DCW2
----                                   ----
 
Key Follow:   7                        Key Follow:    
 
Rate:         93 60 42                 Rate:          
Level:        99 90 00                 Level:         
Sus/End:         S  E                  Sus/End:       
 
DCA1                                   DCA2
----                                   ----
 
Key Follow:   0                        Key Follow:    
 
Rate:         75 55 40                 Rate:          
Level:        68 99 00                 Level:         
Sus/End:         S  E                  Sus/End:       
 
Comment: This patch was designed to sound like the lead synth in Pseudosilk
Kimono by Marillion.
 
--------------------
 
Tone Name:         Oracle
 
Line Select:       1+1'
Modulation:        Ring   = OFF   Noise = OFF
Detune:            Octave = 0     Note  = 0      Fine = +7
Vibrato:           Wave   = 2     Delay = 0      Rate = 60      Depth = 30
Octave:            
 
 
DCO1                                   DCO2
----                                   ----
 
First = 2     Second = 7               First =        Second = 
 
Rate:         00                       Rate:          
Level:        00                       Level:         
Sus/End:      E                        Sus/End:       
 
DCW1                                   DCW2
----                                   ----
 
Key Follow:   0                        Key Follow:    
 
Rate:         99 40                    Rate:          
Level:        99 00                    Level:         
Sus/End:      S  E                     Sus/End:       
 
DCA1                                   DCA2
----                                   ----
 
Key Follow:   0                        Key Follow:    
 
Rate:         99 30                    Rate:          
Level:        99 00                    Level:         
Sus/End:         E                     Sus/End:       
 
Comment: An exotic-sounding tone.
Name: Buzzing Fly
 
line	mod	detune		vibrato		octave
1+1'	ring	+ 3 06 11	1 00 11 44	-1
 
DCO 1
wave 
2 7
rate	level
50	00s
50	00e
 
DCW 1
key 
0
rate	level
99	80
35	57
41	96
40	47
41	79
39	62
40	95
30	00e
 
DCA 1
key 
0
rate	level
99	80
33	67
33	86
34	64
32	78
33	65
35	79s
28	00e
 
Comments: An annoying patch to enter manually, but amusing.
 
-----------------------------
 
Name: Drill
 
line	mod	detune		vibrato		octave
1+1'	noise	+ 2 00 40	1 36 66 62 	0
 
DCO 1
wave 
1 2 
rate	level
55	82s
54	39
00	00e
 
DCW 1
key 
4
rate	level
82	92s
26	45
00	00e
 
DCA 1
key 
0
rate	level
63	99s
47	68
70	00e
 
Comments: 
 
--------------------------
 
Name: Dropped Bomb
 
line	mod	detune		vibrato		octave
1+2'	noise	- 0 05 07	1 24 54 00	-1
 
DCO 1
wave 
5 0
rate	level
99	86
38	00e
 
DCW 1
key 
4
rate	level
99	40
50	80s
99	00e
 
DCA 1
key 
0
rate	level
99	20
36	40s
99	00e
 
DCO 2
wave 
3 3
rate	level
99	65
40	66s
00	00e
 
DCW 2
key 
4
rate	level
99	99
40	75
40	77
40	51
44	00e
 
DCA 2
key 
0
rate	level
99	20
36	40s
99	00e
 
Comments: Press key to drop bomb, release to explode.  Best range seems
to be in the octave above middle C.  I have yet to get a decent explosion
sound out of the CZ -- this explosion is weak.
Here's a good CZ bass patch that was spit out one day by my random patch
generator:
 
LINE   RING   NOISE   +/-  OCTV  NOTE  FINE    WAVE  DELAY  RATE  DPTH  OCTV
 1+2    OFF    OFF     +    0     00    07       1     00    00    00    -1
 
             LINE 1                                   LINE  2
 
           WAVEFORMS                                 WAVEFORMS
             3   0                                     4   0
 
         PITCH  ENVELOPE                           PITCH  ENVELOPE
RATE  50 50                               RATE  50
LEVL  00 00                               LEVL  00
      S  E                                      E
 
          DCW KEYFOLLOW                          DCW KEYFOLLOW
               0                                        0
 
          WAVE ENVELOPE                          WAVE ENVELOPE
RATE  72 20                               RATE  87 56 33 89 72 57
LEVL  41 00                               LEVL  98 76 58 61 30 00
      S  E                                                     E
 
          DCA KEYFOLLOW                          DCA KEYFOLLOW
                0                                       0
 
      AMPLITUDE ENVELOPE                        AMPLITUDE ENVLOPE
RATE  99 50                               RATE  99 50
LEVL  99 00                               LEVL  99 00
      S  E                                         E
 
 
Try it.  You know what they say, computers never lie!  Want more ? I have
tons of patches.  Let me know.
 
 
Another random patch that sounded good.  I thought I would share it with
you net-heads.  It's more mello than the last bass patch I posted.
 
 
 
                                BOWR BASS
 
Line  Ring  Noise   +/-  Octv  Note  Fine   Wave  Delay  Rate  Depth   Octv
1+1    OFF   OFF     +    0     00    07     1     11     51     18     0
 
             Line 1                                 Line 2
             ------                                 ------
 
         DCO Waveforms                          DCO Waveforms
            4     3                               1      0
 
         Pitch Envelope                         Pitch Envelope
Rate  00 00 00 00 00 00 00 00          Rate  00 00 00 00 00 00 00 00 
Level 00 00 00 00 00 00 00 00          Level 00 00 00 00 00 00 00 00
      E                                      E
 
         DCW Keyfollow                          DCW Keyfollow
               7                                      2
 
Rate  74 47 00 00 00 00 00 00          Rate  99 40 00 00 00 00 00 00 
Level 78 00 00 00 00 00 00 00          Level 99 00 00 00 00 00 00 00
         E                                      E
 
         DCA Keyfollow                          DCA Keyfollow
               2                                      2
 
Rate  72 38 00 00 00 00 00 00          Rate  72 38 00 00 00 00 00 00
Level 92 00 00 00 00 00 00 00          Level 92 00 00 00 00 00 00 00 
      S  E                                      E
 
 
                               ROUGH EDGE
 
Line  Ring  Noise   +/-  Octv  Note  Fine   Wave  Delay  Rate  Depth   Octv
1+1    OFF   OFF     +    0     00    08     1      45    49     02     0
 
             Line 1                                Line 2
             ------                                ------
 
         DCO Waveforms                          DCO Waveforms
            4     3                               1      0
 
         Pitch Envelope                         Pitch Envelope
Rate  67 87 00 00 00 00 00 00          Rate  00 00 00 00 00 00 00 00 
Level 33 00 00 00 00 00 00 00          Level 00 00 00 00 00 00 00 00
         E                                   E
 
         DCW Keyfollow                          DCW Keyfollow
               1                                      2
 
         Wave Envelope                          Wave Envelope
Rate  99 34 40 04 00 00 00 00          Rate  99 50 50 50 50 50 50 50 
Level 99 24 17 13 00 00 00 00          Level 99 00 00 00 00 00 00 00
                  E                                               E
 
         DCA Keyfollow                          DCA Keyfollow
               3                                      2
 
        Amplitude Envelope                     Amplitude Envelope
Rate  97 52 14 39 00 00 00 00          Rate  72 38 00 00 00 00 00 00
Level 99 98 65 00 00 00 00 00          Level 92 00 00 00 00 00 00 00 
            S  E                                E
 
295.57See EM for CZ DrumsDRUMS::FEHSKENSWed Jan 20 1988 18:5610
    re .56 - check out the latest Electronic Musician for a set of drum
    patches for the CZ family synths.  I programmed up a few of them
    and they're quite good, considering.  They sound synthetic (i.e.,
    like a Simmons kit), but if that's acceptable to you then they're
    very good.
    
    Oh, yes, thanks for the kind words about my organ.
    
    len.
    
295.59Anybody got a patch?DECSIM::MERLETTETue Jun 21 1988 15:357
    Hello again!
    I'm a returning summer student and last year I really enjoyed this
    entry. Unfortunately, I haven't noticed much activity here lately.
    I have some randomly generated CZ101 patches which I will post as
    soon as I can. I hope I will not be alone (hint,hint).
    			keep having fun,
    				-DM
295.60More CZ patches from Usenet16BITS::WAKEFri Jun 24 1988 12:05199
Newsgroups: rec.music.synth
Path: decwrl!labrea!agate!ig!uwmcsd1!bbn!rochester!pt.cs.cmu.edu!andrew.cmu.edu!bader+
Subject: cz patch
Posted: 23 Jun 88 16:04:41 GMT
Organization: Carnegie Mellon
 
Name: solostring
By: Miles Bader
Vibr: W: 1  Del: 28  R: 56  Dep: 10
Oct: -1
Line: 1+2'
Mod: none
DCO1: WF: 4,0  Env: 0/e
DCW1: KF: 0    Env: 81/92, 56/86, 30/80/s, 0/0/e
DCA1: KF: 1    Env: 70/50, 66/99, 49/91/s, 43/0/e
DCO2: WF: 1,0  Env: 48/1, 40/0/e
DCW2: KF: 0    Env: 81/80/s, 0/0/e
DCA2: KF: 1    Env: 70/50, 66/99, 49/91/s, 40/0/e
Vel1: A: 7  W: 0  P: 0
Vel2: A: 7  W: 0  P: 0
Detune: 0,0,0
Comments: A pretty good clean single string sound.  Sounds good over the
        whole keyboard.  Play with the chorus.



Newsgroups: rec.music.synth
Path: decwrl!labrea!eos!ames!mailrus!husc6!bbn!rochester!pt.cs.cmu.edu!andrew.cmu.edu!bader+
Subject: cz pateches
Posted: 15 Jun 88 21:08:15 GMT
Organization: Carnegie Mellon
 
These are for the cz1, so just ignore the velocity data if you don't have one.
 
Name: jangly
By: Miles Bader
Vibr: W: 1  Del: 0  R: 53  Dep: 12
Oct: 0
Line: 1+1'
Mod: -
DCO1: WF: 1,0  Env: 0/e
DCW1: KF: 0    Env: 99/99, 40/74/s, 47/48, 0/0/e
DCA1: KF: 2    Env: 80/99/s, 34/0/e
Vel1: A: 3  W: 0  P: 0
Detune: -0,0,13
Comments: If released quickly, sounds very "jangly", otherwise, quickly
        becomes more breathy sounding, and sustains that way.
        One of my favorites.
 
Name: swerl
By: Miles Bader
Vibr: -
Oct: -1
Line: 1+2'
Mod: -
DCO1: WF: 3,2  Env: 0/e
DCW1: KF: 9    Env: 35/90/s, 35/80, 0/0/e
DCA1: KF: 0    Env: 99/99/s, 33/0/e
DCO2: WF: 2,3  Env: 0/e
DCW2: KF: 4    Env: 85/70, 30/76/s, 30/0/e
DCA2: KF: 2    Env: 99/99/s, 33/0/e
Vel1: A: 3  W: 0  P: 0
Vel2: A: 3  W: 0  P: 0
Detune: +2,0,7
Comments: Initially sounds bell-like, swelling to a much fatter sound,
        more so the lower the note.  Started out as "octavibrato" from
        Keyboard magazine.
 
Name: aaaho [just need uuullman now]
By: Miles Bader
Vibr: -
Oct: -1
Line: 1+2'
Mod: -
DCO1: WF: 3,0  Env: 80/66, 75/0/e
DCW1: KF: 3    Env: 85/99/s, 51/0/e
DCA1: KF: 2    Env: 80/99/s, 33/0/e
DCO2: WF: 4,0  Env: 0/e
DCW2: KF: 3    Env: 85/85, 30/76/s, 30/0/e
DCA2: KF: 2    Env: 80/99/s, 33/0/e
Vel1: A: 3  W: 4  P: 0
Vel2: A: 3  W: 0  P: 0
Detune: +1,0,7
Comments: Sounds more voice-like the harder you hit.  If you don't have
        a cz1, you'll have to decrease the sustain level of dcw1 to a
        point that sounds good.
 
-Miles


Newsgroups: rec.music.synth
Path: decwrl!ucbvax!pasteur!ames!ncar!gatech!mcnc!uvaarpa!virginia!maxwell.acc.Virginia.EDU!smm7l
Subject: CZ Patches
Posted: 6 Jun 88 14:14:09 GMT
Organization: Academic Computing Center, University of Va.
 
 
I seem to recall seeing a few postings for Casio CZ patches on this net,
so I will assume that there is at least _some_ audience for these patches.
Here are a few of my own, which I think some of you might enjoy:
 
----------------------
"Space" (Couldn't think of a better name. Can you?)
 
Line Select: 1 + 1'
Modulation: None
Detune: (+)    Oct: 00
  Note: 00    Fine: 07
Octave: +1
Vibrato: Wave: 1    Delay: 23
         Rate: 52   Depth: 05
 
DCO 1:   Wave: 2  0
         Env: 99  00 (E)
 
DCW 1:   Key Follow: 0
         Env: 89  99
              68  00 (E)
 
DCA 1:   Key Follow: 3
         Env: 94 99
              55 93
              21 10 (S)
              33 00 (E)
 
This one also works well with line select set to 1, which gives you 8 voice
polyphony.
 
---------------------------------------
 
"Crazy" 
 
Line Select: 1 + 2'
Modulation: None
Detune: (-)    Oct: 01
  Note: 00    Fine: 06
Octave: +1
Vibrato: Wave: 1    Delay: 62
         Rate: 39   Depth: 06
 
DCO 1:   Wave: 2  4               DCO 2:   Wave: 4  2
         Env: 99  66 (S)                   Env: 00  00 (E)
              00  65              
              00  64
              00  63
              00  00 (E)
 
DCW 1:   Key Follow: 2            DCW 2:   Key Follow: 8
         Env: 99  81                       Env: 99  81
              55  23 (S)                        55  23 (S)
              37  00 (E)                        37  00 (E)
 
DCA 1:   Key Follow: 0            DCA 2:   Key Follow: 0
         Env: 99 99                        Env: 99  99
              63 90 (S)                         63  90 (S)
              40 00 (E)                         33  00 (E)
 
         (If you play and hold a C Major chord, it sounds like the 
         opening chord of Prince's song "Let's Go _Crazy_". You know:
         "Dearly beloved, we are gathered here today to talk about this thing 
          called life....")
-----------------------------------------
 
"Choral"
 
Line Select: 1 + 2'
Modulation: None
Detune: (-)    Oct: 01
  Note: 00    Fine: 07
Octave: +1
Vibrato: Wave: 1    Delay: 38
         Rate: 51   Depth: 08
 
DCO 1:   Wave: 5  0               DCO 2:   Wave: 3  5
         Env: 00  00 (E)                   Env: 00  00 (E)
 
DCW 1:   Key Follow: 8            DCW 2:   Key Follow: 7
         Env: 30  28                       Env: 40  40
              50  00 (E)                        42  57
                                                00  56
                                                15  00 (E)
 
DCA 1:   Key Follow: 1            DCA 2:   Key Follow: 1
         Env: 80  36                       Env: 88  36
              70  91                            70  91
              59  99                            59  99
              12  93 (S)                        12  93 (S)
              32  00 (E)                        23  00 (E)
 
(If you want 8 voice polyphonic, use Line Select 2, but this is not nearly
 as good as the whole thing.)
-------------------------------
 
If anyone else has patches, I would love to try them out! I would also like
to hear your comments.
 
                           -Steve Michelson
    
295.61VAXRT::GENTRYMegan Gentry MLO5-5/E76Tue Aug 09 1988 00:589
    I recently purchased a CZ-101 with the knowledge that it was being
    discontinued.  For the price, I figured it would be a good first
    synthesizer for use with my pdp-11 (oh for an RS-232 to MIDI
    converter).

    Its good to see a patch trade note.  I hope there is one on
    programming/use tips (I'm still just looking through the file, I
    just found it).
295.62Go with itTYFYS::MOLLERTAICS / You Are Number 6Tue Aug 09 1988 18:3517
     I like my CZ-101 & Find that it still has lots of power. Mine has 3
     years worth of mileage on it & I plan to keep using it (In fact, I'd
     like to find another one - I wish that there was a rack version,
     I'd love to add it to my rack of goodies). There are a few good books
     on programming & patches. The one that is mentioned in this notes
     file (350 patches) has some nice sounds in it, however, expect that
     at least 70% of the free, or published patches for the CZ to be
     mediocre, or of limited value. My favorite use of my CZ is for
     Animal sounds & things (like Jets landing, or trains driving by).
     I use the peculiar sounds more than anything else, because it adds
     effect. Ain't that what a Synth is for??

     I really hate the keypad entry, but then, I think most front panel
     access to the inside workings of current Digital synth's were based
     on some of ther Marquis DeSade's principals of cruelty.

							Jens
295.63Keypads aren't that badVAXRT::GENTRYMegan Gentry MLO5-5/E76Wed Aug 10 1988 04:295
    Re: .-1

    If you think the keypad is rough to enter patches with, try the
    dial of the HT-700.  Now THATs a pain.
295.64CZ101 Guitar Sounds Wanted!WEFXEM::COTEIt's wierd in your neighborhood...Thu Aug 16 1990 13:4413
            <<< DNEAST::SYS$TOOLS:[NOTES$LIBRARY]COMMUSIC.NOTE;2 >>>
             -< * * Computer Music, MIDI, and Related Topics * * >-
================================================================================
Note 2419.0                CZ101 Guitar Sounds Wanted!                No replies
WFOV12::HARRIS_R                                      7 lines  16-AUG-1990 09:29
--------------------------------------------------------------------------------
    I read all the patches for the CZ101 synth, contained in a earlier
    note, and found only TWO that tried to duplicate the sound of an
    electric guitar.  There has got to be more!  Somebody help a new
    synth owner with no programming ability (not to much playing ability
    as well).
    
    Ron