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Conference napalm::heavy_metal

Title:HEAVY_METAL - Talent Round-Up DayDay
Notice:Rules-2.*,Directory-7.*,Roster-3.*,Garbage-99.*
Moderator:BUSY::SLABB
Created:Thu May 05 1988
Last Modified:Fri Jun 06 1997
Last Successful Update:Fri Jun 06 1997
Number of topics:1238
Total number of notes:65616

542.0. "Dream Theater" by HAZEL::STARR (Like a fool, fell in love with you...) Sat May 13 1989 16:39

I picked up the CD from a new band called Dream Theater. The album, on MCA
Records, is called 'When Dream and Day Unite'.

Band members:

John Petrucci - Guitars
Charlie Dominici - Vocals
Kevin Moore - Keyboards
Mike Portnoy - Drums and Percussion
John Myung - Bass 

I sorta like this band, although I don't think they're *great*. Others in
the file may like them a lot more than I do. Its a little tough to describe 
the sound. But, doing the best I can....

The drummer and vocals and keys sound a lot like Rush does, on their 80's 
albums. Its has sort of a glossy production to it. But the guitars and the
song writing might be compared clser to something like Racer X. Although
the guy isn't quite Paul Gilbert (then again, who is?), you can tell he's one
from the latest crop of speed-demons. And there are a lot wierd timinsg and
timing changes in some of the songs (this is where I lost interest - I prefer
staright 4/4).

All in all, its pretty interesting. Anyone else ever heard of them?

cat
T.RTitleUserPersonal
Name
DateLines
542.1Have to go look for itCSC32::G_HOUSEMy dog ate it...Mon May 15 1989 14:404
    I haven't heard of them (hey, Colorado isn't typically where you get
    all the current rumors...).  They do sound interesting though.
    
    gh
542.2"Nothing is sacred.."AYOV18::TMCMANUSMon May 29 1989 10:0115
    I picked up this album a couple of weeks back...and on first couple
    of plays, I didn't really get off on any of the tunes on offer.
    
    I got totally cheesed off with the constant timing/mood changes..
    you know what I mean, you've got your head down and your goin' for
    it in a big way, when suddenly it turns all ^&%$in' sweetness an'
    light!!!!!
    
    BUT I PERSEVERED LIKE CRAZY and now it's an album I really enjoy
    listening to - as opposed to rockin' out with. I mean , it's kinda 
    difficult gettin' into "Thrash Mode" when in 5 secs you're gonna
    be hearing "Hemispheres Pt 2".
    
    Gm.
                                                 
542.3Yea, They're Dreamin'ISLNDS::FRIEDRICHWed Jun 07 1989 16:5919
    Those guys were at the WJUL studio for an interview a few weeks
    ago for the Metallic Mayhem show. Heard a few of their songs,
    nothing really stood out. Not sure if keyboards belong in a Thrash
    metal outfit. They talked about different things. Their name came
    from a theater that Petrucci's father used to frequent as a kid
    in California. How to get started in Metal - be financially ready.
    I was surprised at the apparent lack of experience these guys
    portrayed. Noone claimed to have been a musician for more then a
    couple of years. A typical "conversation" sounded like this -
    
    DJ: Well, John, how did you get started on the base.
    J:  Well, you know, like I was just hangin' out and, well, John
        asks me to come over cause like, he needed someone to play base
        and like, I never played before, so well, I started playin.
                          
    Kinda makes you wonder what a collective intelligence could do in
    this business.                                 
    
                     
542.4"We can play like that!"33224::SIMPSONI remember nowSat Jul 15 1989 03:116
    Just picked up their album today, after reading about 'em in 106.
    Not bad, definite Rush sound, I thought I heard a bit of Marillion
    in there as well. People that hear it think it's Rush. The timing
    differences remind alot of Marillion. Excellent drummer!!
          Spaceknight
    
542.5release date is something like 7/7GAMGEE::ROBRIt's powdered toast man!Thu Jun 25 1992 01:0413
    
    Just got a promo of the new release (on Atco).  It hasn't left my deck
    in 4 days.  (I have not heard any older stuff by these guys so I can't
    compare).  Still tons of timing changes, so Alan still won't like them
    :').  I would not compare them to Rush this time around.  Maybe Fates
    Warning/Queensryche with some Metallica riffs and Styx type chorous
    lines.  Most songs are 8 minutes or so.  I thought the whole album was
    great except one song (I think it was Hold me Under) in which the
    ending sounds like someone hit stop during the record session right in
    the middle of a jamming part.  Absurd.  If you liked FW: Parallels,
    grab this!
    
    
542.6GAMGEE::ROBRIt's powdered toast man!Thu Jun 25 1992 22:583
    
    oh btw, album is called images and words.
    
542.7Yeah, good stuffGOES11::G_HOUSEWhereWereYouInMyDarkestHourThu Jun 25 1992 23:315
    I heard a song off this one a week or so ago and I thought it rooled! 
    Could be an excellent album.  I liked their first effort as well, even
    though it was a little keyboard heavy.
    
    gh
542.8GAMGEE::ROBRIt's powdered toast man!Sat Jun 27 1992 00:214
    
    
    a nice blend of keys in this one.  not really heavy on the boards at
    all.  a couple of nice saga tpye guitar/key riffs too...
542.9It was better than I thought it was going to beCOMET::FRISBYALittle DoveMon Jul 13 1992 15:004
    I went over to a friend's house and he played some of these guys.
    I liked it!! Very good drummer and he has a cool sound also...
          Friz
    
542.10DSSDEV::KRISTYDoTheRightThing&BustSomePuppiesWed Jul 15 1992 00:4910
    I was given their tape as a gift today... after a first play-through of
    it, I *really* like it.... it has some really cool tunage....
    
    When the song that sounds (like Rob said earlier) like someone hit stop
    in the middle of the recording session, I thought my tape player had
    eaten the tape... until a couple seconds later and the next song
    started.
    
    I noticed a few similarities to Rush, Queensryche, Fates Warning,
    etc... definitely a good tape.
542.11quickly becoming my fav band, right up there with rush!!GAMGEE::ROBRIt's powdered toast man!Wed Jul 15 1992 21:2717
    
    this album is just so plain incredible...  im listening to it even as i
    read the last note.  at work I listen to it for 6 hours straight over
    and over night after night and just absolutely still love it (of course
    everybody else in my department is entirely sick of it :')).
    
    a couple things i noticed that i just didnt pick up on before.  the
    guitarist is a total george lynch clone on several occasions.  (good
    lynch, not his new crap).  if i didnt know better i would put $$$ that
    it was lynch playing.
    
    also the singer just has so many types of singing.  one song at the
    beginning he sounds just like s. bach, then onto fates warning, then a
    mellow harnell sound...  incredible and incredibly talented band.  I
    have to find their previous stuff.
    
    
542.12SCARGO::GRENIERWed Jul 15 1992 21:385
    Wow!  Sounds like I definately have to get this one!
    I loved WDaDU.  Do you know if they had one before that?
    
    
    Steve
542.13Even though parts are like other groups, they have their own sound.MPGS::HOWESINeedARideToTheMorgueThatsWhat911IsFor!Wed Jul 15 1992 21:439

	I have to agree with Rob.. This stuff roolz!!!!!!!!!!!!


	A MUST pick up!!!


						-Seth
542.14usenet...OLTRIX::ZAPPIAlimited to 500,000Wed Jul 15 1992 22:1133
Article: 18758
Xref: ryn.mro4.dec.com alt.rock-n-roll.metal:18758 alt.rock-n-roll:35582 alt.music.progressive:365
Subject: Re: Someone tell me about Dream Theatre (or is that Theater?)
Date: Tue, 19 May 1992 06:13:13 GMT
Lines: 34
 
 
>	I guess the subject line says it all.  I've seen a lot of mention
>about this band on various newsgroups throughout the past couple of months
>or so, but I'm still unfamiliar with their music, although from what I've
>gathered, they sound like the sort of band that would appeal to me quite a
>bit.  I no longer have as much money to spend on CD's as I used to, and
>would like to have some reccomendations before going out and buying one
>of their albums.  Would you please mail me (or post, if you prefer) any
>suggestions about which of their albums are particularly worth checking 
>out?  I'd really appreciate it!
 
At this point there is only "When Day and Dream Unite" on Mechanic Records.
Since it's a small label, it could be hard to find (though in the UK
they had a back cover ad on Kerrang! when it first came out).
 
I think they sound like Rush mixed with Praying Mantis with... hmm...
a little Twelfth Night (Sears?  not Mann) thrown in.  I like the lyrics,
and the musicianship is good, though the mix is horrible.  The vocalist
has been canned (he was ok though not great), a new label found, and
a real producer used for "Images and Words" (if I recall correctly) which
will be released next month.
 
Since it's been a couple of years since "When Day and Dream Unite" was
released, you might be able to find them in the bargain bin with the
Buggles and GTR.
 
--
542.15GOES11::G_HOUSEBlack Sheets Of RainWed Jul 15 1992 22:279
    Seems like this is a band you either really get into or really don't. 
    I've seen a *lot* of copies of their first one used!
    
    Alan turned me on to the first one, which I thought was interesting.  I
    think with a better producer they could sound incredible.  It's been
    awhile since I listened to it, but as I recall, the keyboards were
    really in your face on that one.
    
    Greg (who regularly prowls the used record shops)
542.16SCARGO::GRENIERWed Jul 15 1992 22:368
    Their WAS a lot of heavy synth/keyboard stuff in the first one, 
    reminded me of Rush.  I thought it added flavor to their material,
    but they could have lowered the keys in the mix and still achieved
    the same result (a Rush-type sound).  It didn't bother me, but I'm 
    sure a lot of people were turned off by it.
    
    
    Steve
542.17GOES11::G_HOUSEBlack Sheets Of RainWed Jul 15 1992 22:515
    Right.  I'd agree, it didn't really *bother* me, but I wouldn't have
    mixed it that way.  They could have brought out a little more "edge" to
    the music by pushing the keyboards down a little.
    
    gh
542.18SCARGO::GRENIERWed Jul 15 1992 23:147
    Exactly.
    
    
    Rob, how heavy are the keys on the new one?
    
    
    Steve
542.19GAMGEE::ROBRIt's powdered toast man!Wed Jul 15 1992 23:264
    
    not very.  they mix right into the rest of the sound.  production on
    this album is great as well.  (dont know who did it though, no names on
    the tape i have).  
542.20Like Rush?EEMELI::TFORSELLSoGetOutThere&Rock&RollTheBones!Thu Jul 16 1992 10:1010
 I'm been a REAL RUSH fan for ages now.

 This sounds like I should really get involved with Dream Theater.

 What is their drummer like? And the rhythms. Do they have these
 4/4, 3/4, 7/8 changes in the rhythm?


 Toffe
542.21GAMGEE::ROBRIt's powdered toast man!Thu Jul 16 1992 12:598
    
    I'm a drummer and a total Rush nut.  This drummer, though no Neil, is
    WAY above average.  Tons of ideas and chops.  As for strange times,
    lots of those too.  Most songs are made up of several different parts
    put together (much along the lines of Rush or Maiden) and many of the
    parts are very odd times, some almost random.
    
    
542.22DSSDEV::KRISTYNow and forever curled in my heartFri Jul 17 1992 15:1718
    Well, a follow-up review is due here.... I've been listening to "Images
    & Words" almost non-stop since the tape was given to me...
    
    All I can say is.... THIS TAPE ROOOOOOOOOOOOOOOOLZ BIGTIME!!!!!!!!!!
    
    There are a couple songs on the tape that *really* get to me (in a good
    way)... Strangely enough (or maybe not very strange at all), there are
    times when I could swear I was listening to the Alan Parsons Project...
    then comes a swing by of Rush or Fates Warning or Queensryche....
    
    Given that I really like all four of the other groups I mentioned
    above, it causes me to like these guys all the more....
    
    I was making a copy of the tape last night and a friend stopped by...
    she was enthralled with the group's sound.... and she doesn't care for
    heavy metal at all....
    
    AWESOME TAPE!!!!!  I *LOVE* IT!!!
542.23SCARGO::GRENIERFri Jul 17 1992 20:499
    
    I just picked up this one today.  Too early for me to give a 
    detailed review.  First impression after listening to the 
    first 4-5 songs:   I love it!  Similar to the first release,
    but more varied style.  I'm not sure which singer I prefer yet,
    I'll have to listen more.  This one will NOT be a dust collector!
    
    
    Steve
542.24SUBURB::COOKSwho the hell do we think we are?Mon Jul 20 1992 12:513
    I got the 1st album when it came out a couple of years ago and thought
    it sounded like a cross between Metallica and Rush. Not bad at all.
    
542.25Images & WordsMPGS::HOWESJust keep my heart in your eyes.Tue Aug 18 1992 23:2410


	Buck, dude, you HAVE to pick up the new one from these guys!

	It rules!!!  I have been playing continuously since I bought
	it a months ago...  Get it!!!


								-Seth
542.26CAVLRY::BUCKSpread your wings & fly awayWed Aug 19 1992 01:314
    I went to buy this album tonight, and the person at the record store
    told they they had to pull this album off the shelf, as the band
    Killing Joke are sueing Dream Theatre for ripping off one of their
    entire albums!
542.27Stay tuned!!! ;^)MPGS::HOWESJust keep my heart in your eyes.Wed Aug 19 1992 01:3925

re:-1 HAHAHAHA!!  Good one Buck!!

	You really should get it though...


	Just in.....Two more law suits have been filed...

	Killing Joke has filed a lawsuit against Michael Schenker
	they said it was their idea to be president of their own
	fan club...   See note 860 for more details!!


	Also..

	Killing Joke has filed a suit again James Hetfield of Metallica,
	aparently there are two reasons for the suit.  Killing Joke
	claims that it was their idea to burn themselves in concert.
	Also it is reported that James has copied a kniting pattern
	that Killing Joke invented, James gave NO CREDIT to KJ on the
	quilt...


							-Seth
542.28BUSY::ESCOBARCountdown To ExtinctionWed Aug 19 1992 13:185
    
    I have this album after ROBR suggested I get it. 
    
    
    Sounded pretty lame to me. 
542.29METALX::SWANSONHeThoughtOblivionWellItBekonsUsAllWed Aug 19 1992 13:367
    I like it.  I went out and got it after hearing Rob's copy!
    
    Chris..... You heard it too at Tigg's party... if you didn't like it
    then, why'd you go out and buy it!?   :')
    
    |KS|
    
542.30BUSY::ESCOBARCountdown To ExtinctionWed Aug 19 1992 13:506
    
    I thought maybe it would be better if I got to listen to it, without
    all the background noise... 
    
    I'll listen to it a little more, maybe it'll grow on me.
    
542.31All the same?SHARE::COOKConfusion?... I don't get it.Wed Aug 19 1992 13:583
    I heard some song on the radio Saturday night by them, sounded kind of
    like Metal Church, I thought... pretty decent, though...  Is the whole
    album similar in sound to whatever song they played?
542.32METALX::SWANSONHeThoughtOblivionWellItBekonsUsAllWed Aug 19 1992 15:3715
    re: -1
    
    There is one song or two where the singer sounds like the guy from
    Metal Church.  (Their new singer).
    
    I can't remember the names of the songs, but I have a feeling I know
    what song you're talking about.  The rest of the CD doesn't sound
    exactly the same as that.  A couple tunes are really mellow.  Sounds
    like the last 2 or 3 albums by Fates Warning if you've ever heard them.
    
    Sebastian Bach sings on one song I think..... Although he's not listed 
    anywhere in the credits or special thanks...
    
    |KS|
    
542.33GOES11::G_HOUSEJust look at what you did hereWed Aug 19 1992 16:183
>    Sebastian Bach sings on one song I think...
    
    Friz will have to get it.
542.35MC? Nope...COMET::FRISBYASUCK MY KISSWed Aug 19 1992 18:284
    Buck: Are you on drugs?  I thought BK was long gone?
    
      Friz
    
542.36KILLER SHOWCAVLRY::BUCKp_n under constructionThu Oct 08 1992 12:4113
    
    WOW!!!
        
    
    Dream Theatre was TOTALLY AMAZING last night!  They had a great sound,
    a good song selection, and the JAMMED.  Incredible musicians ... the
    place was full of rocking Berklee students -- def. a 'musician's musican' 
    band, but as a whole they were really well received by the Boston 
    audience (which is more than opener's WILDSIDE can say!!).
    
    Robpose, I didn't see you there.  What did you think of last night,
    awesome or what?!
    
542.37METALX::SWANSONspace benderThu Oct 08 1992 13:005
    Yeah it was killer!  I thought Wildside was great too!
    Was anyone else there besides me /k and Buck?
    
    |KS|
    
542.38DDIF::JUDYPicard/Riker '92Thu Oct 08 1992 13:345
    
    
    	Buck, he was probably working......  he works some Godforsaken
    	hours like 11:00pm to 8am or something like that.....
    
542.39BUSY::ESCOBAROne In A MillionThu Oct 08 1992 13:394
    
    He was working, in fact he said so in a note somewhere last night.
    
    
542.40CAVLRY::BUCKp_n under constructionThu Oct 08 1992 13:433
    I read his note from yesterday as saying "I won't be out of work in
    time for Wildside (the openers)".  I mean, he was so gung-ho on going
    all week long -- WTF?!
542.41...;').......AD::FLATTERYThu Oct 08 1992 13:461
    Ro-o-o-o-B...NA NANA NA NA NA.....You missed it and WE didn't!!......./k
542.42CAVLRY::BUCKp_n under constructionThu Oct 08 1992 13:545
    >Ro-o-o-o-B...NA NANA NA NA NA.....You missed it and WE didn't!!......./k
    
    
    Yeah -- not only did you miss a roolin show by the band, /k and I got
    into a BEEMer fest ... man, you should have been there!!
542.43excellent sound!LMOADM::LEVINa turnip cures elvisThu Oct 08 1992 16:204
    I was there and I agree with .36 - an INCREDIBLE performance. A *lot*
    of talent on that stage ...
    
    Suegene 
542.44Wpose MIACAVLRY::BUCKp_n under constructionThu Oct 08 1992 16:414
    Hey Wpose,
    
    WHAR WHERE U?  We saw Danpose there, as well as the Boa road crew ...
    figured you couldn't have been (shouldn't have been!) far behind?!
542.45CONTRA::BEL_KWINITHIt's big, it's heavy, it's wood.Thu Oct 08 1992 23:3311
    
    
    waaaaaa!!!
    
    yeah, i was planning on making it, and at the last minute, systems
    scheduled a project at work that i HAD to be there to support :'( :'(. 
    i'm soooo  bummed...  if anybody hears anything about them playing new
    england or new york, please let me know.  i'll drive up to 300 miles or
    so to catch their show if i have to.
    
    
542.46CAVLRY::BUCKClinton/Gore in '92!!!Thu Oct 15 1992 13:133
    So, who from the CO crowd went and checked these guys out??
    
    Comments & reviewz requested.
542.47out of touchCOMET::FRISBYApuFehttuhsThu Oct 15 1992 13:154
    Did it happen yet?
    
     Friz
    
542.48Not YetCOMET::MARTINNToo sexy for this conferenceThu Oct 15 1992 14:374
    No, they'll be here Nov. 4 and Foolish Pride is opening. In fact I just
    called KILO and double checked, so for all my efforts I should be the
    one to get the CD, don't ya think?
                                      Rat
542.49Their chops keep going and going and going...CAVLRY::BUCKClinton/Gore in '92!!!Thu Oct 15 1992 14:403
    Nov 4?  Cool -- that give Coop/CJ, Glh/Dawn, Friz/Vicmeister, Rat,
    Devil Dawg, Hammer, and the lot of you to save your pennies for this
    show ... BELIEVE ME -- this band roolz, you will NOT be disappointed!
542.50MR4DEC::JWHITMANThu Oct 15 1992 14:417
    
    
    
    Ya, but that doesn't help Chris out considering he lives out here 
    in Mass!! 
    
    ;')
542.51In My BudgetCOMET::MARTINNToo sexy for this conferenceThu Oct 15 1992 14:452
    Won't have to save to many pennies 'cuz tickets are only $4.94!!!
                                                               Rat
542.52A late and small reviewKETJE::VLASIUThu Oct 15 1992 14:5215
I bought "Images and Words" last month and I like it. It's an excellent album
which recalls a bit Rush and Fate's Warning ("Perfect symmetry" time).
The singer has a voice which may recall occasionnely Sebastian Bach (of
Skid Row fame) and the new singer form Metal Church.
There are 8 songs of which few are over 7 or 8 minutes long. The music
balances between power metal, slow ballads and fine instrumental interventions.
The album needs repeated listening to really appreciate it. All the songs
are very fine and include few almost accoustical ballads where the voice of
the singer is very well put in evidence. All the instrumentals are of
jazz-rock quality and the overall recording is excellent. On headphones,
the listening is outstanding.

Well recommended !
Sorin
PS. I bought it after reading the good advices in these notes.
542.53CAVLRY::BUCKClinton/Gore in '92!!!Thu Oct 15 1992 14:582
    I thought (live, anyways) that the Singer reminded me a LOT of early
    Geoff Tate/QR!
542.54CONTRA::BEL_KWINITHEveryone loves a log...Thu Oct 15 1992 16:267
    
    haven't seen him live :'( :'(, but definately nothing like tate on the
    album.  now fates warning singer reminds me of tate!  :').  in fact
    when i played this one tune of parallels for paul mccarron, between the
    chords used and the singers voice, paul suggested death by gas or
    hanging for sounding so similar :').
    
542.55CONTRA::BEL_KWINITHEveryone loves a log...Thu Oct 15 1992 16:266
    
    either way, DT is awesome!!!!  dont missem!
    
    now, wharz that contest...
    
    
542.56SPEZKO::BELFORTIQuiet? W/ 8 teenagers in the house!Thu Oct 15 1992 17:3918
    Hi folks!  Long time no note....
    
    I am borrowing a friend's account for a few minutes and HAD to come in
    here and state my opinion on DT's show at Axis on 10/7.... WHAT AN
    INCREDIBLE SHOW!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
    
    I loved DT immediately upon hearing the cassette "Images & Words"... 
    after seeing them perform live (we were right up front near the
    keyboardist), I fell in love with their music all over again..... they
    have got to be one of *THE* best musical groups around... *VERY*
    talented folks and given the variety of syncopation of all their songs,
    I was ceaselessly amazed by them....
    
    Hope they come back to Boston again *REAL* soon!
    
    Have a good one, folks!  I'm outta here...
    
    -- Kristy
542.57CONTRA::BEL_KWINITHEveryone loves a log...Thu Oct 15 1992 17:554
    
    i hope they do to... i missed 'em :'( :'(
    
    
542.58PatienceCOMET::MARTINNToo sexy for this conferenceThu Oct 15 1992 19:183
    Well..... We're waiting, have you decided yet on who gets it?
    
                                                             Rat
542.59Images and WordsBUSY::SLABOUNTYI'm so damn cool.Tue Oct 20 1992 10:539
    
    	Well, I gave this album a spin last night, and I have to say I'm
    	changing my first impression of them.  They don't suck ... they
    	are amazing.  The band is full of great musicians.
    
    	I'm not saying I love them ... I like them for now.  But the
    	fact that they're amazing can't be ignored.
    
    							GTI
542.60CONTRA::BEL_KWINITHWe have no need for ancient waysTue Oct 20 1992 14:145
    
    that's ewhy escobar doesn't like them!  he can't stand bands with
    talent :') :').
    
    
542.61BUSY::ESCOBARAnybody Listening?Tue Oct 20 1992 14:254
    
    It's not that their music isn't good. It just doesn't interest me.
    
    
542.62CAVLRY::BUCKRebuild the Revere Beach CYCLONETue Oct 20 1992 14:395
    >It's not that their music isn't good. It just doesn't interest me.
    
    
    Too many notes!
    ;')
542.63 Bwahahahahaha!!!MSBCS::MCBRIDEWon't you be my neighbor?Tue Oct 20 1992 14:579
    
    Re: Buck
    
    > Too many notes!
    
    OK, Amadeus, I'm rollin'!!!
    
    -- 
    Kevin
542.64TAR PITS!COMET::FRISBYApuFehttuhsTue Oct 20 1992 15:424
    Not enough galloping bar chords.
    
          Friz
    
542.65BUSY::ESCOBARAnybody Listening?Tue Oct 20 1992 15:502
    Precisely!
542.66COMET::MARTINNToo sexy for this conferenceTue Oct 20 1992 23:133
    Well I think I'm gonna go check them out next month when they're here,
    anyone wanna go with or have me pick up tickets when I go get mine?
                                                                    Rat
542.67Is Anybody Listening?COMET::MARTINNToo sexy for this conferenceWed Oct 28 1992 12:244
    Alright, last chance.... I'm gonna go today or tommorow and pick up
    tickets for next Wednesday show so if anyone wants me to pick them up
    some (to be reienbursed of course) write or mail me!
                                                        Rat
542.68BINKLY::DEMARSEWalk me out in the morning dewWed Oct 28 1992 13:364
    Where are they playing?
    
    danielle
    
542.6969!MR4DEC::JWHITMANWed Oct 28 1992 13:404
    
    
    
    Escohead! WHERE'S MY CD!?
542.70BUSY::ESCOBARBring Your Daughter...Wed Oct 28 1992 13:595
    
    At my house fool!
    
    ;')
    
542.71COMET::MARTINNToo sexy for this conferenceWed Oct 28 1992 14:104
    RE: danielle
    
    Rack N Roll, Colo. Spgs., CO
                                Rat
542.72CAVLRY::BUCKIs this supposed to be a chance?Mon Nov 02 1992 16:421
    Whoz goin to see the ever awesome DT this week in COS?
542.73Do I win Something?COMET::MARTINNToo sexy for this conferenceMon Nov 02 1992 17:332
    I am, I am! Got my tickets Friday!!!!  
                                           Rat
542.74CSC32::J_HERNANDEZPay no mind, to what they say...Mon Nov 02 1992 19:173
    
    
    I might go, depends. 
542.75CONTRA::BEL_KWINITHDangerous but worth the riskTue Nov 03 1992 12:074
    
    depenz on what??? don't miss the most spectacular display of
    musicianship this side of rush!!
    
542.76KDX200::COOPERI even use TONE soap !!Wed Nov 04 1992 13:151
I'll be therw with my spousal-unit.  Can't wait !!
542.77KDX200::COOPERI even use TONE soap !!Thu Nov 05 1992 12:3911
DYLIW - A good friend drags you and your wife off to see Dream Theatre
last night ??  Thanks for BJ too, Rat - it was killer!!

DYLIW - You have a new fave band?

Anyway, I loved this show.  I'll even go as far as saying that this was
the BEST live performance I've EVER seen, save seeing Queensryche at
AJ's in South Carolina.  Wow.  I'm going off to buy their CD's at lunch.
Un-FACKIN-believeable !!

jc
542.78KDX200::COOPERI even use TONE soap !!Thu Nov 05 1992 14:5249
Now for a more in-depth review.

Natalie (Rat), CJ and myself went to Rack-N-Roll last night to see 
Dream Theater.  I'd only heard the one song that's been getting airplay
on KILO, so I didn't know anything about the band.  Natalie had a pair
of tickets ($4.94/each) - At that price, I figured WTF, I'll check 'em 
out!

Well, WTF indeed.  This band RULES live...  I still haven't heard anything 
off their CD's, but I will be running off at lunch to buy 'em now.
Their performance was flawless and awe-inspiring.  I just sat there with a
beer in my hand and another glass under my chin to catch the drool.

The bassist was playing a 6 string bass, and he was incredible!  The drummer
was flashy and had flawless timing and tasty lix for days.  The singer is
FUGLY and sort of fat, but he had an EXCELLENT voice - a lot of range and
is very dynamic.

Now for the good part:

The (single) guitarist played thru a pair of 100wt MESA Dual-Rectifier heads 
and a pair of Armadillo 4x12's (leather and metal covered celestion loaded
Mesa/Boogie).  He also had a 18 space SUS-4 Rack full of cool goodies (can 
you say Eventide, Lexicon and TC ?? - I thought you could).  

So, you're saying  to yourself "Gee, the guy is an FX whore?" - NOT!  The 
guys sound was clean and tasty, not over-done with FX and harmonizer induced 
crapola.  When he did kick in the eventide,  it was sweet.   He played an 
Ibanez USA Custom UCG13_type.

He has a style like Yngwie meets Satch meets EJ meets Hetfield meets Gilbert 
meets Vai...  you get the picture.  the dude is super-flexable and has
amazing chops.  I was blown away.  Also, the keyboard dood was killer also.
He was playing note-for-note arpeggios with the guitar player at lightning
speed.  It was a nice touch.

When they opened up, Cindi and I looked at each other and mouthed "Rush"...
10 measures in, we looked at each other and mouthed "Metallica"...then 
"Queensryche".  The band seems like it has the best parts of three of my
fave bands.  I felt the same way wheen I heard Fates Warning 4 years ago...
Now FW is getting popular - I predict Dream Theater will ALSO become quite 
popular.

Thats about it in a nutshell.  Thinking mans metal!!

Twas the tightest live show I've ever seen - definately rank right up there 
with  Rush (live) and Queensryche (live).  The band SMOKES!  Go buy their CD's!

jc (still amazed!)
542.79CONTRA::BEL_KWINITHDangerous but worth the riskThu Nov 05 1992 16:348
    
    another convert!!  :')
    
    ps, their first album is out of print (i just asked this morning) and
    am also told it was never available on cd (alan, did you have the tape
    or cd?  just wondering if that was true).
    
    
542.80GOES11::G_HOUSEWho do you want to be today?Thu Nov 05 1992 16:467
re: Coop
    
>    He played an  Ibanez USA Custom UCG13_type.
    
    g13?  The grim reaper painted thing, like you got?
    
    gh
542.81even says so in .0DPE::STARROut Of The Cradle, Endlessly Rocking!Thu Nov 05 1992 16:477
>    ps, their first album is out of print (i just asked this morning) and
>    am also told it was never available on cd (alan, did you have the tape
>    or cd?  just wondering if that was true).

I had the CD, for sure, so that info is definitely wrong....

alan
542.82KDX200::COOPERI even use TONE soap !!Thu Nov 05 1992 16:485
RE: Greg

Same guitar, different paint job.

jc
542.83GOES11::G_HOUSEWho do you want to be today?Thu Nov 05 1992 16:506
    re: Coop
    
    Then it ain't a UCGR13, the number is different for each paint job.  I
    got the catalog here, what picture was it?
    
    gh
542.84KDX200::COOPERI even use TONE soap !!Thu Nov 05 1992 16:522
Well - I dunno - it was bright colors!
:)
542.85Big help...GOES11::G_HOUSEWho do you want to be today?Thu Nov 05 1992 16:523
    Well.....WHAT colors??  In what pattern???
    
    gh
542.86CAVLRY::BUCKDon't stop thinkin about tomorrow!Thu Nov 05 1992 16:554
    Greg,
    
    It's a custom color pattern.  It's basically painted Desert Sun Yellow,
    with Green, Blue, Black, and Red geometric shapes painted over it.
542.87Sounds coolGOES11::G_HOUSEWho do you want to be today?Thu Nov 05 1992 17:065
    Buck comes through again with the "what was that dude playing" info. 
    Must be a really custom "custom", I don't see anything remotely
    resembling that in the current catalog.
    
    Greg
542.88CAVLRY::BUCKDon't stop thinkin about tomorrow!Thu Nov 05 1992 17:082
    The dude has an Ibanez endorsement, so I suspect it's a REAL custom
    made guitar (like in every way, shape, and form).
542.89CSC32::J_HERNANDEZOne banana,2 banana,3 banana, 4Thu Nov 05 1992 17:191
    SO anyone wanna book it to Denver and catch tonight's show? 
542.90;')BUSY::ESCOBAREveryStepBringsMeCloserToMyLastThu Nov 05 1992 17:414
    
    Sure.
    
    
542.92Alka Selzter QuickCOMET::MARTINNToo sexy for this conferenceThu Nov 05 1992 18:296
    DYLIW You get to go and see a great concert
    DYHIW You don't remember the band at all cuz you were to busy doing
          BJs!!      :) or should I say :0
    
    The little bit I do remember of them there were great!
                                                          Rat
542.93CGVAX2::GRENIERThu Nov 05 1992 18:528
    Their first release 'When Dreams & Day Unite' was definately available
    on CD, as I have it.  I saw the CD in a record store, the other day,
    but I can't remember which right now.  If someone wants it, let me
    know, I'll try to find it.
    
    
    
    Steve
542.94but now that i will be having weekends off!!! ill be outCONTRA::BEL_KWINITHDangerous but worth the riskThu Nov 05 1992 21:117
    
    sure jesse, im on my way again :').  remember last time i tried this? 
    a last minute flight, coach class to co springs via phoenix, via denver
    was almost $1000!  ouch!  :')  (plus extra for a shuttle out of denver
    :'))  and didn't arrive there till about 10!
    
    
542.95CAVLRY::BUCKDon't stop thinkin about tomorrow!Fri Nov 06 1992 12:4813
    ATTN:  Rob

    Dream Theater -- Axis -- Wednesday -- December 16th ... BE THERE!!!
    
    
    Buck, who'll going again, for sure!  Anyone else?  We should have a HM
    night for this show, they're 
    
    RRRRRRR     OOOOOO    OOOOOO   LLL     IIIIIII  NNN   NNN   !!!   !!!
    RRR  RRR   OOO  OOO  OOO  OOO  LLL       III    NNNN  NNN   !!!   !!!
    RRRRRRR    OOO  OOO  OOO  OOO  LLL       III    NNN NNNNN   !!!   !!!
    RRR  RRR   OOO  OOO  OOO  OOO  LLLLLL    III    NNN  NNNN
    RRR   RRR   OOOOOO    OOOOOO   LLLLLL  IIIIIII  NNN   NNN   !!!   !!!
542.96AD::FLATTERYFri Nov 06 1992 12:511
    yo buck.....i'm up for it!	!  ..........;')......../k
542.97CAVLRY::BUCKDon't stop thinkin about tomorrow!Fri Nov 06 1992 12:521
    Sethypooh??  You went last time, wanna go again??  |KS|?  Others??
542.98KDX200::COOPERI even use TONE soap !!Fri Nov 06 1992 13:393
    Buck - Me and CJ WILL be there !!!
    
    jc
542.99Will Wildside be opening again?METALX::SWANSONStardog ChampionFri Nov 06 1992 14:134
    I'll go!  
    
    |KS|
    
542.100MSBCS::MCBRIDEWon't you be my neighbor?Fri Nov 06 1992 14:213
    
    100 REPLIEZ!!
    
542.101KDX200::COOPERI even use TONE soap !!Fri Nov 06 1992 14:418
    Perhaps we can get as MANY people there as possible.  I know CJ
    and I would like to meet some of you new folk, and see some of the 
    old-timers too!!
    
    Not to mention seeing an awesome band !!  Who is this Wildside ??
    Sounds like a Motley Crue tribute band.  :)
    
    jc
542.102DTIF::JUDYPicard/Riker '92Fri Nov 06 1992 14:528
    
    	Well considering it's two days before my birthday.....will 
    	you guys buy all my drinks?  =)
    
    	(and that's only if I have the night off from my second job)
    
    	JJ
    
542.103KDX200::COOPERI even use TONE soap !!Fri Nov 06 1992 14:559
    JJ - I'll buy you a drinkie or three...  SO won't Buck!!
    :)
    
    Take that night off - I won't hear ANY excuses!  In fact, 
    Take the next day off also.  Buck and I were discussing 
    off-line that there is a HoJo motel close by thats cheap...
    Perhaps we can rent a couple of rooms and swill til dawn...
    
    jc (Who loves to party in hotels.  :)
542.104MR4DEC::JWHITMANFri Nov 06 1992 15:294
    
    
    
    I'll be there..
542.105CONTRA::BEL_KWINITHDangerous but worth the riskFri Nov 06 1992 16:385
    
    YES!!!!  i'm making arrangements for that one TONIGHT!!  i wont be left
    in the c old again!!!
    
    
542.106AD::FLATTERYFri Nov 06 1992 16:532
    ..ok...looks like we got a dream theater and pre-jj birthday party to 
    attend that evening.......;"))............/k
542.107Count me in!!!!!!DECAGE::HOWESSun Nov 08 1992 15:3011
    
    
    	re: DT at Axis Dec 16
    
    	YES!!!!!!!!!  I will try my hardest to be there!!!!
    
    	I will drive back from Albany that afternoon if I have to!!
    
    	They are one band that NO ONE can miss!!!!!
    
    							-Seth
542.108CAVLRY::BUCKHe's given me youSun Nov 08 1992 17:246
    After /k's party this FRIDAY (Nov 13th), I will start to compile 
    this HM "Dream Theater" get together in the PARTY note (100.*)
    to make it a bit more understandable.
    
    
    Buck, who thinks this might be a noteworthy HM get together!
542.109DDIF::JUDYKeep the faithSun Nov 08 1992 23:0713
    
    
    	Well I'll be asking for that night off on Tuesday when I 
    	go in.  Cross your fingers folks.  =)
    
    	Does someone have a DT tape I can borrow to listen to for
    	awhile?  The only time I heard DT was at Tigg's party this
    	summer and I didn't hear it that well.  (what I did hear,
    	I liked)
    
    	JJ who thinks this'll be a grand way to welcome in the big
    		25 a few days early.  =)
    
542.110RecomendationsCASEE::LALLIDidier - OSAG Valbonne - DTN 828.5423Mon Nov 09 1992 11:5911
Hi there,

I won't be able to make it to your party :-), but does anybody know if Dream
Theatre are planning a Tour in Europe by any chance?

Also which Fates Warning album are recommended to start with, knowing that I 
already own everything from Rush, Dream Theatre and Metallica. Any advices?

Thanks,

Didier
542.111KETJE::VLASIUMon Nov 09 1992 13:3611
Didier, I have listened Fate's Warning's "Parallels" and "Perfect Symmetry"
(this one, I have it). Although Parallels is fine, I prefer Perfect Symmetry
(it's a bit more complex).

For all those enjoying Fate's Warning, Dream Theater, Queensryche .. please
check at the occasion Last Crack's "Burning Time". LC is quite different from
other bands and it surely plays very intelligent music. If you like the former
bands you should like Last Crack's "Burning Time" (one of the very best albums
these years).

Sorin
542.112JMHO natchGOES11::G_HOUSEBig cheese, MAKE me!Mon Nov 09 1992 14:405
    I like Fate's Warning's album "No Exit", it's roolin and they seem to
    have more of their own style on that one rather then the "Queensryche
    II" style they've adopted in the last couple.
    
    gh
542.114NEMAIL::MERCIERIm iN the MiDsT Of a tRaUmaThu Nov 12 1992 15:295
    I heard one of DT's tunes the other nite on the radio...Although they
    all sound like great musicians, I personally didnt care for their
    style of music....
    
    Bob
542.115DT RULZ!!!!COMET::FRISBYABed of RosesThu Nov 12 1992 17:305
    You stupid flannel/combat boot skinny puppy type.....Pull YOUR head
    OUT!
    
           Friz
    
542.116CBs rool!GOES11::G_HOUSEBig cheese, MAKE me!Thu Nov 12 1992 18:241
    The pup's lookin for a combat boot upside the head, methinks.
542.117CONTRA::BEL_KWINITHDangerous but worth the riskThu Nov 12 1992 20:128
    
    that one tune you heard (probably) is awesome, but there's even better
    on the album!
    
    :')
    
    that IS my style music!
    
542.118KDX200::COOPERI even use TONE soap !!Fri Nov 13 1992 03:132
    You BOB  - Like 'em or not, you'd BEST be there for this show!!
    jc (Who'll be there in SPADES!)
542.119CONTRA::BEL_KWINITHDangerous but worth the riskFri Nov 13 1992 11:394
    
    okay, i got this night off!  we getting a room or what?
    
    
542.120KDX200::COOPERI even use TONE soap !!Fri Nov 13 1992 12:424
    I think we should!   I intend to imbibe heavily.  :)
    
    Cool ROB !!
    
542.1218)COMET::FRISBYASomebody to ShoveFri Nov 13 1992 13:124
    -1,-2 GET A ROOM!!
    
     Friz
    
542.122SOURCE::GALLANTBe colorblind; don't be so shallowFri Nov 13 1992 13:219
    
    
    	This BETTER happen.  I'm putting in for the night off at my
    	part time job and the day off the next day from DEC.
    
    	And someone's going to have to help me get to Axis since I
    	have NO clue where it is...
    
    	tigg~~~~
542.123CAVLRY::BUCKDon't flatter yourself!Fri Nov 13 1992 14:032
    You can ride with me, Tiggee!!
    ];^>
542.124GOOEY::JUDYThat's Ms. Bitch to youFri Nov 13 1992 14:064
    
    	Can someone bring the DT tape tonite so I can borrow it?
    	Pweeze?
    
542.126USOPS::GALLANTBe colorblind; don't be so shallowFri Nov 13 1992 14:236
    
    	RE: Buck
    
    	Put yer halo back on and I'll *think* about it. (8
    
    	tigg~~~~
542.127GOOEY::JUDYThat's Ms. Bitch to youFri Nov 13 1992 14:264
    
    
    	Thanks Woobie!
    
542.128OOBIE::DAMOREWelcome to the Jungle....Fri Nov 13 1992 14:274
Can I borrow it after JJ?  We work together.  She can vouch for me right
J?  RIGHT?!?  :^)

-a
542.129GOOEY::JUDYThat's Ms. Bitch to youFri Nov 13 1992 14:314
    
    
    	Well I dunno!  =)
    
542.130Slam!!NEMAIL::MERCIERIm iN the MiDsT Of a tRaUmaMon Nov 16 1992 15:447
    .114....Ill take gregs advice....upside the head with my combat boots..
    its pretty ironic...thats how I dress..flannel/combat boots...Anyways,
    I still didnt really like the tune I heard....sounded boring to me...
    maybe If I ever get a chance to listen to the album, I might like
    them.......but as for now...........
    
    
542.131CONTRA::BEL_KWINITHDangerous but worth the riskTue Nov 17 1992 15:244
    
    oh yeah, real boring band.... NOT!!!!  :')
    
    
542.132NEMAIL::MERCIERIm iN the MiDsT Of a tRaUmaTue Nov 17 1992 15:463
    to each his own.....
    
    :*)
542.133CONTRA::BEL_KWINITHDangerous but worth the riskWed Dec 02 1992 07:507
    
    
    Just heard today DT will also be playing at what used to be the Escape
    Club at Salisbury Beach on... um... some Sat in January (I believe it's
    1/9).
    
    
542.135CONTRA::BEL_KWINITHDangerous but worth the riskThu Dec 10 1992 07:305
    
    know how to get to salisbury beach center?  go there, park in the loop,
    walk to the boardwalk, bang a right, it's down there on the right.
    
    
542.136BUSY::SLABOUNTYPolitically impoliteThu Dec 10 1992 09:446
    
    	I heard "Pull Me Under" on WAAF today ... never heard them on
    	the radio before.
    
    							GTI
    
542.138ICS::BUCKLEYJesus Christ, the first and lastThu Dec 10 1992 11:433
    I'll be at the Jan 9 show as well.
    
    Pull Me Under roolz for a radio single!
542.139CONTRA::BEL_KWINITHDangerous but worth the riskThu Dec 10 1992 12:0115
    
    re: .137
    
    you're kidding.  you dont know how to get to salisbury beach...
    
    um, er...
    
    from nausea, hmmm.....  not sure of the easiest.  most people i know
    from that area drive all the way via backroads.  i'd probably go 101e
    -> 95S, get off on 110 and follow that all the way in.  someone else
    can give you better directions.  seth will know how to get to salisbury
    beach :').  then again, maybe not.  He's too cool to hang at the beach
    in the summer :') :').
    
    
542.140BUSY::ESCOBARI Want Somebody To ShoveThu Dec 10 1992 12:266
    
    I hear Pull Me Under on various radio stations.
    
    Yup, I love that tune.
    
    
542.141never been there...DECAGE::HOWESThu Dec 10 1992 13:409
    
    >can give you better directions.  seth will know how to get to salisbury
    >beach :').  then again, maybe not.  He's too cool to hang at the beach
    >in the summer :') :').
    
    	Yeah too cool!!! ;)  I have no idea how to get to Salisbury,
    	I don't think I ever have gone there....
    
    						-Seth
542.142GOES11::G_HOUSEBig cheese, MAKE me!Thu Dec 10 1992 15:144
    Yah, I just heard "Pull Me Under" on the radio when I was driving
    home last night.  (and it wasn't even on a college station!)
    
    gh
542.143Nuthin GreatNEMAIL::MERCIERTHeVIolEnCeBEgInsWHenTHeLIgHtsGOouTMon Dec 14 1992 19:0911
    I know Im gonna get people up in arms, but I heard Pull me Under
    a few times in the past week....That song does nothing for me...
    its sounds to over processed....to me they sound like are trying to
    sound like YeS.....Granted I think YeS are great......All of the
    individual musicians sounded great...I loved some of the drum fills..
    but Im not really impressed by the originality of there music...It
    sounds like something Id hear on the Yes 90215 sp?? album.....
    
    IMO....that is.......go ahead fire away....
    
    Bob
542.144BUSY::ESCOBARDoes Anyone Know An Available P_N?Mon Dec 14 1992 19:164
    
    It does sorta get old, fast.
    
    
542.145NEMAIL::MERCIERTHeVIolEnCeBEgInsWHenTHeLIgHtsGOouTMon Dec 14 1992 19:224
    Whats with the P_N's today...are ya bored...:)
    
    
    It grew old on me the first time I heard it...
542.146;')BUSY::ESCOBARDoes Anyone Know An Available P_N?Mon Dec 14 1992 19:294
    
    I can never decide....
    
    
542.147Only bad if people are looking for something to fight about.DECAGE::HOWESMon Dec 14 1992 19:3613
    
    
    It is so silly for people to fight about it, it is all a matter of 
    taste....
    
    	I picked up DT-IAW a few months ago, I have been listening to 
    	it all the time, and I haven't got sick of it at all....
    	Just as good as the first time...
    
    Too bad you don't like it Bob, but so what?  It is all person anyway..
    
    
    							-Seth
542.148Better than RUSH!POWDML::BUCKLEYLose yourself and gain a friendMon Dec 14 1992 19:521
    DT ROOOZL
542.150METALX::SWANSONDamage Inc.Tue Dec 15 1992 03:006
    re: -1
    
    But if you have to send $20 then it's not free stuff!
    
    :')
    
542.152CONTRA::BEL_KWINITHDangerous but worth the riskTue Dec 15 1992 08:096
    
    
    all right buck!!!  old quickly?  sha, like if!!!  :')  better than
    rush?  depends on my mood :').
    
    
542.153NEMAIL::MERCIERTHeVIolEnCeBEgInsWHenTHeLIgHtsGOouTTue Dec 15 1992 12:013
    Its all a matter of personal musical taste....since Friz isnt here
    anymore...there's no need to argue about it...but I do think Rush
    is much better...regardless of what mood Im in  :*)
542.154NOTPOWDML::BUCKLEYLose yourself and gain a friendTue Dec 15 1992 13:308
    >but I do think Rush is much better...regardless of what mood Im in 
    >:*)
    
    
    Sha .... as if....
    
    
    
542.156POWDML::BUCKLEYLose yourself and gain a friendWed Dec 16 1992 12:2517
    So far, I can only confirm the following from my knowledge:    
    
    1) Rob R.
    2) Buck
    3) JC
    4) CeeJ
    5) Seth
    6) Kristy
    7) Tigg
    8) JJ
      
    
    
    		D R E A M     T H E A T E R -- T*O*N*I*G*H*T !!!!!
    
    
				be there!
542.157USOPS::GALLANTCan't change my color...Wed Dec 16 1992 12:5012
    
    
    	RE: last
    
    	And Paul McCarron... I talked to him yesterday and he's 
    	going to call me this morning to let me know for sure
    	but he did say he was going to hook up with us either
    	at the show or Uno's..
    
    	Alan and /k are Uno bound but not DT....
    
    	tigg~~~~
542.158me too...BINKLY::DEMARSEWalk me out in the morning dewWed Dec 16 1992 12:583
    I'm going in with /k, but I'm going to the DT show...
    
    :), danielle
542.159MSBCS::MCBRIDEFear in a handful of dustWed Dec 16 1992 14:2215
    
    Driving home from work last night (another late one :-( ) I was
    listening to WAAF's top nine.  I damn near punched in another
    station when that horrible Pantera "song" came on, but I stuck
    it out.  I was rewarded by finding out that the DT song (don't
    remember the name) that's been getting airplay around here was
    the #1 most requested song of the day.  R00lin!
    
    I wish I was going to the show tonight but, alas, I seem to
    have gotten a life and can't get rid of it tonight.  Too many
    other things to do, not enough time to do them in and not enough
    money anyway.
    
    -- 
    Kevin
542.160BUSY::ESCOBARClapping With One HandWed Dec 16 1992 14:245
    
    
    The guitars in Pantera's WALK, are ROOLIN'!
    
    
542.161MSBCS::MCBRIDEFear in a handful of dustWed Dec 16 1992 14:465
    
    Yuk.  I can play better than those guys (Pantera) and I ST00L!
    
    JMNSHO
    
542.162Funny the first time only...BOVES::FENNELLReady to crash and burnWed Dec 16 1992 14:484
Was it before or after Detachable P#n!s???

Tim

542.163BUSY::ESCOBARClapping With One HandWed Dec 16 1992 14:496
    
    RE: -1
    
    Roolin' p_n from a roolin' song!
    
    
542.164Re: .161NEWOA::DALLISONWed Dec 16 1992 14:498
    
    Hmmm... If you can play better than them you must be quite a musician.
    They ain't _amazing_ but certainly don't deserve of a slagging off just
    because its not your cup-o-tea. Check out the entire album and then make 
    a sweeping generalisation if you must.
    
    -Tony (soapbox now under arm)
    
542.166GOES11::G_HOUSEBig cheese, MAKE me!Wed Dec 16 1992 15:289
>    Yuk.  I can play better than those guys (Pantera) and I ST00L!
    
    Guy, singular.  There's only one guitar player in Pantara.  And FWIW, I
    have to agree with Tony, you must be one heck of a guitar player if you
    can outdo the guy.  Even though I don't like a lot of their music, I've
    heard him play some pretty cool fast stuff.  Maybe you should hear more
    then one song before you slag him so hard...
    
    gh (who also stools on guitar and couldn't touch the dude)
542.167STRATA::KLObaby u no goodWed Dec 16 1992 15:365
    
    'm agree you must listen to the whole album
    
    DT ROOLIng....................................yeah!
    
542.168MSBCS::MCBRIDEFear in a handful of dustWed Dec 16 1992 16:0916
    
    Sheesh.  For the humor impaired, insert a smiley after the
    first line in .161 and before the "JMNSHO"
    
    Eye wooda thunk bye nau that ewe giez kood rekonize wen eye wuz
    jes fackin around.  Doo eye reelee haff 2 uze a smilee evry tyme
    eye maik a joak?
    
    I don't care for Pantera.  They're not my cup of poison.  My comment
    was not so much slagging them as poking fun at my (lack of) musical
    prowess.
    
    -- 
    Kevin - "FREE clues for sale, cheap.  Take two, they're small, and
             soon to be legendary. <smiley would go here if I used one>"
                                                                        
542.169GOES11::G_HOUSEBig cheese, MAKE me!Wed Dec 16 1992 16:234
    Any more of this slaggin, and I'll have you in Personnell fast enough
    to make your head spin.
    
    /ghrc
542.170Bedspins for BonzoMSBCS::MCBRIDEFear in a handful of dustWed Dec 16 1992 16:293
    
    Ha!  My haid is already a'spinnin'.  You got anything to make it stop?
    
542.171NEMAIL::MERCIERTHeVIolEnCeBEgInsWHenTHeLIgHtsGOouTWed Dec 16 1992 16:414
    This is most legendary....I think Ill drive past EM Leows on my
    way home tonite...
    
    /rjm
542.172POWDML::BUCKLEYLose yourself and gain a friendThu Dec 17 1992 12:263
    Good to see /k and Alan show up after the Arc Angels show!!
    
    The show was ROOLIN -- had a great time .. tired, though (ugh!)
542.173NEMAIL::MERCIERTHeVIolEnCeBEgInsWHenTHeLIgHtsGOouTThu Dec 17 1992 12:284
    Was the place crowded??
    
    Bob
    
542.174BINKLY::DEMARSEWalk me out in the morning dewThu Dec 17 1992 12:355
    It was nice meeting you Buck...and Rob, jj, tigg, ken, jim, jc, cj (am
    I forgetting anyone?) We took lotsa pictures to put in the HM photo
    album...
    
    :), danielle
542.1758 days for xmas!BINKLY::DEMARSEWalk me out in the morning dewThu Dec 17 1992 12:385
    One of the highlights of the show (for me) was 'O Holy Night' 
    ....sounded awesome..
    
    :), danielle
    
542.176But then again she did say 'nice meeting' ;)DECAGE::HOWESThu Dec 17 1992 13:0712
    
    
    'O Holy Night' was cool!!!!!!   The whole show was cool (the band that
     is)  I was hoping that buck was going to beat the crap out of a little
    	kid that kept annoying him....  The kids suffering would have
    	been legendary! /src!
    
    
    	(Danielle, no you aren't forgetting anyone!)  ;)
    
    
    								-Seth
542.177;')BINKLY::DEMARSEWalk me out in the morning dewThu Dec 17 1992 13:236
    I'm sorry Seth...my brain is a little on the weird side this
    morning...my ears are ringing so bad, all I can hear is that ringing
    ...kinda like in Star Trek...and to top it off, I have a Calc 3 final 
    today, so I'll be shooting out of here soon...
    
    :), danielle
542.178The opening band... Moon check?!? were terible.DECAGE::HOWESThu Dec 17 1992 13:3011
    
    
    	NO!!!! DON'T MENTION CALC!!!! PLEASE!!!
    
    	My ears were ringing earlier, but they are better now...
    	Where is everyone today?   They are all so lazy, I got a 
    	1/2 sleep last night, and I was still in at 8:30 (guess
    	that shows how crazy I am)
    
    
    						-Seth
542.179DDIF::JUDYThat's Ms. Bitch to youThu Dec 17 1992 13:3813
    
    
    	O Holy Night?  Did I miss that?  =(
    
    	re: Buck
    
    	Thanks muchly for the ride back to Alewife!
    
    	The band was very good.  Too bad I couldn't see them better..
    	too many people.
    
    	JJ
    
542.180...i thought "O holy night" was being played by the DJ!"AD::FLATTERYThu Dec 17 1992 13:407
    well i had a good time last night, hitting both Arc Angels and the
    Dream Theater show.......Alan, cabs are definitely the way to go don't
    you think.....;')).........good seeing the whole crew last night and
    meeting CJ and JC for the first time...god she's a tolerant woman.....
    ;')).......i don't think i'd want to be JC's tongue this morning......i'm 
    sure it needs a shave..........;')........can't wait to see the pictures 
    danielle............../k
542.181good luck on the calc test! glad it's not me!DPE::STARRTwo hot girls on a hot summer nightThu Dec 17 1992 13:5823
Well, danielle, you forgot me, but I'll forgive ya.....

BUck, what's with the yawning??? You guys left early! We not only stayed
'til the end, but even went out for pizza afterwards! Now *we* have a right
to yawn!!!!  8^)

re: /k 

> Alan, cabs are definitely the way to go don't you think.....;')).........

No doubt! We did that up right!

re: the show

Dream Theater was good. The vocalist was wicked impressive. I wasn't quite
blown away by the guitarist as I thought I would be. Overall, a good show
(taking into account that I'm not a big fan of theirs).

re: ArcAngels

This was the show of the night! The ROOLED!!!!

alan
542.182METALX::SWANSONDamage Inc.Thu Dec 17 1992 14:0614
    I must have missed O Holy Night too!  The show was awesome however!
    
    It was great to meet some new noters (Daniele, Jeff, CIndy), and all
    the other familiar ones!
    
    Jeff, you're a character!  :')
    
    For those that didn't make it, I must recap something that happened at
    Unos before the show.  Karen asked the waitress for an ashtray as she
    pulls out a cigarette, and the waitress says "I'm sorry, this isn't a
    smoking section."  And Karen says "Ohhh it is now!"  Ha Ha hahaha!
    Good one /k!
    
    |KS|
542.183DDIF::JUDYThat's Ms. Bitch to youThu Dec 17 1992 16:538
    
    
    	Yeah, that was a hoot!
    
    	Thanks to /k for the offers to crash....I would have taken you
    	up on it but I have a lot of stuff I need to do today.  My apt.
    	is a disaster!  =)
    
542.184<USOPS::GALLANTCan't change my color...Fri Dec 18 1992 13:4716
    
    
    	Yawwwwwwwwwwwwwwwwwwwwwwwwn...blinkblink....
    
    	morning.  (8  Got home at 2:45am and woke up at 2:45pm.  (8
    	In between that I woke up long enough to haul my offspring
    	to daycare, came back and went to sleep.  (8
    
    	Didn't get the things done that I wanted to be sleep was a
    	bigger priority.  (8
    
    	It was a good night all things considered I guess.  But like
    	Rob and JJ - I'm old.  Too many people, too much smoke and
    	I like to SEE the bands I pay to watch perform tyvm...
    
    	tiggashimmyshimmy~~~~ (8
542.185......what are you going to do when you really get old??...AD::FLATTERYFri Dec 18 1992 13:535
    oh that's right...i made you shimmy in Uno's...i wonder if the film 
    captured the real essence................;')).........shoulda come to
    arc angels with us.....we stood about 6 ft from the stage....nyah
    nyah.............../k.
    
542.186SOURCE::GALLANTCan't change my color...Fri Dec 18 1992 13:547
    
    	RE: i made you shimmy in Uno's
    
    	ya.  ONCE.  Hope everyone got a good chuckle cuz it'll never
    	happen again. (8
    
    	tigg~~~~~
542.187AD::FLATTERYFri Dec 18 1992 14:104
    ....if  i asked you nicely  AND  threatened to put that
    picture of you washing your hair before the firehouse gig in the 
    HM photo album, me thinks you'd shimmy again...........;'))......
                              hehehehehehehhhh............./k
542.188USOPS::GALLANTCan't change my color...Fri Dec 18 1992 14:4710
    
    
    
    	re: /k
    	
    	mumblegrumblemumble...go 'way!!!
    
    	(8
    
    	tigg~~~~
542.189..i just like getting you riled.....AD::FLATTERYFri Dec 18 1992 14:562
    ....no way...consider me your personal haunt,...designed to remind and
    annoy you for many years to come...........;')).............../k
542.190SOURCE::GALLANTCan't change my color...Fri Dec 18 1992 15:107
    
    
    	There will come a day when the tables will be turned and it
    	will be I threatening to put damaging pictures of YOU into
    	the HM album TOOTS.  (8
    
    	tigg~~~~
542.191POWDML::BUCKLEYLose yourself and gain a friendFri Dec 18 1992 15:142
    Anyone up for DT at the Escape Club in Salsbury or at Club Babyhead
    in Providence in JAN???
542.192AD::FLATTERYFri Dec 18 1992 16:002
    Re; .....tig, now really...would i do that to you??...i mean after
    all..you know where i live and all..............;'))......./k
542.193BUSY::ESCOBARDown With The ShipFri Dec 18 1992 16:374
    
    RE: Buck
    
    I'll prolly see'em at Escape.
542.194FYIPOWDML::BUCKLEYLose yourself and gain a friendFri Dec 18 1992 16:597
    Anyone who thinks they may be going to that early Jan Club Babyhead
    show, you better score tickets in advance!!  CB only holds about 100+
    people, and the shows sell out REALLY quickly there!
    
    
    Tickets for CB shows can be purchased at Strawberries.  Ticketmaster
    does NOT carry CB shows...
542.195BUSY::ESCOBARDown With The ShipFri Dec 18 1992 16:594
    
    They gotta age limit?
    
    
542.196donnoPOWDML::BUCKLEYLose yourself and gain a friendFri Dec 18 1992 17:011
    
542.197date that the show is on. not gonna set myself up that easilyCONTRA::BEL_KWINITHDangerous but worth the riskFri Dec 18 1992 17:124
    
    got a date yet buck???  need to know since i work nights.  i will DEF
    be at escape (i will lower myself to appear there just for DT :')).
    
542.198POWDML::BUCKLEYLose yourself and gain a friendFri Dec 18 1992 17:286
    The dude who told me didn't know if it was Jan 9th or the 16th
    (both are Saturdays!).  I guess a call to Club Babyhead would
    prove information, but I, unfortunately, don't have the time 
    to do that right now...
    
    Anyone?
542.199CONTRA::BEL_KWINITHDangerous but worth the riskSat Dec 19 1992 17:175
    
    if its a sat, i will probably go, assuming tix are available up here.
    where is babyhead in prov?  did it use to be the living room per
    chance?
    
542.201cool on the LRoom thang. ill be there.CONTRA::BEL_KWINITHDangerous but worth the riskSun Dec 20 1992 08:113
    
    
    see buck dive for the x00 replieeezzz!!!!!!
542.202Update DT show infoPOWDML::BUCKLEYLose yourself and gain a friendMon Dec 21 1992 11:475
    FYI -- sorry, I deleted my old post -- Club Babyhead is NOT, repeat
    NOT the old Living Room (sorry, I had mis-information!).  
    
    
    The DT show is January 13th (a Wednesday), and tickets are $6.
542.200200 repliez!POWDML::BUCKLEYLose yourself and gain a friendMon Dec 21 1992 11:471
    DT ROOLZ!
542.203BUSY::ESCOBARDown With The ShipMon Dec 21 1992 12:0510
    
    I saw the Pull Me Under video last night (or this morning) 'bout
    2:30am. 
    
    Maybe I was just sleepy, but it was a bit confusing. Some bedroom
    shots, and other junk, and a bunch of live stuff. Apparently the singer
    likes Napalm Death cuz he was wearin' their shirt.
    
    
    
542.204ROOLIN!POWDML::BUCKLEYIf not today, nor yet tomorrow, then some other dayMon Dec 21 1992 12:161
    Note new p_n!
542.205CONTRA::BEL_KWINITHDangerous but worth the riskMon Dec 21 1992 13:394
    
    Wed?  Well, see you all at Chapter 11 anyway!  Wed is not good for me.
    
    
542.206POWDML::BUCKLEYIf not today, nor yet tomorrow, then some other dayMon Dec 21 1992 14:151
    Watch the sparrow falling gives to meaning to it all
542.207BUSY::ESCOBARDown With The ShipMon Dec 21 1992 14:385
    
    That is a RULIN' part of the song!
    
    
    Dust fills my eyes... clouds roll by and I roll with them
542.208POWDML::BUCKLEYIf not today, nor yet tomorrow, then some other dayMon Dec 21 1992 19:3110
    I was reading through this note string, and was amazed at how many
    people in here don't like DT for the sheer fact they are a MUSICAL
    band who use odd time singatures and many changes in groove.  That
    is exactly what DT fans love about this band, their diversity!!
    Even your average WAAF fan are liking DT for their musicianship.
    I think it helps set them apart, not hinder them commercially.
    
    And oh by the way, I found out at a recent Holiday party that I am
    related to the guitarist, John Petrucci!!  We play so much alike...
    8^)  (sha, as if)
542.209Add another to the listOOBIE::DAMOREWelcome to the Jungle....Tue Dec 22 1992 11:5322
Well I FINALLY got to listen to Images and Words yesterday
(albeit on a hand held cassette player with batteries that
needed changing...argh!)

Still, I liked it the first time through. And I think it
will grow on me.

They definatly have a "Rush" sound to some of thier songs though.
I didn't think so at first when I only heard "Pull me Under".

But "Surrounded" seems to.

Anyhow, I like it.

Now if I could listen to it in CD quality, I might REALLY like it
(instead of hearing "warbled" lyrics...gack!).

-a

PS  All that ranting and raving about getting the tape ripped off?
    well, er, my sources were incorrect (gee, should I mention
    names?!?!?)  "they" were just a twi...oh, never mind. :^)
542.210CONTRA::BEL_KWINITHDangerous but worth the riskTue Dec 22 1992 14:445
    
    I finally went out and bought the actual CD for this thing.  My tape
    disappeared someplace, somewhere at some point.
    
    
542.211POWDML::BUCKLEYLet the light surroundedTue Jan 05 1993 12:197
    Just a reminder -- if you're not already planning to check out
    CoNTaGioUs this Saturday at Derringers, the awe-inspiring DREAM THEATER
    is plaing this Saturday at Chapter II (formerly the Escape Club) at
    Salsbury Beach.
    
    
    B there or B []
542.212AD::FLATTERYTue Jan 05 1993 13:244
    bucky boo...any chance of getting advance tickets for
    D.T. at salisbury........i'd love to see Contagious...but am 
    officially too old to go to Derringers..........;'))............./k
    
542.213Pull me to Chapter II. ;)DECAGE::HOWESAngels wake up with a kiss....Tue Jan 05 1993 14:0010


	re: /k  

	Yeah, you can get advance tickets, I got some from
	Strawberries....   DT for the thrid time... ;)


						-Seth
542.214BUSY::ESCOBARHostile YouthTue Jan 05 1993 14:014
    
    I'm probably goin' too.
    
    
542.215enquiring mindzPOWDML::BUCKLEYLet the light surroundedTue Jan 05 1993 14:044
    Will this be a Cruella DeVille show, /k??
    
    
    /b
542.216you......know what i....mean?DECAGE::HOWESAngels wake up with a kiss....Tue Jan 05 1993 14:055

	      re: chris...........cool......i guess I will
	      see you there......dt rules........they put on a 
	      great show...../s
542.217MR4DEC::JWHITMANTue Jan 05 1993 15:3611
    
    
    
    re: /k
    
    Officially to old for Deringers? I believe Chapter II is also an
    all ages club but MINUS the booze.. But, its probably better that
    you don't drink, at least you won't smash your face off of other
    peoples skulls... ;')
    
    
542.218POWDML::BUCKLEYLet the light surroundedTue Jan 05 1993 15:504
    Anyone with a pointer to the "Directions to Clubs" note??  /k and
    I have absolutly NO idea how to get to Chapter II!!!  8^(  That's
    what I get, I guess, for missing all of those LEGENDARY Cycstic
    Flowers shows, I guess!  8^)
542.219<USOPS3::GALLANTCan't change my color...Tue Jan 05 1993 17:065
    
    
    	note 14
    
    	tigg~~~~
542.220GOES11::G_HOUSEBig cheese, MAKE me!Tue Jan 05 1993 17:078
>    Just a reminder -- if you're not already planning to check out
>    CoNTaGioUs this Saturday at Derringers, the awe-inspiring DREAM THEATER
>    is plaing this Saturday at Chapter II (formerly the Escape Club) at
>    Salsbury Beach.
    
    I thought DT was opening for Contagious?
                                           
    Be there or be brackets.
542.221POWDML::BUCKLEYLet the light surroundedThu Jan 07 1993 14:454
    Ahem -- Now that Tigga~~ is rich, she has NO EXCUSE not to attend this 
    Saturdays *fabulous* DT show in Salisbury!
    
    8^)
542.222I stii have to buy the CD........NEMAIL::MERCIERRage Against the Machine!Thu Jan 07 1993 14:555
    I heard that they are playing at The Vertex(sp??) in Hadley on
    Sunday?? I didnt see anything else about this show, but I heard it
    on AAF so I figured Id post it..
    
    Bob
542.223;')MR4DEC::JWHITMANThu Jan 07 1993 14:587
    
    
    REL: 222    -< I still have to buy the CD.........>-
    
    
    So does'nt Chris Escobar... I WANT *MY* CD!!!!! 
    
542.224NEMAIL::MERCIERRage Against the Machine!Thu Jan 07 1993 15:034
    Maybe Chris will loan me the CD........
    
    
    :*)
542.225SOURCE::GALLANTMy love won't hurt you...Thu Jan 07 1993 15:108
    
    
    
    	RE: Buck
    
    	tigga would except that tigga has made other plans.  (8
    
    	tigg~~~~
542.226POWDML::BUCKLEYLet the light surroundedThu Jan 07 1993 15:103
    Anyone know WHAT or WHERE the Vertex (??) in Hadley is???
    
    Curious me
542.227NEMAIL::MERCIERRage Against the Machine!Thu Jan 07 1993 15:287
    Id buzz AAF....They were advertising it + giving away free tixs.
    
    Bob
    
    Hadley is just before Holyoke (out near springfield)
    
    
542.228AD::FLATTERYThu Jan 07 1993 16:342
    the vertex is the new name for the old Katrina's or kristina's or
    something like that.....lots of people have played there..../k
542.229/brcPOWDML::BUCKLEYLet the light surroundedThu Jan 07 1993 16:392
    Killer, sounds like it's gonna be a *legendary* Dream Theater weekend!
    
542.230NEMAIL::MERCIERRage Against the Machine!Thu Jan 07 1993 17:144
    Buck---verify that Sunday show....thats what I heard....but I tend to
    be wrong sometimes.....sometimes that is!?!?
    
    Bob
542.231I should be at all 3POWDML::BUCKLEYLet the light surroundedThu Jan 07 1993 19:498
    Confirmed DT Show MA show info:
    
    
    Sat, Jan 09		Chap II		Salisbury	
    
    Sun, Jan 10		Vertex		Hadley
    
    Wed, Jan 13		Babyhead	Providence
542.232BUSY::ESCOBARHow Could She Be So Fine?Thu Jan 07 1993 19:532
    
    I'll be at Chap II
542.233DT at Vertex infoPOWDML::BUCKLEYLet the light surroundedThu Jan 07 1993 23:588
    Directions to Vertex, in case anyone wants to go:
    
    - Mass Pike to "Palmer" exit
    - Ask booth dood best wat to RT 9 West
    - Club is on RT 9 in Hadley, one town over from Palmer.
    
    Tix are $7 in advance, $10 at the door.  Doors open at 7:30pm.
    
542.234POWDML::BUCKLEYLet the light surroundedFri Jan 08 1993 14:2219
    
    
    
    
    
    
    
    
    
    
    			Watch the sparrow falling
    			Gives new meaning to it all	
    			If not today, nor yet tomorrow
    			then some other day
    
    			I'll take seven lives for one
    			and then my only fathers son
    			as sure as I did ever love him
    			I am not afraid
542.235BUSY::ESCOBARHow Could She Be So Fine?Fri Jan 08 1993 14:3725
    
    
    
    
    
    
    

    
    
    
  		  	This word is spinning around me
			The whole world keeps spinning around me
			All life is future to past
			Every breath leaves me one less 
     			 To my last

			Pull me under Pull me under
			Pull me under I'mnot afraid
			All that I feel is honor and spite
			All I can do is set it right


    
542.236USOPS::GALLANTMy love won't hurt you...Fri Jan 08 1993 15:039
    
    
    	Picked up the Dream Theater CD last week and my portable
    	CD player last night..
    
    	It's way cool.  I can see now why people have said it's
    	Metallica/Rush sounding.  Pretty decent!!
    
    	tigg~~~~
542.237POWDML::BUCKLEYLet the light surroundedFri Jan 08 1993 15:0514
    >	Picked up the Dream Theater CD last week and my portable
    >	CD player last night..
    
    I knew I liked Tigga~~ for a good reason...
    8^)
    
    (a reason besides the fact she is cuter than JJ)
    ];^>
    
    
    >	It's way cool.  I can see now why people have said it's
    >	Metallica/Rush sounding.  Pretty decent!!
    
    Rush/Queensryche/Metallica imvho
542.238MR4DEC::JWHITMANFri Jan 08 1993 15:184
    
    
    
    Buck, the Dream Theatre slut! all shows!?
542.239POWDML::BUCKLEYLet the light surroundedFri Jan 08 1993 15:306
    Yes WhitPose -- ALL shows!!  This band ROOLZ -- I can really relate to
    what thaty're doing musically ... I am so very into this tape.  When I
    was without it for 5 days in OK, I was mental!  Thank god they were
    playing PMU on KATT in OKC!  This tape has been in constant loop
    rotation in both my truck cassette deck and on the home CD.
    
542.240MR4DEC::JWHITMANFri Jan 08 1993 15:337
    
    
    
    I think PMU is cool.. I'll let you know what I think about the 
    rest of it once I get my free cd from Escoblouse... 
    
    
542.241GOES11::G_HOUSEBig cheese, MAKE me!Fri Jan 08 1993 16:193
    > When I was without it for 5 days in OK, I was mental!  
    
    You were mental LONG before that!
542.242Harumph!POWDML::BUCKLEYLet the light surroundedFri Jan 08 1993 16:275
    >You were mental LONG before that!
    
    
    I beg your pardon?!
    8^)
542.243GOOEY::JUDYThat's Ms. Bitch to youFri Jan 08 1993 16:286
    
    	re: Buck
    
    
    	ppppffftttthhhhhh!   =)
    
542.244GOES11::G_HOUSEBig cheese, MAKE me!Fri Jan 08 1993 16:374
>    I beg your pardon?!
    
    You can beg, but you won't get it.
    ;^)
542.245OOBIE::DAMOREWelcome to the Jungle....Fri Jan 08 1993 18:4117
>    	Picked up the Dream Theater CD last week and my portable
>   	CD player last night..
 
Now let me borrow it will ya? After all I *did* go shopping with ya when
ya picked it out.

>    	It's way cool.  I can see now why people have said it's
>    	Metallica/Rush sounding.  Pretty decent!!
 
Actually I thought it was more Rush/Queensryche sounding , but...

>    Rush/Queensryche/Metallica imvho


oops...ya ya. :^)

But still thier own style too.
542.246now onto Babyhead...POWDML::BUCKLEYLet the light surroundedMon Jan 11 1993 12:0515
    Quickie DT weekend review:
    
    
    CHAPTER II -- Hmm, I believe Seth, Kristy, /k, Danille, Rob, Sister_t,
    and Chriscopose were in attendance.  The band was just *ok* imho --
    they were plagued by AWFUL PA problems ... the lack of monitors
    somewhat effected the vocal intonation at times, but it was no fault
    of the bands.  Still a fun night, however...
    
    
    VERTEX -- a return to greatness ... although since this club is ON the
    U-Mass (Zoo MA) campus, it was literally PACKED with college kids.
    The band sounded great and played great, and even played a long encore
    as people in the audience were so into them!!  No encore at CHAP II ...
    they were outta there asap.
542.247BUSY::ESCOBARHow Could She Be So Fine?Mon Jan 11 1993 12:435
    
    RE: Escape
    
    Nothin' like a mosh at a DT show, eh?
    
542.248DECAGE::HOWESAngels wake up with a kiss....Mon Jan 11 1993 12:4811


	The Escape show was cool!  They had a few sound problems,
	but the *BAND* was excellent!!   Each show seems to get
	more violent than the one before!  ;^)


	Hey Buckpose what did you think of Devine Regale? 

							-Seth
542.249POWDML::BUCKLEYLet the light surroundedMon Jan 11 1993 13:037
    >	Hey Buckpose what did you think of Devine Regale? 
    
    WTF was Devine Regale??
    
    We Liked the "2nd" band (the Megadethish one).  We didn't like any of 
    the others ones ... ESP that band which went on RIGHT before DT --
    retch!
542.250;')BINKLY::DEMARSEWalk me out in the morning dewMon Jan 11 1993 13:045
    Dream Theater isn't the place for a mosh pit.  I think it was
    idiotic...As for Chapter II, the show was OK, would've been better if they 
    played a little longer...
    
    :), danielle
542.251POWDML::BUCKLEYLet the light surroundedMon Jan 11 1993 13:062
    They started a mosh pit at Vertex, and the bouncers (many of them in
    attendance) shipped out about 12 guys out of the club!!)
542.252BUSY::ESCOBARHow Could She Be So Fine?Mon Jan 11 1993 13:449
    
    It was bound to happen. Chapter II is loaded with Hardcore Punks that
    will be in attendance for the BioHazard show in a couple of weeks.
    
    
    Poor girl in front of me with a $1500 dollar camera was in the middle
    of the damn mosh when it started. Hopefully she got out in one piece.
    
    
542.253Chapter II = BAD sound.DECAGE::HOWESAngels wake up with a kiss....Mon Jan 11 1993 13:5111

    Buckpose,   Devine Regale was the band right before DT.  They
	were just going on when I got there..  I thought they
	were not that bad, they had terible sound problems (as did
	DT), but a side from that they are pretty good.  I heard
	their demo, so I know they can do MUCH better...


							-Seth    

542.254BUSY::ESCOBARHow Could She Be So Fine?Mon Jan 11 1993 14:148
    
    
    One of the first bands Audatory Imagery was rulin'. Their drummer
    ripped it up. 
    
    Anybopdy like the Bon Jovi look-alike band?
    
    
542.255...Morons Among Us....for those not in the know....AD::FLATTERYMon Jan 11 1993 16:013
    re: biohazard fans......yeah...some of those mosh-pit morons looked
    like toxic waste themselves......i cant' believe that was going on
    around us.............one again proof of the M.A.U. theory......./k 
542.256BUSY::ESCOBARHow Could She Be So Fine?Mon Jan 11 1993 16:216
    
    I'm sure you harbored deep desires to join the fray, /k...
    
    ;')
    
    
542.257NEMAIL::MERCIERRage Against the Machine!Mon Jan 11 1993 16:255
    probably if she had a shotgun......Pits are great, but sometimes people
    get way to violent....I know people who mosh,...violently....they go in
    with swinging fist......hitting other moshers and anybody in the way..
    
    Bob
542.258AD::FLATTERYMon Jan 11 1993 16:337
    oh yeah chris...in a big way i wanted to join in....fortunately i'm a
    little higher up on the food chain than those vegetables ....i think
    the guys in front of me were a little surprised when i 'suggested' that
    they stay away from me........................musta been the look in my
    eyes....remember that look chris??................;'))........../k
    
    
542.259BUSY::ESCOBARHow Could She Be So Fine?Mon Jan 11 1993 16:379
    
    RE: Bob
    
    I love to mosh... but Dream Theater just ain't the place to do it.
    I also can't stand Hardcore punks who swing elbows.
    
    Re: /K
    
    Yeah... I know the look. ;')
542.260Yer too funny, womanLACV01::MCCARTNEYLike Paul, without the moneyMon Jan 11 1993 16:388
    re:
    .....a little higher up on the food chain than those vegetables.....
    
    Bwhahahahahahahahahahahaha!!
    
    /k, does that make you a /karnivore?
    
    BJ
542.261....;'))...........AD::FLATTERYMon Jan 11 1993 16:485
    ...;')...yup....i'm a mammal, i need oxygen....:"0.....yeah, what chris
    said....i certainly wasn't expecting a mosh pit at dream theater...had
    i known, i wouldn't have stood where we were....no way.....yeah, those
    punks looked into the eyes of PMS and got afraid.....vewwy afwaid.....;')..
    ......./k
542.262BUSY::ESCOBARHow Could She Be So Fine?Mon Jan 11 1993 16:573
    
    PMS Stares have been known to kill before...
    
542.263NEMAIL::MERCIERRage Against the Machine!Mon Jan 11 1993 17:051
    through walls!!!!!!
542.264OOBIE::DAMOREWelcome to the Jungle....Mon Jan 11 1993 17:249
>    Poor girl in front of me with a $1500 dollar camera was in the middle
>    of the damn mosh when it started. Hopefully she got out in one piece.
 
Having never been in a mosh I don't know, but I imagine that's GOT to 
be scary for a women, or anyone who doesn't WANT to be there and can't
get out.

   
-a
542.265BUSY::ESCOBARHow Could She Be So Fine?Mon Jan 11 1993 18:145
    
    Actually you can get out. You'll be pushed out eventually. It's not
    like the entire floor was a mosh.
    
    
542.266best kept secretFRETZ::HEISERarms raised in a VFri Jan 15 1993 16:552
    Do you think it would hurt this band's popularity if they're faith
    became public knowledge?
542.267Anyone, Bueller?BOVES::FENNELLReady to crash and burnFri Jan 15 1993 17:033
 Which is???


542.268OOBIE::DAMOREWelcome to the Jungle....Fri Jan 15 1993 17:328
I don't listen to music for religion (though sometimes I listen
to religious music) so I don't really care what they are.

They just rool, that's all I know, or care. 

Music is music, is what it is.

-a
542.2692-69's!POWDML::BUCKLEYAshes can't answer her painFri Jan 15 1993 17:361
    for PRILMONSTER ... on her last day...
542.270...;')....AD::FLATTERYFri Jan 15 1993 18:033
    ....as long as their not zen-budhists...i just HATE that in a band...
    dont you?............................/k
    
542.271GOES11::G_HOUSEBig cheese, MAKE me!Fri Jan 15 1993 18:125
>    ....as long as their not zen-budhists...i just HATE that in a band...
>    dont you?............................/k
 
    Just don't rub their belly's and you'll be cool.   
    
542.272AD::FLATTERYFri Jan 15 1993 18:232
    ...;').....i'm already kool....just ask anybody....;"))....../kchilly
    
542.273BOVES::FENNELLReady to crash and burnFri Jan 15 1993 18:441
Do they run around airports selling flowers?
542.274I knew I knew those guys from somewhere!GOES11::G_HOUSEBig cheese, MAKE me!Fri Jan 15 1993 19:054
    I coulda SWORN I saw Dream Theatre selling flowers at the airport a
    couplea nights ago!
    
    gh
542.275POWDML::BUCKLEYAshes can't answer her painFri Jan 15 1993 19:071
    How do you think they paid for all their top notch equipment?!?!?
542.276DPDMAI::THRELFALLLeft lane must turn leftFri Jan 15 1993 21:181
    Thanks Buck, for the 69...!!  8)
542.277Back in Colorado!NITEB4::COOPMon Jan 18 1993 13:176
    Dream Theater is back in Colorado on the 2nd of February (I think)
    and tickets are now $12! (all ages show, aaack!)
    
    From $5 in November in CO, to $10 in MA, to $12 now... they're
    touring their $sses off!
    
542.278POWDML::BUCKLEYAshes can't answer her painMon Jan 18 1993 13:3810
    COop
    
    Can you cross-post that in GUITAR (don't read that conf. anymore!),
    I know a few people will be interested.
    
    As far as prices, go, the last 4 DT shows I saw cost $10, $8, $6, and
    $7.50, respectively?!
    
    
    Yes, they are touring a lot, getting the good word out...
542.279More infoCOMPLX::FERRISMr. Bad ExampleMon Jan 18 1993 16:528
    
    
    Yeah, I heard they were playing the City Auditorium this time. at least
    thats what I thought. I'd like to see em if thats where they are going
    to be playing.
    
                      mike
    
542.280GOES11::G_HOUSEBig cheese, MAKE me!Mon Jan 18 1993 18:424
    Yeah, they're playing at City Auditorium, Feb. 8th. I heard it on the
    radio at lunchtime.  Tickets are available now.

    gh
542.281COMET::MARTINNToo sexy for this conferenceMon Jan 18 1993 21:178
  >  From $5 in November in CO, to $10 in MA, to $12 now... they're
  >  touring their $sses off!
    
    
    Gee according *certain people* (not mentioning names) in this
    conference that constitutes *selling-out*!
                                              Rat (who oughts go see them
    again since I barely remember their last performance!:)) )
542.282GOES11::G_HOUSEBig cheese, MAKE me!Mon Jan 18 1993 21:215
    I don't think that has anything to do with selling out, just selling. 
    They're still playing the same music, aren't they?  See the "what's a
    sellout" topic (well, except for the chit-chat).
    
    gh
542.283COMET::MARTINNToo sexy for this conferenceMon Jan 18 1993 21:273
    I saw that topic after I wrote in here.... besides I was just trying to
    make a point to a *certain* few!
                                    Rat
542.284KDX200::COOPERHello me, it's me again!Mon Jan 18 1993 21:2917
Dream Theater could never sell out in my mind...

...Course I said the same thing about Metallica and MegaDeth not too long
ago...
:-)

PS - I mentioned in GUITAR notes that I was going to get tickets tomorrow 
at lunch...  You Co.Spgs noters SEND MAIL !!

>                                              Rat (who oughts go see them
>    again since I barely remember their last performance!:)) )

Thats never happened to ME before...  'Cept at Axis..

:-)

jc 
542.285DDIF::JUDYThat's Ms. Bitch to you!Tue Jan 19 1993 13:089
    
    
    	(insert snickering sarcastic voice here)
    	Gee Coop, can't hardly imagine why you don't remember anything
    	from Axis!  =)
    
    
    	JJ
    
542.286POWDML::BUCKLEYsometimes all i want to do is waitTue Jan 19 1993 13:143
    .....hey jj......word has it you were the same way at the last dezyne gig 
    at the officers club at ft. devens........
    
542.287KDX200::ROBRMorning comes too early...Tue Jan 19 1993 13:164
    
    speaking of dezyne, how about some breaded chicken, jj?
    
    
542.288KDX200::COOPERHello me, it's me again!Tue Jan 19 1993 15:289
>    	(insert snickering sarcastic voice here)
>    	Gee Coop, can't hardly imagine why you don't remember anything
>    	from Axis!  =)

:-)

jc (Who was BLOTTO !)

 
542.289DDIF::JUDYThat's Ms. Bitch to you!Tue Jan 19 1993 15:559
    
    re: Buck
    
    	Gee, and to think you said you had a life...musta been a lie.  =)
    
    re: Rob
    
    	Don't remind me!  =)
    
542.290FYIFRETZ::HEISERreal men wear purpleTue Jan 19 1993 19:15124
Article 13458 of rec.music.christian:
Path: nntpd2.cxo.dec.com!nntpd.lkg.dec.com!news.crl.dec.com!deccrl!caen!zaphod.mps.ohio-state.edu!usc!sol.ctr.columbia.edu!hamblin.math.byu.edu!yvax.byu.edu!cunyvm!psuvm!emw107
Newsgroups: rec.music.christian
Subject: Re: Dream Theatre
Message-ID: <93014.145403EMW107@psuvm.psu.edu>
From: Young Indy <EMW107@psuvm.psu.edu>
Date: Thu, 14 Jan 1993 14:54:03 EST
References: <1993Jan14.161453.13564@nntpd2.cxo.dec.com>
Organization: Penn State University
Lines: 37

In article <1993Jan14.161453.13564@nntpd2.cxo.dec.com>,
heiser@fretz.enet.dec.com (Michael A. Heiser) says:
>
>Does anyone know if this is a Christian band?
>
>    Mike

   I don't know much about their Christian validity, but I can tell you that
there are references to the "afterlife" and the fact that "he is risen" as
well as references of symbolism of light, dark, and the spiritual world.
   As an added twist, on the inside cover of the DT album, "Images and Words"
there appears to be a modified "sculpture" of the sacred heart of Christ
which looks to be made out of wood and bob wire fence. Interesting, I thought.
   At any rate, I can't really tell if they are a Christian band, unless they
come out and say that they are. I really don't care if they are or not person-
ally, they're music is the most refreshing that I have listened to since
Marillion and King's X. Which brings up an interesting point. If you listen to
to any of the following groups, I thing you'll really like Dream Theater:

                        Rush
                        Yes
                        Marillion
                        Queensryche
                        Genesis
                        King's X

    And obviously there are other bands out there too with similiar styles
but these are just a few to compare to DT.
    Hope this helps.....

                                     -Ed

  =====================================================================
             Edwin 'Big Ed' Weiland - EMW107@PSUVM.PSU.EDU
            Architectural Engineering; Penn State University
 "There are two ways to be and truth does not depend on me." --King's X
  =====================================================================



Article 13464 of rec.music.christian:
Newsgroups: rec.music.christian
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From: Phil.Powell@launchpad.unc.edu (Phil Powell)
Subject: Re: Dream Theatre
Message-ID: <1993Jan14.233510.1053@samba.oit.unc.edu>
Sender: usenet@samba.oit.unc.edu
Nntp-Posting-Host: lambada.oit.unc.edu
Organization: University of North Carolina Extended Bulletin Board Service
References: <1993Jan14.161453.13564@nntpd2.cxo.dec.com>
Date: Thu, 14 Jan 1993 23:35:10 GMT
Lines: 22

In article <1993Jan14.161453.13564@nntpd2.cxo.dec.com> heiser@fretz.enet.dec.com (Michael A. Heiser) writes:
>
>Does anyone know if this is a Christian band?
>-
>
>    Mike
>    
>    "in this day & age...music performed by humans...hum?!" 
>       - wilde silas tomkyn


Nope... they're into New Age themes in their lyrics and I met the band
last December.. the guitarist, though, is a really nice guy.. the
keyboardist probably thinks I need my medication dosage increased! ;-)

Phil

--
   The opinions expressed are not necessarily those of the University of
     North Carolina at Chapel Hill, the Campus Office for Information
        Technology, or the Experimental Bulletin Board Service.
           internet:  laUNChpad.unc.edu or 152.2.22.80



Article 13482 of rec.music.christian:
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Organization: Penn State University
Date: Fri, 15 Jan 1993 09:26:54 EST
From: Young Indy <EMW107@psuvm.psu.edu>
Message-ID: <93015.092654EMW107@psuvm.psu.edu>
Newsgroups: rec.music.christian
Subject: Re: Dream Theatre
References: <1993Jan14.161453.13564@nntpd2.cxo.dec.com>
 <1993Jan14.233510.1053@samba.oit.unc.edu>
Lines: 23

In article <1993Jan14.233510.1053@samba.oit.unc.edu>,
Phil.Powell@launchpad.unc.edu (Phil Powell) says:
>Nope... they're into New Age themes in their lyrics and I met the band
>last December.. the guitarist, though, is a really nice guy.. the
>keyboardist probably thinks I need my medication dosage increased! ;-)
>
>Phil

  Phil,


   Are they Christians though? As in, is any member of the band a Christian?
They may not be a "Christian band", but may have Christian values, and I am
curious to know if they said anything to that effect.


                                     -Ed

   ====================================================================
               Edwin 'Big Ed' Weiland - EMW107@PSUVM.PSU.EDU
              Architectural Engineering; Penn State University
   "Oh, His children smile because they know He loves them." -King's X
   ====================================================================
542.291................AD::FLATTERYTue Jan 19 1993 19:222
    .....have you ever noticed that if you look at the band picture on I&W...
    their eyes follow you no matter how you hold it............??........../k
542.292BUSY::ESCOBARAnyway You Want ItTue Jan 19 1993 19:454
    
    I bet you liked that /k.
    
    ;')
542.293AD::FLATTERYTue Jan 19 1993 19:542
    ...;')...not me...you know how i just hate being the center of
    attention..................................;')00000000000.........../k
542.294BOVES::FENNELLReady to crash and burnTue Jan 19 1993 19:584
No wonder with the getup you're wearing today.  (According to Danielle
anyway - I haven't seen it)

TIm
542.295POWDML::BUCKLEYsometimes all i want to do is waitTue Jan 19 1993 19:593
    Hay Tim,
    
    How bout a roadtrip to Boves??
542.296How long does it take Rob? inquiring minds and allCADSYS::FENNELLReady to crash and burnWed Jan 20 1993 11:166
Boves' network is DOA this morning  8-(

That's a long drive, Buck....  Takes over 2 hours 8-)



542.2972 hours for dinneris nada!POWDML::BUCKLEYsometimes all i want to do is waitWed Jan 20 1993 11:384
>That's a long drive, Buck....  Takes over 2 hours 8-)
    
    Tim, you're talking to someone who'll drive for 15 hours to ride a
    roller coaster!!
542.298That was a joke son!CADSYS::FENNELLReady to crash and burnWed Jan 20 1993 13:291
It's 230 miles from here buck...
542.299POWDML::BUCKLEYsometimes all i want to do is waitWed Jan 20 1993 13:362
    I think we should do an "HM at Boves" night -- waddaya say?  A couple
    of carloads of people up there (I'll drive, WTF) ... it could happen.
542.300BUSY::ESCOBARAnyway You Want ItWed Jan 20 1993 13:433
    
    I went to see dream theater 300 times.
    
542.301POWDML::BUCKLEYsometimes all i want to do is waitWed Jan 20 1993 13:441
    -1   Most LeGenDaRY
542.302AD::FLATTERYWed Jan 20 1993 13:591
    What's Boves??............../k
542.303POWDML::BUCKLEYsometimes all i want to do is waitWed Jan 20 1993 14:083
    >What's Boves??............../k
    
    Besides being Tim's node name, it's a most excellent Italian restaraunt!
542.304BUSY::ESCOBARAnyway You Want ItWed Jan 20 1993 14:103
    
    Where??
    
542.305MR4DEC::JWHITMANResistance is futile....Wed Jan 20 1993 14:215
    
    
    
    Knowing buck, it's probably next to some roller coaster that we'd all
    HAVE to stop by... 
542.306USOPS1::GALLANTCan't change my color...Wed Jan 20 1993 14:377
    
    
    	It's in Burlington, VT...
    
    	a good four hour drive from the Marlboro area
    
    	tigg~~~~
542.307as if...POWDML::BUCKLEYsometimes all i want to do is waitWed Jan 20 1993 14:491
    Four hour drive??  Who's driving, Pete??
542.308I bet Rob has done better though...BOVES::FENNELLReady to crash and burnWed Jan 20 1993 14:563
542.309Hey if it is anywhere near Albany I'll go.. ;^)DECAGE::HOWESWhen angels waken with a kiss....Wed Jan 20 1993 15:117


	Is that close to Albany?   It's near the VT/NY boarder right?


						-Seth
542.310Long swim thoughBOVES::FENNELLReady to crash and burnWed Jan 20 1993 15:282
Only 12 miles from NY...

542.311USOPS1::GALLANTCan't change my color...Wed Jan 20 1993 17:017
    
    
    	'scuse me.  Guess I'm just not a maniac driver... took me
    	about three from Gardner so 2.5 from Marlboro is a bit
    	far fetched, IMO.
    
    	tigg~~~~
542.312possibleBOVES::FENNELLReady to crash and burnWed Jan 20 1993 17:445
>    	about three from Gardner so 2.5 from Marlboro is a bit
>    	far fetched, IMO
Bet?

By the way, who's a maniac?
542.313took a few bleamsFRETZ::HEISERreal men wear purpleWed Jan 20 1993 18:101
    No way Tigga, he was beamed up.
542.314KDX200::ROBRMorning comes too early...Wed Jan 20 1993 23:3319
    
    It's on Pearl St. in Burlington VT.  I took some friends there on my
    way home from Montreal.  They were all crying about how hungry they
    were and just to stop any place.  I told them shut up and wait till you
    try it, it will be worth the wait.  I ACTUALLY got them to agree to
    this!!  They flipped!  This is the BEST italian, and it is CHEAP!!! 
    Spaghetti and meatballs is like $2.95, for a huge plate.  You get full
    loaves of excellent bread as well.  I'm always up for a trip.  My
    family has been going to this place for three generations.  Boves son
    is taking over the place these days, but he is a way cool guy.  PS, it
    takes me about 3 hours or so from here at normal speeds, though one
    year, I made it from Lebanon, NH (at the border of NH/VT) to Burlington
    in under an hour.  It was my father's birthday and Boves closed at 10. 
    I got a late start.  135mph all the way down 89 gets kind of scary,
    especially with only 2 lanes and lots of trucks on the road at that
    time of night :').  Needless to say, I'm always up for a Boves trip.  I
    only have two orders left in the freezer from my last trip :').
    
    
542.315It used to cost even less!BOVES::FENNELLWell that's 1 for you and 2 for meThu Jan 21 1993 03:292
Kind of makes you cry when you realize my little sister lives about 5
minutes from there on North Avenue doesn't it???
542.316KDX200::ROBRMorning comes too early...Thu Jan 21 1993 06:194
    
    nope.  you cant appreciate what you can have every day (besides if i
    lived 5 minutes from boves, i'd weigh about 300 lbs.)
    
542.317KDX200::COOPERHello me, it's me again!Thu Jan 21 1993 14:375
17 days until my THIRD DT show...  I can't fackin' wait !!

BTW Rob, the best Italian food is at Marconi's in Ashland Mass.

:-)
542.318As Lloyd Bentsen would say...BOVES::FENNELLWell that's 1 for you and 2 for meThu Jan 21 1993 15:385
I've eaten at Boves
Boves is a good friend of mine and
Marconi's is no boves...


542.319KDX200::ROBRMorning comes too early...Thu Jan 21 1993 17:5811
    
    
    Coop, I don't believe it.  I have traveled all over New England in
    search of a closer Italian resteraunt that is comparable to Boves.  I
    haven't even found ANYTHING that I call good italian, except Lucia's
    (thanks Alan, /k).  
    
    Now Tim, have you checked out Marconi's so we can laugh at coop?  If
    not, I'll check it out just to make sure :').  Where is Ashland?
    
    
542.320MR4DEC::JWHITMANResistance is futile....Thu Jan 21 1993 18:198
    
    
    
    There is a new Italian restaraunt in Marlboro (somewhat new). In
    the place of the old City Hall Music. I haven't tried it, but I 
    guess the guy makes all his own pasta and bread etc... 
    
    
542.321Hardly closeBOVES::FENNELLWell that's 1 for you and 2 for meThu Jan 21 1993 20:5812
I went to a place in downtown Ashland (?)  with a fish tank in the front
and lots of booths.  You take 135 east from 495, take a left into Ashland
ctr at the Timex factory and a right onto the road past the RR tracks and
it is right there.

Is that the place Coop?  

If that's the place, don't even bother Rob, some people just don't
understand...

Timbo

542.322BOVES::FENNELLWell that's 1 for you and 2 for meThu Jan 21 1993 20:596
Can we start a Boves's note???  I think we should

Boves - preferred by metalheads 3 to 1...

Tim

542.323fyiFRETZ::HEISERgotta pocket full of kryptoniteThu Jan 21 1993 21:1356
Article 13612 of rec.music.christian:
Newsgroups: rec.music.christian
Path: nntpd2.cxo.dec.com!nntpd.lkg.dec.com!news.crl.dec.com!deccrl!srvr1.engin.umich.edu!zaphod.mps.ohio-state.edu!howland.reston.ans.net!spool.mu.edu!agate!stanford.edu!nntp.Stanford.EDU!kellyj
From: kellyj@leland.Stanford.EDU (Kelly Johnson)
Subject: Re: Dream Theatre
Organization: DSG, Stanford University, CA 94305, USA

In article <1993Jan20.054446.29434@samba.oit.unc.edu> Phil.Powell@launchpad.unc.edu (Phil Powell) writes:
>In article <93015.092654EMW107@psuvm.psu.edu> Young Indy <EMW107@psuvm.psu.edu> writes:
>>In article <1993Jan14.233510.1053@samba.oit.unc.edu>,
>>Phil.Powell@launchpad.unc.edu (Phil Powell) says:
>>>Nope... they're into New Age themes in their lyrics and I met the band
>>>last December.. the guitarist, though, is a really nice guy.. the
>>>keyboardist probably thinks I need my medication dosage increased! ;-)
>>>
>>>Phil
>>
>>  Phil,
>>
>>
>>   Are they Christians though? As in, is any member of the band a Christian?
>>They may not be a "Christian band", but may have Christian values, and I am
>>curious to know if they said anything to that effect.
>>
>>
>>                                     -Ed
>>
>>   ====================================================================
>>               Edwin 'Big Ed' Weiland - EMW107@PSUVM.PSU.EDU
>>              Architectural Engineering; Penn State University
>>   "Oh, His children smile because they know He loves them." -King's X
>>   ====================================================================
>
>
>I never had the chance to share with them in the realm of faith - I'm
>afraid I do not know, yet their lyrics do not reflect their faith provided
>they be Christians at all...
>
>Phil
>
>--
>   The opinions expressed are not necessarily those of the University of
>     North Carolina at Chapel Hill, the Campus Office for Information
>        Technology, or the Experimental Bulletin Board Service.
>           internet:  laUNChpad.unc.edu or 152.2.22.80

After reading the words to their music it is highly doubtful to me that
they are "serious" about their faith IF any of them are Christians.  I
tend to doubt that any of them are UNFORTUNATELY.  Musically this band
is AWESOME and it's too bad that there aren't many (if any) Christian
bands with this kind of talent.  I happen to love progressive rock which
Dream Theater borders on.  I wish there were lots of Christian bands in
this genre and others that really put out good music and put on great
stage shows.  I think God deserves the best.  I listen to alot of
Christian music because it is lyrically appealing to my spirit, but musically
most of it is pretty average.  Just one guys opinion.
542.324Give me a breakBINKLY::DEMARSEInspiration, move me brightlyFri Jan 22 1993 11:335
    re [-1]....
    
    who cares what they are?  Does it really matter?...
    
    ;), danielle
542.325BUSY::ESCOBARBest Of Both WorldsFri Jan 22 1993 11:574
    
    I think they're human. But I'm not sure...
    
    
542.326some people were interested in knowing, try NEXT UNSEENFRETZ::HEISERBillary takes U.S. hostageFri Jan 22 1993 13:171
    
542.327one that really caresKDX200::ROBRMorning comes too early...Fri Jan 22 1993 13:314
    
    find me ONE other than yourself.
    
    
542.328Not as bad I guessBOVES::FENNELLWell that's 1 for you and 2 for meFri Jan 22 1993 13:514
I asked.  I thought they were chicken worshippers or something...

Tim

542.329Buck did tooFRETZ::HEISERBillary takes U.S. hostageFri Jan 22 1993 13:531
    
542.330You should know better!!! ;^)DECAGE::HOWESWhen angels waken with a kiss....Fri Jan 22 1993 13:5611


	Mike,  I am very surprised at you, you should know better
	that to actually put some information in this conference.
	This is not the place for ANY types of REAL information,
	it is only a place to fight about who has beeter taste,
	and who wears more makeup...


						-Seth
542.331BAILIFF, WHACK HIS PETER!FRETZ::HEISERBillary takes U.S. hostageFri Jan 22 1993 13:571
    Sorry Seth!
542.332fyi & fwiwPOWDML::BUCKLEYsometimes all i want to do is waitFri Jan 22 1993 14:063
    ROb,
    
    I did ask...
542.333FWIWGOES11::G_HOUSEBig cheese, MAKE me!Fri Jan 22 1993 15:133
    And I was also curious.  
    
    gh
542.334KDX200::ROBRMorning comes too early...Sat Jan 23 1993 07:587
    
    yep, but offline indications to me also showed you didn't really CARE. 
    it did not make a difference to you one way or another, you were only
    curious because mike brought it up in the first place, that's why i
    said show me someone who really CARES, not someone who is curious.
    
    
542.335GOES11::G_HOUSEBig cheese, MAKE me!Sun Jan 24 1993 20:0020
    Who are you talkin to, Rob?  Me? (I was .-1)  I don't remember talking
    about that offline.  I suppose I don't really *care* what their
    religious persuasion is, but I did find that discussion interesting
    reading.  (Certainly better then most of the content free chatter that
    goes on in here, at least it had something to do with a band...)
    
>you were only
>    curious because mike brought it up in the first place,
    
    Sorry, but Mike wasn't the first one to bring it up.  Buck asked
    whether DT were Christians in the CCM notesfile (note 218.0) over a
    week before  Mike's first note in this topic.  He didn't start this, he
    just tried to help out by finding the answer to Buck's question.  I
    presume he only crossposted the responses he got in here since there's
    a lot of interest in the band in this file and not many of the noters
    in here follow the CCM file.
    
    FWIW, I seriously doubt that even Mike CARES what the answer is...
    
    gh
542.336does this thread sound childish or whatFRETZ::HEISERBillary takes U.S. hostageMon Jan 25 1993 14:447
>    curious because mike brought it up in the first place, that's why i
>    said show me someone who really CARES, not someone who is curious.
    
    Wrong again, Rob.  Buck created a DT topic in the CCM conference
    because he wanted to know.  He brought it up.
    
    Mike
542.337KDX200::ROBRMorning comes too early...Mon Jan 25 1993 20:263
    
    not what his mail said :').
    
542.338KDX200::ROBRMorning comes too early...Mon Jan 25 1993 20:284
    
    hey, just noticed labrie isnt on the first album.  howz the singer on
    wd$du.
    
542.339Dream Theater wowing big crowds across the USAPOWDML::BUCKLEYI am a Zipperhead!Wed Jan 27 1993 16:338
    
    A big congrats to Dream Theater -- They ranked in not ONE, but THREE
    of the Top Grossing concerts in the country last week (in the Top
    40).  All three shows were sellouts.
    
    
    Hmmm, the Babyhead show I went to was a sellout, the Vertex show was a
    sellout, one of the Axis shows was a sellout...
542.3408^)COMPLX::FERRISMr. Bad ExampleWed Jan 27 1993 16:546
    
    
    It wasn't because the other 37 bands had the week off was it?
    
                                                                    mike
    
542.341BOVES::FENNELLLiving life by the dropWed Jan 27 1993 17:153
Buck, how did they pull this off?  Aren't they playing clubs at
$12-$16/ticket?

542.342BUSY::ESCOBARForever YoungWed Jan 27 1993 17:205
    
    Probably cuz most of the big names are out of the country or didn't
    tour this week.
    
    
542.343not to demean DT in any way, it's cool that they're doing wellDPE::STARRRage Against The MachineWed Jan 27 1993 17:2711
>    Probably cuz most of the big names are out of the country or didn't
>    tour this week.

Almost NO major acts tour in January! There are certain standars from the
music industry - and one is that all major tours end before the Christmas 
holidays, and don't start up again until the middle of winter or even spring.
(Another is that there is never a major album release in January.....)
So it's easy for any touring band to get into a Top 40 grossing situation
this time of year....

alan
542.344POWDML::BUCKLEYI am a Zipperhead!Wed Jan 27 1993 17:4629
    Alan writes:
    
>Almost NO major acts tour in January! There are certain standars from the
>music industry - and one is that all major tours end before the Christmas 
>holidays, and don't start up again until the middle of winter or even spring.
    
    If you'd like a listing of the MAJOR acts currntly on tour, I'll be
    happy to provide you with them...
    
    
>So it's easy for any touring band to get into a Top 40 grossing situation
>this time of year....
    
    Not really -- Look at the Phoenix at all the shows in the Boston area
    this month ... then think of how many shows just like it are happening
    around the nation, and you tell me it would be easy to log into the 
    Top 40 shows in the nation for the week???
    
    
RE: Tim 
    
    Yeah, their ticket prices are raning from $10 - $16, but the thing that
    separates them from the competition is the sellouts.  If you sell out
    at a lower ticket price, it will still beat a major who only fills
    2/3's of an arena at a much higher ticket price.
    
    
    Others doing VERY well at the moment is the Megadeth/Stone Temple Pilots
    tour, which is really ripping up ticket sales!
542.345Wow, they beat Jim Nabors and Mel Torme too!FRETZ::HEISERBillary takes U.S. hostageWed Jan 27 1993 17:591
    
542.346OOBIE::DAMOREJudge not lest ye be judged yourself.Wed Jan 27 1993 18:121
Not Mel Torme, not possible.
542.347WDADU! ;)DECAGE::HOWESWhen angels waken with a kiss....Thu Jan 28 1993 12:0915


	re: Rob & Buck,


	Hey did I ever tell you guys that *I* have the first DT release? ;)
	hehehehehe  

	The guy on the first tape is no LaBrie (sp?).  He does okay,
	but I can see why he is gone....   The songs are good, but 
	it is no I&W.


						-Seth
542.3488 minute single!POWDML::BUCKLEYsometimes salvationWed Feb 17 1993 13:056
    Dream Theater just released their 2nd single off of Images and Words --
    it's Take the Time.  Wow -- surprised, I thought it would have been
    Surrounded for sure!
    
    Anywho, since the edited Pull Me Under to death, I wonder what they'll
    do to Take the Time, which is a MUCH longer song!!
542.349BUSY::ESCOBARWherever I May RoamWed Feb 17 1993 17:363
    
    Dream Theater - March 10th at the Avalon. Tickets go on sale friday.
    
542.350PHYSED!!! (tm)POWDML::BUCKLEYsometimes salvationWed Feb 17 1993 17:506
    YES!!!
    
    I was gonna say, I heard them on this show this past weekend, and they
    just finished gigging Los Angeles, they said they were headed to TX,
    and then onto FL, and then back up the east coast.  Figured they'd
    be back in Boston at some point.
542.351KDX200::ROBRThis world is spinning around meWed Feb 17 1993 18:413
    
    wed night eh?  crap....  looks like a go into work late type night...
    
542.352BINKLY::DEMARSEAlison's starting to happenWed Feb 17 1993 19:051
    We have those all the time, right /k?
542.353.....')......AD::FLATTERYWed Feb 17 1993 19:312
    ./...i dont' know what you are talking about...i'm usually in bed by 
    10......................................./k
542.354POWDML::BUCKLEYsometimes salvationWed Feb 17 1993 19:374
    >....i dont' know what you are talking about...i'm usually in bed by 
    >10......................................./k
    
    ...but what time do you go to sleep.....???........./b
542.355..maybe that's why she's SO cranky....AD::FLATTERYWed Feb 17 1993 19:422
    ...generally i don't....being the insomnimaniac that i am..../k
    
542.356and when she has a meeting at ucsb :')KDX200::ROBRThis world is spinning around meWed Feb 17 1993 19:463
    
    the only time she sleeps is when i call and wake her up :').
    
542.357AD::FLATTERYWed Feb 17 1993 19:502
    ...true....they say that timing in life is everything....and yours
    sux rob...............................;').................../k
542.358LACV01::MCCARTNEYLike Paul, without the moneyThu Feb 18 1993 12:165
    Yo, Buck!
    
    Do you know when DT is supposed to be in FLA?
    
    Beejay
542.359POWDML::BUCKLEYsometimes salvationThu Feb 18 1993 12:204
    >Do you know when DT is supposed to be in FLA?
    
    Nein!
    
542.360Lemme catchup here...GLOWS::SIMPSONSat Feb 20 1993 06:3713
    Beg pardon all, but for the learning impaired, could someone please
    explain just what occured with this band? I went back and checked
    the old notes, they had some kind of court battle with another band,
    got that part! Now, how long has the re-released "Images and Words"
    been out, and what was the outcome of their court battle?
    
    Sheesh! Gotta go scour the music stores for "When Day and Dream Unite"
    now, off to Tower Records I go...
    
    
                                                 Thanks in Advance,
                                                  Spaceknight
    
542.361KDX200::ROBRThis world is spinning around meSat Feb 20 1993 12:563
    
    huh?  court battle? i&w rereleased?  did i miss something?
    
542.362XCUSME::JENNISONMake You a BelieverMon Feb 22 1993 15:211
    Who is going to DT? Is is 18 and older? Mar 10?
542.363Oh...you ment Dream Theatre...nevermindGOES11::G_HOUSEIt's NOT a TOOMAH!Mon Feb 22 1993 15:257
>    Who is going to DT?
    
    Been there, don't care to go back.  I mean, the people were nice
    enough, but the heaves, shakes, and headaches don't cut it.  I have an
    aversion to white lab coats now.
    
    gh
542.364POWDML::BUCKLEYsnow is a 4-letter word!Mon Feb 22 1993 15:261
    I'm going (but you knew that).  The show is 19+
542.365XCUSME::JENNISONMake You a BelieverMon Feb 22 1993 15:273
    
    
    HAHA HEHEHE,,, Greggy your too much!
542.366XCUSME::JENNISONMake You a BelieverMon Feb 22 1993 15:282
    
    I didn NOT!~
542.367KDX200::ROBRThis world is spinning around meMon Feb 22 1993 16:232
    
    i will attempt to be there.  
542.368XCUSME::JENNISONMake You a BelieverMon Feb 22 1993 17:182
    RR... Can I get tickets at Strawberries?  is that Mar 10?
    Thank you very much
542.369POWDML::BUCKLEYsnow is a 4-letter word!Mon Feb 22 1993 17:238
    Here is the concert info for anyone who missed it in 22.*
    
    BAND:	Dream Theater
    WHEN:	Wednesday, March 10th
    WHERE:	Avalon Ballroom, Lansdowne Street, Boston, MA  (Next to AXIS)
    SHOW:	...is 19+
    TICKETS:	Through TicketMaster outlets
    
542.370KDX200::ROBRThis world is spinning around meMon Feb 22 1993 17:584
    
    in otherwords, no you cant get tickets at strawberries.  ticketmaster
    or door only.
    
542.371;^) where exactly can I get tickets? ;^) hehehDECAGE::HOWESWhen angels waken with a kiss....Mon Feb 22 1993 18:129


	Hey Crumpet,

	Can I get tickets at Record Town????


					
542.372DEC25::COOPMon Feb 22 1993 18:237
    Boy these guys are busy tourin'!  
    
    Nov- CO
    Dec- MA 
    Feb-CO
    March- MA again?
    
542.373BINKLY::DEMARSEAlison's starting to happenMon Feb 22 1993 18:334
    Buck, in the Radio_Radio notesfile, they have the Dream Theater show
    listed as Friday, March 19th at the Avalon....which one is it?
    
    :), d
542.3743/10 ... *not* 3/19!!!POWDML::BUCKLEYsnow is a 4-letter word!Mon Feb 22 1993 18:446
    >Buck, in the Radio_Radio notesfile, they have the Dream Theater show
    >listed as Friday, March 19th at the Avalon....which one is it?
    
    The show IS Wednesday, March 10th.  I asked the person who posted
    that WTF he was doing, and he said it was a typo -- the "9" and
    the "0" being right next to each other, etc.
542.375DREGS::BLICKSTEINHere all life aboundsMon Feb 22 1993 20:355
    Is it reserved seating?  When does the show start?
    
    DOn't know (yet) if I'll be in town or if I can go.  If I can
    pick up tix on the day of the show and not have to sit alone I'm
    interested.
542.376I've learned to accept itGOES11::G_HOUSEIt's NOT a TOOMAH!Mon Feb 22 1993 20:489
>    If I can pick up tix on the day of the show and not have to sit alone
>    I'm interested.                                          
    
    I go to almost every show I see anymore alone.  Not from lack of asking
    people to join me, it just never seems to work out (or nobody wants to
    see the groups I do).  If I waited around for someone to go to shows
    with, I'd miss basically everyone I want to see.
    
    gh
542.377KDX200::ROBRThis world is spinning around meTue Feb 23 1993 03:307
    
    reserve seating???!?!?!?  hahahahaha!!!!!
    
    more like sardine seating.  prepare to be squished and sweat.
    you wont be able to walk or see either :').
    
    
542.378IMTDEV::COOPTue Feb 23 1993 05:394
    Rob,
    
    The auditorium in CO Springs was *empty* :-(
    
542.379KDX200::ROBRThis world is spinning around meTue Feb 23 1993 07:139
    
    wow!!!!!
    
    just the opposite here.  /k and d. almost got run over by a runaway
    skinhead pit that suddenly broke out (several times) :') when they were
    at chapter '11'.  packed everyplace 
    
    thats right, you were there at axis.
    
542.380Officer Officer....:)BINKLY::DEMARSEAlison's starting to happenTue Feb 23 1993 11:435
    >>just the opposite here.  /k and d. almost got run over by a runaway
    >>skinhead pit that suddenly broke out (several times) :') when they were
    >>at chapter '11'.  packed everyplace
    
    Yeee.....that was a night..... 
542.381POWDML::BUCKLEYsnow is a 4-letter word!Tue Feb 23 1993 12:0713
    DT are way big up here in the northeast!!  I've seen them twice at
    Axis, once at Chap 11, once at Vertex, and once at Babyhead.  The
    only show that wasn't a sardine pit was the first show at Axis I
    caught with /k (we actually had seats!).  Everything after that
    has been a sold-out sardine nightmare!! 
    
    I expect the Avalon show to see-out, so I don't know about "day of"
    tickets.  I would DEFINITELY get them in advance kids!
    
    The avalon show will be "General Admission", but is multi-level in
    there, so you can choose a certain elevation to stand at to see (if
    you get there early enough).
    
542.382MR4DEC::JWHITMANTue Feb 23 1993 13:166
    
    
    I don't think there will be problems getting tickets the day of 
    the show for Avalon..
    
    
542.383I've seen em turned away at the last two DT shows!POWDML::BUCKLEYsnow is a 4-letter word!Tue Feb 23 1993 13:291
    Avalon holds 1500 people -- you take your chances...
542.384BINKLY::DEMARSEAlison's starting to happenTue Feb 23 1993 14:587
    I was listening to Dream Theater this morning, and I really hate the way 
    they end "Pull Me Under".....it's just chopped off at the end.....
    
    
    
    
    
542.385MR4DEC::JWHITMANTue Feb 23 1993 15:254
    
    
    Well, considering when they played Axis I had no problem getting in.
    I think Avalon will be no problem.. 
542.386POWDML::BUCKLEYsnow is a 4-letter word!Tue Feb 23 1993 15:441
    I guess you didn't see where it said LAST TWO shows...
542.387IMTDEV::COOPTue Feb 23 1993 15:5214
    I don't know how many tickets they sold here in Colorado
    Springs, but it is an auditorium, much like a basketball court,
    and the seats were only filled to half court, and no one sitting
    up on the side bleachers (they weren't letting anyone).  We
    got advanced tickets because we thought they'd sell out (and
    paid $16) when we could have gotton them at the door for $12.
    The sound was terrible in the place (BAD acoustics!)  I don't
    think they were quite ready for the auditorium yet, they sold
    out the local club (Rack and Roll) their first time around.
    It was an all ages show both times.  Most of the people there
    at the concert were the local musicians.  I could pick out 
    several bands in the crowd.
    
    cj                                     
542.388BINKLY::DEMARSEAlison's starting to happenTue Feb 23 1993 16:371
    Which shows were your last two shows?
542.389POWDML::BUCKLEYsnow is a 4-letter word!Tue Feb 23 1993 16:413
    >Which shows were your last two shows?
    
    Vertex and Babyhead
542.390MR4DEC::JWHITMANTue Feb 23 1993 17:1912
    
    
    Well, isn't Avalon bigger than both of those? I went to the last show
    they played in Boston.. big hype on WAAF, PMU was getting massive
    airplay... and they still didn't sell out.. looked pretty close, but
    no problem getting in. 
    
    I would think twice if they were playing Axis.. but Avalon, I would'nt
    worry.. 
    
    
    Whit-
542.391any advice for seating, parking, etc.?ASDG::BECHTLERTue Feb 23 1993 17:3614
    Any advice for going to this show at Avalon?  I ordered my tix
    over the phone but I've never been to Avalon.  I know how to get
    there but how early (a) do they open the doors and (b) is it wise to 
    get there?  I usually avoid gen. ad. shows but I really really want
    to see this band.
    
    And parking, is there usually space at that garage next door?  How 
    much of a ripoff is it?  Coming in from the countryside I probably
    won't have much choice about it, since it'll be hard to leave work
    by 6.  
    
    Thanks for any info...
    Laurie B.
    
542.3928)BINKLY::DEMARSEAlison's starting to happenTue Feb 23 1993 17:403
    Park in an empty lot with no attendant...it's free and you probably
    won't get towed, unless they want to tow 20 cars along with yours...
    there is one down the street from Axis, past the taxi building...
542.393GOES11::G_HOUSEIt's NOT a TOOMAH!Tue Feb 23 1993 18:173
    This band sucks, I don't understand why anyone would want to go see
    them.
    
542.394IMTDEV::COOPTue Feb 23 1993 20:373
    RE:-1
    
    It must be PMS, you still haven't gotton over that Greg? ;-)
542.395Try_Some_Ben_Gay_On_That_Neck,Bud.WMOIS::MAZURKASon_Of_The_Dynamic_TensionTue Feb 23 1993 21:165
    Greg...May_Be It's a TOOMAH!!   :_)
    
    I still haven't heard Enuff of this band to give MHO.
    
      Crazy_Yeah"I'm_In_The_Dark_Ages"_Al
542.396Dream Theater info list!POWDML::BUCKLEYOn the road again...Thu Feb 25 1993 19:5926
    FYI -- did you know there was a Dream Theater mailing list!  This list
    is for fans of Dream Theater, and will discuss them and any related
    topics.
    
           
  Send mail to US1RMC::"ytsejam-request@bnf.com"

  text of message should say:
    
    	subscribe ytsejam "username@nodename.enet.dec.com"
    
    This is the address to pass on to friends and coworkers who are	
    interested in joining this newsgroup.  Subscription requests, etc. are
    handled here.
                                               
DIGEST FORM
-----------

    Also, if you'd like this in digest format, send a request to
    ytsejam-request with a message body containing only:

set ytsejam mail digest

(notice that this is left justified).
   
                 
542.397POWDML::BUCKLEYOn the road again...Thu Feb 25 1993 20:007
    I pulled this off the Usenet a couple weeks ago... just fyi for any DT
    followers that are interested in joining the Dream Team...
    
 
If you want to join the fan club and get all kinds of free stuff,
send $20 (+ $3.50 US, $5 Canada) to The Dream Team, P.O. Box 230156,
Hartford, CT 06123-0156.  Send your name, address and shirt size. 
542.398hahaha....BINKLY::DEMARSEAlison's starting to happenFri Feb 26 1993 12:191
    Oooooooohhh....the "DREAM TEAM".......
542.399BUSY::ESCOBARBlessed Are The WarmongersFri Feb 26 1993 12:205
    
    Buck, I think Dream Theater should hire you as their personal
    publicist.
    
    
542.400For BUckweatBUSY::ESCOBARBlessed Are The WarmongersFri Feb 26 1993 12:203
    
    400 Dreaming Replies
    
542.401POWDML::BUCKLEYThe Rabbit in RedFri Feb 26 1993 12:4120
    
    I've only got one thing to say...Dream Theater fackin roolz the
    universe, ok? <puff> You can take your Warrant's and your Motley Crue's
    and your Poison's and all thsoe AC/DC wanna-be bands and get em all
    together in a McDonald's and wait for some maniac to come along and
    blow em all away, ok?  And you know who that manic is?  I'll tell you
    who it is ... two words -- Dream Theater, that's who!  Ya got it? 
    <puff> These guys were in the woodshed practicing their little brains
    off while most rockers were busy soiling their diapers and trying to
    mousse that little curl on the top of their bald little heads! <puff>
    I've got two words for you -- Berklee College.  I've got two more words
    for you -- Musical Literacy!  So, next time your done listening to
    those sophomoric metal meanderings of yours, why don't you do yourself
    and your brain a favor and walk right down to that little corner record
    store, you know, the one next to the convience store where you buy beer
    and condoms every friday night? <puff> You walk in the record store,
    and you say to the little pimple-faced geek working behind the register
    "listen man, I want to buy Images and Words right now, or there are
    gonna be a lot of messy cheeseburgers, you got it?  Bottom line, Dream
    Theater fackin rooolz the universe...period...end of discussion!
542.402BUSY::ESCOBARBlessed Are The WarmongersFri Feb 26 1993 13:014
    
    I think they suck.
    
    
542.403hahahah.....8)BINKLY::DEMARSEAlison's starting to happenFri Feb 26 1993 13:021
    BIG TIME SUCK.....
542.404Put your CD where your mouth is!POWDML::BUCKLEYThe Rabbit in RedFri Feb 26 1993 13:073
    Well Chrisco, if you think they suck so much, why don't you give your
    I&W CD to Whitpose -- I mean, he DID win it from you in the first
    place?!
542.405BUSY::ESCOBARBlessed Are The WarmongersFri Feb 26 1993 13:099
    
    Because I keep forgetting that's why. If he'd remind me, I'd give it to
    him.
    
    
    
    
    
    
542.406POWDML::BUCKLEYThe Rabbit in RedFri Feb 26 1993 13:2221
    >Because I keep forgetting that's why. If he'd remind me, I'd give it to
    >him.
    
    It;s not like he hasn't asked:
    
Note 542.223                      Dream Theater                       223 of 405
MR4DEC::JWHITMAN                                      7 lines   7-JAN-1993 11:58
                                    -< ;') >-
    
    RE: 222    -< I still have to buy the CD.........>-
    
    
    So does'nt Chris Escobar... I WANT *MY* CD!!!!! 
    
    
Note 542.240                      Dream Theater                       240 of 405
MR4DEC::JWHITMAN                                      7 lines   8-JAN-1993 12:33
    
    
    I think PMU is cool.. I'll let you know what I think about the 
    rest of it once I get my free cd from Escoblouse... 
542.407BUSY::ESCOBARBlessed Are The WarmongersFri Feb 26 1993 13:345
    
    Er... well... he hasn't said please... ;')
    
    
    
542.408;')MR4DEC::JWHITMANFri Feb 26 1993 15:215
    
    
    Thanks buck!!! 
    
    WHERE'S MY CD ESCO!?!? 
542.409BUSY::ESCOBARBlessed Are The WarmongersFri Feb 26 1993 15:235
    
    It's right in the middle of my CD collection. And guess what, I even
    replaced the Jewel Box cuz it was cracked. What a nice guy I am, eh?
    
    
542.410MR4DEC::JWHITMANFri Feb 26 1993 15:387
    
    
    What a nice guy.. now give me my cd ya scumbag.. I'm gonna hafta
    report it stolen and call your ole'man.. 
    
    Then again, if I did that he'd probably just arrest me for some
    minor violation.. ;')
542.411BUSY::ESCOBARBlessed Are The WarmongersFri Feb 26 1993 16:1610
    
    >> Then again, if I did that he'd probably just arrest me for some
    >> minor violation.. ;')
    
    	Up against the car, you long haired freak! 
    
    ;')
    
    
    
542.412You still got it? Post it!!!GOES11::G_HOUSEIt's NOT a TOOMAH!Fri Feb 26 1993 17:237
    re: .401
    
    Yer lucky I don't still have my reply when you sent me that a couple of
    months ago...
    ;^)
      
    gh
542.413WDADU -- Available through mail-orderPOWDML::BUCKLEYThe Rabbit in RedFri Feb 26 1993 18:2229
    FYI -- here is the info on how to obtain copies of Dream Theater's
    first (and now out-of-print) album, "When Dream and Day Unite"..
    
    DISCLAIMER: I am totally un-connected with the person described below,
    and receive no monitary reimbursement for the following post.  The info
    contained below is being posted FYI ONLY -- If you're interested in the
    material being offered, you can take it from there.
    
    ---------------------------------------            
    
Dream Theater - When Dream And Day Unite (Cass) [USA] $3.95
Dream Theater - When Dream And Day Unite [Germany] $18.95
    
   The debut release by this band has been sought after since the original US
CD issue went out-of-print in short order.  A cassette version is available to
those interested in sampling the band, while a German reissue is available
for those who prefer the CD format.  Musically, I would classify this as AOR
with a progressive bent, along with bands such as Magellan and Echolyn.
    
    
    Interested parties, please send a reply to ...
                       
                         US1RMC::"ranjit@netcom.com"
    
Once I get your reply, I will send you an invoice.  Shipping costs are $1.95
for an order with a single CD, and $2.95 for any order with 2 or more CDs.
All CDs are sent by First Class Mail, and these shipping rates are only good
within the USA.  Please inquire about overseas' shipping rates.
                                                  
542.414WARNING -- LONG interview follows!POWDML::BUCKLEYThe Rabbit in RedTue Mar 02 1993 12:02781
From USENET:

    
Date:    Mon, 1 Mar 93 15:32 EST
From: "Jeff Hochberg" <JXH107@PSUVM.PSU.EDU>
Subject: Interview with Mike Portnoy

Newsgroups: alt.rock-n-roll.metal,alt.rock-n-roll.metal.progressive
Subject: Interview: Mike Portnoy of Dream Theater

Alright! It's finished! For those of you who DON'T subscribe to Ytsejam
(the Dream Theater mailing list), here's the deal. On Saturday I had
an interview scheduled with Mike Portnoy for my radio show (The Metal
Machine on WPSU), and thought it would be a neat idea to post it to
usenet as well. I came up with a whole interview's worth of my own
questions, but I thought it would also be a cool idea if I could
include questions from net.fans all over the world. So I posted an
article (to the mailing list) to this effect, recieved a bunch of
questions via e-mail, and incorporated them into the interview.

The scenario: It's about 8:30 pm on Saturday, February 27th. I'm at
 Hammerjack's in Baltimore, and the pre-show "meet & greet" party for
 the band, a bunch of Rock 103 contest winners, and some other various
 VIPs is in full swing. I've just finished talking to Mike and his tour
 manager about when and where our interview will take place, and the
 consensus is: after the party, upstairs in the dressing room. Cool.
 I have a couple of beers, hang out with my friends, mingle with the
 band a little (who are finished with soundcheck and have just taken
 a peek at the final edit of their new video), and about an hour later
 the party is over. Mike, myself, and a couple of others go upstairs to
 a little room adjacent to the dressing room, close the door, sit down
 on the floor Indian-style, and start to B.S. I pull out my notebook
 and tape recorder, press RECORD, and the here's what happened:

        MY INTERVIEW WITH MIKE PORTNOY (slightly edited)
        ------------------------------------------------

Mike: [talking directly into the microphone, acting goofy] Hi,
      this is Mike Portnoy! And we're here in Baltimore, in
      some shabby room at Hammerjack's.

Me: So, this is pretty much the last couple weeks of the tour
    here in the U.S.?...

Mike: Yeah, we've been out 5 months now, and we've got about 2
      more weeks here, workin' our way up the east coast... then
      we get a much-needed 10 days off, and then we go to Europe
      for a month. So we're gonna be leaving for Europe at the
      end of March and we'll be there till the end of April...
      we're playing England, Germany, Scotland, Holland, Italy,
      France, Spain, places like that. Places that we've never
      been and have always dreamed about...

Me: And what happens after that? I read in an article somewhere
    that you're supposed to be touring through the fall?

Mike: Well, I'm sure we're gonna tour all year, up until the end
      of the year... I'm not sure exactly what our plans are for
      after Europe, but one of 2 things will happen, I mean, by
      the time we get back from Europe, that'll be 7 months on
      our own, headlining, so we're definitely ready to move up.
      The ideal situation for us would be to pick up on another
      major tour, an opening slot, just because we've done 7
      months on our own now, so... hopefully, there's a couple
      things in the works with another major act that could work
      out, and if for some reason those fall through, then we'll
      just continue doing what we're doing now...

Me: I know you had that one show over the summer with Iron
    Maiden... have any other bands approached you about an
    opening slot?

Mike: Yeah, well, there's a couple of things in the works... I
      don't wanna jinx 'em, I'm superstitious (grins)...

Me: ..that's cool....

Mike: ...hopefully they'll pan out, and during the summer we'll
      be out with another band.

Me: And when you do come back to the States again, will it be another
    big huge leg, because people are asking from all over the place,
    you know, "when are they coming back to the west coast? When are
    they coming here or there..."

Mike: Well, definitely summertime we'll be back in the States, doing it
      from the middle of May on, it's just a matter of whether we'll be
      doing it ourselves or with another band. We've hit pretty much all
      the major markets in the States at least once, doing clubs and
      stuff, and next time out we're probably gonna a step up and
      start doing theaters and stuff... we've been doing a bunch of
      theaters on this leg now, just because the response has been so
      well. The turnouts are great, so we're gonna start stepping up to
      bigger places, finally.

Me: You mentioned before that you guys had just checked out the new
    video that just got finished, can you tell us anything about it?

Mike: Well, it's a video for "Take the Time"... it's an edited version,
      of course, but it's not that bad, because it's still about 6
      minutes long... It's actually, in our eyes, the first Dream
      Theater video, because the video for "Pull Me Under", as great as
      it's done for us, I mean, it's great that MTV is playing it as
      much as they are, but it's not really the video that we wanted.
      It was a last-minute thing, it was done on a low budget, we didn't
      have too much input into the making of it, it was just like [snaps
      his fingers] the label just put it out just to have something out
      there. So luckily MTV's playing it, I mean we didn't even expect
      that, so that's great, we can't complain, but this time out, this
      video is really the first video that we're really involved with
      the making of. It's just a performance video, there's no
      conceptual footage, no other actors, it's just us playing and it
      really showcases us playing, you can see the instruments, and it
      has a lot of personality to it. It's just a performance thing...

Me: Was it actually at a show, or did you play in an empty hall, or
    whatever?..

Mike: Yeah, it was a soundstage where we filmed it. It was a 14 hour
      shoot, and the soundstage had about 3 different stages, so we
      shot some of it in one setting, and some of it in a different
      setting, you know, but no audience involved. This way we could
      just focus on what we were doing, whereas the first time around
      the footage of us was live at a show, so we weren't able to
      really focus on the filming of it.

Me: OK... let's see...

Mike: Would anybody like some gum? [shares his gum with us, and then
      [leans over and says directly into the mic] This is good gum!

Me: I don't think I really have to ask this, but I think I will just
    for the record anyway: how do you guys feel about the edited
    versions of your songs?

Mike: It's definitely... insulting to us, as artists or whatever you
      want to say, you know, just to have have something that we spent
      so long putting together just chopped up and thrown away like
      that, you know? It's like bringing up a baby, spending all this
      time bringing up a baby and then somebody just takes it and like
      tattoos it or something [?]... So, it's tough. It's a tough call,
      I mean at first we completely objected to doing edits and stuff,
      but I guess with a band like ours where we're writing 8, 9, 10
      minute songs, it's inevitable that some stations are going to
      need shorter versions to fit into their format, so.. it's alright,
      we can deal with it, as long as we have creative control over
      what the edit is. And luckily a lot of the cool stations are
      playing the full-length versions anyway... and the most important
      thing is: I'd rather have the label let us record the 10 minute
      versions and then edit it for release than having us edit them
      to begin with on the record, I mean the most important thing is,
      when its 10 years from now, they're not gonna be listening to the
      edited version on the radio, they're gonna have the record in
      their record collection, and that's gonna have the full-length
      versions. So, the versions that are on the album, at least
      they're full-length and we're able to have the full songs there.
      Even if somebody hears the edited version on the radio, they're
      gonna go out and get the full-length version anyway, so that's
      most important.

Me: Just out of curiosity, are the edits a contractual thing, or
    pressured on you, or voluntary....

Mike: It's just one of the many creative pressures... it's one of those
      creativity things you lose control over. The more people you have
      involved and the more "business" it becomes, the less creative
      control you have.

Me: So there's no clause in the contract or anything.

Mike: No, but it's like... if we refused to have edits, then they're
      not gonna release singles and do videos, so we have to get the
      music out to reach people some way or another... Actually, the
      CD single for "Take the Time" has liner notes on the back that
      we wrote, asking radio programmers to take the time to play the
      full-length versions.

Me: Really? Because I have the promotional single right here, and it's
    just plain white.

Mike: Yeah, that's not actually the fully packaged one, that was just
      an advance one that they sent out real quick. You'll probably be
      getting the real one this week if you haven't already. It's fully
      packaged and it's got a cover, and on the back it's got a note
      from us asking you to play the full-length version. It says,
      "Think of all the things you could do in 8 minutes, you can go
      to the bathroom, you could have a cigarette, [everyone laughs]
      you could catch up on some sleep..." so hopefully we can persuade
      them to use it as "bathroom music".

Me: A-ha... inside the mind of a DJ. Let's see... when I talked to you
    in Pittsburgh, you mentioned something about an EP possibly coming
    later this year with "A Change of Seasons" on it?

Mike: Well, it's still a possibility. Whatever our next release is,
      "A Change of Seasons" will on it. Whether or not we do the EP or
      we just hold it for the next album, we don't know yet, I mean
      there's been talk about us doing an EP with "A Change of Seasons"
      and some live tracks, but it's just talk right now. But it will
      be released... whatever our next release is, it'll be on there.

Me: And that's your lyric-writing debut...

Mike: See, that's why I don't have any lyrics on this album, because
      "A Change of Seasons" was supposed to have been on this album,
      and, I mean, that song is the equivalent of like 4 or 5 songs,
      lyrically. So when everyone was saying, "OK, I'll write these
      lyrics, I'll write these lyrics..." for all the rest of the
      songs that are on the album, I didn't take any because it
      would've been too much [laughs], and I ended up getting dicked
      out of lyrics altogether...

Me: Yeah, I have that song on a demo...

Mike: With vocals, or without?

Me: Without. I've never heard the one with. What are the lyrics
    about? It's kind of weird to talk about a song that no one's
    heard yet, but...

Mike: It's sort of like a whole conceptual thing broken down into 4
      different sections, lyrically. It's using the different seasons
      as a metaphor for the different emotions that the main character
      is going through... it's almost like _The Wall_, it's sort of
      like this one character who's going through all these different
      emotional things: he's dealing with death, he's dealing with
      relationships, and it's sort of like his point of view, and...
      going insane and not being able to cope with all these problems,
      and it's just using the seasons as a metaphor for all these
      different emotions and feelings that he's going through. So
      each section is a different state of mind for the main
      character.

Me: Would you ever consider doing a concept album in the future?
    Some people say that _Images and Words_ is kind of thematic in
    some ways...

Mike: Yeah, that wasn't on purpose, that was just coincidental...
      because we were all writing, drawing from the same inspirations.
      All the lyrics on this album were written during the period
      when we didn't have a singer and were changing labels and
      changing management, so we were all dealing with bad situations,
      and that came out in the lyrics. But, I mean, "A Change of
      Seasons" is as close to a concept album or a concept piece as
      we've ever gotten, so there'll be that, and someday, I mean, we'd
      love to do it. All of our favorite bands have concept albums, you
      you know, Genesis, Marillion, Rush and Yes.... so it's something
      we would love to do...

Me: Hmmm...

Mike: ..Queensryche...

Me: Tell me a little bit about how you guys get together and write...

Mike: Basically, the four of us- I say four, not including James just
      because he wasn't there for the writing of this album- the four
      of us just get to rehearsal without any preconceived ideas and
      we'll just start... you know, somebody will have an inspiration
      musically and start coming up with something, and maybe I'll come
      up with a cool time signature change on the drums or something,
      you know, a different groove, and that'll spark the bass line,
      and then the guitar and keyboards will- and this is just one
      example, I mean it's different of course with every single section
      of the song- but, it's just like a chain reaction thing. We get
      together and start shooting out ideas and the sparks start flying,
      you know, the creative sparks just [snaps his fingers] keep going,
      and then we all start putting in these ideas, and it's like,
      "well, let's take this part, and we'll play it this time in 3/4,
      and then later on we'll do it in 4/4, and we'll bring it back
      in.." All these ideas just keep accumulating and accumulating
      and growing, and it turns into the song. It turns into a 10
      minute song, next thing you know... [laughs]

Me: We heard you guys playing at soundcheck, working on some stuff...

Mike: Yeah, that was actually "A Change of Seasons". We haven't played
      that in about a year, and we're gonna actually make its
      premiere next week in New York. We're doing this show at the
      Limelight next week, it's next Thursday, March 4th.. and they're
      promoting it as like a big theater show, almost like going to a
      play... no opening band, we're gonna do two hour-long sets, with
      a 20 minute intermission, and they're gonna hand out programs,
      like a playbill, they're gonna have ushers in tuxedos, they're
      gonna have curtains all around the stage and stuff... So, we
      wanted to do some special stuff there, so we're gonna do a bunch
      of unreleased stuff, a lot of old stuff that we haven't been
      doing, and...

Me: Do "March of the Tyrant"!

Mike: Oh god [laughs]... that is OLD.

Me: I love the ending of that song. In fact, was gonna suggest that if
    you were trying to think of other stuff to do as B-sides or
    whatever, make that into a instrumental...

Mike: I would love to do some of that old stuff, but it's tough getting
      the whole band to agree even to do stuff off our first album, so
      no one feels like we're taking a step backwards, you know, "we
      wanna look forward to the future...", that whole attitude, so...
      But I would love to do some of that old stuff, just for the
      nostalgic purposes.

Me: OK, along the same songwriting-type lines, this is something I'm
    personally really curious about. How do you guys write the vocal
    melodies, since your songs start out as instrumentals... do you
    come up with it as a band, or hand the lyrics to the singer and
    say "work on it", or what...

Mike: No, actually, the melodies come from whoever happens to write
      the lyrics. Usually what we'll do is we'll go through that whole
      music-writing process that I was just talking.... we'll go
      through that, we'll put the song together, and as we're writing
      it. we'll consciously say "OK, this'll be a vocal section, this'll
      be the first verse, OK, then this'll be the chorus, this'll be the
      second verse..." So we know where the lyrics are gonna go once the
      song is done, and once the song is done, then one person will
      say, "Hey, I've got an idea for the lyrics" and somebody will
      just grab the song and go away and write lyrics. The case in the
      past has been that whoever wrote the lyrics, wrote the lyrics
      with melodies in mind, so... up till now it's been weird, because
      we've always written without a singer. Our whole first album was
      written before Charlie was in the band, and this whole album was
      written before James was in the band, so whoever writes the lyrics
      writes 'em with melodies in mind, and then, in the case of this
      album at least, they would work with James and give him the
      melody ideas and phrasings that they had in mind when they were
      writing the lyrics, and then James, of course, embellishes them
      and puts his touch on them, but usually the lyricist works on
      all the melodies.

Me: How many vocalists, roughly, did you audition before you found
    James?

Mike: Well, we got about... over 200 tapes, but we didn't physically
      *audition* 200 people. But yeah, we got about 200 tapes, I've
      got a box about that big [pointing to a box] filled with tapes..
      But out of those 200 or so tapes, we only only auditioned maybe
      20. I mean, it took a lot for us to actually call up somebody.
      You know, out of all those tapes.... there were so many different
      qualities we were looking for, and the only one you can really
      get off the tape is the voice, and only so many people even got
      past that first point where we actually liked the tape and called
      the person up. So we auditioned about 20 people, and some of
      them, we would work with- there were a couple people we worked
      with for like weeks or months at a time- and then other people
      just came down for one audition and we just knew it wasn't it.
      So... it was tough, man, it was a very, very tough period for us.

Me: What did the audition consist of, and what were the criteria, aside
    from finding who could go *Aaaaaaaaaa!* in tune...

Mike: Well, we were looking for, obviously, someone with a wide range
      and a good voice, a good strong voice... something that was
      melodic, so those were all the aspects of the voice we were
      looking for, but there's also their "look", you know, we wanted
      someone who looked unified with us as a band... that was a little
      bit of a problem with Charlie, and somebody who had a common
      musical direction. A lot of musicians like progressive music
      and the kind of music we play, but very few singers can actually
      get it, you know, most singers want to do more commercial stuff,
      so it was tough to find a singer with a common musical direction
      or vision as ours, so that was important, and of course a
      personality, somebody that we can live with every day for the
      rest of our lives and be able to work with. And as far as the
      process goes... if we liked the tape, we would call the person
      up, chat with them, see if they were cool or not, we'd tell them
      to learn a bunch of songs off the first album at that point,
      because that's all that was available. They would come down, run
      through those songs... if they got past that part, then we
      would start breaking out new ideas and saying, "hey, sing this"
      and seeing how well they could improvise, how well they could
      take creative ideas and mold them. So it was very, very
      frustrating, and a long process...and only one survived, and
      that's the Canadian that's in the band now. [laughs]

Me: A good choice, I'd say. Just out of curiosity, what ever became
    of Charlie?

Mike: He's a lot older than us, he's in his 40's now, his early 40's,
      and it just never worked out with him, and as far as what he's
      doing now, I don't know. We saw him once on this tour, and that
      was our first time seeing him in years...

Me: Was the parting amicable? Was he fired?

Mike: He was fired... he didn't leave the band. We kicked him pretty
      hard, actually. But we left on good terms, I mean, I lived with
      him for about a year, when he was in the band we lived together.
      We were all pretty close, so we left on good terms, but then
      things went sour after that because he was bad-mouthing us, and
      I guess things would get back to him that we were bad-mouthing
      him and stuff, so it got a little rough after the breakup, so
      we didn't really stay in touch with him. I don't know what he's
      doing.

Me: OK, this is a little bit off the subject, but a lot of people have
    been wondering about the status of Watchtower and Fates Warning.
    I figured since you're friends with 'em, you could let us know
    what the deal is....

Mike: Actually, I just saw members from each band. As far as
      Fates Warning goes, we just saw Ray in Arizona and Jim in
      L.A. just a couple of weeks ago, and contrary to popular
      belief, they haven't broken up, they're working on new
      material, and looking for a new record deal. They got out
      of their deal on Metal Blade, which is something they had
      to do to really move forward, but it's gonna take a while
      before they can really get a new deal, you know, this stuff
      takes time, so.... they're just working on new material and
      looking for a new deal, and they'll be back. And
      Watchtower... we just saw Doug and Rick when we were in
      Austin 2 weeks ago, and they've been on hold for years for
      two reasons: first of all, because they've been looking for
      a new singer, and they can't find a new singer, and Ron,
      the guitarist, he's been through a couple of hand
      operations. He hasn't been able to play guitar in a couple
      years, so his hand is finally healing, he's finally
      playing, and they've just been waiting for his hand to heal
      all this time, and now he's finally playing again, they're
      getting the band back together, and they're still looking
      for a singer, but we also saw Jason McMaster, who was their
      old singer who's now with Dangerous Toys, and they were
      talking about possibly doing a reunion album, like Jason
      going back to the band and then just doing an album
      together. So, there's what Watchtower's doing....

Me: Cool, thanks. OK... compared to your first album, this album
    obviously has such a fuckin' awesome, huge sound. How much of
    this to you attribute to your producer, better technology,
    bigger budget, or all of those things?..

Mike: Probably the first and the third. Better technology is
      probably only because it was in the hands of the right
      people, but I think the 2 reasons that the album might
      sound bigger and better are obviously the producer... I
      think David did a great job getting the sounds, the record
      sounds really good and full and clear, and everything is
      audible. That's one factor, and the other factor is
      obviously money and time. Being on a major label, we
      got a much bigger budget, I mean, our first album we did in
      like 3 weeks on $30,000, this time around we had over 2
      months and we did it for over 200,000. So, you know, you
      get what you pay for, so you get more studio time and you
      get a better producer... so, those were all the factors, I
      suppose.

Me: Taking all that time and care in doing the album, what types
    of things did you do differently? In particular, the drums
    and the guitars sound much, much better...

Mike: What did we do differently? We were able to just
      concentrate on everything a little bit more, and work on
      getting better sounds. The first time around, everything
      was so rushed, we had 3 weeks, and that's including the
      mix, so we had about 2 weeks to record and about a week to
      mix the first album. It's sort of like, you get in there,
      bang out your parts, OK, on to the next instrument, it's
      like one after another. This time around we were able to
      really pick the parts apart and analyze them and try
      different ways of playing them, different ways of
      orchestrating them... and, you know, we were just able to
      relax and be able to concentrate on the sounds and the
      orchestration of the instruments.

Me: Is the snare drum sound a triggered sample?

Mike: [snort].. yes. Unfortunately... that wasn't my choice, it
      was forced upon me by our producer. But I won't get into
      that.

Me: It sounds nice and punchy, though.

Mike: Yeah, it's punchy, but... It's big when it's supposed to be
      big, but it's also big when it's not supposed to be big.

Me: Was that the only thing, because I can't tell if the rim
    clicks and stuff were samples also...

Mike: There was an occasional acoustic snare drum mixed in, I
      mean, we recorded all my natural drum sounds, and then had
      the option of triggering it, so at times, when it was
      really dynamic or there were a lot of intricate parts going
      on, we tried to mix in the acoustic snare sound as much as
      possible. But, that's the one thing that bothers me about
      the album is some of the stuff on the drum sounds. I think
      they sound great overall, but there's a lot of fine-tuning
      that I would have personally liked to have done, but, you
      know... that's another story.

Me: What's the status on plans for re-releasing the first album?
    Are there any?...

Mike: Hopefully... I mean, everybody's looking for it,
      everybody's asking for it, and nobody can get it. Atco is
      looking into buying the rights to it an re-releasing it.
      Someday it'll happen, I'm sure.. but hopefully it'll happen
      soon. Hopefully this year, but I don't know.

Me: Any chance of re-mixing it or anything?

Mike: Yeah, if they were gonna re-release it, we would like to
      re-mix it. And people have asked if we would re-do the
      vocals: I don't think so, just because, you know, that's
      not the way it was. So we'd leave Charlie on there, and
      hopefully re-mix it. As far as James doing those songs,
      we'd like to release live versions or something so people
      can hear him singing it, but... Hopefully that'll all
      happen. We're crossing our fingers, just because a lot of
      people are looking for it.

Me: OK, let's see here... "The Killing Hand". This is more a
    question for John, but someone wanted to know what the
    inspiration was for the lyrics on that song. Isn't that a
    science fiction story he wrote, or something?

Mike: Yeah. I'll answer for John, so it won't be COMPLETELY
      accurate, but it'll be my interpretation of the story that
      he tells. It's science fiction... it's just a story he made
      up, it's sort of a Twilight Zone sort of story that deals
      with somebody- at least this is was he says- it deals with
      somebody standing in front of a wall, like a memorial, and
      seeing all the names of people that have died from a war,
      and the character is wondering how they all died, and
      somehow he gets miraculously brought back in time and he's
      able to see actually how all these people died... and there
      was some sort of holocaust or something... and I'm being
      very vague and general, but this is basically it... he
      witnesses a holocaust or something, where there's a leader
      wiping out all these people. Basically, he goes back to the
      wall, you know, by the end of the song, "when I go back
      again, will it be the same"...

Me: Yeah, I'm rushing through the lyrics in my head as you're
    describing it...

Mike: So he goes back to the wall, and then there's one more
      name.. "one more name appears" on the wall, and it's HIS
      name, and the big twist... the big Rod Serling twist, I
      believe, is that HE was the Killing Hand. He was the one,
      by going back in time, that killed all these people, or
      something like that...

Me: Wow.

Mike: ...and the key phrase is: "or something like that".
      [everyone laughs]

Me: Is "Metropolis" the same type of thing? Does he do a lot of
    writing like that, like writing a little story first?...

Mike: Yeah, I guess John's lyrics come from from like a storybook
      sort of thing, a fictional thing. Of course there are
      exceptions, but I think that's more of where he's coming
      from, almost like the old Neil Peart lyrics. And Kev is
      more from like a religious or a spiritual sort of
      inspiration, he writes a lot of stuff like that.

Me: That leads right into my next question. Does the band have
    any particular religious or spiritual beliefs? Not as a
    whole, but the individuals...

Mike: Not as a whole. Individually, I mean, I'll speak for
      myself, I don't have any particular religious beliefs or
      anything, but I think if there's any person in the band
      that is very inspired by religious and spiritual sort of
      things, it's Kev. You'd have to ask him, but he's real into
      that sort of stuff. John Myung, too, he's really into that
      sort of thing too, so Kevin and John are more up that sort
      of alley.

Me: What were some of your personal drumming influences, who made
    you want to pick up sticks and start playing?

Mike: When I started... I mean, I grew up listening to music
      since I was a *little* kid... my dad was a disc jockey on
      the radio, and he was very hip, he was listening to a lot
      of the stuff in the 60's when I was born, so as soon as I
      was born I was listening to the Beatles, and the Who, and
      the Stones, and Hendrix, and the Doors... so I was like
      this little rock-n-roll kid when I was real young, I mean,
      I was like the only kid in my elementary school who had
      hundreds of records and stuff, so, when I started playing
      drums, back then I was listening to a lot of Kiss and
      stuff like that, the Beatles, Led Zeppelin, the Who, so
      those were some of my first big drum influences, like Keith
      Moon and John Bonham. Then I started listening to stuff
      that was a little bit more progressive, like Rush and Yes,
      so Neil Peart was my drum GOD for years and years and
      years, I mean that's all I did was listen to Rush. The same
      goes for the other guys in the band, too, Rush is the big
      one. So I was listening to Peart and stuff like that, and a
      lot of Frank Zappa... his music was a big, big influence on
      me, and still is, and then through the years I started
      listening to a lot more heavy stuff, lot of the heavy
      thrash bands like Anthrax, Metallica, Testament, Pantera,
      so all those drummers influenced me with my double-bass and
      stuff. And then a lot of more jazz-oriented stuff, like
      Chick Corea, like Dave Weckl on drums, and Al DiMeola and
      stuff like that... but I don't know. It's not only drummers
      that influence me, it's just music in general. I can get as
      much inspiration on the drums listening to the production
      on a Public Enemy album as I can listening to a Chick Corea
      album listening to Dave Weckl play drums, or listening to
      Jane's Addiction or Pantera, you know, so it's just trying
      to listen to as many different styles of music as possible
      and just take it all in.

Me: Someone came up with the idea to start a petition drive to
    get you guys on tour with Rush.. [laughs] He wanted me to
    run that by you and see if that would have your blessing. You
    guys are on the same label and all...

Mike: Yeah! Yeah, do it. Hey, I mean, that would be incredible.
      It's just a matter of timing at this point.. I don't know
      when their new album is due, but I haven't heard anything
      about it. We're gonna be touring all year, so it would be
      great if it could work out. Actually, another one of our
      childhood dreams came true a couple of weeks ago. We've
      always wanted Rush to hear us, or see us, our bring us on
      tour with them or whatever, and just a couple of weeks ago,
      actually, not Rush, but the other big one for us, Yes, came
      down to see us when we played out in Hollywood, so that was
      incredible for us, we were awe-inspired by them, man, it
      was like we were scared shitless to go on. [everybody
      laughs] We're hanging out in the dressing room, and they
      all came in, and it was like, "Fuck, man, how the hell are
      we gonna go on now?" So that was cool...

Me: This may be covered by the possible EP, but do you plan to
    release a commercially available single, maybe for the next
    single, because all the others all the way back to "Status
    Seeker" have been promotional-only...

Mike: I think so. I don't know if it would be in America, though,
      I mean, I know there's been talk about them doing it in
      Europe, because CD singles are really big over there...
      when you get CD singles, most of them are imports. So I
      know there are plans to do that, because we have some stuff
      we want to put on the B-sides, like we have a song
      "Forever" that you probably know from one of our demos...
      we've recorded that, so we have that sitting on the shelf
      that we could use for a B-side. I don't know if they're
      gonna release anything in America, but they might, we've
      heard talk about it.

Me: Who wrote the words to that song, by the way?

Mike: "Forever"? John Petrucci.

Me: Another good one for John. What's been your most memorable
    moment so far on this tour, do you think...

Mike: Oh, that's easy. Actually, Yes is now up there, but until
      Yes coming to see us, hands down, the most memorable thing
      for me was the first night in Japan. We went to Japan back
      in November and did a bunch of shows. The first night we
      played there, I mean, it was the biggest rush I've ever
      had, playing there and coming on stage in the dark, and the
      intro tape is rolling, and then we kick into "Metropolis"
      and the lights go on, there's like thousands of screaming
      Japanese kids... it the biggest rush I've ever had, it sent
      chills down my spine. To me, that was the most memorable
      thing...

Me: The first album has already been re-released over there,
    right?

Mike: Yeah. They sell the albums in the lobby when you play in
      Japan, so not only did we have merchandise for sale, they
      had big stands where they sell both albums, so they had
      boxes and boxes of the first album out there. The same with
      Germany, too, I know it's still available over there...

Me: Are there any moments you'd rather forget about?...

Mike: Well, there's a few cities I'd rather forget about..
      [laughs] I don't know, there have been a couple of shows...
      Luckily, thank god, almost all the turnouts have been way
      beyond what we expected. I mean, I would say since we've
      been back out this year, 80% of the shows have been sold
      out, and the others are all packed. But there were a couple
      cities toward the beginning where the turnouts were just
      ridiculous. We played a show in New Orleans and there were
      like 40 people there, and then a couple places like Omaha,
      Nebraska and Cedar Rapids, Iowa and places like that...the
      turnouts were good there, but it's just that the crowd
      reaction is so weird, you know, they're very laid back and
      they don't really know how to take to the band, so there
      have been some weird experiences.. but they've all been
      experiences, so I'm glad I've experienced them all.

Me: I understand the Majesty demos are on CD in Europe?

Mike: In Germany.

Me: Is that a bootleg, or was that something authorized...

Mike: No, it's bootleg. It's a mass-produced bootleg. It's
      somebody who obviously mass-produced like hundreds or
      thousands, I don't even know, of Majesty demos on CD.

Me: How does it sound?

Mike: [laughs] Well, the demo to begin with doesn't sound that
      good, I mean it was done on my 4-track and it's kinda
      wishy-washy, so the conversion to CD... it doesn't sound
      any better because it's on CD. When I found out about it, I
      told them, like, "Shit, I wish they came to me for the
      master tape", because I've got the master sitting in my
      bedroom, at least it would've sounded better. So this is
      probably off of a tape that was like a couple of
      generations down, so the sound isn't that good, but it's a
      cool collector's item.

Me: What is your opinion overall about bootlegging in general?

Mike: Well, you're asking either the right guy or the wrong guy,
      because my personal opinion is.. I mean, the first half of
      the tour, I was letting people in with video cameras and
      cassette tapes. I personally have no problem with it
      whatsoever, I think it's cool, because I'm a collector
      myself... I have bootlegs of like every band, video and
      audio, so I'm fully supportive of it. However, there are 4
      other people in my band, and a crew and a manager and a
      tour manager, and since then I've been told not to let
      anybody else into the place with tapes recorders and video
      cameras. So, I personally have nothing against it, and when
      I see somebody filming, I don't say anything.. and I hope that
      they get away with it, and I pull 'em over afterwards and
      say "Hey, send me a copy" [everyone laughs], you know, but
      the crew and the rest of the band don't feel comfortable
      with it.

[extended personal chit-chat about tape trading, etc. deleted]

Me: Well, that's about all I have. Did you guys think of any
    other stuff while we were talking? [addressing my friends
    Dave, Eric, and Tom, who are also metal DJs at WPSU]

Dave: Yeah, I thought of one. Was it a conscious effort not to
      drag an opening band out with you, and just hook up with a
      local band in each city?

Mike: No.. I mean, I don't even know who we would take out. If we
      headline during the summer, if we don't get on another
      package and we go out ourselves, we're gonna take a band
      out, I just don't know who it would be. This time, I don't
      know why it didn't happen, it just didn't, so we have
      different bands in every city. We had no objections.. there
      have been a couple of bands that have done a bunch of dates
      with us, this band here, Psychotic Waltz [pointing at his
      shirt] did 3 shows with us on the west coast, and there
      have been a couple of bands that have done various shows
      with us... It wasn't our decision, I mean, we'd love to
      take somebody out, especially if it fit musically.

Tom: Fates Warning...

Mike: Yeah, Fates.. hey, we've been talking to them for years
      about touring together, but right now the timing wouldn't
      work out. They're not gonna have a new album out for at
      least a year, I would assume, but we'd love to do it. We've
      always talked about touring together. Anything else?

Me: I'm trying to think. I guess not. Can you do a couple of
    ID's for our show?...

Mike: Sure.

[remainder of the time is spent recording a couple of radio ID's
for our show, and small talk about this and that]

So there you have it, folks! Hope everyone enjoyed it. (You'd better,
it took me 7 hours to transcribe!) Thanks to everyone on the Ytsejam
mailing list who offered question ideas. I included just about all of
'em, I think. Anyway, stay tuned for more interviews like this in the
future, hopefully...

                                               Jeff
542.415DT's old namePOWDML::BUCKLEYThe Rabbit in RedTue Mar 02 1993 12:0913
Here is some misc Dream Theater info:
    
    Ytsejam is Majesty backwards.  Majesty was the bands original name but
    when they got signed, they found out that name was copyrighted by a
    band a long time ago.  The people who had the name were unwilling to
    let the name go, even though they never released an album under that
    name (at least I think that was the story.  Mike Portnoy told us this
    before the show here in San Diego).  During the concert the singer
    pronounced it "Yit-see Jam" or something along those lines.
    
    There was a single released for "Matter of Time" I'm pretty sure. 
    Brian got one through the fan club.  No b'sides or anything on it
    though.
542.416FYI -- current Dream Theater set listPOWDML::BUCKLEYThe Rabbit in RedTue Mar 02 1993 12:1229
    Well, I saw Dream Theater Saturday night at Hammerjacks in Baltimore
    and needless to say, once again they were incredible.  Since the last
    time I saw them (mid-December), they've added some pyrotechnics to the
    show.  Here's what they played:

	Metropolis
	A Fortune in Lies
	Under a Glass Moon
	Surrounded
	The Ytse Jam/Drum Solo
	Another Day
	Pull Me Under
	Take the Time/Guitar Solo
    
   Encore:
	Keyboard Solo/Wait for Sleep
	Learning to Live	

    James LaBrie mentioned before "Take the Time" that it's going to be the
    next single and video, so keep your eyes and ears open!  Besides the
    special effects, there were a couple other differences between the
    shows I've seen.  The first time, they played "O, Holy Night" between
    "Wait For Sleep" and "Learning to Live."  Also, John Myung and Johm
    Petrucci did a bass and guitar duet, but didn't do one on Saturday. 
    Mike Portnoy dropped a drum stick during his drum solo last time, but
    this time he was perfect! If you get a chance to see a show at
    Hammerjacks, DO SO.  The place is great!
                                            
542.417GOES11::G_HOUSEIt's NOT a TOOMAH!Tue Mar 02 1993 14:575
    re: .414
    
    I bet Windows noters just *love* you...
    
    gh
542.418Interview with DT's guitaristPOWDML::BUCKLEYThe Rabbit in RedWed Mar 03 1993 11:4495
WARNING -- another *long* Dream Theater interview follows!
    
    
    SUBJECT:  An Interview with Dream Theater guitarist John Pertrucci:
    
    
How long has Dream Theatre been together?  What brought the band
together?  

    ANSWER:  Dream Theater has been together for about 7 years.  Kev, John,
    and I grew up together, and Mike was "discovered" while we all attended
    the Berklee College of Music in Boston.  Our current Canadian
    "throat-minster" was found through one of our friends at Mechanic
    during auditions.

    
Who are your major influences as a guitarist?   Who are the influences
of the other band members?

ANSWER:  My major influences can basically be broken down in two categories:
1) THE STEVES: Steve Morse, Steve Howe, Steve Vai, Stevie Ray Vaughn
2) THE ALS:  Alex Lifeson, Al Dimeola, Alan Holdsworth
    
    Pretty bizzare eh?	John's major influences are Steve Harris, and Geddy
    Lee.  Mikes are numerous including Terry Bozzio, Neil Peart, Vinnie
    Calauta (sp?).  Kev's are Rick Wakeman, Jens Johansen, Michelle
    Camillo, George Winston, and loads more..

    
Do you consider yourselves more of a metal band or more of a progressive
group?

    ANSWER:  Thats a good question!  In fact I think the thing that keeps
    us "modern" and not sounding dated is that we do have a heavy sound. 
    Metal is just as big as an influence as 70's prog-rock on our writing
    style and sound as a band.

    
What were the circumstances of Charlie Dominici's leaving?

    ANSWER:  Charlie is a very talented musician but all of us sort of new
    from the beginning that he could never take us where our dreams aspired
    as a front man. His live performance lacked and he was considerably
    older than us.

    
Why has is taken so long between albums? 

    ANSWER:  Well basically because we have gone through changes!  It took
    us a year and a half to find a new singer.  It took 18 months to get
    out of our old record deal.  We then recorded a demo for Atco Records
    and eventually signed with them.  I quess just a lot of red tape!

    
Will your 20 minute song be released on your next album?

    ANSWER:  No.  "A Change of Seasons" will not be released on our
    forthcoming record, but we hope to include it as a focal peice on a
    live 5-song E.P.

    
What does the new album sound like compared to When Dream and Day Unite?

    ANSWER: First of all James (our new singer) is 1 million times better
    and more emphasis is show on the vocals and their place in the songs. 
    The production is so much better.  All of teh instruments are much
    clearer and separated.  Also the guitars are a lot more up front and
    heavier.  There is also a soprano sax spot light by Jay Beckenstien of
    Spiro Gyra, and many uses of acoustic piano throughout the entire
    record.

    
Tell us a little about the new singer.

    ANSWER:  Our new singer's name is Kevin James Labrie.  We call him
    James as to not confuse him with Kev, our keyboardist!  He lives in
    Canada and his old band was called Winter Rose.  The guy is completely
    amazing and super cool.  He is also pretty damn handsome, which is
    cool, cuz it attracts a lot of women!

    
Is there a particular form of music you see the band sticking with
(metal, progressive, whatever) or will you become more experimental as
time goes on?

    ANSWER:  I think Dream Theater will always primarily be a rock band. 
    However the range of influences that sneak their way right into our
    music is ever changing and endless, so who knows?

    
Where do you see Dream Theatre in 10 years?

    ANSWER:  Working on our third record...Just kidding!  More refined as
    players and writers, a lot more fans, and a lot more roadies!
    
542.419Another source for DT's first albumPOWDML::BUCKLEYThe Rabbit in RedWed Mar 03 1993 11:5115
    Besides being readily availble on CD in Germany and Japan (in stores,
    mind you!!), Dream Theater's first album, "When Dream and Day Unite"
    is all but MIA here in the USA!!  
    
    However -- the album (CD) *can* be ordered through Columbia House's
    catalog:
   
    Dream Theater "When Dream And Day Unite" -- 384842
    You can also call an 800 number to order this.  It's 1-800-457-0500.

    
    Cheers,
    Buck
                                    
542.420FYI on a live DT tape...POWDML::BUCKLEYThe Rabbit in RedWed Mar 03 1993 11:549
    FYI -- Someone on usenet has a live DT bootleg they are offering copies
    of.  The show was recorded in Buffalo on January 16th.  If you're
    interested in more information on this, send mail to 
    US2RMC::"tinch@wittenberg.edu" -- the guy's name is Tinch.
    
    
    
    Cheers,
    Buck
542.421BUSY::SLABOUNTYA seemingly endless timeWed Mar 03 1993 13:266
    
    	Columbia House?  Haven't even noticed it in the catalog.
    
    	I'll have to look again next time I get one.
    
    							GTI
542.422POWDML::BUCKLEYThe Rabbit in RedFri Mar 05 1993 13:2111
    Wondering what those lyrics at the very end of Pull Me Under
    are?!?!?
    
    
    "Oh, that this too too sullied flesh might melt, thaw, and resolve
    itself into a dew..."
    

    It's a famous line from Shakespeare, which was also used in a Sting
    song called Another Day.
542.423POWDML::BUCKLEYCan you pay the price?Wed Mar 10 1993 11:2515
    Well, today is the day when dream and day unite at the Avalon Ballroom
    in Boston!!
    
    Just a friendly reminder --
    
    
    	D R E A M	T H E A T E R	   L I V E
    
    
    Tonight, Wednesday, March 10th
    Avalon Ballroom
    Lansdowne Street (Next to Axis)
    Boston, MA
    
    Doors open at 8pm
542.424GOOEY::JUDYThat's Ms. Bitch to you!Wed Mar 10 1993 11:479
    
    
    	Anyone read the 'jacket' to the I&W CD?  Under the thank yous
    	it says 'the dancing dward, Bob and the Log Lady'....
    
    	DT are Twin Peaks fans!  Very cool.  =)
    
    	JJ
    
542.425GOOEY::JUDYThat's Ms. Bitch to you!Wed Mar 10 1993 11:483
    
    	OOps...that should have been dwarf not dward.  =)
    
542.426GOES11::G_HOUSEIt's NOT a TOOMAH!Wed Mar 10 1993 15:211
    Ah yes, Dream Theater...yawn...
542.427BUSY::ESCOBARSo I Can See Where I'm Goin' BabyWed Mar 10 1993 15:254
    
    Dream who?
    
    
542.428BINKLY::DEMARSEJust say NO to hummus!Wed Mar 10 1993 15:291
    I think they are a garage band or something....
542.429BUSY::ESCOBARSo I Can See Where I'm Goin' BabyWed Mar 10 1993 15:406
    
    What kind of music do they play?
    
    Do they act out on stage like a real 'theater'?
    
    
542.430Buck can tell us moreGOES11::G_HOUSEIt's NOT a TOOMAH!Wed Mar 10 1993 15:423
    I heard that not only do they act out stuff on stage (the "theatre")
    part, they've also been known to induce sleep (the "dream" part).
    
542.431BINKLY::DEMARSEJust say NO to hummus!Wed Mar 10 1993 15:454
    I think that they play folk, but a few people said that they are
    starting to get a little harder.  As for them acting out on a stage
    like a real 'theater', I'm not really sure. Probably, they sing pansy
    songs anyway......
542.432BUSY::ESCOBARSo I Can See Where I'm Goin' BabyWed Mar 10 1993 15:474
    
    Don't they sing that song "Push Me Over"?
    
    
542.433BINKLY::DEMARSEJust say NO to hummus!Wed Mar 10 1993 15:491
    Yeah, that's it!!!  The name was right on the tip of my tongue.....
542.434BUSY::ESCOBARSo I Can See Where I'm Goin' BabyWed Mar 10 1993 15:517
    
    they have an album.... "Pictures And Stuff", right?
    
    It's all coming back now!
    
    I love their banjo player!
    
542.435Proving you have bad taste over and over again! ;^)DECAGE::HOWESWhen angels waken with a kiss....Wed Mar 10 1993 15:529


	Yeah, you guys are funny, but what can I expect from people
	who like the dead, grundge, and Metallica....



								-Seth
542.436BINKLY::DEMARSEJust say NO to hummus!Wed Mar 10 1993 16:0022
        ->> they have an album.... "Pictures And Stuff", right?
        ->>
        ->> It's all coming back now!
        ->>
        ->> I love their banjo player!
    
    Yeah, he's good...I'm really interested in the mandolin player.  He's
    cool...Their new album 'Pictures and Stuff' sounds a little more
    bluegrassy than their first one...Maybe if they are lucky they'll 
    play at the Newport Folk Festival this year....but that's a lot to 
    expect out of a new folkie band.  Especially since their album hasn't
    even touched the charts yet....
    
    ->>   -< Proving you have bad taste over and over again! ;^) >-
    ->> Yeah, you guys are funny, but what can I expect from people
    ->>  who like the dead, grundge, and Metallica....
    
    Oh Seth, today is not the day to talk about having bad tastes with
    me...
    
    :), d
    
542.437Can you say "No Feeling"BUSY::ESCOBARSo I Can See Where I'm Goin' BabyWed Mar 10 1993 16:1622
    
    >> Yeah, he's good...I'm really interested in the mandolin player.  He's
    >> cool...Their new album 'Pictures and Stuff' sounds a little more
    >> bluegrassy than their first one...Maybe if they are lucky they'll 
    >> play at the Newport Folk Festival this year....but that's a lot to 
    >> expect out of a new folkie band.  Especially since their album hasn't
    >> even touched the charts yet....
    
    	I love the pictures of them in the inlay. All dressed up in
    	over alls with baseball caps. But I wished they didn't have
    	shaved heads.
    
    >>   -< Proving you have bad taste over and over again! ;^) >-
    >> Yeah, you guys are funny, but what can I expect from people
    >>  who like the dead, grundge, and Metallica....
    
    	Oh please. Dream Theater are DRASTICALLY over-rated.
    	Good, yes,... Great, maybe... the best, not even close.
	
    
								    
    
542.438BINKLY::DEMARSEJust say NO to hummus!Wed Mar 10 1993 16:2814
    ->> I love the pictures of them in the inlay. All dressed up in
    ->> over alls with baseball caps. But I wished they didn't have
    ->> shaved heads.
    
    I know....the singer would look so much better with hair.  And the
    beard on that bassist is nasty!  And someone told me he has 5 wives...
    yuck... 
    
    ->>  Oh please. Dream Theater are DRASTICALLY over-rated.  Good, yes,... 
    ->>  Great, maybe... the best, not even close.
    
    Yeah. I agree...they are overrated in here.  I do think they are wonderful
    musicians, but not THE BEST...and I'll say that about a lot of bands,
    even the Dead. 
542.439Can you say Metallipose? I knew you could! ;)DECAGE::HOWESWhen angels waken with a kiss....Wed Mar 10 1993 16:3415
    
>    	Oh please. Dream Theater are DRASTICALLY over-rated.
>    	Good, yes,... Great, maybe... the best, not even close.
	Overrated by who?  Just because Buck likes them and posts
	a lot of notes doesn't mean they are over-rated.
	People who appreciate talent in music, and not just noise
	fill DT concerts.  I hardly call progressive fans liking
	a progressive group 'over-rated'.
	
>                         -< Can you say "No Feeling" >-
	Sure..... "Joe Satriani"... ;)


							-Seth

542.440BUSY::ESCOBARSo I Can See Where I'm Goin' BabyWed Mar 10 1993 16:419
    
    >> I know....the singer would look so much better with hair.  And the
    >> beard on that bassist is nasty!  And someone told me he has 5 wives...
    >> yuck... 
    
    	Yup. And that patch he wears over his eye. Gotta go.
    	The bassist's beard is really gross! It's like 4 feet
    	long. And dirty and tangled. Yuk.
                                         
542.441Progressive? Ha! No feeling is more like it. Machines!BUSY::ESCOBARSo I Can See Where I'm Goin' BabyWed Mar 10 1993 16:4414
    
  >>	Overrated by who?  Just because Buck likes them and posts
  >>	a lot of notes doesn't mean they are over-rated.
  >>	People who appreciate talent in music, and not just noise
  >>	fill DT concerts.  I hardly call progressive fans liking
  >>	a progressive group 'over-rated'.
    
	Sorry, I don't have to like dream theater to appreciate
    	talent.  
    
    	They're overrated, IMO, Period. No need to argue, paigeboy.
    
    		
    
542.442Not my problem if you can't appreciate GOOD music!POWDML::BUCKLEYCan you pay the price?Wed Mar 10 1993 16:455
    RE: Greg, Danielle, and Chris
    
    Obviously, the complexity and intensity of DT's music is far beyond
    your comprehesion.  Some people don't like Opera either...nuff said!
    
542.443BUSY::ESCOBARSo I Can See Where I'm Goin' BabyWed Mar 10 1993 17:067
    
    It's one thing to appreciate their music, it's another thing to treat
    them like Musical Gods. 
    
    They make some pretty good tunes, 'nuff said.
    
    
542.444I don't care if you like'em or not, but the talent is there.DECAGE::HOWESWhen angels waken with a kiss....Wed Mar 10 1993 17:0623
    
>	Sorry, I don't have to like dream theater to appreciate
>    	talent.  
	That is the point, you don't.  The worst 'artist' in DT,
	has more talent than all of the 'band members' in Metallica
	put together.
   
>    	They're overrated, IMO, Period. No need to argue, paigeboy.
	That is because you can't support your statement.
 
>         -< Progressive? Ha! No feeling is more like it. Machines! >-
	It is progressive like it or not.   Although I would pick
	no feeling over 'Lets rip of the public by posing some more'
	feelings...


							-Seth
	 
   
    		
    

542.445DT are not musical gods, but they have talent.DECAGE::HOWESWhen angels waken with a kiss....Wed Mar 10 1993 17:0810
    
>    It's one thing to appreciate their music, it's another thing to treat
>    them like Musical Gods. 
	Hahahaha!!! Funny I think I said that to you a couple of month
	ago regard how you worship Metallica!!! 


				    

542.446POWDML::BUCKLEYCan you pay the price?Wed Mar 10 1993 17:1817
    RE: Chris and "no need to treat them like musical gods.."
    
    
    Look, I went to school with these guys.  They had gigs every day
    DAY -- and it wasn't playing "Jump in the Fire" either ... they
    were DIVERSE musical gigs ... from latin sambas to be bop to
    swing jazz to jazz fusion to progressive rock, etc. etc.  And these
    guys can burn in all styles, not just rock.  They also were trained 
    in ENSEMBLE playing.  Look, all the bands you may like are probably
    good BANDS -- but are they good musicians??  Maybe at what they do
    in their own circle (example, Jaymz is an excellent thrash rhythm
    guitarist!), but as real, diversified MUSICIANS, they can't cut it,
    and I'd like to see ANYONE in rock today who could just walk into 
    any type of gig and burn it...  I know Vai could, and Satch, but
    Kirk or Lars or any of those cats?
    
    NOT!
542.447BUSY::ESCOBARSo I Can See Where I'm Goin' BabyWed Mar 10 1993 17:239
    
    What does Metallica have to do with this. We're talking about Dream
    Theater. They're good musicians. And I agree it's progressive. 
    But that's it. IMNSHO. 
    
    And I feel bad for you, if the only way you can praise DT is by putting
    another (and other) band down. You're a joke. 
    
    
542.448BUSY::ESCOBARSo I Can See Where I'm Goin' BabyWed Mar 10 1993 17:2510
    
    Once again, why must you praise  one band by putting another band down.
    That doesn't say much in my ears for the band. I like DT's music, I
    like a lot of it. I like *ALL* of Metallica's music. That's *my*
    personal taste. But you don't hear me going "Metallica's the best
    because DT sucks"
    
    Please.
    
                                   
542.449BINKLY::DEMARSEJust say NO to hummus!Wed Mar 10 1993 17:3114
    ->> -< Not my problem if you can't appreciate GOOD music! >-
    ->>  RE: Greg, Danielle, and Chris
    ->> Obviously, the complexity and intensity of DT's music is far beyond
    ->> your comprehesion.  Some people don't like Opera either...nuff said!
    
    I think that the important thing to address here is that everybody is
    different.  We all like different things, have different views, and 
    different musical tastes.  Music is a universal language, and there
    are so many different types and styles.  So don't put me down saying
    that I don't appreciate 'GOOD MUSIC' when I am more flexible than you
    ever could be.  I do like Dream Theater, and Chris and I are kidding
    around with the folk thing....but it feels like there are a lot of
    put-downs to other music in this file because "Dream Theater Rules"...
    and Dream Theater this and that.......
542.450GOES11::G_HOUSEIt's NOT a TOOMAH!Wed Mar 10 1993 17:5237
    re: Youngster, er...Danielle
    
>    Oh Seth, today is not the day to talk about having bad tastes with
>    me...
    
    Let us know when a good day is, ok?  My schedule looks good for next
    Tuesday, how about your's?
    
    re: Chris

>    >> I know....the singer would look so much better with hair.  And the
>    >> beard on that bassist is nasty!  And someone told me he has 5 wives...
>    >> yuck... 
>    
>    	Yup. And that patch he wears over his eye. Gotta go.
>    	The bassist's beard is really gross! It's like 4 feet
>    	long. And dirty and tangled. Yuk.
    
    No kidding, somebody get that dude a BATH!  Looks like he lives under a
    bridge!
    
    re: Danielle (again)
    
> ...when I am more flexible than you ever could be. 
    
    Woah, I love a woman who stretches out!
    
    re: Buck
    
    Can you say "dated"?  I thoughtcha could.  Dream Theater, boooooring. 
    Rock & roll is about music with an edge....
    
    (ps, you take this stuff toooooooo seriously, I can't believe you
    actually fell for our baiting!)
    
    gh
    
542.451:):):)BINKLY::DEMARSEJust say NO to hummus!Wed Mar 10 1993 17:556
    re: [greg]
    
    Hahahaha..........;') ;') ;')  
    
    
    :), danielle
542.452;^)GOES11::G_HOUSEIt's NOT a TOOMAH!Wed Mar 10 1993 17:591
    Yo Buck...get FLEXABLE!
542.453ESODPOWDML::BUCKLEYCan you pay the price?Wed Mar 10 1993 18:031
    
542.454;')BUSY::ESCOBARSo I Can See Where I'm Goin' BabyWed Mar 10 1993 18:056
    
    "Get flexable"
    
    Hahahaha... love it.
    
    
542.455GOES11::G_HOUSEIt's NOT a TOOMAH!Wed Mar 10 1993 18:122
    "ESOD"??  Explain?
    
542.456COMET::MARTINNI'll hate you better!Wed Mar 10 1993 18:191
    I'll take a guess..Eat S*it Or Die?
542.457:'PBINKLY::DEMARSEJust say NO to hummus!Wed Mar 10 1993 18:201
    Probably......hahahahaha....
542.458Limber up, limbo down...GOES11::G_HOUSEIt's NOT a TOOMAH!Wed Mar 10 1993 18:463
    But that phrase normally has an "and" in it, not "or"??
    
    gh
542.459KDX200::ROBRThis world is spinning around meWed Mar 10 1993 19:467
    
    hey, what time does dt go on tonight?  ive managed to swing being able
    to go into work for 1:45am.  just want to make sure that's late enough. 
    friggin $18.50 a ticket.... sigh.....  i swear the prices double every
    time they come back....
    
    
542.460Limber up crc! ;)DECAGE::HOWESWhen angels waken with a kiss....Wed Mar 10 1993 19:4720
    
>    What does Metallica have to do with this. We're talking about Dream
>    Theater. They're good musicians. And I agree it's progressive. 
>    But that's it. IMNSHO. 
	Trying to make a talent comparison between a band you like
	and a band I like, but I guess you missed that....   I don't
	care which you like better, it is all a matter of taste,
	but anybody saying DT is talentless is full of it. 
   
>    And I feel bad for you, if the only way you can praise DT is by putting
>    another (and other) band down. You're a joke. 
	/prc?  Is that you???    'You're pathetic' is a standard
	prc quota when he had no point.
	

							-Seth 
   
    

542.461MR4DEC::JWHITMANWed Mar 10 1993 19:586
    
    
    
    18.50!? SHA! RIGHT!!! 
    
    
542.462KDX200::COOPERHello me, it's me again!Wed Mar 10 1993 23:0318
    Ya know...
    
    I oughta fly out there, team up with Buck-meister, and we go around
    slapping the dog-snot out of all ya !
     
    :-)
    
    You folks gotta remember - DT and the whole style of high-tech music
    is life-long.  Do you think Yes and Rush will ever stop getting
    airplay??  I doubt it.  Will Nirvana and Pearl Jam ??  Probably.
    Flahses in the pan - people will tire of their lack of talent and
    imagination.  Grunge is like a kidney stone.  It'll pass, but not
    without some pain.  :-)
    
    jc
     
    
      
542.463Hahahaha... you're tres amusing, SethBUSY::ESCOBARSo I Can See Where I'm Goin' BabyThu Mar 11 1993 11:4322
    
 >>	Trying to make a talent comparison between a band you like
 >>	and a band I like, but I guess you missed that....   I don't
 >>	care which you like better, it is all a matter of taste,
 >>	but anybody saying DT is talentless is full of it. 
   
    	Please point out where I said DT was talentless?
    
    	Where, or where did I say it? Can anyone find the note?
    
>>	/prc?  Is that you???    'You're pathetic' is a standard
>>	prc quota when he had no point.
    
    	What are you talking about? So now I can't even use
    	"you're" in front of a word. Puuuhlease...
    	In fact, in the words of /prc, you _are_ pathetic.
    
    	Go play with your anotomically correct DT dolls. You're boring.
    	(Oh no! I used "you're"... I'm /prc, I'm /prc!!!)
    
    
    
542.464:)BINKLY::DEMARSEJust say NO to hummus!Thu Mar 11 1993 12:2121
    Seth, please do me a favor and DROP IT.  The whole conversation is
    OVER.
    
    
>    KDX200::COOPER "Hello me, it's me again!"
>        You folks gotta remember - DT and the whole style of high-tech music
>        is life-long.  Do you think Yes and Rush will ever stop getting
>        airplay??  I doubt it.  Will Nirvana and Pearl Jam ??  Probably.
>        Flahses in the pan - people will tire of their lack of talent and
>        imagination.  Grunge is like a kidney stone.  It'll pass, but not
>        without some pain.  :-)
>
>        jc
    
    Steven, I agree a little but I think that Eddie Vedder's voice will
    always get airplay, no matter what band he is in. 8^P   And Dream
    Theater are just babies as far as how long they have been around, so
    who knows what's going to become of them?  Maybe their next album is
    going to suck...it can happen...:-)  
    
    :), danielle
542.465KDX200::ROBRThis world is spinning around meThu Mar 11 1993 12:5415
    
    coop, great kidney stone analogy!!!  :')
    
    escopose, the /prc style of noting has NOTHING to do with you're.  It
    was the pathetic that was so obviously /prc.
    
    PS, DT rules!!!  Every time I see them they just amaze me.  Toward the
    end of Waiting for Sleep they went into this thing where they just ran
    different parts of the song all together in what seemed almost a random
    order.  Of course it wasn't but watching them was like watching a
    machine with all the gears and pulleys turning and moving in sync.  It
    was just incredible to see.  This is the sort of band that just
    inspires the musician in me.  This is the reason I play an instrument. 
    To be a part of a team that is the perfect music machine is my dream.
    
542.466No feeling.BUSY::ESCOBARSo I Can See Where I'm Goin' BabyThu Mar 11 1993 13:0911
  
    
    <<< Note 542.465 by KDX200::ROBR "This world is spinning around me" >>>
   
    >> To be a part of a team that is the perfect music machine is my dream.
    
    	Thank you for saying that. Rob agrees with me. DT are machines.
    
    	Don't deny it now either... you said it...
    
    
542.467KDX200::COOPERLet The Light Surround You!!Thu Mar 11 1993 16:213
RE: Rob

thankyouverymuch...
542.468good concertASDG::BECHTLERThu Mar 11 1993 16:294
    Great show!   Glad I went.
    
    What was the name of the warmup band?  I couldn't quite catch
    their name.  
542.469MINECOMET::MARTINNI'll hate you better!Thu Mar 11 1993 16:401
    Oh yea, I'm taking this one too!!
542.470POWDML::BUCKLEYCan you pay the price?Thu Mar 11 1993 16:4613
 >  Great show!   Glad I went.
  
    Agreed!  The sound was WAY off for the first 3 1/2 songs, but by the
    start of the 5th tune, it was perfect, and the band was very psyched 
    about last nights gig!!
    
      
 >   What was the name of the warmup band?  I couldn't quite catch
 >   their name.  
 
    Hard to hear, but it was either MOON_CRUSH or MOOD_CRUSH ...
    
    They were kind of cool as well..
542.471KDX200::DRTBYK::COOPEREx-Squeeze Me ? Baking Powder ?Thu Mar 11 1993 17:133
I'm jealous you got to go and I didn't !!

:-)
542.472It is all in fun, so lighten up.....DECAGE::HOWESWhen angels waken with a kiss....Thu Mar 11 1993 17:3213

>    Seth, please do me a favor and DROP IT.  The whole conversation is
>    OVER.
	Sorry, I didn't know you were the notes police.....
	Well if you say it is over it is over, your majesty. ;)


	As far the the 'conversation' these type of 'fights' about
	taste is standard HEAVY_METAL material, if you don't like
	it hit next unseen, or go back to 'The Dead'

						-Seth 
542.473don't mind them seth, they're crankyPOWDML::BUCKLEYWhoway, da Wabbit kicked da bucket!Thu Mar 11 1993 17:415
    >	Well if you say it is over it is over, your majesty. ;)
    
    
    Hey, Majesty is Dream Theater's *original* band name!!
    ;')
542.474Tick tick tick!DECAGE::HOWESWhen angels waken with a kiss....Thu Mar 11 1993 17:4416
    
    
>    Hey, Majesty is Dream Theater's *original* band name!!
>    ;')
	I know! ;^)

	But Buck you are taking a chance by writing a note about
	DT in the DT note....   Watch out for the patrol(wo)men!!!!
	They'll put a stop to that real quick! ;)


	I am going to see DT in Poughkipsie N.Y. Tonight...
	Can't wait!!!

						-Seth

542.475METALX::SWANSONPeopleThinkI'mCrazyButI'mInDemandThu Mar 11 1993 17:525
    The name of the opening act was Moodcrush I think.  they were pretty
    good, especially the last song they did!
    
    |KS|
    
542.476POWDML::BUCKLEYWhoway, da Wabbit kicked da bucket!Thu Mar 11 1993 18:031
    Saw Paul McCarron at the show -- he said to say "Hi" to everyone!
542.477GOES11::G_HOUSEIt's NOT a TOOMAH!Thu Mar 11 1993 18:0730
    re: Coop
    
    I think we're already seeing a diminishing in desire to hear stuff like
    Yes and Rush.  It's been ages since I heard a Yes song on the radio and
    even when I did, it was always the SAME two or three songs (and nothing
    even close to their most interesting work).  Rush?  I hardly hear them
    either.  Soon as the last of the dinosaurs (like us) that grew up with
    them die off, then they'll be history.
    
    The current popularity of low-tech type bands is a direct signal that
    people are tired of hearing stuff like that.  Even in it's heyday,
    there's limited appeal for people/bands that play technically difficult
    musical styles.  The majority of the audience for any of these bands
    are musicians, not the general public.  The general public could care
    less if music is well written or perfectly executed, they want to hear
    something that's memorable and has a good groove.
    
    re: Chris
    
>    	Thank you for saying that. Rob agrees with me. DT are machines.
    
    Mike Ferris and I were just talking about this at lunch yesterday.  One 
    of the biggest reasons I find DT disinteresting is that they're just
    *too* slick and perfect.  I like emotional music and this just doesn't
    do it for me.  It's interesting, in the same respect that someone that
    paints a picture that looks as good as a photograph, but at that point,
    the photograph is just as good (and a heck of a lot easier and less
    expensive).
    
    gh
542.478more on the showASDG::BECHTLERThu Mar 11 1993 18:0811
    Re Moodcrush (opening band)...I thought some songs had potential,
    especially the last one, but it was WAY TOO LOUD, or at least way too
    distorted.  The sound was much better for DT, although some of the
    soft vocals were a little too fuzzy for my taste.  
    
    This was my first time to Avalon...do people there frequently smoke 
    controlled substances so openly?  I liked the club a lot...we had
    free parking and great sight lines over the floor crowd from the
    left-hand side railing.  
    
    Laurie B.
542.479METALX::SWANSONPeopleThinkI'mCrazyButI'mInDemandThu Mar 11 1993 18:2813
>   It's interesting, in the same respect that someone that
>    a picture that looks as good as a photograph, but at that point,
>    the photograph is just as good (and a heck of a lot easier and less
>    expensive).
    
    Yeah, but what about the talent it would take to paint a picture that
    was indistinquishable from a photograph?   Not to mention the fact that
    that person could then paint photograph quality scenes that were
    complete fantasy and could never be captured in a photograph!
    
    |KS|
    
    
542.480FRETZ::HEISERThu Mar 11 1993 18:2910
>    Mike Ferris and I were just talking about this at lunch yesterday.  One 
>    of the biggest reasons I find DT disinteresting is that they're just
>    *too* slick and perfect.  I like emotional music and this just doesn't
>    do it for me.  It's interesting, in the same respect that someone that
>    paints a picture that looks as good as a photograph, but at that point,
>    the photograph is just as good (and a heck of a lot easier and less
>    expensive).
    
    gh, thanks for admitting that DT = Steve Vai and you don't like either
    one.  There's hope for ya brother!
542.481METALX::SWANSONPeopleThinkI'mCrazyButI'mInDemandThu Mar 11 1993 18:305
    re: .478
    
    I didn't see any "substances" only smelled them....  *was* kinda
    suprised though at how many times I noticed it though!
    
542.482Right, that's what I was implying!GOES11::G_HOUSEIt's NOT a TOOMAH!Thu Mar 11 1993 18:4833
    re: Ken
    
>    Yeah, but what about the talent it would take to paint a picture that
>    was indistinquishable from a photograph?   
    
    But that was my entire point!  It clearly takes incredible amounts of
    skill to be able to do that kind of thing, but the end result is no
    better then that done without the attendant skill.  Therefore that use
    of skill is misplaced for most people that would view the painting,
    who couldn't care less if it was a painting or a photo.  Sure, there
    will be a very small subset of people out there that will *highly*
    value the piece for the skill it requires to execute it, but most
    people couldn't care less about the process, only the end result.
    
    BTW, skill != talent, in my book.
    
>    Not to mention the fact that
>    that person could then paint photograph quality scenes that were
>    complete fantasy and could never be captured in a photograph!
    
    But, if it appears to be a photograph, people will think that it is,
    whether it really occurred in time and space or not.
    
    re: Mikey
    
>    gh, thanks for admitting that DT = Steve Vai and you don't like either
>    one.  There's hope for ya brother!
    
    Totally different thing, Vai makes me feel something when I listen to
    his stuff, DT doesn't.
    
    gh
                                                        
542.483dude, you need HELP!FRETZ::HEISERThu Mar 11 1993 18:518
542.484GOES11::G_HOUSEIt's NOT a TOOMAH!Thu Mar 11 1993 19:028
>    right and the next thing you'll tell me is that you sense all kind of
>    emotions from your new Poison CD.
    
    You keep trying to convince me of that, but I *still* say Poison sucks!
    
    Now take off those womens underwear and wash that makeup off your face!
    
    gh
542.485FRETZ::HEISERThu Mar 11 1993 19:042
    Like I told ya yesterday, there's a time and place for peaking.  BTW -
    my wife says your taste in makeup is lousy.
542.486METALX::SWANSONPeopleThinkI'mCrazyButI'mInDemandThu Mar 11 1993 19:307
 >   skill to be able to do that kind of thing, but the end result is no
 >   better then that done without the attendant skill.  Therefore that use
    
    Yeah, but the end result is better if the painter painted something
    surreal that could not be photographed, but yet still looked like a
    photograph!
    
542.487What gives?COMET::MARTINNI'll hate you better!Thu Mar 11 1993 20:358
    Re. Greg
    
    Wasn't it you that was arguing the fact of how little skilled musicians
    are out there and yet they're the ones who sell out just to make it?
    
    Now you're stating just the opposite of what you did before that
    technique isn't as important as feeling.....
                                                Rat
542.488I don't think I contridicted myself...GOES11::G_HOUSEIt's NOT a TOOMAH!Thu Mar 11 1993 21:1149
    re: Ken
    
>    Yeah, but the end result is better if the painter painted something
>    surreal that could not be photographed, but yet still looked like a
>    photograph!
    
    You can set almost anything up for a photograph using props and stuff. 
    The idea is though that if it looks like a photograph, then it probably
    isn't going to be all that different from the topics you'd find in one.
    
    I used to take a lot of "art" type photograhs.  You might be surprised
    how abstract photographs can be, it ain't all people and landscapes. 
    In fact, my stuff was abstract enough that it turned most people off. 
    I got so I wouldn't take any "normal" photos 'cause that didn't
    interest me and I ended up getting out of that particular hobby (which
    I was deeply involved in) because of it.
    
    re: Nat
    
    I'm not sure what it was that I said that you're thinking about, but I
    don't think I intended it the way you're saying it.  I've always loved
    music that has little or no technical merit.  I also like a lot of
    people who are monsterously skilled at playing, but it's not for the
    skill.  
    
    Mikey's noting my love for Steve Vai's stuff is a prime example.  I
    love Vai's music and he makes me drop my jaw in awe sometimes at the
    things he can play, but it's not solely because of his playing skill
    (which is tremendous), it's because of the way he uses it in a musical
    context.  
    
    Chris Impelleterri is an example of someone who's got great playing
    skill that I can't stand.  His music is totally cold and uninspired.  I
    think there's a note in here somewhere on him, check my responses on
    it, even way back then.  He's an amazing guitarist, but I hate his
    songs.
    
    Technical skill is a means to an end, not an end in itself.  The art is
    the music, not the athletic ability used to make it.  What I've heard
    of Dream Theater's music just doesn't inspire much inside me.  They're
    clearly very skillful and know their stuff, but I don't particularly
    enjoy it.  I mean, it's not like I hate 'em or anything.  I won't
    change the station if one of their songs comes on or anything...
    
    I'm mostly just baitin Buck and Rob by saying that stuff in this note
    anyway...  ];^)
    
    gh
                
542.489BINKLY::DEMARSEJust say NO to hummus!Thu Mar 11 1993 22:3431
    
    
    
    ->> <<< Note 542.472 by DECAGE::HOWES "When angels waken with a kiss....">> 
    ->>
    ->> >    Seth, please do me a favor and DROP IT.  The whole conversation is
    ->> >    OVER.
    ->>        Sorry, I didn't know you were the notes police.....
    ->>        Well if you say it is over it is over, your majesty. ;)
    
    Seth, what I mean is that I'm not wasting any more time on something that's
    really stupid.  And the first thing that you do today is try starting it up
    again.  That's why I asked you to give it a rest for once.  
    
    ->>        As far the the 'conversation' these type of 'fights' about
    ->>        taste is standard HEAVY_METAL material, if you don't like
    ->>        it hit next unseen, or go back to 'The Dead'
    ->>
    ->>                                                -Seth
    
    (sigh).....:(  
    
    ->>        But Buck you are taking a chance by writing a note about
    ->>        DT in the DT note....   Watch out for the patrol(wo)men!!!!
    ->>        They'll put a stop to that real quick! ;)
    ->>	                                           -Seth
    
    whatever
    
    
    /danielle
542.490music is math and algorithmsKDX200::ROBRThis world is spinning around meThu Mar 11 1993 23:4611
    
    yep, youre right chris, i said it and i knew what i was saying when i
    did.  emotional music for me is music that is pure logic.  perfection
    of form and technical writing.  that's why groups like DT, rush and
    yngwie are my favorites.  I find TONS of emotion in them.  Yngwie a bit
    less because that's just one person taking the lead and not everybody
    working together as a perfect logical unit.  of course i like tons of
    other stuff, but they don't inspire me like rush and DT.  I suppose
    that why I like a lot of fusion as well...
    
    
542.491POWDML::BUCKLEYWhoway, da Wabbit kicked da bucket!Fri Mar 12 1993 02:508
    -1
    
    You forgot Yes, Fates Warning, Leatherwolf, and Kansas!  I totally
    agree -- brillint music (to me) :== a group of musicians who can
    come together together and make a chemistry to produce a complex,
    masterful work.  That can be the London Philharmonic or it can be
    Weather Report.  Unfortunately, I don't think it includes such
    bands like L7 or Metallica.
542.492KDX200::ROBRThis world is spinning around meFri Mar 12 1993 08:135
    
    speaking of weather report, do you have a favorite?  i have heavy
    weather but i didnt find it too inspiring for some reason...
    
    
542.493Don't Dream it ... BE it!POWDML::BUCKLEYWhoway, da Wabbit kicked da bucket!Fri Mar 12 1993 11:501
    
542.494BUSY::ESCOBARSo I Can See Where I'm Goin' BabyFri Mar 12 1993 12:1516
    
    You're right, that catagory you described doesn't include; Metallica,
    Guns N' Roses, Megadeth,...
    
    Oh I almost forgot... those are the biggest names in Metal. Oh I'm
    sorry... did you say Dream Theater, Yes and Rush is what the people want?
    
    Face it, DT are great musicians. They're music is great. But it's 
    all just a bunch of chords and time changes. 
    
    Sorry, I find more emotion in the "die" chant in Creeping Death than I
    find in the whole I&W album.
    
    
    
    
542.495GOOEY::JUDYThat's Ms. Bitch to you!Fri Mar 12 1993 12:243
    
    	Personally....I think I&W is great just from the lyrics
    	alone.....  
542.496to each his ownPOWDML::BUCKLEYWhoway, da Wabbit kicked da bucket!Fri Mar 12 1993 12:263
    You see, I (me, personally) think the "die" chant is stupid.
    JUST MY HUMBLE OPINION.  To *me* -- Emotion is the sweet sax
    solo at the end of Another Day, or the end of Metropolis...
542.497Hahahaha... none of 'em, right?BUSY::ESCOBARSo I Can See Where I'm Goin' BabyFri Mar 12 1993 12:514
    
    Ok... and which member of the band did that Sax Solo?
    
    
542.498Well?BUSY::ESCOBARSo I Can See Where I'm Goin' BabyFri Mar 12 1993 13:192
    
    
542.499each is as good at their own instrumentKDX200::ROBRThis world is spinning around meFri Mar 12 1993 13:376
    
    actually the sax on the album was done by Jay Beckenstein who was
    loaned to them from GRP.  the sax when live is played by the keyboards.
    what's your point?
    
    
542.500KDX200::ROBRThis world is spinning around meFri Mar 12 1993 13:373
    
    500 dreamy replieeezzzz...
    
542.501KDX200::ROBRThis world is spinning around meFri Mar 12 1993 13:404
    
    ps, jj is right.  just the lyrics in themselves make this band
    something special and rare.
    
542.502BUSY::ESCOBARSo I Can See Where I'm Goin' BabyFri Mar 12 1993 13:455
    
    The lyrics? They're second rate Jim Morrison wannabes. The lyrics on a
    portion of the songs turn me off.
    
    
542.503not!POWDML::BUCKLEYWhoway, da Wabbit kicked da bucket!Fri Mar 12 1993 13:585
    Oh yeah, the are second rate!!  Nothing like...
    
    "Die, Die by Death.  I creep across the land, killing first born
     man"  Those are f***ing brilliant, man!!
    
542.504;^)GOES11::G_HOUSEIt's NOT a TOOMAH!Fri Mar 12 1993 14:094
> emotional music for me is music that is pure logic.  perfection
>    of form and technical writing.  
    
    Rob of Vulcan speaks.
542.505Cool show once again!DECAGE::HOWESWhen angels waken with a kiss....Fri Mar 12 1993 14:1016
>    "Die, Die by Death.  I creep across the land, killing first born
>     man"  Those are f***ing brilliant, man!!
	hehehehehe ;)


	BTW the show last night a Poughkeepsie, was really cool, the
	opening band 'Head' were terible they are like a bad cross
	between Siagon Kick and Shotgun Messiah  Brrrr!!!

	Everybody moshed to 'Pull Me Under' again. ;)



							-Seth   

542.506thanx for the complimentKDX200::ROBRThis world is spinning around meFri Mar 12 1993 14:153
    
    greg, peace and long life :').
    
542.507Live long and prosper, RobGOES11::G_HOUSEIt's NOT a TOOMAH!Fri Mar 12 1993 14:168
    FWIW, I have to agree with Buck on the "die die" chant thing, pretty
    juvenile.

    re: Seth

    They mushed to "Pull Me Under"?  VERY strange...

    gh
542.508KDX200::ROBRThis world is spinning around meFri Mar 12 1993 14:185
    
    they didnt mosh THIS time... now the chapter 11 show... THAT was a
    mosh!  :')  (not a great mosh, but still a mosh).  i was fairly close
    to the front with buck.  i think we would have noticed a mosh.
    
542.509nobody told me there was another show!!!KDX200::ROBRThis world is spinning around meFri Mar 12 1993 14:198
    
    oh wait a sec... poughk... whatever...???
    
    there was another show last night???
    
    where the hell was that???  (ie poghmumblefratz)???
    
    
542.510BUSY::ESCOBARSo I Can See Where I'm Goin' BabyFri Mar 12 1993 14:215
    
    That's funny I was born in Poughkeepsi.
    
    
    
542.511BINKLY::DEMARSEJust say NO to hummus!Fri Mar 12 1993 14:2814
        ->>They mushed to "Pull Me Under"?  VERY strange..
    
        ->>they didnt mosh THIS time... now the chapter 11 show... THAT was
    	->>A mosh!  :') 
    
    yes, the Chapter 11 moshing thing was very strange....and to top it off
    we were all near the front where it started....
    
    	->>  oh wait a sec... poughk... whatever...???
    
    There was a show at Poughkeepsie, NY last night.......I think near NYCish..
    they're also playing in Rochester, NY soon....I have friends going....
    
    
542.512It was at 'The Chance' (the the = though the)DECAGE::HOWESWhen angels waken with a kiss....Fri Mar 12 1993 14:3017

re: Greg
>    They mushed to "Pull Me Under"?  VERY strange...
	  ------

	Yep, got out the sleds the dogs and everything!!!! hehehehe ;^)
	It is kinda silly to mosh to DT, the the heavy parts of the
	song, "live" do get EVERYONE moving.   Even the security guards
	stopped watching the crowd, they looked at the band, and were
	bobing their heads around. ;^)

re: Rob
	Yup, last night in Poughkeepsie N.Y. about 40 miles north of
	N.Y. City.....   'Twas cool.

							-Seth
542.513KDX200::ROBRThis world is spinning around meFri Mar 12 1993 14:344
    
    whens the show in rockchester???  if its a fri or sat im going!! 
    (interested buck?)
    
542.514no mo snow!POWDML::BUCKLEYWhoway, da Wabbit kicked da bucket!Fri Mar 12 1993 14:352
    I donno, Rob.  Rochester would be a cool trip, but not through the
    Blizzard of the century...
542.515Rovhester show...BINKLY::DEMARSEJust say NO to hummus!Fri Mar 12 1993 14:361
    I think it's during the week, but I'll check...
542.516BINKLY::DEMARSEJust say NO to hummus!Fri Mar 12 1993 14:371
    I mean, Rochester show......oops
542.517GOES11::G_HOUSEIt's NOT a TOOMAH!Fri Mar 12 1993 14:4313
re: Seth
    
>>    They mushed to "Pull Me Under"?  VERY strange...
> 	   ------
>
>	Yep, got out the sleds the dogs and everything!!!! hehehehe ;^)
    
    Musta been SOME show!!!  While the band's up there acting out their
    songs, the audience is breaking out the dogsleds!
    
    I think my spelling musta been a Freudian slip...
    
    gh
542.518Whoa - 12 hours in the car!BOVES::FENNELLWhat you got buried in your backyard?Fri Mar 12 1993 14:4312
If I remember right Rochester is 350 miles from the 495/Mass Pike
intersection.  Take if from me...  Going to Rochester from here is the trip
from hell.  It'll take you a good 6 hours because everybody goes 60-65.

DO NOT go in the snow.  They get real snow near Buffalo.  As in park the
car on the side of the highway because we can't move...






542.519BUSY::ESCOBARSo I Can See Where I'm Goin' BabyFri Mar 12 1993 14:447
    
    "Acting out their songs"
    
    	
    I love it. ;')
    
    
542.520GOOEY::JUDYThat's Ms. Bitch to you!Fri Mar 12 1993 15:078
    
    
    	Chris
    
    	Give it a rest.  You like Metallica and not DT...we get the
    	point.
    
    
542.521GOES11::G_HOUSEIt's NOT a TOOMAH!Fri Mar 12 1993 15:116
    re:  JJ
    
    I think you're missing his point, he *likes* DT!  It's been on his
    "what's hot" list for weeks.
    
    gh
542.522KDX200::DRTBYK::COOPEREx-Squeeze Me ? Baking Powder ?Fri Mar 12 1993 15:146
Dream Theater rools!

BTW - The sax solo in question was recorded by the sax player from Spyra Gyra,
I think...  Isn't that right dood??  What a SWEET TOON !

jc (Who only recently has one thing in common with John Pertrucci)
542.523GOOEY::JUDYThat's Ms. Bitch to you!Fri Mar 12 1993 15:157
    
    
    	re: gh
    
    	Well then I guess I don't get it......  oh well.  =)
    
    
542.524FRETZ::HEISERFri Mar 12 1993 15:183
>                       -< music is math and algorithms >-
    
    silly me, I always thought that was for computers.
542.525The Ultimate Band, Folks!FRETZ::HEISERFri Mar 12 1993 15:256
>    did.  emotional music for me is music that is pure logic.  perfection
>    of form and technical writing.  that's why groups like DT, rush and
    
    So to take this logic a step further, the Ultimate band would be a drum
    machine and a synthesizer for all the instruments all on MIDInet. 
    There you'll have enough math and algorithms to lacquer quite a woody.
542.526;')MR4DEC::JWHITMANFri Mar 12 1993 15:305
    
    
    
    
    I THINK THEY ALL SUCK!! 
542.527BUSY::ESCOBARSo I Can See Where I'm Goin' BabyFri Mar 12 1993 16:066
    
    I agree with Whitpose. Dt, Metallica, all of them... they suck!
    
    I'm droppin' metal for Rap... where Machines do the work.
    
    
542.528Go over to LAME::RAP ;)DECAGE::HOWESWhen angels waken with a kiss....Fri Mar 12 1993 16:0810
    
>    I'm droppin' metal for Rap... where Machines do the work.
 
	Okay, take care.... See-ya... Hasta!  ;)


						-Seth   
    

542.529METALX::SWANSONPeopleThinkI'mCrazyButI'mInDemandFri Mar 12 1993 16:1215
    
>    You can set almost anything up for a photograph using props and stuff. 
>    The idea is though that if it looks like a photograph, then it probably
>    isn't going to be all that different from the topics you'd find in one.
    
    Okay, let me use an example, to make my point.  Have you ever seen that
    painting by M.C. Escher of the waterwheel where the water rolls off the 
    wheel, and then appears to travel down a canal only to wind up back at
    the top where it drops off like a waterfall down over the wheel again?
    It's an optical illusion.  How could you ever photograph something like
    that?  I guess it doesn't have to be photograph quality to get the
    desired effect, but you know what I mean!
    
    |KS|
    
542.530KDX200::ROBRThis world is spinning around meFri Mar 12 1993 21:437
    
    
    mike, if it were computers playing all the parts, the music would still
    be enjoyable to me, but it would lose the feeling i get watching people
    that are musically perfect.  that is the thing that really turns me on. 
    people that are so good together that they COULD almost be machines.
    
542.531IMHOCOMET::VERMETTECThe guy with the Rush hat ... Sat Mar 13 1993 08:4915
    Re: Last 50 or 60
    
    Here's mt two cents worth :
    I think progressive is going to make a come back and Dream Theater si
    going to open the doors and pave the way!
    I've been buying up progressive stuff like King Crimson's Box set,
    Yes's Box (and tapes) I've been listening heavily to ELP. I love
    progressive rock. If no one catches on to it now. When I get good
    enough to play in a band I'm going to bring it back in full glory!
    DT has its low spots for me but I haven't heard a group more closely
    play progressive than these boys!
    
    GO DREAM TEAM!
    
    Chris Vermette
542.532BUSY::ESCOBARSo I Can See Where I'm Goin' BabyMon Mar 15 1993 12:2312
    
    "Musically perfect"
    
	I can not believe you said that.
    
    	Claiming that any band is perfect is completely and utterly
    ridiculous.
    
    (Now they're not even human! They don't make mistakes! They're
    perfect!)
    
    
542.533COMET::VERMETTECThe guy with the Rush hat ... Sun Mar 21 1993 21:5620
    re: -.1
    
    
    	I think that the Dream Theater perfection is stylistic of today's
    music. Industrial is using computers and other stuff to make sound. I
    think that technical players are going to be coming out of the wood
    work. dream Theater is deffinately a technical band.
    	I agree with previous notes about it sounding to perfect. I like
    listening to the sound of a vinal album being played(the hiss and white
    noises effect). I think is adds to the whole package. But music tech is
    only going to get better and will make sound more perfect. I personally
    like the way albums were produced in the late sixties and early
    seventies. I play on recording AAD or ADD.
    	I just babbling but here's two more of my hard earned cents:
    	Don't blame DT for being a sign of the times(and of the possible
    future) they have learned to make there sound that well, so well that
    we die hards of the hiss age want to cry, that we dislike what they are
    trying to accomplish. Entertainment in a world of Rap [  B*)  ].
    
    IMMHO - Chris "I was born about 20 years too late" Vermette
542.534POWDML::BUCKLEYA Change of SeasonsMon Mar 22 1993 02:5111
    I've been listening non-stop to WDADU ... this is a great album!
    The production is typical "low budget for 1989" ... ok, but not
    great.  Anywho, the slick production does not mask any of their
    playing, and in fact it sounds less "mechanical" and more like
    real people just jamming.  
    
    Album highlights:
    
    Ytse Jam
    The Killing Hand
    The Ones Who Help Set the Sun
542.535BUSY::ESCOBARSo I Can See Where I'm Goin' BabyMon Mar 22 1993 12:005
    
    How about that hack job on Take The Time that's on the radio. And I
    thought Pull Me Under was bad.
    
    
542.536DT not meant for radioPOWDML::BUCKLEYA Change of SeasonsMon Mar 22 1993 12:032
    
    I heard that the other day -- boy, can a razor ruin a song!  8^(
542.537BUSY::ESCOBARSo I Can See Where I'm Goin' BabyMon Mar 22 1993 13:195
    
    I wonder who does the editing. A cut version wouldn't be bad, if they
    did it right, but the cuts are always in the wrong places.
    
    
542.538DABEAN::REAUMEanalog audio/digital controlMon Mar 22 1993 19:568
    
      DT's  I & W has several songs that fall out of radio's acceptable length.
    
      Radio did it to In-A-Gadda-Da-Vida and is still doing it! Plat the
    drum solo!
    
    							-B{}{}M-
    						
542.539addendum to .413 -- Sources for DT's 1st lp...WDADUPOWDML::BUCKLEYfeelin stronger everydayThu Mar 25 1993 00:2971
 *****************************************************************************

        " W H E N  D R E A M  A N D  D A Y  U N I T E "  S O U R C E S

 *****************************************************************************


    This is a list of all sources for Dream Theater's "When Dream And Day
    Unite" that I know of as of March 22, 1993.  If you know of a WDADU
    source that is not on the list (or a source listed that is out of
    stock) please e-mail me at  cl238527@ulkyvx.louisville.edu so I can
    keep this list current--my main info source for this list is Internet!

________________________________________________________________________________
And now, The List:

Columbia House carries WDADU; the catalog number is 384842.  Order normally, or
call 1-800-487-0500 to order.  (Note:  This is NOT listed in the usual catalogs
to my knowledge.) This is the only place that I know of that sells WDADU on
cassette.  Probably American.

Life By Design carries WDADU on CD (Japanese) for $21.17 ($22.45 on CO). The
address is:
    Life By Design
    129 N. Wahsatch
    Colorado Springs, CO 80903
    Ph. #: (719)475-0937
    Fax #: (719)471-1408

CDs We Bee sells the Japanese CD of "When Dream And Day Unite" for $23.99.  I
have heard good things about this store...the address is:
    CDs We Bee
    S. 3420 Whipple St.
    Spokane, WA 99206
    Ph. #: (509)922-7378--ask for Spike.

Sound City 2000 sells the Japanese WDADU CD for $25.99 (+$3.75 P&H).  The order
number (which MUST be included in the order) is N02-D042687-J. (BTW, is this
the catalog number for WDADU?)  Write to them at:
    Sound City 2000
    P.O. Box 22149
    Portland, OR  97269-2149
    Ph. #: (503)654-2196

The Exclusive Co. is selling the German WDADU CD at $15.99--the lowest price
seen yet for WDADU on CD.  There were only 3 copies when I talked to him last,
though, and I have no idea if he is getting any more.  Write to them at:
    The Exclusive Co.
    508 State St.
    Madison, WI 53703
    Ph #: (608)255-2433

Worldwide CD is also selling the German WDADU CD for $18.00.  The address is:
    Worldwide CD
    P.O.  Box 543
    Villa Park, IL 60181
    Ph. #: (708)941-7619
    Fax #: (708)941-7923

    Reportedly, Goldmine Magazine (a rare records/boots mag) is offering
    WDADU-- could someone give me the address so I can confirm this? 
    Thanx...

    Still trying to confirm the Slipped Disc lead...no response yet to my
    letter (of course that could be due to the blizzard, tho'...)  I will
    list an address when I get confirmaton that they still have it.  (BTW,
    Dream Theater mentions them in the liner notes to I&W...)
    ________________________________________________________________________________
    Well, that wraps it up for this week--keep your eyes peeled, good luck,
    and as always, DREAM ON!!!!!
542.540POWDML::BUCKLEYfeelin stronger everydayThu Mar 25 1993 13:1550
    RE: .3
    
    Not that you're probably still reading this file, but a lot of what
    I read in your reply is total BS --     
                                 
    >Those guys were at the WJUL studio for an interview a few weeks
    >ago for the Metallic Mayhem show. Heard a few of their songs,
    >nothing really stood out. Not sure if keyboards belong in a Thrash
    >metal outfit. 
    
    Thrash metal??  DT aspires to be nothing more or less than a
    "Progressive Rock" (the band's term) band!
    
    
    >They talked about different things. Their name came from a theater
    >that Petrucci's father used to frequent as a kid in California.
    
    Correction, drummer Mike Portnoy's father gave the band their name,
    not Petrucci!
     
    
    >I was surprised at the apparent lack of experience these guys
    >portrayed.  Noone claimed to have been a musician for more then a
    >couple of years. 
    
    What?!?  4 out of 5 members spent 4 years at Berklee College of Music.
    I know, they were in my graduating class!!  And, you don't just WALK
    into Berklee to start to learn your instrument -- you have to take an
    admissions test to prove instrument proficiency!  So, take your "none
    of them have been a musicians for more than a couple of years" and 
    smoke it buddy!
    
    
    >A typical "conversation" sounded like this -
    > 
    >DJ: Well, John, how did you get started on the base.
    >J:  Well, you know, like I was just hangin' out and, well, John
    >    asks me to come over cause like, he needed someone to play base
    >    and like, I never played before, so well, I started playin.
     
    Well man, like, if you ever like hung out with any of the cats at
    Berk, you know?  Like, you'd kind of understand the gist of the
    school lingo, you know?  Kind of like 60s Hippy meets "valley girl".
    But what does prose have to do with chops??  I knew this fiend of a
    player named Vadeem who was being begged by several top artists 
    (Chaka Kahn, Barbara Streisand, Patti LaBelle) to play in their
    recording/touring band ... he burned, but "to like, you know, listen
    to him talk, you know?  you'd think, like, he was an idiot".
    
  
542.541BUSY::ESCOBARAre You Gonna Go My Way?Thu Mar 25 1993 13:534
    
    You're replying to a 3 and a half year note? 
    
    
542.542KDX200::ROBRThe adventures of Letterman!Thu Mar 25 1993 13:5511
    
    buck, i of course agree with you 100%, but im curious, when i was
    practically begging you to buy the album, you wouldn't go near it.  you
    had  never heard of the guys.  now that you find they are so great,
    they were suddenly school buddies (a previous note mentioned that when
    you were in school with them, they jammed out like 5 nights of the
    week, etc).  did you KNOW these guys or did they just go to the same
    school?  hell, jay leno went to my old school.  probably 15 years
    before i did though :').  not trying to bust them, just curious.
    
    
542.543BUSY::ESCOBARAre You Gonna Go My Way?Thu Mar 25 1993 14:195
    
    Yes, If I recall, I was only the second person in this conference who
    bought the album. Rob wouldn't shut up ;') about them, so I checked
    them out. How strange...
    
542.544Roolin ever since!DECAGE::HOWESWhen angels waken with a kiss....Thu Mar 25 1993 14:2410


	Do you remeber the day you bought Dream Theater I&W???? ;^)


	14-Jul-1992.... ;^)


							-Seth
542.545BUSY::ESCOBARAre You Gonna Go My Way?Thu Mar 25 1993 14:284
    
    Yeah, the about 3 days after Tigga's summer party. 
    
    
542.546didn't like 'em then, still don't.....CADVAX::STARRLove and hope and sex and dreamsThu Mar 25 1993 16:064
You guys are laaaame - check out the base note for when I got my first
Dream Theater album.....

alan
542.547BUSY::ESCOBARAre You Gonna Go My Way?Thu Mar 25 1993 16:136
    Oh I'm sorry, your  Highness, didn't realize you bought yours so
    early.

    

542.548KDX200::ROBRThe adventures of Letterman!Thu Mar 25 1993 16:279
    
    alan does get the DT credit for when the first album came out, and we
    all ignored him :').  then i forced everybody to listen to it as
    tigga's party (well sort of, it was rather distorted :')) over and
    over.
    
    jack gave me a copy about 6 weeks before it came out.  (ps, i also have
    new savatage and testament.  dont THINK they are out yet).
    
542.549DECAGE::HOWESWhen angels waken with a kiss....Thu Mar 25 1993 16:417

	Rob how is the new savatage?  I heard they got
	a new singer...   What does he sound like?


					-Seth
542.550went to different schools together?FRETZ::HEISERraise your voice in shouts of joyThu Mar 25 1993 17:004
    Rob asks some interesting questions of Buck.  I can't wait to hear the
    answers.
    
    Mike
542.554The "other" musician's musicians bandDREGS::BLICKSTEINMy name is Victoria WintersThu Mar 25 1993 18:445
>    depenz on what??? don't miss the most spectacular display of
>    musicianship this side of rush!!
    
    Rob my friend, I am going to have to take you to a Dregs show.
    
542.555POWDML::BUCKLEYfeelin stronger everydayThu Mar 25 1993 19:4019
    >buck, i of course agree with you 100%, but im curious, when i was
    >practically begging you to buy the album, you wouldn't go near it.  you
    >had  never heard of the guys.  now that you find they are so great,
    >they were suddenly school buddies (a previous note mentioned that when
    >you were in school with them, they jammed out like 5 nights of the
    >week, etc).  did you KNOW these guys or did they just go to the same
    >school? 
    
    I remember Majesty from Berklee -- they were one of the "Hot" bands
    to catch (you know, word of mouth ... Majesty is doing a recital in
    E10 on Wedneday, check it out...).  Never heard of "Dream Theater"
    til I bought the I&W album!!  Indeed, after learning they went to
    berklee, I went and checked my yearbook -- there they were ... john,
    john, and mike, Class of 85.  i remember seeing Mike Portnoy around,
    and Jung Myung did lots of sessions.  I think Petrucci was in one of
    William Leavitt's guitar ensembles with me, but I'm not sure.  Anywho,
    I remember the faces, and the "former" band (who were more often than
    not an instrumental band).  The whole "Dream Theater" thing came later
    I guess..
542.556maybe they weren't my best friends, but...POWDML::BUCKLEYfeelin stronger everydayThu Mar 25 1993 21:558
    
    ...and oh by the way -- I also checked by "musician resource" listing
    I had when I was an active engineer/producer.  I have the addresses
    and phone numbers of John, John, and Mike from Dream Theater still in
    my book!  AND -- they're still legit ... just called Mike Portnoy --
    his answering machine msg sez "Hi -- I'm on tour in Europe, leave a
    message after the beep"...
    
542.557KDX200::ROBRThe adventures of Letterman!Thu Mar 25 1993 23:333
    
    cool!!!  hi, im in europe... NICE!!  :')
    
542.558Cool, yes; stupid, also yes; relevant, NOT!DREGS::BLICKSTEINMy name is Victoria WintersFri Mar 26 1993 03:046
    "Cool" perhaps, but also pretty stupid.
    
    He might as well say "Hi, no one is going to be in my house for awhile. 
    Come and rip me off!"
    
    The cops make a point of telling people not to do this.
542.559The EyKay is under the AtMayBOVES::FENNELLBack to the LightFri Mar 26 1993 11:425
Really,

Maybe he needs new stereo equipment...

Tim
542.560BUSY::ESCOBARAre You Gonna Go My Way?Fri Mar 26 1993 12:015
    
    You know you have a problem when you think a bands answering machine
    message is cool.
    
    ;');');')
542.561KDX200::ROBRThe adventures of Letterman!Fri Mar 26 1993 13:415
    
    um, maybe he is set up like me.  i leave messages on my machine telling
    where i am when i go away.  i also live at home and just have my own
    line.  when im gone, there are still plenty of people about.
    
542.562GOES11::G_HOUSEThatsWhenIreachedForMyRevolverFri Mar 26 1993 14:464
    Yeah, I was just thinking the same thing, Rob.  Maybe he doesn't live
    alone, just has a personal phone line.
    
    gH
542.563Latest complete listing of where to find the 1st albumPOWDML::BUCKLEYfeelin stronger every dayTue Mar 30 1993 11:5881
 *****************************************************************************

        " W H E N  D R E A M  A N D  D A Y  U N I T E "  S O U R C E S 
 
 *****************************************************************************

Hi again!  Got some new sources, and some updates on a few old ones, so here we
go again (CO noters, take note of source in the Springs!!)!  

    
And now, The Mother Of All WDADU Lists...

 *****************************************************************************

As always, Columbia House is carrying WDADU on cassette through their ordering
club. This is their print of the U.S. version.  The order number is 382842.
Order normally, or call 1-800-487-0500.  (Note: You have to be a member or join
Columbia House to go this route.  Also, the wait can be long--but it's
definitely worth it...)

A person on Internet is selling the U.S. version on cassette, as well as the
German CD.  The cassette goes for $3.95 and the CD goes for $18.95.  Contact at
"ranjit@netcom.com" for more info.

I have heard some people in Goldmine, a rare-records magazine, are selling
WDADU.  You may try this route, especially if you also collect bootlegs and
such.  The phone number for subscription is (715)445-2214.  It is also
available in some collectibles stores for $2.95...

Record-Rama is selling the German (?) version of WDADU.  I was unable to get a
complete address or price, but the phone number is (412)367-7330.
The partial address is at the corner of McNight St. and Siebert Rd. in
Pittsburgh, PA.  (I would appreciate more info on this...)

Life By Design is now carrying the German WDADU (they were carrying the
Japanese version) on CD for $21.17 ($22.45 on CO). (Note: credit card orders 
not accepted--check or Money Order only)  The address is:
  Life By Design
  125 N. Wahsatch
  Colorado Springs, CO 80903
  ph. #: (719)475-0937
  Fax #: (719)471-1408

CDs We Bee is carrying the Japanese version on CD for $23.99.  Hopefully, soon
I will have an e-mail address for this...stay tuned...for now, write or call
at:
  CDs We Bee
  S. 3420 Whipple St.
  Spokane, WA 99206
  ph. #: (509)922-7378--ask for Spike.

Sound City 2000 has the Japanese CD for $25.99 (plus $3.75 p&h).  The order
number (which must be included in the order) is N02-D042687-J. The address
is:
  Sound City 2000
  P.O. Box 22149
  Portland, OR 97269-2149
  ph. #: (503)654-2196

Metal Disc is selling WDADU (no price or country info given).  The address is:
  Metal Disc
  P.O. Box 4649
  Thousand Oaks, CA 91359
  ph. #: (805)492-METL

The Exclusive Co. is selling the German CD for $15.99 (they may be out at the
time of this writing...I don't know.  Please give me recent info on this).
Try them at:
  The Exclusive Co.
  508 State Street
  Madison, WI 53703
  ph. #: (608)255-2433

Worldwide CD is selling the German CD for $18.00...call or write at:
  Worldwide CD
  P.O. Box 543
  Villa Park, IL 60181
  ph. #: (708)941-7619
  Fax #: (708)941-7923

 *****************************************************************************
542.564KDX200::COOPERLet The Light Surround You!!Tue Mar 30 1993 17:431
    On my way downtown with spouse and child to get my copy NOW!!!!
542.565Did anyone from here go??POWDML::BUCKLEYdark and stormy plains..Thu Apr 01 1993 12:5813
From USENET:

I saw them last night (30th) at the Marquee in London and they were 
incredible!

Give me a day or two and I'll post the rest of the European dates.

I do know that they are playing Stockholm tonight (31st) and they 
return to the Marquee on Friday 23rd April - I'll be there.

Cheers,

Mark
542.566DABEAN::REAUMElight 2 dark,dark 2 lightFri Apr 02 1993 13:2811
    
    
      Dream Theater just re-booked their gig in Syracuse. They were
    scheduled a few weeks ago, but we got hit with four feet of snow and
    EVERYTHING shut down, including the gig.
      The new date is May 17th which is a Monday, so I know there won't
    be any band conflicts. And the promoter, Chuck, is a friend of mine
    so hopefully that beer I bought him last month will come in handy
    for primo seats!
      
    							-B{}{}M-
542.567Syracuse, Italy?DREGS::BLICKSTEINMy name is Victoria WintersFri Apr 02 1993 15:5510
    > Dream Theater just re-booked their gig in Syracuse. 
    
    >  The new date is May 17th which is a Monday
    
    Huh???  I thought they were gonna be in europe until (at least) the
    summer?
    
    If not, Buck/Rob - Syracuse is a mere 5 hours away. 
    
    	db - who hasn't seen them live yet
542.568Dream Theater EURO Dates!POWDML::BUCKLEYdark and stormy plains..Fri Apr 02 1993 16:0026
    Here is a list of dates that Dream Theater are playing on their current
    European tour:

March
30    London            England

April
1    Stockholm          Sweden
2    Copenhagen         Denmark
4    Ludwigsburg        Germany
5    Milan              Italy
7    Augsburg           Germany
8    Munich             Germany
9    Hamburg            Germany
10   Utrecht            Holland
12   Bonn               Germany
13   Paris              France
14   Werl               Germany
15   Frankfurt          Germany
17   Dudley             England
18   Milton Keynes      England
19   Bristol            England
21   Glasgow            Scotland
22   Buckley            England
23   London             England
                 
542.569COMET::MARTINNI'll hate you better!Fri Apr 02 1993 16:271
    Oh yea 5 69's!!!
542.570<8'0LACV01::MCCARTNEYLike Paul, without the moneyFri Apr 02 1993 16:383
    Rat, I don't know how you have energy for anything else with all those 69's
    you keep snagging.
    
542.571Couldn't let the pass (unfortunately)DREGS::BLICKSTEINMy name is Victoria WintersFri Apr 02 1993 17:005
> 22   Buckley            England
    
    A private audience Buck?
    
    ;-)
542.572Oh the crosses we must bear! :^)COMET::MARTINNI'll hate you better!Fri Apr 02 1993 18:165
    >Rat, I don't know how you have energy for anything else with all those 69's
    >you keep snagging.
    
    Well it's a tough *job* but someone has to do it.... :^) or better yet
    :^0
542.573KDX200::ROBRNo one can stop us now...Fri Apr 02 1993 19:543
    
    syracuse... dave, im there!  (Assuming its not snowing in may :'))
    
542.574DABEAN::REAUMElight 2 dark,dark 2 lightSat Apr 03 1993 23:1415
    
    
      Got my tix for the Syracuse DT gig. My connection (the owner) came 
    through. The girl in the box office was gonna give me second row in the
    balcony, which wasn't all that bad (actually the way the place is
    arranged there isn't a bad seat in the house). So I talked to my buddy
    today, who was gonna sell me tickets on Friday after work but he'd
    locked the keys to the box office IN the box office just before I got
    there. He told me to come back today and he'd hook me up with great
    seats. Check this out: Orchestra , Center, Row AA (first row). 
      Talk about psyched. I'll be able to give Coop some of Patrucci's
    Tri-Axis patches from where I'm sitting! The band is gonna be in my
    face! Now I gotta wait six weeks!
    
    							-B{}{}M-
542.575KDX200::ROBRNo one can stop us now...Sun Apr 04 1993 05:014
    
    what size hall is this??  reserved seating at a DT show?  Dave B and I
    (and maybe buck???) were planning on driving out there for this.
    
542.576KDX200::ROBRNo one can stop us now...Sun Apr 04 1993 05:0310
    
    ps, wdadu rules!!!!
    
    (thanks buck!!!)
    
    pps, dave b and i went to see fortune tonight.  both of us were rather
    disappointed to find they dont play covers at all anymore.  thier
    originals were good i guess, but kind of boring and nothing like all
    the cool progressive covers they used to do.
    
542.577good acoustics too!FREEBE::REAUMElight 2 dark,dark 2 lightSun Apr 04 1993 20:068
    
      Symphony Hall in Syracuse is a new venue with approx 1000 capacity.
    The tix for the Dream Theater show on May 17th are $14.50. Keep in
    mind this is a Monday evening and the show starts at 7:30 p.m.
    
      If anybody is heading out this way, give me a shout!
    
    							-B{}{}M-
542.578monday eh? dave? still wanna go?KDX200::ROBRNo one can stop us now...Mon Apr 05 1993 08:216
    
    dont suppose you can get any more way cool seats :') :')
    
    1000 ???  they pack that many into axis anyway :').  
    
    
542.579POWDML::BUCKLEYdark and stormy plains..Mon Apr 05 1993 13:563
    Someone in here said DT was supposed to be playing at the Boston
    Music Awards.  Well, they have a gig scheduled that night in
    Germany -- I don't think they'll be PLAYING at the awards!!
542.580BUSY::SLABOUNTYIt's a fine, fine dayMon Apr 05 1993 16:216
    
    	I found WDADU in CDSWAP for $6 ... glad I didn't respond to that
    	ENET mailing list right awayand pay full price!!
    
    							GTI
    
542.581KDX200::ROBRNo one can stop us now...Mon Apr 05 1993 21:167
    
    what???  you pud...  :'(
    
    
    btw buck, i had also heard the same thing about the BMA and DT.  I had
    forgotten though until you mentioned it.
    
542.582POWDML::BUCKLEYdark and stormy plains..Mon Apr 05 1993 21:212
    Yeah, I've heard it too, but if you peruse their European Tour
    schudule, kinda makes you say "WTF?"
542.583Half of the band here, other half there ????PAULUS::JAKOBIStefan Jakobi, L10N, ISE FrankfurtTue Apr 06 1993 06:475
    
    	What date is the Boston Music Award ?
    		
    	...SJ...
    
542.5844/7/93WMOIS::MAZURKASon_Of_The_Dynamic_TensionTue Apr 06 1993 10:191
    Ta_Marra..         
542.585Maybe they BEAM themselfs...PAULUS::JAKOBIStefan Jakobi, L10N, ISE FrankfurtTue Apr 06 1993 11:475
    
    	At least they are scheduled to be in Germany that date. 
    	Don't know how they want to manage...
    
    	...SJ...
542.586guess they were wrong....BINKLY::DEMARSESoak the SunTue Apr 06 1993 13:444
    I think they said it on the radio like a month ago.....appearances by
    Dream Theater, Evan Dando, Juliana Hatfield, etc. etc.....
    
    
542.587POWDML::BUCKLEYam i ever gonna change?Wed Apr 07 1993 20:12158
    From usenet -- ever wonder about those Hamlet references in PULL ME
    UNDER??
    
    ***************************
    
Lost in the sky
Clouds roll by and I roll with them

	KING CLAUDIUS [to Hamlet]  How is it that the clouds still hang on you?

Arrows fly
Seas increase and then fall again

	HAMLET  To be, or not to be: that is the question:
		Whether 'tis nobler in the mind to suffer
		The slings and arrows of outrageous fortune,
		Or to take arms against a sea of troubles,
		And by opposing end them? To die: to sleep;
		No more; and by a sleep to say we end
		The heart-ache and the thousand natural shocks
		That flesh is heir to, 'tis a consummation
		Devoutly to be wish'd. To die, to sleep;
		To sleep: perchance to dream: ay, there's the rub;
		For in that sleep of death what dreams may come
		[and so on...]

This world is spinning around me
This world is spinning without me
Every day sends future to past
Every breath leaves one less to my last

Watch the sparrow falling
Gives new meaning to it all
If not today nor yet tomorrow then some other day

	HAMLET  Not a whit, we defy augury: there's a special
		providence in the fall of a sparrow. If it be now,
		'tis not to come; if it be not to come, it will be
		now; if it be not now, yet it will come: the
		readiness is all: since no man has aught of what he
		leaves, what is't to leave betimes?

I'll take seven lives for one

	There are seven deaths in Hamlet.

And then my only father's son
As sure as I did ever love him
I am not afraid

	Ghost   I am thy father's spirit,
		Doom'd for a certain term to walk the night,
		And for the day confined to fast in fires,
		Till the foul crimes done in my days of nature
		Are burnt and purged away. But that I am forbid
		To tell the secrets of my prison-house,
		I could a tale unfold whose lightest word
		Would harrow up thy soul, freeze thy young blood,
		Make thy two eyes, like stars, start from their spheres,
		Thy knotted and combined locks to part
		And each particular hair to stand on end,
		Like quills upon the fretful porpentine:
		But this eternal blazon must not be
		To ears of flesh and blood. List, list, O, list!
		If thou didst ever thy dear father love--

	HAMLET  O God!

	Ghost   Revenge his foul and most unnatural murder.

	HAMLET  Murder!

	Ghost   Murder most foul, as in the best it is;
		But this most foul, strange and unnatural.

	HAMLET  Haste me to know't, that I, with wings as swift
		As meditation or the thoughts of love,
		May sweep to my revenge.

			- AND -

	HAMLET	Ay, so, God be wi' ye;

		[Exeunt ROSENCRANTZ and GUILDENSTERN]

			Now I am alone.
				[...etc, etc...]
		O, vengeance!
		Why, what an ass am I! This is most brave,
		That I, the son of a dear father murder'd,
				[...etc, etc...]
		

This world is spinning around me
The whole world keeps spinning around me 
All life is future to past
Every breath leaves me one less to my last 

Pull me under  Pull me under
Pull me under  I'm not afraid
All that I feel in honor and spite
All I can do is set it right

	HAMLET  Rest, rest, perturbed spirit!

		[They swear]

				So, gentlemen,
		With all my love I do commend me to you:
		And what so poor a man as Hamlet is
		May do, to express his love and friending to you,
		God willing, shall not lack. Let us go in together;
		And still your fingers on your lips, I pray.
		The time is out of joint: O cursed spite,
		That ever I was born to set it right!

				- AND -

	HAMLET	[...]
		When honour's at the stake. How stand I then,
		That have a father kill'd, a mother stain'd,
		Excitements of my reason and my blood,
		And let all sleep? while, to my shame, I see
		The imminent death of twenty thousand men,
		That, for a fantasy and trick of fame,
		Go to their graves like beds, fight for a plot
		Whereon the numbers cannot try the cause,
		Which is not tomb enough and continent
		To hide the slain? O, from this time forth,
		My thoughts be bloody, or be nothing worth!

Dust fills my eyes
Clouds roll by and I roll with them
Centuries cry
Orders fly and I fall again

This world is spinning inside me
The whole world is spinning inside of me 
Every day sends future to past
Every step brings me closer to my last

Pull me under  Pull me under
Pull me under  I'm not afraid
Living my life too much in in the sun
Only until your will is done

	HAMLET  Not so, my lord; I am too much i' the sun.
			[in response to Claudius's comment on clouds, above.]

Oh that this too
Too solid flesh
Would melt

	[Direct quote]

	HAMLET  O, that this too too solid flesh would melt
        Thaw and resolve itself into a dew!
                               
542.588As the Church lady would say:BOVES::FENNELLBack to the LightWed Apr 07 1993 20:442
Could it be Satan?

542.589no it's Billy ShakesFRETZ::HEISERserving Barney at The Roadkill CafeWed Apr 07 1993 20:471
    
542.590KURMA::IGOLDIEVote with a bulletSat Apr 10 1993 07:347
    at last I've got a chance to hear this band.They play 2 songs on Raw
    power the other night.I was very impressed with the complexity of their
    music.The drummer is very good and the bass player damn fine too.I'll
    listen to their songs again and I may even buy the cd!!
    
    
                                              staynz
542.591KDX200::ROBRI laugh at what I've done...Sat Apr 10 1993 18:244
    
    you MIGHT even buy the cd????!?!?  what does it take?!?  go out and GET
    it!  now!!  it'll be the best purchase you've made in ages :').
    
542.592KURMA::IGOLDIEZig,there's a bee on your head!Sun Apr 11 1993 07:016
    ......so can take it you're a bit of a fan?  8)
    
    
    
    
                                                 staynz
542.593GOES11::G_HOUSEThink, it ain't illegal yetMon Apr 12 1993 16:215
    Ian,

    Definitely get it!  ...especially if you've been experiencing insomnia
    or too much emotion in your life.  This could be the thing that cures
    what ails ya!
542.594BUSY::SLABOUNTYGo Go Gophers watch them go go go!!Mon Apr 12 1993 16:406
    
    	I listened to WDADU once through, and wasn't too impressed.  It
    	was OK, but definitely not as good as I&W.
    
    							GTI
    
542.595KDX200::COOPERLet The Light Surround You!!Mon Apr 12 1993 16:454
    WDADU is definately not for the first time DT listener...  Once weened 
    from I&W, though, it's ROOLIN! 
    
    jc (Who had it grow on him...)
542.596POWDML::BUCKLEYIt's nicer than Betty Monroe had!Mon Apr 12 1993 17:0215
    WDADU and I&W are like day and night!
    
    
    The DT which plays on WDADU is by far a different band!!  The singer
    really does make that much of a difference on a band's sound.  Also,
    they seemed to be more into the "spacey sound with lots of effects"
    on WDADU.  At first, I hated WDADU -- probably becuase I was listening
    to I&W day in and day out.  Then I put I&W away and solely listened
    to WDADU on it's own merits.  I think the album ROOLZ now, but they
    are were their own band, and the two cannot really be compared.  I
    like Charlie Dominicci's vocals for what they were...  He's no LaBrie,
    but he was good for what they were doing back then.
    
    WDADU has some great tunes on there... Killing Hand, Ytse Jam, Light
    Fuse and Get Away, The Ones Who Help Set the Sun, etc. 
542.597hope this helpsFRETZ::HEISERnothing but the bloodMon Apr 12 1993 17:033
>    jc (Who had it grow on him...)
    
    you're pharmacist probably has something for that.
542.598Perhaps the pharmacist also has the cure for baited breathDREGS::BLICKSTEINMy other PC is a MacMon Apr 12 1993 17:1412
    > >    jc (Who had it grow on him...)
    
    >   you're pharmacist probably has something for that.
                                                           
    BTW Mike,
    
    We haven't yet had a rating of Petrucci on the "Heiser scale of
    emotionless guitar playing".
    
    We're all waiting with baited breath for that.
    
    	db
542.599GOES11::G_HOUSEThink, it ain't illegal yetMon Apr 12 1993 18:253
    re: db
    
    He's right up there with Satriani, man.
542.600can't knock what you haven't heardFRETZ::HEISERnothing but the bloodMon Apr 12 1993 19:058
>    We haven't yet had a rating of Petrucci on the "Heiser scale of
>    emotionless guitar playing".
    
    I can proudly say that I have yet to hear any DT tune.
    
>    We're all waiting with baited breath for that.
    
    See your pharmacist.
542.601I coulda sworn I've seen people do it...DREGS::BLICKSTEINMy other PC is a MacMon Apr 12 1993 19:173
    > can't knock what you haven't heard
    
    I had heard that you could.  Guess I was wrong.  ;-)
542.602KDX200::COOPERLet The Light Surround You!!Mon Apr 12 1993 19:503
    Mike!
    
    Man, you GOTTA hear this stuff!!
542.603not worth itFRETZ::HEISERnothing but the bloodMon Apr 12 1993 20:052
    After what Greg and I have been talking about, I may never listen to
    it.
542.604KDX200::ROBRI laugh at what I've done...Mon Apr 12 1993 20:427
    
    wdadu is definately different, but i like it just as much as i&w.  but
    buck is right, it took several listens to allow it to grow and the
    puttng aside of i&w.  i now have both constantly in my cd player but i
    have to say, right now i listen to wdadu more!!!   im ordering 2 more
    cd's for people tomorrow.
    
542.605POWDML::BUCKLEYIt's nicer than Betty Monroe had!Mon Apr 12 1993 20:463
    Same here ... i&w has been shelved for the time being!!  8^)
    
    Tracks 3, 4, and 5 just rip!
542.606COMET::MARTINNI'll hate you better!Mon Apr 12 1993 22:013
    Mike
    
    Don't *ever* listen to Greg!!! ;-)
542.607GOES11::G_HOUSEI came, I saw, I left...Mon Apr 12 1993 22:181
    He knows truth when he hears it...  ;^)
542.608KDX200::COOPERLet The Light Surround You!!Tue Apr 13 1993 01:174
    People who don't like Dream Theater are obviously deranged, sicko,
    pose-boize (okay, pose-people :-) wanna-be music fans, and should 
    pack their bags and move to Minnesota with Frisby.
    
542.609POWDML::BUCKLEYIt's nicer than Betty Monroe had!Tue Apr 13 1993 15:196
    Well, the thing is...
    
    Greg has only heard the first album.  Now, i can see many point froms
    that perspective where Greg may suggest someone else not even bother
    checking out ther band, but personally, I think he should at least 
    check out the entire i&w album before making further comments.
542.610GOES11::G_HOUSEI came, I saw, I left...Tue Apr 13 1993 17:029
    Actually, what Mikey and I were talking about had nothing to do with
    Dream Theater.  I don't hate them, I just haven't heard anything that
    really turned my head.  Great chops, sure, but half the world has that
    these days...  Most of my poking in here has just been to get Buck and
    Rob's goat, but the first album really did about nothing for me. I'd
    still like to listen to the new album (hint hint, Jeff, you were gonna
    loan me the CD...?)
    
    gh
542.611DREGS::BLICKSTEINMy other PC is a MacTue Apr 13 1993 17:5622
    Greg,
    
    All I can say is that I HATED I&W the first "n" times (where n is a
    fairly large number)  I heard it. 
    
    Given how many people with similar tastes raved about this album I kept
    listening to it, and while I'm still not really as crazy about them as
    "some" people, I really think it's a GREAT album.
    
    Part of what did it for me was starting to play some of the tunes.  It
    often happens that I hate things, then I have to learn them, and then
    I begin to appreciate them.
    
    I also realized that DT's music really has MUCH MORE impact live than
    it does on record.  In some sense, I guess they are like the Grateful
    Dead of progressive rock.
    
    It won't bother me if you never learn to like them, but I just wanted
    to say that, at least with me, learning to appreciate the music was a
    slow process.
    
    OK, now go ahead and dis this reply with something witty...  ;-)
542.612;^)GOES11::G_HOUSEI came, I saw, I left...Tue Apr 13 1993 18:033
>    OK, now go ahead and dis this reply with something witty...  ;-)
    
    Oh yeah...well...YER MAMA!
542.613bleeech!FRETZ::HEISERnothing but the bloodTue Apr 13 1993 19:147
>    OK, now go ahead and dis this reply with something witty...  ;-)
    
    Well db, the Grateful Dead analogy just about cements things for me.
    
>    I also realized that DT's music really has MUCH MORE impact live than
>    it does on record.  In some sense, I guess they are like the Grateful
>    Dead of progressive rock.
542.614I feel left out -- I want a rating, dammit!POWDML::BUCKLEYIt's nicer than Betty Monroe had!Tue Apr 13 1993 20:405
>    We haven't yet had a rating of Petrucci on the "Heiser scale of
>    emotionless guitar playing".
    
    Hey, I wanna know where MY playing rates on the Heiser scale of
    Emotionless guitar playing!!
542.615GOES11::G_HOUSEI came, I saw, I left...Tue Apr 13 1993 21:535
    He hadn't heard *your* emotionless playing, dude!  He's still waiting
    for me to get another working cassette deck so that I can copy your
    JV/PKs tape for him...
    
    gh
542.616KDX200::ROBRI laugh at what I've done...Tue Apr 13 1993 22:047
    
    re: .610
    
    'half the world' definately does NOT have their sort of chops :'). 
    maybe lots of guitarists with chops these days, sure, but not an entire
    band!
    
542.617What do you think?PAULUS::JAKOBIStefan Jakobi, L10N, ISE FrankfurtWed Apr 14 1993 07:0024
                                  
    	The following note is taken from the 'Frankfurter Rundschau' and
    	frankly translated. Please excuse mistakes and the quality of 
    	translation.
    	Some collegues and me are going to see ourselves what Dream Theater
     	can do. If I find the time I'll post a review on friday.
    
    	...SJ...
    
    
    
    
	Long live confrontation, said Dream Theater to themselfs and 
	respectlessly lumped Art Rock and Speed Metal together. What came 
	out was a lively mixture of dreamy songs in epic length and hard 
	riffs - to be listened to on their new album "Images and Words".
	'You can't always rattle off the same phrases of Heavy Metal' said
	guitarist John Petrucci, 'on the other hand it is senseless trying
	to sound original under all circumstances. We grew up with Zappa
	and Yes as well as with Black Sabbath and Iron Maiden.'
	This spring the US-Quintett comes to Germany for the first time.	
	On thursday, 15th in Frankfurt, Batschkapp.

    
542.618DREGS::BLICKSTEINMy other PC is a MacWed Apr 14 1993 14:0320
    re: .610, .616
    
    Other bands with "their sort of chops" (every member is a monster):
    
    	The Dixie Dregs - obviously
    	The Steve Morse Band
    	The Allan Holdsworth Band
    	The Larry Carlton Band
    	Bela Fleck and the Flecktones
    	Chick Corea Electrik Band  (Weckl, Corea, Gambale)
    
    In my opinion, the most incredible bass player in the world is Vic
    Wooten from the Flecktones.  I'll bet most of you who are into
    progressive kind of music haven't checked out the Flecktones - they
    are sorta lumped into the "Bluegrass" category, but they are definitely
    "progressive bluegrass".
    
    I don't like everything they do, but some of it blows me away in much
    the same way as the Dregs do.
    
542.619Yes, I know this is the DT note, but...BINKLY::DEMARSESoak the SunWed Apr 14 1993 15:2728
    >> Bela Fleck and the Flecktones
    
    I LOVE these guys!!!  8^)
    
    >> In my opinion, the most incredible bass player in the world is Vic 
    >> Wooten from the Flecktones.
    
    Yes, Victor Wooten is *REALLY* good....amazing...each one of the
    Flecktones are excellent musicians...here's part of the tour
    schedule in case you want to see them...
    
        4/14           Rockefellers, Houston, Tx.
        4/15           Main Street Arts Fest., Ft Worth, Tx.
        4/16           El Ray Theater, Albuquerque, N.M.
        4/22           Tacoma, Wa.
        4/23           Portland, Or.
        4/24           Eugene, Or.
    
        5/1            Sun Fest, West Palm Beach, Fl.
        5/7            Symphony Hall, Syracuse, N.Y
        5/8            Tulip Fest, Albany, N.Y.
    
        6/19           Telluride, Co.
        6/21-25        Colorado?
        6/26           Jazz, Saratoga, N.Y
        6/27           Ben & Jerrys, Warren, Vt.
    
 :), danielle
542.620anotherFRETZ::HEISERdance with the one who brung yaWed Apr 14 1993 15:531
    You forgot Joe Satriani and band with Stu Hamm and Jonathan Mover.
542.621;-)DREGS::BLICKSTEINMy other PC is a MacWed Apr 14 1993 16:025
>    You forgot Joe Satriani and band with Stu Hamm and Jonathan Mover.
    
    Oh yeah, them...
    
    ;-)
542.622Satch/Hamm/MoverDREGS::BLICKSTEINMy other PC is a MacWed Apr 14 1993 16:032
    Just kidding, that's definitely a killer trio.
    
542.623welcome to the Satch BandwagonFRETZ::HEISERdance with the one who brung yaWed Apr 14 1993 16:271
    Congrats db!
542.624Satch is Pertrucci's guitar tech!!KDX200::COOPERLet The Light Surround You!!Wed Apr 14 1993 16:301
    Satch can't hold a candle to Petrucci!!
542.625always glad to helpFRETZ::HEISERdance with the one who brung yaWed Apr 14 1993 16:311
    I know, it's more like a flamethrower than a candle.
542.626;-)DREGS::BLICKSTEINMy other PC is a MacWed Apr 14 1993 18:4411
    > Welcome to the Satch Bandwagon
    > Congrats db!
    
    Mike, I've always been on the Satch bandwagon.
    
    I have all his albums.
    
    Just because he's a mere pismire when compared to Steve Morse doesn't
    mean I don't like him.
    
    If I only liked people who were as good as Morse, I'd only like Morse.
542.627mover=asolid, boring drummerKDX200::ROBRNothing is sacredWed Apr 14 1993 20:404
    
    jonathan mover???  yuk.  boring.  a coworker used to take lessons from
    the guy.  he's even more b{ring :').
    
542.628oh yeah - Petrucci rips!DABEAN::REAUMElight 2 dark,dark 2 lightThu Apr 15 1993 13:1712
    
    
     I've had the I & W disk since Christmas (It was on my list). I didn't
    really tear into it until around late February. Even though I
    appreciated a lot of the playing right off, I didn't really get into 
    it. I think it was "Another Day" that got me going on really listening
    to DT, then "Surrounded" got more of my listening attention. Now 
    I listen to the entire CD! 
     And now I've got front row center seats for their May 17th gig in 
    Syracuse. I guess I'm a Dream Theater junkie now.
    
    							-B{}{}M-
542.629POWDML::BUCKLEYsunlightThu Apr 15 1993 13:411
    ...and he's got the DT p_n to prove it, folks!
542.630PAULUS::JAKOBIStefan Jakobi, L10N, ISE FrankfurtFri Apr 16 1993 12:4541
	Hi all,
	
	as promised here's a short review on last night concert with the
	most famous band: DREAM THEATER

	To say that beforhand, the club (Batschkapp, Frankfurt) was totally
	sold out. And when I say totally I mean _totally_. The guy at the
	door said that 800 people fit in, somebody said 1000 were actually 
	in there and I belief he was right. 

	Opener was 'Heavens Gate' a german band. Strong HM, not too bad 
	except the singer...his voice was somewhat weak. They played 1 hour
	and after a 15min break Dream Theater came on stage.
	As I didn't know one of their songs (leave alone the names of songs),
	I can not give you a list of what songs they played but will just 
	mention what came into my mind while seeing them on stage.

        The first part of the show was somewhat less interesting, they played
	many slow songs and the crowd didn't really go with them. After 45
	minutes they speeded up and now this arena started cooking. One song
	after the other brought up waves of enthusiasm and people started
	singing with the band (Ehrrm, I couldn't...). Strongest part of the
	gig was at the end when they played their hits, or what I think must
	be their hits. All in all they played a bit less than 2 hours and
	many people were really exhausted.
	
	Bout' this drummer, I would call him 'Mr Beast'. I have never befor
	seen a drummer who was so much engaged in about what is going on on
	stage and motivating the growd. Thereby he was drumming very exact 
	and did an excellent drumming job.
	Bout' this singer, no doubt he has a good voice but I still ask myself 
	why he ran off the stage everytime there were 10 seconds without any
	lyrics. Any suggestions?

	Overall impression: Good concert, good atmosphere, definitely worth 
	going. I think about buying their second album.

	...SJ...

    
542.631POWDML::BUCKLEYsunlightFri Apr 16 1993 13:2733
    >	Opener was 'Heavens Gate' a german band. Strong HM, not too bad 
    >	except the singer...his voice was somewhat weak. They played 1 hour
    >	and after a 15min break Dream Theater came on stage.
    >	As I didn't know one of their songs (leave alone the names of songs),
    >	I can not give you a list of what songs they played but will just 
    >	mention what came into my mind while seeing them on stage.

    Well, in the US, they were playing the following set:
    
    Metropolis: Part 1
    A Fortune in Lies
    Under a Glass Moon
    Another Day
    Surrounded
    Ytse Jam (instrumental)
    Pull Me Under
    Take The Time
    Wait for Sleep
    Learning to Live
    
    But reports from the UK said they had added more tunes from WDADU, like
    The Killing Hand, and also a new Instrumental that the guitarist wrote.
    
    
    >	Bout' this singer, no doubt he has a good voice but I still ask myself 
    >	why he ran off the stage everytime there were 10 seconds without any
    >	lyrics. Any suggestions?
    
    Well, it's well known this is a MUSICIANS band.  The focus in on the 
    players, not the singer (as opposed to bands like Skid Row where
    the singer is the band).  When the guys in DT start playing, they
    don't want some guy just standing up there distracting from people
    watching them blow chops.  I can understand...
542.632PAULUS::JAKOBIStefan Jakobi, L10N, ISE FrankfurtMon Apr 19 1993 06:4311
    
    	Hi Buck,
    
    	yes they played at least 2 instrumentals and for the first part of
    	the show the singer mentioned their first album (btw what does WDADU
    	mean?) quite often, didn't always exactly get what he said...
    
    	And there was this bassplayer, hardly to be seen as he was hiding
    	behind his own hair...
    
    	...SJ...
542.633KDX200::ROBRNothing is sacredMon Apr 19 1993 08:234
    
    wdadu = when day and dream unite.  the name of dt's first album.  the
    two instrumentals were probably ytse jam and an as yet unrecorded song.
    
542.634KDX200::ROBRNothing is sacredSun Apr 25 1993 06:134
    
    Someone posted a note in the DT newsletter saying there is a DT show in
    Rhode Island on May 15th.
    
542.635DREGS::BLICKSTEINMy other PC is a MacMon Apr 26 1993 00:431
    Darn, I got a gig (db wilfred) that day.
542.636Mike Portney interview from DT newsletterKDX200::ROBRPhantasmagorical!!! - (Daffy)Tue Apr 27 1993 12:16772
Date:       Sun, 25 Apr 93 16:29:47 BST
From: CP_PWM%CMS.BRISTOL.AC.UK@ib.rl.ac.uk
Subject:    The Interview

 The Dream Theater Interview

Interview with  Mike Portnoy,  the drummer of Dream Theater.
This took place in the Bristol Bierkeller, Bristol, U.K., on
Monday April  19th, an  hour or so before their concert.  It
was  done   while  other   members   of   the   group   were
soundchecking, and the support group were warming up.

     I initially  told him  that I'd been a big DT fan for 4
years or so, and that I'd originally heard of DT through the
Rush fanzine 'Spirit of Rush'.  Mike knew all about the SOR,
having met the guys who write and publish it a few times.

     I then told him that this interview was going to go out
onto the  computer network  for DT  fans and  be distributed
worldwide.  The questions were sent to me by 'hardcore' fans
all over the world, and he should expect some quite specific
detailed questions.   Mike  wasn't at  all phased  by  this,
saying he'd recently done an interview with another computer
network in  America (anyone  know about  this??) so  he knew
what I was talking about.
     He was  extremely easy  to talk  to, very  friendly and
enthusiastic.   I'd only have to suggest a question and he'd
talk for  ages, which  made it  very easy  for me.   He also
tried to answer all the questions fully, even the ones where
I asked  for very  direct answers to specific (and sometimes
quite obscure  to any but hardcore fans) questions.  Despite
the interview  room being noisy, with telephones ringing and
loud soundcheck  noises coming  through the  wall, he always
tried to  ensure his  voice  was  being  picked  up  by  the
microphone, and  was generally  very helpful.  All in all, a
great guy to have met and spoken to.

In the  following PM  is me,  (Paul May),  Mike is obviously
Mike Portnoy.

-----------------------------------------------------------

PM:   So, first of all, how's the European tour going at the
     moment?  You've almost finished it now, haven't you?

Mike: Yeah,  we have 4 more shows including tonight and then
     we're back home.  We've been here now for 3, 3 and half
     weeks.   It's going  amazing.   We didn't  know what to
     expect, we'd  been touring  through the  States  for  6
     months and  after a while we knew what to expect in the
     States, but  we didn't  really know  what to expect out
     here.   We didn't know if it was going to be this small
     underground cult  following, or  if it  was going to be
     people coming out of curiosity.  But so far every night
     has been  great.   It's been  packed to capacity, every
     show in  every country  we've played  in.  Well, by the
     time we're outta here we'd have done 6 shows in England
     and 7 in Germany, we've played Italy & France, Scotland
     & Sweden,  so all  these  places,  &  it's  been  great
     everywhere.

PM: Have you noticed any difference in the audiences at all,
     between the US audiences and the European ones?

Mike: I  can definitely  see a  difference between  European
     audiences and American audiences, but we could also see
     the difference  in the  different countries  out  here.
     Even a difference between the English audiences and the
     German audiences,  and the  Italian audiences, we could
     see a big difference...

<in  the   background  the   other   members   of   DT   are
soundchecking, playing 2112-Presentation by Rush>

Mike:  (breaks into a big smile)...Hey, they're playing Rush
     out  there!...but   the  American  audiences,  I  mean,
     they're different  because you  get a  lot more  people
     that just  casually come  to the  show.  You get a good
     percentage of the people that are actual fans, but then
     there's also a percentage of people that just go to the
     club to  hang out  & drink  and pick  up girls, and the
     people that  come to  get rowdy  and mosh  & headbang &
     stuff.   But they're  very crazy in America, very loud,
     very vocal.
          We've noticed  that here, as well as Japan...let's
     say for  instance, Japan,  the audiences are very, very
     analytical.   They're very supportive of everything you
     do.   In the  quiet parts during the set, the audiences
     are very quiet, and in the loud parts they're loud.
          The German  audiences were actually the most vocal
     audiences we  ever played  to.  They were singing along
     to every  single word.   The  German fans  were  simply
     fanatical.   They have  all bootlegs & old demos of us,
     and articles  on us  we've never  seen.  They're really
     fanatical.
          And the  English, we noticed, so far, that they're
     also quieter  than most  of the  audiences we've played
     for.   Last night we did a show in Milton Keynes and it
     was, like, the quietest audience we've played for.  And
     we didn't  know how  to read  that.   We didn't know if
     they we  being, you  know, very  receptive to the music
     and just watching & being analytical, or what?

PM:   I think in England they don't know much about you yet.
     That's what  it is.   In  terms of radio airplay you've
     had virtually nothing.  You've been interviewed on late
     night TV  rock shows  like Raw Power, and some may have
     seen that,  but that's  probably about  it.   The first
     album was  hardly bought at all here, because it got no
     exposure.   So nobody  knows it  exists.  It's now been
     deleted over  here  so  nobody  can  get  hold  of  it.
     There's massive  load of people trying to get copies of
     it.

Mike:  Yeah, it's out of print everywhere.

PM:  Is it going to be re-released at all?

Mike:   Hopefully, we'd  like it  to be.   There's all these
     people that  are just  discovering  us  now,  that  are
     looking for the 1st album & can't find it.  The problem
     is that  we're on  a different  label now,  and our old
     label owns  the rights to it.  Our new label is looking
     into buying it out & re-releasing it.

PM:   Have you  had chance  to do any sightseeing at all, on
     your trips around Europe?

Mike:  Well, when we first got over here we had about 4 days
     off in  London, doing  a lot of press and stuff.  And I
     made sure  that I  went to  Abbey Road.   So one of the
     first things  I did  when I  arrived here  is I went to
     Abbey Road,  took my  shoes off,  and walked across the
     pedestrian crossing...

PM:  did a Beatles...?

Mike:   Yeah (laughs).   And when we went to Paris, we had a
     little bit  of time, so we went to the Eiffel Tower.  I
     wanted to  go to  Jim Morrison's  grave in Paris but we
     didn't get  to do it.  The rest of the guys went to see
     Beethoven's house  in Bonn in Germany.  So we get to do
     a little  bit of  sightseeing, but unfortunately not as
     much as  we'd like.  I mean, most of the time it's just
     straight to the venue, and we get back on the bus after
     the show,  go to sleep and wake up in front of the next
     venue.

PM:  So you haven't seen much of Bristol, then?

Mike:  No, we walked around and went to McDonald's.

PM:  (laughing)  McDonald's in Bristol is not exactly one of
     it's main tourist attractions though...

Mike:   (laughing) Well, you do have quarter pounder deluxes
     here, that they don't have in America.

PM:   Right.   What are your plans for the rest of the year?
     Are you  going to carry on touring, go round the States
     again, new album?

Mike:   We get  back to  the States next week, and then next
     month we  start a  full summer tour through the States,
     so we'll  be touring  all over America all summer long.
     We have  September off  because John Petrucci's getting
     married, so  we're taking  a month  off.  But hopefully
     the plans  are to  come back  out here  in October,  do
     Europe &  Japan once again, and then at that point that
     would have  been about  15 months on the road, so we'll
     start worrying about the next record.

PM:  Will this tour be as a support group for a major group?

Mike:   When we  come back?  As of now, no, but if something
     comes along  obviously we'd  love to.   So  far  the  7
     months we've  been on the road has all been on our own,
     mainly because  something hasn't come up.  There's been
     a couple  of offers,  but they  weren't bills  we would
     really like  to be  associated with.   So, if the right
     situation came  around we would definitely take it, but
     meantime it's  great doing this because it's on our own
     terms.   We get  to play  to people that know our music
     and we're  getting to  play as  long as  we'd like.  So
     that's  rewarding,   though  of   course,  opening  for
     somebody else  we'd be  reaching a  whole new audience,
     which is very important.  But it'd have to be the right
     situation.

PM:   There are  a lot  of people who'd love you to open for
     Rush on  their next  tour.   I've heard  there's even a
     petition going around in the States?

Mike:   That would be a dream come true for us.  It's just a
     matter of  timing.   And I  know they're  in the studio
     now, but  I don't  think their record's coming out till
     September or  so.   If it happens, then it'd be a dream
     come true,  but it's  just a  matter of the timing, you
     know.

PM:   A couple of questions about the way you guys write the
     songs.   You're all  so talented  as individuals,  does
     that make  songwriting difficult?   I mean how does the
     songwriting process come about, individually & then put
     it all together, or a jam session, or what?

Mike:   No, it's  completely collectively.  This whole album
     was written basically before James was in the band.  So
     the 4  of us  had written  all of this material through
     the couple  of years  we were  looking for  a vocalist.
     Basically the  4 of us just get together in a rehearsal
     environment, start  shooting out  ideas and  jamming  &
     connecting   them    and   expanding   on   them,   and
     orchestrating them.   But  it's completely  collective.
     It's great for me as a drummer because I get as much of
     a chance  as anybody  else to  contribute to the music.
     And so  we all  have an equal hand when it comes to the
     songwriting.     You  know,  it  makes  for  a  lot  of
     frustrations  &   a  lot  of  arguments.    Everybody's
     nitpicking on  all their  parts  and  everybody  else's
     parts, but  at the  same time it adds a great diversity
     to the  sound because  we all  bring in  our individual
     influences & ideas.

PM:   Do you  ever feel  that as a result some of your songs
     might  become   a  little  self-indulgent,  with  long,
     extended instrumental sections, etc?

Mike:   (smiling)   Well, it depends on what your perception
     of  self-indulgence   is.     We're   just   expressing
     ourselves.   For us the song comes first before putting
     in the  solos and everybody showing off.  Everything is
     there on  our album  for a  reason, I mean, even if the
     song is  10 minutes and has got a 6-minute instrumental
     section,  it's  because  we  felt  that  that  was  the
     direction the  song needed  to go.    In  a  song  like
     Another Day, which is pretty straight and to the point,
     we kept  it short, because that was all that particular
     song really  needed.  That's maybe the reason that some
     of the songs are long, too, because the 4 of us are all
     putting in  all these  ideas, so  in  order  to  really
     fulfil everybody's  ideas it  takes 10 minutes to do it
     sometimes.

PM:   Would you  classify  yourselves  as  progressive  rock
     because of that?

Mike:   I would  say that  we  have  many  progressive  rock
     influences...

PM:  But the term itself doesn't frighten you at all?

Mike:   Well, it  doesn't frighten  us because  we'd be  the
     first to  admit that  we were influenced by those early
     progressive rock bands.  But I think that we're more of
     a metal band than we are of a progressive rock band.  I
     think the  term progressive rock doesn't really turn us
     off, but I think it does turn some other people off.  I
     know  a   lot  of   critics  have  this  stereotype  of
     progressive rock and when they suddenly hear that Dream
     Theater is progressive rock, or pomp-metal as they call
     it out  here (smiling),  I think  it  turns  a  lot  of
     critics off  immediately.   It immediately  gives  them
     this idea of something which isn't necessarily true.  I
     mean, we  have those  elements, but  we're very  much a
     metal band,  as much as we are a progressive rock band,
     as much  as we  are a jazz-metal band.  We try to put a
     little bit of everything in there.

PM:   Changing tack  slightly.   The group has been together
     now for  about 8  years, do  you feel that you were let
     down at  all by  record companies  in the past, because
     it's taken  this long  to get  recognised?  You seem to
     have become an overnight success after 8 years...

Mike: (laughing)    Yeah,  um,  it's  been  an  'over-decade
     success'!   We've learnt a lot about the music business
     over the  past couple  of years.   We've had many, many
     frustrations with our former label & our old singer and
     stuff, and  our old manager, and our old booking agent,
     and our  old lawyer... And basically that's why it took
     so long to put out this record, it's because we made so
     many changes in order to do things right.  We learned a
     lot of  the business  angles and  things that  should &
     shouldn't be done.  Promises that are made, that aren't
     fulfilled.   And we  learned how  to deal  with some of
     that stuff  and try  to make  the right decisions.  And
     luckily we've  been fortunate  to  be  given  a  second
     chance to correct all the mistakes we made in the past.

PM:  It seems to be working this time as well...

Mike:   Yeah, we  took a  lot of  time to make sure it would
     work this  time.   We not  expecting  to  be  overnight
     sensations.   We're not  expecting to be multi-platinum
     artists right  off the  bat.  We just want the tools to
     function.  We want to be able to tour in support of the
     records, we  want to  be able to record the albums on a
     proper budget,  we want  to be  able to  do videos, you
     know, just  do everything else that all other bands do.
     When success  comes, it'll  happen.   But it'll  happen
     slowly and it'll be a gradual thing, I think, with us.

PM:   Do  you  think  the  group  has  any  sort  of  common
     philosophy, either  politically or  religiously?  Since
     most members  of the  group seem  to  take  a  turn  at
     writing a  song on  the album, compared to a group like
     Rush where  only Neil  Peart writes all their songs and
     defines the group's outlook, do you have any one member
     that defines the artistic direction at all?

Mike:  Musically or lyrically?

PM:  Both?

Mike:      Musically,   like   I   said,   it's   completely
     collaborated...

<at this  point the group's manager came in & said he needed
Mike to do a soundcheck now.  The interview was continued an
hour later  after the  soundcheck.   The group  did  various
numbers from  the show,  and at  one point played along to a
backing tape by Tori Amos>

PM:  That was Tori Amos wasn't it?

Mike:  Yeah, that was an accapella piece.  She's Kev's idol,
     so Kev  has just  fulfilled one of his lifelong dreams,
     to support  Tori Amos (laughs).  I think maybe we'll do
     that again  at soundcheck  on Wednesday  & I'll  record
     that onto  DAT.   That could  be pretty interesting.  I
     have a DAT machine on tour with us, and I record almost
     all the  shows.   I'm pretty fanatical about collecting
     videos and DATs & I videotape most of the shows too.

PM:  Where was I?  Half way through a question, oh yeah, the
     one about  'does any  one member  define  the  artistic
     direction of the group?'

Mike:   Oh yeah  (smiles), that  question.   That seems like
     years ago  that I was asked that question.  Um, no like
     I said  earlier, before  dinner, and before soundcheck,
     everything  in  this  band  is  completely  collective,
     whether it  be the  writing, or  even the  business, or
     making creative decisions. It's probably the best thing
     about the  band, and  the worst  thing about  the band.
     It's the best because everybody's got an opportunity to
     have a  say &  equal vision.   But  it's also the worst
     because obviously  it creates thousands of disputes and
     arguments.   But the  music, it's never like one person
     comes in and hands out parts.  There's been cases where
     one person  had more  input than  others, I  mean, like
     Surrounded stemmed  from a keyboard thing that Kev had,
     and Another  Day stemmed  from a  guitar idea John had.
     So occasionally  there can be one person bringing in an
     idea and then it gets worked on by the whole band.  But
     for the  most part  it's  completely  collaborative  in
     every respect.    And  when  it  comes  to  the  lyrics
     everybody takes  turns going  home and  doing a  add-on
     bit.

PM: Right,  so it  never comes  about that  one person might
     write the  lyrics to  something, and  maybe, James says
     I'm not going to sing that because I don't believe it.

Mike:   Well, that's  never really  happened.   Usually  the
     person  that  writes  the  lyrics  keeps  in  mind  the
     direction and  the way  the band  want to be, or viewed
     as, or  whatever.   So, I  mean, we  haven't  had  that
     problem yet.  James pretty much came into the band with
     everything written, and all the lyrics and the melodies
     were  pretty   much  finished.    And  he,  of  course,
     embellished a  lot of  stuff, put  his little  touch on
     things.   It's good,  we write  the music together, and
     everybody being  able to  write lyrics  on their own is
     good.   It gives  everybody an  individual  outlet  for
     expression.

PM:   Do you  think this long tour is going to influence the
     songwriting?  Are we going to see shorter songs?

Mike:   So far,  the 7  month's of  touring as  far  as  its
     influence on  songwriting has put a serious halt to the
     creative flow,  since it's  hard for us to write on the
     road.   We're not  the sort of band that can sit on the
     tour-bus with an acoustic guitar.  We've always written
     in a  rehearsal environment, and being on tour we never
     really  have   that  environment.     Occasionally   at
     soundcheck, if there's enough time, we'll start running
     through different ideas, and I'll record them onto DAT.
     So I've  got, like,  lots of  ideas on  tape that we'll
     begin to  assemble when  we get  off the  road.  But we
     haven't really been able to write much on this tour.
          The touring  will have  an influence  upon  future
     songwriting, however.   We'll  probably be a little bit
     more conscious of certain things, now we're learning on
     the road.   For  example, James  is only maybe on stage
     half the  time, because  there's so  many  instrumental
     sections.   And maybe  the vocal  range  sometimes  can
     really take its toll. So there's a lot of things we may
     put in for consideration when it gets to writing again.

PM:  Is James going to start writing songs?

Mike:   Hopefully.   Who knows what'll happen, but of course
     we'd welcome his creative influence with open arms, you
     know.   We're anticipating  that he'll be involved with
     it, so we'll see.

PM:   In one  of the  interviews you  did a  while ago,  you
     alluded to  a live  EP called  'A Change  of  Seasons'.
     What's happening with that?

Mike:   Well, as  far as  the Change  of Seasons  goes,  the
     initial idea  was to  record it  as an  EP so  we could
     really focus  on the  conceptual end of it, really have
     it stand  out and  not be  mixed in with studio tracks.
     That was  the original  idea, I don't know what's going
     to happen.  We may do that, or we may just wait and put
     it on  the next  album.  On Friday night at the Marquee
     we're bringing  in a  mobile studio  and recording  the
     show.   I don't  know what  we're gonna do with it.  We
     may put out a live EP with those tracks, we may put out
     several CD  singles and  use those  tracks as  B-sides,
     whatever.   But there  will be  something new soon.  If
     it's not  an album or EP, at least some B-sides of live
     stuff, CD singles or something.

PM:  After the first album didn't sell all that many copies,
     and then  the various  troubles  with  the  management,
     label, etc,  did you  come under  any pressure when you
     came to  make Images  & Words,  to try  & make yourself
     more commercial,  more playable-on-the-radio?   Did you
     have to fight for your artistic integrity at all?

Mike:   Pretty much  all of  this record  was written in the
     period when  we didn't  even have  a label.  Legally we
     were still  signed to  Mechanic, but they weren't doing
     anything for  us any more. And so, basically, there was
     no record  company involvement  when it came to writing
     this record.   We had a lot of freedom.  We talked with
     several labels that were interested, and the thing that
     really made us enthusiastic about Atco was the artistic
     freedom that  they gave  us.   I remember  specifically
     having a  meeting with them, and they had the attitude,
     like, 'Don't  change for  radio - radio will change for
     you'. (smiles)   They were, like, 'Don't ever go in and
     try to  write a  5 minute hit-single - just do what you
     do  -  keep  coming  out  with  the  12  minute  songs,
     whatever'  They were completely behind that.
          Maybe here  in Europe there hasn't been much radio
     play, but in America, Pull Me Under was a top ten album
     radio track,  which is something we never, in a million
     years, considered  we'd have.   MTV  was playing it all
     the time.   We  figured we'd  never  be  a  radio  band
     (smiles).

PM:   Wasn't that  one shortened though, to make it playable
     on the radio?  Did you mind that?

Mike:   Um, at first we were pretty bothered by it, the idea
     of doing  edits.   Actually 2 different edits were made
     for Pull Me Under, a radio edit & a video edit.  And we
     also did  an edit  for Take  The Time.  At first it was
     disturbing, in a sense we were having to compromise for
     the label,  but I  guess we came to grips with it.  The
     reality of it is that as long as we could live with the
     edit itself  it's ok.   The idea of an edit is tough to
     deal with, but when all is said and done, when you hear
     the edit,  if you can live with it, then all it's gonna
     do is  generate interest  in the  band, and  people are
     gonna go  out and  buy the  record and  hear  the  full
     version anyway.   And  10 years  from now, when they're
     listening to  their record collection, they'll have the
     full-length version  and won't  ever remember there was
     an edit.   And  if they  come to  see us live, not only
     will they  hear the  real version,  but in  most  cases
     they'll see the extended version too.

PM:   Ok, a couple of more detailed questions now, from some
     of the  hardcore fans  on the  net.   A question  which
     seems to be asked a lot is what does the logo mean, the
     symbol that appears on the cover of both albums?

Mike: (points to tattoo on left shoulder)  This one?

PM:  Yeah, that's the one.  Is there a story there?

Mike:   Yeah, there's  a story.   Basically,  we used  to be
     called Majesty years ago, and it's an M, a variation of
     an M for Majesty.  When we signed for Mechanic and were
     working on the album, we were still called Majesty, and
     we were  putting  together  the  album  cover  artwork.
     There was  this idea of the guy getting branded, and we
     wanted a  symbol that  would represent  the band.    So
     actually, Charlie,  our old  singer, found this symbol,
     it's a  variation of  Mary Queen of Scots, or something
     like  that,  a  symbol  that  she  had,  I  don't  even
     remember, it's  been so long.  But basically it's an M,
     for Majesty...or if you like, it's an M for Meaningless
     (laughs).
          We had the artwork done for When Dream & Day Unite
     with this  symbol and  everything,  and  afterwards  we
     found out we had to change the name.  But the cover was
     already done  and we decided to keep the symbol anyway,
     just as a reference to Majesty.

PM: Ok,  and the  other symbol  that you  use a  lot is  the
     burning heart wrapped in wire.

Mike: (points  to tattoo  on right shoulder)  That's on this
     arm (smiles).

PM:   Is there  a story for that one, it's on your videos as
     well.  It appears everywhere.

Mike:   Um, basically  it's a  variation, or, in fact, might
     even be  a direct rip off of the sacred heart of Jesus.
     That was  Kev's idea.  Kev is, I don't want to say very
     religious, but he's very spiritual and stuff like that.
     And when  it was  coming time to put together the album
     artwork for  Images & Words, we had all these different
     elements and  ideas from  the lyrics  that we wanted on
     the cover.  And we wanted something right in the centre
     of the  cover that  would symbolise,  you know, all the
     elements of  the music.   So we figured this would be a
     good symbol,  at least  for this  album.   It  sort  of
     symbolises  the   music...the  heart   would  represent
     passion &  emotion, and  the  barbed  wire  strength  &
     power, and  the flame generating, you know, whatever...
     I don't know whether there's a direct answer I can give
     you.  Maybe Kev could tell you.

PM:   Ok, I  might talk  to him  later, if I get the chance.
     Another question,  which is about Pull Me Under.  There
     seem to  be a lot of references in there to Hamlet.  Is
     that genuine?  Is the song about Hamlet?

Mike:  Yeah.  That's Kev also.  Those are Kev's lyrics.  And
     in his  words, it's  not  a  song  about  Hamlet,  it's
     inspired by  Hamlet, and it's taking the story...  What
     Kev says is that it's not a song about Hamlet, but it's
     a song  about what  Hamlet is  about.  There's a lot of
     direct references in there, but it's basically relaying
     the story  of  somebody  coping  with  somebody  else's
     death, and  trying to  deal with it, and avenge it, and
     trying to  face the situation.  And in the case of Pull
     Me  Under,  it's  almost  pessimistic,  which  is  very
     different from the outlook of the rest of the lyrics on
     the album, which are more optimistic.

PM:   Yes, I  found that.   What's  the significance  of the
     sudden cut-off at the end of that track.  Is that a bad
     edit, or is it deliberate?  I think it's deliberate...

Mike:   Actually it's  completely deliberate.   That  was my
     idea.  Everybody, when the album came out, thought that
     their CD  was defective  or something.    Basically  we
     wrote it  like that, it wasn't even a studio technique,
     like we  had an  ending and  we decided  to just cut it
     out.   We wrote  it like that, and the very end of that
     song has  all these  different grooves  chugging along,
     and  then   these  different  vocals,  keyboards  being
     layered on  top, and  then I just said 'Hey, let's just
     drop dead  outta nowhere.   Just go from one extreme to
     the other'.   Basically  it's a  rip off  of the end of
     side one  of Abbey Road (laughs).  The Beatles did that
     20 years ago.  It was just for the effect of it.

PM:   Yeah, I  think it works.  Um, somebody on the net-list
     suggested that Learning To Live is all about AIDS.  Any
     comments on that?

Mike:   Um, those are John Myung's lyrics, so I can't really
     comment for  him.  But I do know that those lyrics were
     definitely inspired  by the AIDS epidemic.  After those
     lyrics were  first written,  John first told us that it
     is about  AIDS, but  since then  he's changed  his mind
     (laughs).   So you'd  have to  ask him.   But those are
     definitely references to the AIDS epidemic.

PM:     Ok,  there  are  various  ideas  around  about  what
     Surrounded is  all about.   It seems to contain various
     ideas  about   changing  religion,   or  losing   faith
     completely, or what?  How would you interpret them?

Mike:    That's  Kev  again.    I'm  not  even  gonna  touch
     Surrounded's lyrics  with a  10 foot pole, cos I've yet
     to figure them out.  They're personal to Kev, so...

PM:   Ok.   Another song that generates a lot of interest is
     Metropolis. Is it based on the film?

Mike:   No, not  at all.  Actually, when we're writing songs
     we always  write  them  instrumentally  first,  and  we
     always come  up  with  silly  titles  for  them.    The
     original title  for Learning  To Live  was  Creep  With
     Tonality, and  the original  title of Take The Time was
     Grab That  Feel.   This is  the best  one, the original
     title of  Under A  Glass Moon  was The  Battle of Jimmy
     Coco and  Fish-Face (laughs).   So,  when we're writing
     songs we  come up  with an  instrumental working  title
     which basically  just come  from, like, a mood, that we
     got  from   the  music.    And  when  we  were  writing
     Metropolis, we actually called it Crumbling Metropolis.
     For years & years, before there was even lyrics in that
     song,  it   was  always   referred  to   as   Crumbling
     Metropolis.    And  then  eventually  Metropolis,  just
     because of  the beginning,  which has this big overture
     feel.   It reminded us of a big city, and the Crumbling
     Metropolis  came  into  play  when  we  got  the  whole
     instrumental section just going way outta wack.
          So basically,  when it  came  time  to  write  the
     lyrics, John  decided to  write lyrics based around the
     working title.  He made up this little story, which has
     nothing to  do with  the movie.  It's a fictional story
     that he  made up  that's pretty much about brotherhood.
     Two brothers,  which are  spirits, the  Miracle  &  the
     Sleeper, and  has to  do with the 3 dances of life that
     they go through.  And they're dealing with each other &
     their relationship.  But it all takes place within this
     Metropolis.   And that's  why it's  Metropolis part  1,
     because in the future there's gonna be a sequel.

PM:   John Petrucci  seems to  base a lot of his lyrics upon
     short stories  he's  written.    The  Killing  Hand,  I
     believe, was  based on  a short  SciFi story  he wrote.
     Has he published any stories anywhere?

Mike:   No, none have ever been published.  But we do base a
     lot of  our songs  on them,  Metropolis was  a  perfect
     example of,  I guess,  almost a  science fiction  idea,
     which he  put into  lyrics.   The Killing Hand was very
     much like a Twilight Zone sort of story, and Metropolis
     is the  same.   So John's lyrics in a lot of cases come
     from that  sort of, you know, storyline, or almost like
     a poem,  or short  story.  His lyrics take more of that
     form.   Kev's lyrics  come from a more spiritual angle.
     Almost  like   a  religious  sort  of,  inspiration  or
     something.   But John's  are more like Neil Peart's old
     lyrics (smiles).

PM:   So are  there any  more songs  which  are  based  upon
     stories John has written?  The Ones Who Help To Set The
     Sun, perhaps?

Mike:   Yeah, exactly.   Even  Under A  Glass Moon is almost
     fictional, you know, just like a story.

PM:  That's another one I'm not really sure I understand.

Mike:   That's actually the only song on Images & Words that
     doesn't tie  in with  the common  thread.    There's  a
     common thread  through all  the lyrics,  which was only
     coincidental.   It wasn't meant to be there originally,
     but because  of the surroundings that we were in during
     the writing  of the  album, all  the lyrics  deal  with
     trying to  face up  to a negative situation - trying to
     deal or  cope with  something that's a very frustrating
     situation -  trying to  be as optimistic as possible in
     the face of negativity or pessimism.  And Under A Glass
     Moon is  pretty much the only track that doesn't tie in
     with that theme.

<at this  point the  manager came in and said we had to wrap
it up soon, as the doors would soon be open.>

Mike:  OK, do you have one or two more quickies?

PM:   Yeah.   What is  being said  in the  background  of  A
     Fortune In Lies, there's a lot of talking going on that
     can only just be heard.

Mike:   A Fortune in Lies was about a friend of ours who was
     arrested for  stealing some stuff, or whatever, I don't
     wanna get too specific.  And basically those samples in
     the middle  of A  Fortune In  Lies were  taken  from  a
     documentary about  people in  jail - them reflecting on
     the mistakes  they've made  which landed  them in jail.
     So we  saw this  documentary, I don't remember the name
     of it,  although I  have it  on videotape still, and it
     had all  these quotes  in it.   We  put some  of  those
     samples in  because we  felt  it  was  fitting  to  the
     lyrics.

PM:   Have you  got any  idea what the new single's going to
     be?  Will it be Surrounded, which seems to me to be the
     perfect choice?

Mike:   Er, close.  When we get back from Europe we gonna be
     shooting the new video for Another Day.  That'll be the
     3rd video.  And we're not going to even have to edit it
     either.   So that'll  be a  first for  us.    And  then
     Surrounded, will, if everything goes as planned, be the
     4th single.   So  side 1  of the  album will be all the
     singles, side  2 will  be all the non-singles (smiles).
     That's the basic plan right now.
          You don't  wanna know  about the  samples  at  the
     beginning of Take The Time?

PM:  Yes, go for it.  Every little bit of info is useful.

Mike:   (laughs)  Actually there are 2 samples.  The samples
     at the  beginning are Frank Zappa, The Beastie Boys and
     Public Enemy.   And  then later on there's a quote from
     another source that had a direct reflection of what the
     lyrics were  about, an  Italian quote  from  the  movie
     Cinema Paradisio.   And  it comes after the line 'I can
     see much  clearer now  I'm blind'.   The  quote  is  an
     Italian voice which translates to 'Now that I'm blind I
     can see much better', or something like that.

PM:   What do  you think  is the meaning of that?  That idea
     occurs throughout the whole album.

Mike:   Well actually  the lyrics  to Take  The Time  were a
     first for  us.   This was  the  first  time  we'd  ever
     written lyrics together.  We decided we wanted to write
     a song  about the  whole period we were going through -
     looking for  a singer,  a label,  and in a sense taking
     the time  to make  these right decisions.  And we broke
     it up,  first verse, second verse, third verse, bridge,
     and chorus,  and everybody  went away - like, I had the
     first verse,  John Myung  had the  second  verse,  John
     Petrucci wrote  the third  verse,  and  Kev  wrote  the
     bridge.   And everybody  went away and wrote from their
     individual points  of view,  their views  on the  whole
     situation we  were going through, and then got together
     & put  it all  together.   So that one line, 'I can see
     much clearer  now I'm  blind' was  Kev's  part  of  the
     lyrics, those  were the  bridge.  And he also mentioned
     something like  that in Surrounded too.  You'll have to
     ask Kev what they mean, though.

PM:  One last question then?

Mike:  Sure.

PM:   Who thought  up the  name Dream Theater?  It states in
     the liner  notes to  When Dream  & Day Unite 'Thanks to
     Howard Portnoy for the name'.  Is that your Dad?

Mike:   Yeah, that's  my Dad.   He's  pretty much the reason
     I've ever been interested in music to begin with.  When
     I was  born I was completely surrounded by music at all
     times from him.  He was a disc-jockey, and when I was a
     little kid  he turned  me on  to the  Beatles, The Who,
     Zeppelin, and  stuff like that.  And so, obviously, him
     being such a big music fan, he has always followed what
     I'm doing.   And he's a big Dream Theater fan.  So when
     it came  time for  looking for a new name for the band,
     he was  giving us  suggestions and  stuff.  And we were
     getting so  desperate too,  I mean, we would drive by a
     McDonald's and say 'Hey, let's call the band Big Mac!',
     you know  (laughs).   Anything we  saw, we'd wanna name
     the band.   And one day he suggested The Dream Theater,
     it's the name of a movie theater out by where he lives.
     He lives in California.  He suggested that amongst many
     other names.

PM:  It's the perfect name for you, it really is.

Mike:  Yeah, we felt it really fit the music well.


<At this  point Mike  was called  away to  prepare  for  the
concert, so I finished up by thanking him for sparing almost
an hour  of his  time for  this interview.  He said it was a
pleasure, and  said he  hoped I enjoyed the show.  After the
show I  met him  again, and  told him I'd send him a copy of
this transcript.>
542.637JOKUR::ESCOBARRelax... It's Only Temporary...Tue Apr 27 1993 19:224
    
    Dream Theater Sucks.
    
    
542.638BINKLY::DEMARSERipple in still water...Tue Apr 27 1993 19:243
    Hi Esco!!!  Like the p_name.......
    
    :), d
542.639POWDML::BUCKLEYSleeping Beauty Land Theme ParkTue Apr 27 1993 19:546
    Escofart,
    
    Boy did they pick a most fitting HOST NODE system to put you on!!
    
    
    You big girls blouse, go back to the rock you crawled out from under!
542.640AD::FLATTERYTue Apr 27 1993 20:012
    ...geez buck..no smileys or anything on that one.....get up on the
    wrong side of the crypt today??...................;'))............./k
542.641GOOEY::JUDYslept with romance, danced with lustTue Apr 27 1993 20:176
    
    
    	re: Buck
    
    	Escofart???!!  bahaahahaaaaaaaaaaaaaaaaa! ahem.
    
542.642JOKUR::ESCOBARRelax... It's Only Temporary...Tue Apr 27 1993 20:568
    
    Hey Buck, ya know what Pertrucci said. his main influence for writing
    Metropolis (I think it was Metropolis) was Iron Maiden. He says they
    were one of the main reasons he strived to get so good.
    
    How amusing.
    
    
542.643moot pointPOWDML::BUCKLEYSleeping Beauty Land Theme ParkTue Apr 27 1993 21:0312
    >Hey Buck, ya know what Pertrucci said. his main influence for writing
    >Metropolis (I think it was Metropolis) was Iron Maiden. He says they
    >were one of the main reasons he strived to get so good.
    
    Hmmm, must be that "progressive" metal style Maiden has to their music.
    Oh yeah, and Bruce Dickenson is classically trainde in Opera, don't
    forget that...   8^)
    
    Yeah, so what.  I listened to IM as a teenager, too, but my music 
    sounds nothing like theirs.  Either does DT's ... no galloping 
    dinosaur rhythms found in Metropolis...
                                      
542.644FRETZ::HEISERthe sun was setting in AvalonTue Apr 27 1993 21:211
    and for the PC types:  Escoflatulence.
542.645GOES11::G_HOUSESon of SpamTue Apr 27 1993 21:431
    Escogreatwindfrombehind
542.646KDX200::ROBRPhantasmagorical!!! - (Daffy)Wed Apr 28 1993 14:178
    
    hey buck, have you talked with the guy with the majesty demos yet?  i
    saw the note....
    
    i have a lead on some of the DAT's portnoy records straight from the
    board!!  someone jack knows is friends with mike and has a couple of
    tapes mike gave to him.
    
542.647POWDML::BUCKLEYSleeping Beauty Land Theme ParkWed Apr 28 1993 14:2911
    >hey buck, have you talked with the guy with the majesty demos yet?  i
    >saw the note....
    
    Already in process -- I'm sending him a tape this week!
    
    
    >i have a lead on some of the DAT's portnoy records straight from the
    >board!!  someone jack knows is friends with mike and has a couple of
    >tapes mike gave to him.
    
    Well, GET THEM!!!
542.648Damn! These guys are road whores!KDX200::COOPERLet The Light Surround You!!Wed May 05 1993 16:547
    Dream Theater is coming to Colorado *again* !!
    
    I'm THERE!  June 11 I think...
                                  
    I think I will also be dragging Greg to the show...By the short
    hairs if necessary!!
    :-)
542.649;^)GOES11::G_HOUSESon of SpamWed May 05 1993 17:291
    Geez, what a bunch of sellouts...
542.650JOKUR::ESCOBARI'm Not Stoppin' 'Til I'm DoneWed May 05 1993 17:465
    No kiddin',  since I doubt they have any new material they're just
    soaking their fans.
    
    
    
542.651when you find a lemon, squeeze itFRETZ::HEISERraise your voice in shouts of joyWed May 05 1993 18:251
    Coop just wants to steal Petrucci's patches.
542.652GOES11::G_HOUSESon of SpamWed May 05 1993 18:374
    It won't help... I copped Buck's Mp-1 settings and my playing still
    sucked.
    
    gh
542.653KDX200::COOPERLet The Light Surround You!!Wed May 05 1993 20:396
    Good point....  I can swipe Pertrucci's patches, but I'll never be able
    to play like him, so whats the use.
    
    Dream Theater RULES.  Don't forgot that, ya buncha nancy-blouse POSEURS!
    
    :-)
542.654POWDML::BUCKLEYSleeping Beauty Land Theme ParkWed May 12 1993 14:295
    
    FYI on the DT gig this Saturday at Rocky Point -- Tickets to the
    show are $12.50.  The Park is open from Noon until 9pm, with the
    doors to the show opening at 8pm.  I think there are two opening
    bands, but am not sure.
542.655Dreaming of Dream TheaterDELNI::CASHMONSwatting fliesWed May 12 1993 14:489
    
    Buck, how do I get tickets to the Rocky Point show?  I'd hate to drive
    all the way there just to find out its sold out.  Is there anywhere I
    can get them around here?
    
    Thanks,
    
    Rob
    
542.656POWDML::BUCKLEYSleeping Beauty Land Theme ParkWed May 12 1993 15:295
    >Buck, how do I get tickets to the Rocky Point show?  I'd hate to drive
    >all the way there just to find out its sold out.  Is there anywhere I
    >can get them around here?
    
    Tickets are being sold at all Strawberries record & tape outlets.
542.657I hear the term "Dream Theater" is Scandanavian for "opening act"GOES11::G_HOUSESon of SpamWed May 12 1993 16:085
> I think there are two opening bands, but am not sure.
    
    Dream Theater and who?  Who's headlining?
    
    gh
542.658KDX200::COOPERLet The Light Surround You!!Wed May 12 1993 16:2610
    RE: Greg 
    NOT!
    
    I know that at The Mammoth in Denver, Galactic Cowboys 
    are opening...  I know I can count on Greg going to this
    show with us...
    
    Hey Buck, have you talked to the spouse lately??
    
    jc
542.659GOES11::G_HOUSESon of SpamWed May 12 1993 16:406
>    I know that at The Mammoth in Denver, Galactic Cowboys 
>    are opening...
    
    Galactic Cowboys rool, I'd go just to see them!
    
    gh
542.660BINKLY::MINARDIWed May 12 1993 17:321
    Dream Theater sux!!
542.661JOKUR::ESCOBARMister FantasticWed May 12 1993 17:364
    
    Ahahaha, Greg, yer killin' me... ;')
    
    
542.662KDX200::ROBRPhantasmagorical!!! - (Daffy)Wed May 12 1993 19:215
    
    thanks minardi, wanna go??? :')  buck, got directions to rocky point
    for us?
    
    
542.663POWDML::BUCKLEYSleeping Beauty Land Theme ParkWed May 12 1993 19:5815
    My directions to RPP are shakey (read: I know how to drive there, etc.)
    
    The park is located on RT117A in Warwick, which if you look on a map,
    is the circle route around the bay area (the park is right on the bay).
    
    So, I *think* the directions are:
    
    I-95 South (thru Providence)
    Exit for RT 113 East (to Warwick)
    RT 113 dead-ends into RT 117 -- Take a left.
    Watch for the SMALL RPP park, you wanna bear off to the right onto
     RT 117A.  The park will be on your left, watch for the sign.  If
     you pass this BIG wrought iron gate mansion on your left, you've gone
     too far!
    
542.664What if you're coming from Clinton?FRETZ::HEISERraise your voice in shouts of joyWed May 12 1993 22:081
    
542.665Too funny!BOVES::FENNELLCall your travel agentWed May 12 1993 22:236
Another Legendary joke...

We should have saved that string.  That was for the Bash at the Marlboro
Fish and Game...
    

542.666BUSY::SLABOUNTYGood Heavens,Cmnder,what DID you do?Thu May 13 1993 10:433
    
    	The number of the beast!!
    
542.667USOPS::GALLANTShe'd rather go than fade away...Fri May 14 1993 13:4016
    
	RE: I-95 South (thru Providence)
    
    	Just a warning - and it might not even apply to you depending
    	on what time you head down, etc. But there's *heavy* road
    	construction going on in Providence on I-95.
    
    	JJ and I actually got stuck in it on a *weekend* AND in the
    	*morning* (I didn't think state workers were allowed to work
    	either one of those times) (; heading down to Rhode Island
    	about a month ago and I know it's still a pain.
    
    	Expect to get stuck in traffic unless you know of an alternate
    	route.
    
    	tigg~~~~
542.668POWDML::BUCKLEYSleeping Beauty Land Theme ParkFri May 14 1993 14:119
    Thanks Tig!!
    
    
    Yup, forgot about this issue.  I-95 is ONE LANE from BEFORE Prov
    until WAY AFTER!!  I suggest you try (is it?) rt 295, which
    goes around Prov completely and come out on I-95 south of Warwick
    (so you would have to head north).
    
    Construction on I-95 will last throughout the summer (can you imagine?)
542.669USOPS::GALLANTShe'd rather go than fade away...Fri May 14 1993 14:5613
    	RE: Route 295
    
    	That's what was suggested to me but I wasn't sure where it
    	would dump you off so I didn't want to say anything unless
    	I knew for sure.
    
    	It was suggested to us to take 295 around Providence to
    	get to the Narragansett Bay area so if you can find an
    	alternate route to get there, do it.  (;
    
    	tigg~~~~
    
    	
542.670KDX200::COOPERLet The Light Surround You!!Fri May 14 1993 15:295
    I'm convinced that in Mass. they start at one end of an interstate 
    (pick one) and starting toward the other end...  When they are
    finished, they go back and start again.  Mass Pike for instance...
    
    jc
542.671it's called 'job security'FRETZ::HEISERraise your voice in shouts of joyFri May 14 1993 16:571
    
542.672POWDML::BUCKLEYSleeping Beauty Land Theme ParkSun May 16 1993 15:2775
    Well, I was in attendance last night at Dream Theater's first US show
    on their 1993 Summer Tour.  The band played at Rocky Point Park's
    Palladium.  It was a sold out show at 2,000 people!!  The place was
    packed, and it was rockin!!  RUN, don't walk to the DT date nearest you
    -- This was my 10th time seeing DT live.  They were great the other
    times, but this time was the absolute BEST.  I am not sure what the 
    European leg of the tour did for them, but they have REALLY honed their
    act to a *stunning* display.  After seeing DT live all those time, I am
    awe-stuck after this show!!!

    Here are some show run-downs...


    THE STAGE:

    The band is playing on a much bigger stage now.  Both Myung and
    Petrucci have  added an additional amplified stack on each side of
    their stage to the backline.  Myung and Petrucci are also both sporting
    new axes on this tour!!  Their light show was AMAZING.  They havd a
    *very* large set-up, and it was used very well!  In addition to a large
    set of lights at the front and back of the stage, the band has their
    I&W backdrop, as well as a new "theater"-style curtain hanging from the
    ceiling on stage.  Their sound was PERFECT!!!  I'm not kidding you,
    from song one it was the clearest and best mixed I've heard to date. 
    They also were using a much larger PA system than before, and they must
    have got some top pro sound engineer with them now, as the sound was
    absolutly wonderful!!


    THE SONGS:

    Here is the set list they played...

    Learning to Live 
    Under a Glass Moon 
    (Instrumental Segue) 
    Status Seeker
    Wait for Sleep  
    Surrounded 
    ???  (Brand new song) 
    (Instrumental Jam, or entended ending to Brand New Song??) 
    Take the Time 
    Another Day
    Metropolis - Part 1  (with drum solo in the middle)

    -- Encore:

    Long instrumental segue... 
    Pull Me Under


    THE SHOW:

    Their stage presence is noticably better than before.  Again, maybe the 
    Euro tour whipped them into shape?!  LaBrie's vocals were perfect --
    album quality.  They didn't have the roughness they did at the end of
    their Winter tour.  He also seems MUCH more a part of this band now,
    and doesn't see as "un-sure" onstage as he did at times last year.  All
    in all the band was tight, energietic, and aggressive!  I firmly
    believe this will be the tour that will "push" DT over the top into the
    nationals/big time!!  Esp. after they release Surrounded as a single,
    there will be no stopping them.  The reaction DT got from the crowd was
    wild.  They have the who place clapping and singing along, with one
    HUGE mosh-pit in the center of the place!!  

    All I can say is if DT keeps improving at this pace, they will be
    HEADLINING stadium shows this time next year!

    Cheers,
    Buck
    
    PS - On Rocky Point ... the Schwarzkopf WILDCAT coaster was down 8^(,
    but the Intamin FREEFALL was up -- got about 15 rides on that.  Also
    did many rides on the Chance SKY DIVER.  A great whirl-n-hurl ride.
    The Arrow Loop-Screw coaster still sux!!  Ron Toomer is a poofter!
542.673COMET::MARTINNPrior to that I was a personSun May 16 1993 22:205
    Great review Buck!!!!! I was planning on seeing them anyways but now
    I'm sure I don't want to miss them!
    
    	So Greg and Coop can I come along? :^)
                                              Rat
542.674KDX200::ROBRPhantasmagorical!!! - (Daffy)Mon May 17 1993 23:3210
    
    well buck, i was about to leave to go, then thought, maybe i should
    call.  so i did, found out they weren't going on until 10:15 and i had
    to be at work by 11:30 or so, so had to skip it... sigh.  Well, I am
    now days... M-F 9-5!!!  The traffic sux big time though.....
    	
    ps flip, danielle, /k.....  welcome back (if you made it :'))
    
    
    
542.675POWDML::BUCKLEYSleeping Beauty Land Theme ParkThu May 20 1993 15:3210
    I know where a live DT video can be had.  The set for this show
    includes:
    
    intro: 'Simpsons Theme'/Metropolis/Under A Glass Moon/Only a Matter of
    Time/Surrounded/Pull Me Under/The YTSE Jam (including drum solo)/Bass &
    Guitar duet/Another Day/The Killing Hand/Take the Time/Piano intro/Wait 
    For Sleep/Learning To Live
           
    
    Send me mail for more info...
542.676KDX200::ROBRPhantasmagorical!!! - (Daffy)Fri May 21 1993 00:183
    
    i know too, but send buck mail anyway...   :')
    
542.677KDX200::COOPERLet The Light Surround You!!Fri May 21 1993 02:005
    The people who REALLY matter, Rob, have already seen mail from
    Buck regarding this most legendary set of tapes.
    
    jc (Who matters)                 :)
    
542.678KDX200::COOPERLet The Light Surround You!!Tue Jun 29 1993 04:266
    Hey BOom,
    
    You never did say what you thought of the DT show you attended
    last month...  Isn't Petrucci's tone RrrrrrROOLIN' !?!?!?
    
    jc
542.679Coop, when is the DP/4 scheduled to arrive?DREGS::BLICKSTEINDOS BootTue Jun 29 1993 13:337
    > You never did say what you thought of the DT show you attended
    > last month...
    
    And you (Coop) never did say what you thought of the Ensoniq Clinic
    you attended this month.   Nudge.. nudge..
    
    	db
542.680Lexicon RULES dood, didn't anyone tell ya??KDX200::COOPERLet The Light Surround You!!Tue Jun 29 1993 15:1217
    Yo db,
    
    I didn't go...  I konked out on the sofa instead. :-)
    FWIW - I don't think that price/performance ratio of the
    DP/4 is in there yet.  I'd rather have a rack full of 
    Lexicons at this point.  I can pick up used Lexicons for 
    $200-$250 all day long that (IMHO) smoke units of the
    $XXXX variety.  
    
    My future plans include another LXP-1 and a pair of LXP-5'.
    That coupled with the LXP that I already have, the SMC and
    the MRC, makes for less than $1K, and I get four individual,
    completely cool processors with remote MIDI real time control,
    plus automation.  Cool eh?  The second LXP-5 will go in the 
    guitar rack, naturally.  :-)
    
    jc (Poor man)
542.681The DP/4 is much more than just a multi-effects boxDREGS::BLICKSTEINDOS BootTue Jun 29 1993 17:0350
    Coop,  I think that you are under the false impression that a DP/4
    is just an expensive multi-effects processor like a GP-16 or a
    Multi-verb or whatever.  It ain't.
    
    > FWIW - I don't think that price/performance ratio of the
    >    DP/4 is in there yet.  I'd rather have a rack full of
    >    Lexicons at this point.  I can pick up used Lexicons for
    >    $200-$250 all day long that (IMHO) smoke units of the
    >    $XXXX variety.
    
    You can't compare a single LXP-1 to a DP/4. 
    
    That 4 used Lexicons cost about the same as a new DP/4 actually
    indicates that the DP/4 is probably ahead of the Lexicons in the
    price/performance ratio.
    
    An LXP-1 is a single-effect processor.
    
    A DP/4 is FOUR totally independent single effects processors in one
    box.  Thus a DP/4 is really the equivalent of 4 LXP-1's in terms of
    functionality.   Actually it's slightly more than that.
    
    A single LXP-1 can't simultaneously add overdrive to your guitar, reverb
    to your drums, compression to your bass, and chorus to your keys.
    A single DP/4 can do that and more!
    
    I said it's slightly more than 4 LXP-1s.  That's because many of 
    the individual DP/4 "algorithms" can do two effects at once.
    
    It's also "more" than 4 LXP-1's because it is also a MIDI-controlled
    patch bay.  You process 4 signals independently, or you can chain any
    commbination of them in any arbitrary order and combine any of the
    output signals anyway you want it.
    
    What's more is that you can change the configuration instantly via
    MIDI.  That is, I may want two use two effects on one channel for
    the first part of the song and then independently for another.
    
    With LXP's you'd have to recable!  Not only is that unnecessary
    with the DP/4 but you can do it automatically under MIDI control.
    
    It seems to me that the DP/4 actually blows away the LXP-1 in terms
    of price/performance but it's a big up-front investment because it's
    like buying 4-6 LXP-1s.
    
    Ensoniq generally NEVER gets blown away in the price/performance
    category.  These are the guys that made sampling available to the
    masses (The Ensoniq Mirage was first sampler under like $5000!!!).
    
    	db
542.682Perish the thought!KDX200::COOPERLet The Light Surround You!!Tue Jun 29 1993 18:2435
    >Coop,  I think that you are under the false impression that a DP/4
    >is just an expensive multi-effects processor like a GP-16 or a
    >Multi-verb or whatever.  It ain't.
    
    I know that...  I've seen the box before.  It is, very impressive...
    I remember when the ART SGE came out it was also impressive because
    of all the cool functionality it had (every effect in the world, 
    nine at a time, digital mixer etc...).  The bummer is that it sounded
    like doo-doo.
    
    I'm sure (actually, I KNOW) the Ensoniq offering is light-years ahead 
    of the ART offering, but the point is, I'm not so impressed by bells 
    and whistles any more.  I mean I like the SDE-1000 I got from dbii, 
    cuz it's simple and functional.
    
    In a studio environment, I would MUCH rather have 20 inexpensive 
    signal mangling boxes (MVII's, SDE1000's, DBX 163x's, Pultecs...
    oppps, scratch that last one :-) than one impressive peice of gear 
    and a bitchin' patchbay, than a programmable wonder-box (which I'm
    sure the Ensoniq is).
    
    Perhaps the DP-4 would be cool in a guitar rack, where programmability
    is a plus...  But, I've had my lexicon in my guitar rack too, and
    it's happenin'.  Beleive it or not, I like to keep things simple
    there also - I just don't have time to program stuff any more.
    I like to use a cord, my fave four presets, a guitar, and hundreds
    of 4x12's.  :-)
    
    On the otherhand, in the studio, when people are getting billed for
    time, they aren't gonna like waiting for me to program a MIDI mixed
    'verb/chorus/delay' patch...  Especially if I duplicate the effort 
    with a patch bay and 16 MVII's anna few LXP-%'s. 
    :-)
    
    db, am I getting old or something??
542.683Price/performance is why I'd buy itDREGS::BLICKSTEINDOS BootTue Jun 29 1993 20:1620
    re: Coop
    
    Sorry, I had thought you didn't know that because of the mention of
    the price/performance and the price comparisons you drew.
    
    I totally disagree that it's not absolutely KILLER in the
    price/performance area.
    
>    I'm sure (actually, I KNOW) the Ensoniq offering is light-years ahead 
>    of the ART offering, but the point is, I'm not so impressed by bells 
>    and whistles any more.  
    
    Neither am I - the reason I'm thinking about one is that I can sell
    all the stuff I'm using in its absence, buy one, and come out with
    a) much better quality sound and b) probably some cash besides!
    
    The DP/4 doesn't have a lot of bells and whistles - it's mainly
    just a lot of bang for the buck.
    
    	db
542.684KDX200::COOPERLet The Light Surround You!!Wed Jun 30 1993 00:5612
    Thats cool - I just don't think that the DP/4 is as cool sounding
    as my Lexicon (not even close, IMHO), and while I can add to the 
    Lexicon for low-$$, I can't hook up with a DP/4 for under $K buckage  
    :-)  
    
    Besides,  as we discussed last week, my spousal unit would have me
    NEUTERED if I showed up with a $1K+ toy when she wants a HUTCH !!!
    (inside joke...)
    
    "Peavy, Mesa/Boogie, they think thats where it's at..."
    jc
      
542.685Why are we talking about this in Heavy_Metal??GOES11::G_HOUSESon of SpamWed Jun 30 1993 03:0435
    re: Coop
    
    It's really not fair to compare the used price of one unit against the
    new price of another.  From what I've read, the DP/4 is *at least* on a
    par with those low end Lexicon units in terms of sound quality, and at
    the new price, costs about what 2.5 of the LXP 1/5s cost.
    
    As far as whether I'd rather have dedicated effects/processors or all
    in one units, I really don't care, as long as they're of good sonic
    quality and can be configured the way I want without a lot of hassle.
    Would I rather have a multieffects unit like a TC 2290 or a Lex PCM-70
    over a batch of Digitech dedicated delays?  In a heartbeat...  Over 4
    LXP-1s, yeah probably.  To compare apples to apples, would I rather
    have a 2290 then a pair of those Sony dedicated delays?  Yes. Hey, at
    some level you almost always get what you pay for (in terms of
    relative cost).
    
    It would seem, in my mind, that if you're trying to compare something
    like an ART SGE to the DP/4, then db's right, you don't understand what
    the DP/4 will do.
     
    It would seem that the DP/4 excels in this area (configuration ease).
    It has 4 inputs and 4 outputs which can be configured or mixed in a lot
    of different ways (2 stereo outs, 4 mono outs, 1 stereo out-2 mono
    outs), the routing seems really good.  I could imagine a unit like this
    saving a bunch of patchbay slots in the studio. 
    
    Have you actually heard a DP/4 in a decent environment for comparison? 
    Sitting in a noisy music store playing through a cheezy board, monitors
    you're not familiar with, or (brrrrr) through a guitar rig, is not a
    decent way to determine the quality of pro level audio gear.  I'm
    wondering what your assertion that the LXP-1 blows it away is based on.
    
    Greg
                                     
542.686Marshall is a "fine cabinet maker"DREGS::BLICKSTEINDOS BootWed Jun 30 1993 15:3115
>    Thats cool - I just don't think that the DP/4 is as cool sounding
>    as my Lexicon (not even close, IMHO), 
    
    Well, as surprising as I find that, to each his own. 
    
>  I'm wondering what your assertion that the LXP-1 blows it away is based on.
    
    Me too.  
    
>     if I showed up with a $1K+ toy when she wants a HUTCH !!!
    
    Is she a "MIDI Hutch Puke"?  ;-)
    
    Good thing she didn't say "I want a cabinet".  If she did, she might
    find a stack of 4x10's in the dining room one day.  ;-)
542.687KDX200::COOPERLet The Light Surround You!!Wed Jun 30 1993 16:3124
    No 4x10's for me, thanks.  :-)
    
>>  I'm wondering what your assertion that the LXP-1 blows it away is based on.
    
>   Me too.  
    
    Simple.  I paid very little money for my Lxp-1 with a matching MRC-1
    and even got a cool windows based MIDI controller for it.  Granted, it
    may not be fair to compare used prices to new prices, but what do I 
    care?  It's money I count, not how many gadgets can be jammed into
    a box.  :-)  Also, I compared the DP/4 to the SGE strictly because
    the both have a lot of gadgets in the box.  I was blown away by all
    the functionality the SGE had (on paper), but was embarassed to own
    it after I got it.  I'm much more cautious nowadays.  :-)
    
    Also, I just didn't care for the reverbs in the DP/4 - I didn't think
    they sounded as good as the Lex.  The lex may be a low-cost alternative
    to a PCM70, but it's still a Lexicon (big bang, low buck).  Oh, and I 
    played around with the Ensoniq with a synth-piano at ProSound.
    
    FWIW - I'd love to have one, as I would a PCM70, PCM42, TC2290,
    H3500SE, anna rack full of tube-compressors.  :-)             
    
    
542.688?????MCIS3::DBEVERIDGEWed Jun 30 1993 17:041
    I thought this was the Dream Theater note?
542.689Happy? ;-)DREGS::BLICKSTEINDOS BootWed Jun 30 1993 18:423
    > I thought this was the Dream Theater note?
    
    If Dream Theatre was smart, they'd used DP/4s.
542.690Gear is more interesting then people that just use itGOES11::G_HOUSESon of SpamWed Jun 30 1993 20:1127
>    Simple.  I paid very little money for my Lxp-1 with a matching MRC-1
>    and even got a cool windows based MIDI controller for it.  Granted, it
>    may not be fair to compare used prices to new prices, but what do I 
>    care?  It's money I count, not how many gadgets can be jammed into
>    a box.
    
    Wait until the used DP/4s start getting out there, then make a fair
    comparison.
    
>    Also, I just didn't care for the reverbs in the DP/4 - I didn't think
>    they sounded as good as the Lex.  The lex may be a low-cost alternative
>    to a PCM70, but it's still a Lexicon (big bang, low buck).  Oh, and I 
>    played around with the Ensoniq with a synth-piano at ProSound.
 
    I'd hardly call ProSound a decent listening environment.  They probably
    had it running through cheezy speakers too.  I'd be really hard pressed
    to compare a unit that I heard in a quiet studio over decent monitors
    to something I heard in a music store with a half dozen employees
    running around chatting and probably somebody demoing a Marshall stack
    somewhere...  Especially for something like reverb.  In that
    environment a Midiverb II would probably sound close to as good as a
    PCM70 simply 'cause you can't hear the nuances.
       
    Dream Theater?  Who wants to talk about THEM??
    
    gh
   
542.691KDX200::COOPERLet The Light Surround You!!Wed Jun 30 1993 22:075
    Actually, John Petrucci uses a TriAxis, a Eventide H3500, and
    a TC2290.  Why would he want a DP/4 when he has those goodies??
    
    jc (Who still want impressed, even if it wasn't an optimal env!)
    
542.692GOES11::G_HOUSESon of SpamWed Jun 30 1993 22:498
>    jc (Who still want impressed, even if it wasn't an optimal env!)
    
    I just don't understand how you could pass judgement on it after one
    listen in ProSound, especially to be so vehemently down on it.  It
    seems like a good unit to me.  If it sounds half as good as people have
    told me, I'd be interested (were I shopping for that sort of thing).
    
    Greg (who'll wait until they start showing up used anyway)
542.693IMTDEV::COOPLove will conquer allThu Jul 01 1993 06:356
    Please take this boring discussion somewhere else.. like Mutterings. 
    :-)
    
    Yawn.
    
    cj, who doesn't want a hutch, but her house payment to be made
542.694FREEBE::REAUMEDo I hear a chainlift?Wed Jul 07 1993 00:2316
    
    
       Late but here nonetheless --
    
       I thought I posted my DT review over in GTR. Maybe.. maybe not!
      
    
       I thought they did a tremendous job of covering all their material.
    I had serious doubts that they could "pull it off" live, I was wrong!
    Patrucci made licks that would be painfull (if not impossible) for me,
    look effortless. And his tone was roolin' - C'mon $4K worth of gear
    should cut it? right! 
       I was right up front and totally into it the whole show. 
    
    
    								-B{}{}M-
542.695KDX200::COOPERLet The Light Surround You!!Wed Jul 07 1993 19:296
    A convert...
    :-)
    
    So BooM, when you gettin' a TriAxis??
    
    jc
542.6967/18 @ HamptonASIC::BARTOOCannot Believe We're Comin' A-partThu Jul 15 1993 14:3114
    Does anyone have information on DT at Hampton this Sunday?
    
    Or does anyone know where I can get that info?
    
    WAAF Hotline is clueless.
    
    I'm looking for ticket-purchase locations and show-time.
    
    ADVthanksANCE,
    
    nick
    
    
    
542.697PATE::SCHIAVONEDon't ever try to put me down!Thu Jul 15 1993 15:566
        RE-1

	Call the Hampton Beach Casino.  1-603-555-1212

	/Cap'n Quad
542.698KDX200::ROBRMaybe you'll figure it out somedayThu Jul 15 1993 17:134
    i got my tickets at the casino itself for $15.  i'm not sure of the
    showtime, but i *THINK* it's around 8ish or so with galactic cowboys
    opening.
    
542.699infoASIC::BARTOOCannot Believe We're Comin' A-partThu Jul 15 1993 17:5915
    
    Hampton Beach Casino Tick Office:  603.929.4100
    Price:  $13.00 Pre-sale, $16.00 Day-of,  $1.50 surcharge on phone
    		VISA/MC/Disc
    Time:   Doors open 6:00P, Concert 8:00P
    Admission:	18+ w/positive ID
    	        Casual dress  (no tanks or ripped jeans)
    
    Directions from Metro-West:
    
    	Rt I-95 N
    	Rt 51 E to end
        Turn right
    	.25 miles on left
                           
542.700700 replies!!BUSY::SLABOUNTYSomeoneLeftTheCakeOutInTheRainThu Jul 15 1993 18:028
    
    	Bartoo!!  I'm impressed ... I figured you were another one of
    	those software deadheads.
    
    	8^)
    
    							GTI
    
542.701GTI couldn't pull a ball to save his life :)ASIC::BARTOOCannot Believe We're Comin' A-partThu Jul 15 1993 18:069
    
    I figured you'd be impressed because my softball team gave you
    Gazoonheits a solid thrashing yesterday, Slab.
    
    Even though the umps made only slightly better calls than you do!
    
    :-) ;-)
    
    
542.702BUSY::SLABOUNTYSomeoneLeftTheCakeOutInTheRainThu Jul 15 1993 18:0916
    
    	Ouch!!  I've been hurt!!
    
    	And you only won by 5 runs ... wasn't our worst loss of the
    	season.  IE, it was better than the last time we played you.
    
    	8^)
    
    	[And that 3rd strike that Mike blazed by me was BEAUTIFUL ...
    	 I maintain that it was his fastest pitch of the game, and it
    	 looked like it was going to be about a foot inside until it
    	 got to the plate, and by then it was way too late to swing,	
    	 even for me.]
    
    							GTI
    
542.703METALX::SWANSONNo more new notesWed Jul 21 1993 02:4431
    So who else went to this show?  
    
    Review in a nutshell:
    
    Galactic Cowboys were OK.  I wasn't too impressed; wasn't anything
    that really moved me.   They're no Metallica!  Something was wrong with
    the sound too.  Or maybe it was just where I was sitting...
    
    Dream Theater were great!  Sound was a little muffled at first, but
    sounded better after a couple songs.  It was  their last show with the
    Galactic Cowboys and they came out during one of the GC's songs and
    sprayed (Silly String?) all over the band and goofed around on stage.
    
    The GC's then got Dream Theater back during "Take The Time" and came
    out dressed in goofy costumes and completely horsed around with Dream 
    Theater... climbing on their backs, and bumping into them etc.  This
    went on during the whole song yet they played it perfectly.  It was the
    only time I've seen them live that they included that "wait a minute,
    hold on..." part at the beginning of that song, I noticed.
    
    This joking between bands happend on and off the whole show, mostly
    during DT's set.  It was hilarious as well as musically entertaining. 
    They had some cool rotating lights that projected patterns behind the
    band that I hadn't seen before in a DT show.
    
    This was definately a show worth seeing.  Great place to see a band at
    too except for the dress code.  (No cutoffs or tank tops.... at a beach
    no less!)
    
    |KS|
    
542.704TOOK::LEVINEwill code for foodWed Jul 21 1993 18:1417
I wuz there...first DT show for me.

Moore and Petrucci were especially impressive!  Flawless performances from
both, in all aspects -- playing the notes right, of course, but they also got
great tones all night and were always in perfect balance with the rest of the
ensemble.

Portnoy is a monster!  They had his bass drums cranked much too fackin' loud
though, my ears felt seriously abused the next day.  Myung looked like he was
playing great stuff, but I couldn't hear him much over the double bass (except
for his pedals, which were even louder!).

LaBrea sounded great, both belting it out and on the quiet stuff.  It was
kinda weird the way he would stick his tongue out on the high notes, though
:-)  Hmmm, maybe I oughta try it!

-Lance-
542.705KDX200::ROBRMaybe you'll figure it out somedayThu Jul 22 1993 14:209
    
    LaBrea???  those are tar pits...  that belongs in the iron maiden note.
    :')
    
    you were there lance?  i was there!!  fyi, they said that was their 2nd
    to last show in the US, then they were going back to europe and japan,
    then back into the studio, so no more appearances in the US until their
    next album.
    
542.706TOOK::LEVINEwill code for foodThu Jul 22 1993 15:274
LaBrea ain't his name?  Guess I should add the DT liner notes to my spell
checker dictionary :-)

-Lance-
542.707Dino's rage on while Arnie fossilizes in tar pitsPOWDML::BUCKLEYDon't ask, Don't tell, Don't give a ....Thu Jul 22 1993 17:153
    
    Anyone see the new Arnie movie where they plop him into the LaBrea Tar
    Pits??  If THAT wasn't hindsight in action?!  ;')
542.708KDX200::ROBRMaybe you'll figure it out somedayThu Jul 22 1993 19:005
    
    yeah i saw it.  stupid movie.  oh well.
    
    lance, his name is Labrie.  you were close :').
    
542.709GC are no Metalica????? THANK GOD! ;)DECAGE::HOWESCruisin' through this fairytale...Mon Jul 26 1993 14:0317


	I saw DT and GC at Riverside, and Hampton while I was out...

	Both were great shows, I didn't get to pay much attention
	to the bands at Riverside, kept getting swept up in the
	mosh pit during DT and GC. ;^)

	The Hampton show was cool, I hate the 'YOU MUST SIT DOWN!" 
	law that is really lame.  Both bands played great, they were
	a lot of fun!  GC has really changed DT for the better, made
	them a lot looser.  I talk to Pertucci for a bit, he is a 
	cool guy.


						-Seth
542.710ASIC::BARTOOCome UndoneMon Jul 26 1993 14:526
    I was there too...I thought the joking between bands got old after
    what, 4 songs of it!  The bands did a great job of getting the crowd
    going despite the rules of the club which made it seem like
    Kindergarten all over again!  Where those whiteshirt bouncer meatheads
    on a power trip or what?
    
542.711It wasn't entertainment for us it was for them.. Nice! ;)DECAGE::HOWESCruisin' through this fairytale...Mon Jul 26 1993 15:2613

    The bouncers were out of control!  Badly!

    See you have to understand the joking though, the two bands
    had become very close and friendly, and that was there last
    show they were really sad it was ending..  The joking around
    wasn't for you, and it wasn't for the rest of the audience as
    entertainment, it was for THEM...   I have seen DT 7 times in
    concert, GC have done a lot of good things for them... Ya know?


						-Seth
542.712Light to dark, Dark to light,...DREGS::BLICKSTEINDOS BootWed Aug 11 1993 19:5316
    I'm not sure, but the live album may be being released in the USA
    on Tuesday.  It's on the Usenet distribution list.
    
    "That'd be cool"
    
    "Yeah, cool.  Heh... heheh... heheh..."
    
    "Dreams are shaking set sirens waking up tired eyes"
    
    "What was that"
    
    "I dunno - I think it was the Canadian national anthem or something".
    
    "That was cool"
    
    	db
542.713POWDML::BUCKLEYLive at the MarqueeThu Sep 23 1993 15:377
    -1
    
    A live DT ep, containg 7 songs, was released Internationally ONLY.
    It's called LIVE AT THE MARQUEE.  
    
    There is a full-length live DT video slated to be released here in the
    states on November 16th.  The footage was shot in Japan.
542.714KDX200::COOPERTesting my new personal nameFri Sep 24 1993 22:571
    Slobber!
542.715heh - heh - hehDABEAN::REAUMEHey Beavis - Autumn sucks!Sun Sep 26 1993 15:3710
    
    
      I noticed that John Patrucci has joined the Ibanez endorsee ads on
    the inside of the front cover of the this months Guitar Player. There's 
    mention of DT not being a band to follow trends, etc. 
      Also shown is Patrucci's custom graphic RGwhatever guitar. Hmmm -
    Will a Patrucci model be the newest Ibanez? Did anyone ever buy a
    Reb Beach model besides Reb (Oooops, he didn't pay for it!).
    
    							=B{}{}Mhead=
542.716KDX200::COOPERTesting my new personal nameMon Sep 27 1993 15:233
    Petrucci has played a USA Custom Ibanez...  It's the same one that
    any of us can buy for $1300ish.
    jc
542.717Where do I buy my "Petrucci for Guitar God" button?DREGS::BLICKSTEINDOS BootMon Sep 27 1993 19:3314
    Petrucci deserves it.
    
    The more I listen to I&W the more convinced I am that he is the most
    underrated player around.  
    
    Sure, everybody and his brother has chops these days.  Actually, these
    days, everybody and their sister has chops.   The reason I vaunt
    Petrucci is because he doesn't sound like "yet another Varney guy".
    
    He is NOT using the guitar like a zillion other guitarists.  I could
    easily imagine a lot of what he plays being done on some other
    instrument.
    
    So I give him credit mainly for his originality.
542.718BUSY::SLABOUNTYWhose Line Is It Anyway?Mon Sep 27 1993 20:237
    
    	Some of those "Varney guys" are great, IMO.
    
    	Todd Duane, Joy Basu, etc.
    
    							GTI
    
542.719Guess this finally explains itGOES11::HOUSEand he put the load right on meTue Sep 28 1993 17:526
>    Sure, everybody and his brother has chops these days.  Actually, these
>    days, everybody and their sister has chops.  
    
    Just my luck...I'm an only child.
    
    gh
542.720KDX200::COOPERTesting my new personal nameWed Sep 29 1993 17:083
    Dream Theater RULEZ!
    
    
542.721SUBURB::COOKSThese Colours Don`t RunThu Sep 30 1993 11:034
    I`ve only heard one song,(a ballad from the live at the Marquee album)
    on a compilation cd i`ve got and i thought it was utter crud. 
    
    
542.722another Portnoy interviewPOWDML::BUCKLEYLive at the MarqueeTue Oct 05 1993 12:44234
    The following is an interview with DT Drummer Mike Portnoy, which ran
    in an issue of Modern Drummer (re-copied w/o permission)...
    
    
    -----------------------------------------------------------------------
    
Dream Theater may be one of the best kept secrets in rock, but there's no 
fooling drummers.  They've been talking about Mike Portnoy for months.

After all, it's not often someone comes along who embraces odd time signatures
and polyrhythms with the grace of Neil Peart and the zest of Terry Bozzio.  
And when it comes to drum fills - and there are plenty on the band's
astounding epic 'Images and Words' - Portnoy's are a vacuum for attention.

For the uninitiated, Images and Words is the most compositionally challenging
yet captivating and surprisingly accessible progressive rock album since
Queensryche's Operation: Mindcrime.  Strictly on a performance level, you'd
have to back to early Rush to find as technically demanding and well-executed
a piece of art rock.

And that couldn't be better news to purists who thought this style of music
died with vintage Yes, Dixie Dregs, Rush, and other groups born two decades
ago.  "We're not afraid to come to the people, because we do have mainstream
influences in us," says the twenty-five-year-old Portnoy.  "But being fans of
early Rush and Yes and progressive groups like that, we feel there's a void
right now in that older, real exploratory kind of music.  And we want to kind
of pick up the torch."

Mike Portnoy, John Petrucci, and John Myung - all from Long Island, New York -
didn't meet until coincidentally enrolling at the Berklee College of Music.  
In Boston, they hooked up with fellow hometowner Kevin Moore to form the
nucleus of Dream Theater.  It didn't take long to realize they had more in
common than their stomping grounds.  They left school after only a year to
concentrate on their new project.  

"Our influences had a lot to do with our direction, but then we started 
incorporating jazz and other elements," says Portnoy.  "We really encouraged
each other to stretch our musically.  We also want to create music that's
pleasing to listen to, but we've always tried to incorporate strong individual
performances, too.  I think we've improved a lot at bringing the two
together."

Portnoy cites his stint at Berklee for giving him the mental agility to handle
the band's challenging compositions while side-stepping the toes of his
bandmates.  "Berklee was great for my drumming because the competition is so
fierce there.  You have to be on top of it all the time.  But the biggest
thing I got out of Berklee was the overall musical environment - the ear
training, theory, arranging, and harmony - which I really use every day in
this band.  Because of all that, I'm able to have full input on our 
songwriting.  The drums have as much responsibility for the direction of the
song as any other instrument.

Portnoy adds that the technical training allows him to play more of a creative
role.  "I know all the keys and time signatures of all our songs at all times,
which is really an advantage, because I can then help direct the changes
within a song.  Each member has license to suggest something that may not
particularly deal with his instrument; we can all stray into each other's
territory.  My input, obviously, is mostly rhythmic.  But I'll also
participate when we spend a couple of hours in rehearsal working on the
orchestration of just four bars of music.  All of us are even free to come up
with the lyrics."

Such democracy, however, did little to help the band through a self-indulgent
debut record and over five years of creative indecision.  "We all have high
standards - individually and for the band - and we couldn't find the right
type of singer to handle the kind of music we were determined to play,"
Portnoy explains.  "We even thought about giving up on finding a singer and
just becoming an all-instrumental group.  But our hearts weren't in that.  We
already had a singer ready for the new record, but then this other singer
(James LaBrie) sent us a tape.  We couldn't believe it when we heard it, but
we auditioned him and found out he was for real.  The other four of us had
been together for a long time, so all the songs for the record were already
written.  James just had to put his voice on it."

Portnoy was introduced to music on a piano bench, but gravitated to the drums
in his early teens.  "Even before I started playing, I was constantly 
surrounded by music," he says.  "My dad was a radio DJ, and he was always 
getting me into different kinds of music.  He used to take me down to the 
station with him at 5:00 in the morning when I was just five years old, and 
I'd spin the records while he slept.  I was the only fourth-grader with a 
collection of three hundred records! But I wanted more out of music; I 
wanted to play.  The piano wasn't rhythmic enough for me, and that's what 
lured me to the drums."

Portnoy went on to play in a series of cover bands and original outfits, but
none that presented a fraction of the challenge he's found in Dream Theater.  
"I'd never been in a progressive band before this one," Mike says.  "I didn't 
even know that's what I wanted to do until it happened.  I was doing thrash 
metal and covers in previous bands - and could still do that and be happy - 
but this one is the most rewarding thing for me, and it was a surprise.

"We had all grown up with the same metal influences.  But we had also just
come out of jazz school, really listening to Chick Corea, Mahavishnu 
Orchestra, and groups like that - and that all melted together in the musical
environment we first formed under.  Nothing was planned."

Portnoy attributes his physical dexterity and ability to hold up to Dream
Theater's extreme performance demands to his formative years, when he cut his
teeth on the legendary progressive outfits of the 70's.  "Like a lot of
drummers, Neil Peart was my first drumming god, and music from Rush and groups
like that was always the most satisfying for me to play.  Zappa's music had
the biggest influence on me as far as polyrhythms and odd times go.  Still, it 
took years of developing as a musician and channeling my energies to bring 
these concepts into my own playing and to be able to use them in a band 
context.  Lessons helped me gain some of my independence, and I'm sure they're
valuable to a lot of players, but I used my own ears to pretty much get to
where I am now.  Books and lessons are great, but they're just not the path I
took.  Most of my practice nowadays is mental.  I get the most out of just
listening to a piece of music, like Pantera or Yes, and then drumming along
and thinking of how I can phrase it differently."

Portnoy says that even though odd time signatures have never posed a problem
for him, he never would have fully digested them without opening himself to
players outside of progressive rock.  "I've always been into odd times because
of the bands I grew up on.  But I guess I used to play pretty typically until
I say Vinnie Colaiuta at a PASTE clinic.  He blew my mind because he went
completely out and came back in.  He opened the doors for me.  My drumming was
never the same."

Portnoy says that Dream Theater's complex compositions begin with group jams,
but quickly move to paper for detailed breakdown of individual parts.  "We'll 
be jamming together and hit on a progression that really moves us, and then 
we'll take off with it for an hour or so.  We record everything and then 
reorchestrate or arrange the parts later.  We have a big chalkboard at our 
studio so we can keep track of everything - because there's usually a lot to
keep track of.  We write out the individual arrangements within each song and
give each a name.

"Then we'll get more in-depth, and that's where it gets fun.  For instance, on
'Take the Time,' where it's in five, the keyboards are playing in two's.  the
snare beats are on 1 and the '&' of 3 in a bar of five.  The keys are
accenting along with the snare for eight bars, then the drums change around to
match up with the keys.  Weird stuff like that - the odd times and polyrhythms
- are all arithmetic.  There are also times when I'll play one measure of 7/4
to every two bars the other guys are playing in 7/8.  I always try to approach
parts differently in that way, like in 'Metropolis,' where they play four bars
of 3/4 and I'm playing three bars of 4/4 underneath it.  We're intrigued with
odd times and orchestrating them, or maybe repeating a part later in the song,
but in a different time signature." 

The players in Dream Theater go to great lengths to challenge themselves
musically, says Portnoy, who cited the six-minute instrumental section of
'Metropolis' as an example of that.  He added that one of the band's greatest
assets, though, is the ability to turn such intricate arrangements into 
ear-friendly material.  "We've always been song-oriented, but much more so on
this record.  And that's because a lot of the time signatures and grooves that
go with them come naturally to us.  The grooves don't have to be in 4/4.  If
you look at the great groups of the '70s, they all had incredible
performances, but the songs were good, too.  It's hard to bridge the two
concepts, but we've reached the point in our musical relationship together
where we can do that rather easily.  It's become our style.  Even without a
singer in the band, we always wrote our songs with lyrics in mind.  And I
think we've learned that it's important to establish the rhythm or hook in a
song."

Even though Dream Theater is have success, Mike mentions that he has had some 
disappointments along the way.  For Portnoy it's not hard to find his sore 
spot with the recent album - the sampled drum sounds.  "That's something I'm
not real proud of," he says with a chuckle.  "Unfortunately, for this record,
I wasn't able to be hands-on with my sounds, and it was a very frustrating
experience.  It's a triggered snare, and I'm not a real fan of that.  It's
okay in the big, open spaces, but a lot of the intricate things and ghost
notes got lost.

"It's tough, because the five of us are so meticulous with what we do and 
spend great amounts of time creating parts for songs.  It's tough having a 
sixth person (producer David Prater) come in and just wipe away some of the 
ideas it took months to develop.  We had to make a lot of compromises, 
artistically and sonically.  But it's not like we don't feel the album is a 
true representation of us.  We're not consciously trying to be as out-there as
possible, but a lot of the changes he made turned out for the better because
they made our overall compositions more digestible."

Portnoy says that his own demands for perfection don't extend far beyond the
recording studio.  "I have two theories on click tracks," he explains.  "At
first I was against it, because music comes from a feel and it should have that
mental push.  But when it came time to make the album, I used clicks for a lot
of parts, and actually felt more comfortable because it made me concentrate
more on my playing and it pushed me along a little.  But I don't need that
kind of push live.  Maintaining tempo is important, but the music can breathe
a little more and have a life of its own on stage.  I think a click can kind
of limit the spontaneity."

Portnoy says that even though he and the rest of his bandmates receive a heavy
dose of compliments from other musicians while on tour, he doesn't see himself
as an exceptional drumming talent.  "Kids will come up to me and tell me how
great I am, and just when I start believing it, I'll put on a video of Vinnie
or Dave Weckl and put myself back in my place," he says with a laugh.  "I
mean, don't there kids know who the great ones really are? It's hard for me
to think I'll ever reach that level.  But then again, I don't think I'll ever
be at a level where I'm satisfied with my playing."

That doesn't mean he doesn't try.  Portnoy says that he constantly reviews
audio and video tapes of his live performances.  "I bring my DAT player on the
road, and it picks up a lot of things I don't really notice when I'm playing,"
he explains.  "Everything happens so unconsciously when I play live - I don't
even know here the licks come from.  But I'll go back and find something on
the tape that surprises me.  Still, some of the best stuff is spontaneous,
and it's never the same when you try to reproduce it."

A facet of Portnoy's playing that only the most observant fans might notice is
what he call an "untraditional matched grip."  "The stick in my left hand is
backwards, where I hold it at the tip and hit with the butt end.  I find that
I get a lot more power on my snare hits that way and I don't really notice the
imbalance.  I've been doing it for so long that I'm just used to it."

With Images & Words selling consistently, propelled by the single 'Pull Me
Under', Portnoy figures to be on the road through 1993.  Thanks to a large
family, he says he always feels at home.  "Divorces and death have given me an
enormous family," he says.  "The crew always makes fun of me because
everywhere we go, it seems like I have relatives there."

Meanwhile, in times when many progressive rock and metal bands are curbing
their music to appeal to a large audience, Portnoy envisions slowly pulling
people into Dream Theater's element.  A recent two-hour headlining show in NYC 
incorporated the nuances of a theatrical performance, including a program, 
ushers, and an intermission.  And if people think that Dream Theater's current 
repertoire is on the lengthy side, Portnoy says their next recording project
will include a twenty-minute piece call 'A Change of Seasons', featuring the 
drummer's first full lyrical contribution to the band.  "For us, the quality
of the audience is more important than the quantity.  I don't see us toning
down or shortening our songs just to attract more people to us.  It's more
important with a band like ours that our fans appreciate our music for what it
is and not just like us for a hit single or video.  So far, they seem to like
us for exactly what we are, which is real rewarding to us.

"Our shows have been packed for the most part, which tells us we were right
all along.  Through all the rough times and the struggles, we've come through
with people still wanting to hear this kind of music.  And we have high hopes
it will just grow from here, because we've always seen this band as a
long-term project.  We know we can't be an overnight band, because it will
take long-term commitment to fulfill our goals." 

------------------------------
542.723POWDML::BUCKLEYlead us still, as thou hast lead..Tue Nov 02 1993 10:3343
    FYI -- The DREAM THEATER juggernaut has landed in Europe:
    
    GERMANY
     
	11/1    Hamburg, Ger    Docks
	11/2    Hamburg, Ger    Docks (optional date)
	11/3    eu Isenburg, Ger  Hugenottenhalle
	11/5    Don, Ger        Bikuithalle
	11/6    Nurnberg, Ger   Resi
	11/7    Stuttgart, Ger  onghorn
	11/8    Bielefeld, Ger  PC69
	11/9    Berlin, Ger     uxley's Neue Welt
	11/11   Munich, Ger     Zeppelinhalle
	11/12   Saarburg, Ger   Stadthalle
    
    ITALY
    
       	11/15   Milan, Ita      Palaseto
    
    FRANCE
    
	11/17   Paris, Fra      Elysee Montmarire
    
    BELGIUM
    
	11/18   einze, Bel      Brielpoort
    
    ENGLAND
    
	11/20   ardiff, Eng     St. Davids Hall
	11/21   London, Eng     Astoria
	11/22   Wolverhamptn    Wulfrun Hall
	11/24   Nottingham, Eng Rock City
	11/25   Bradford, Eng   St. Georges Hall
	11/26   Manchester, Eng University
    
    SCOTLAND
    
	11/28   Edinburgh, Sco  Queens Hall
 
    
    Would love to see some concert reviews posted by our European 
    bretheren.
542.724KDX200::COOPERThere's a moon in the sky!Tue Nov 02 1993 10:331
    I need a fix - when are they coming back to the states!?!?!?
542.725POWDML::BUCKLEYlead us still, as thou hast lead..Tue Nov 02 1993 10:445
    >I need a fix - when are they coming back to the states!?!?!?
    
    Not for a long while!!  ;'(  The band is slated to start recording
    their 3rd album in January of 94, with a release date of Summer,
    so don't look for the tour til sometime late next year.
542.726Sad, really sad...GOES11::HOUSEDid it. Done it. *WHAP* owwww!Tue Nov 02 1993 11:234
>    I need a fix - when are they coming back to the states!?!?!?
    
    You mean they've resorted to SELLING DRUGS now 'cause they can't make
    any money with their emotionless music??? 
542.727birds of a featherFRETZ::HEISERvisualize whirled peasTue Nov 02 1993 12:021
    I hear Steve Morse is gonna open for them from now on.
542.729Dream Theater FAN CLUB infoPOWDML::BUCKLEYtalk amongst yourselves...Fri Nov 12 1993 14:2916
    A new DT fan club has been formed.  Includes DT biography, personal
    profiles of the members, one year (4 issues) of the quarterly IMAGES
    AND WORDS newsletter (original title, eh?), autographed band photo,
    laminated membership card (for charter members only), and access to DT
    merch and events exclusively for club members. Membership is $16 in the
    States, US$22 for overseas.  Checks payable to YTSE JAMS.  "If you are
    in need of a personal reply, please include [an SASE].  I can't promise
    a band member will write you back, but I'll be happy to answer any
    questions the best I can."

    The address is:
    
    Dream Theater Fan Club    
    Dept. A 
    11 Penn Plaza, Suite 910
    New York, NY  10001-2006                
542.730misc DT tidbitsPOWDML::BUCKLEYtalk amongst yourselves...Fri Nov 12 1993 14:2914
    Here is some misc DT info:
     
    A new studio album will be recorded during 1994, but "To Live Forever",
    "Eve" and "Change of Seasons" may or may not be on it.  "American fans
    should have no problems finding [LatM] at an import shop."
                                                            
    Although there is no sheet music available for DT as yet, but John will
    soon have a regular column in GUITAR WORLD.

    Limited quantities of merchandise are available; there's an order form
    on the back of the letter she sends out.  T-shirts, a baseball cap, and
    a button.  No stickers or bumperstickers, darnit, which should be the
    FIRST thing they print up....  
                                               
542.731GOES11::HOUSEYou sick little monkey!Fri Nov 12 1993 15:403
>        A new DT fan club has been formed.
    
    Didja join more then once, Buck?
542.732Win a lesson with PetrucciPOWDML::BUCKLEYtalk amongst yourselves...Mon Nov 15 1993 10:1519
    Hey Rockers --
    
    
    Run, don't walk, to your nearest Ibanez dealer and register in the new
    "Dream Lesson" sweepstakes!!  
    
    I was recently at my favorite Ibanez dealer, and they had bunches of
    little contest entry forms for an Ibanez "Dream Lesson" contest.  The
    winner gets a lesson from Petrucci, as well as one of his USA custom
    "face graphics" Ibanezes.  There are 20 or 30 second prizes, which are
    Ibanez shaped tables (?!?) all signed by him also.  The third prize is
    Ibanez pocket guitar stands.
    
    Anyway, just thought I would tell everyone so you can go to your local
    Ibanez dealer and lessen my chances of winning.  BTW, you have to get a
    salesperson to sign each entry, so it is hard to snag a bunch to enter
    multiple times. 
    
    Dream on...
542.733POWDML::BUCKLEYtalk amongst yourselves...Mon Nov 15 1993 10:164
    Just a reminder -- Dream Theater's "Live in Tokyo" Video tape is
    released this Tuesday, November 16th!!!  The 90 minute tape will
    feature live concert footage, as well as the band's 4 video releases
    (Pull Me Under, Take the Time, Another Day, Surrounded).
542.734Bought it, seen it, loved itDREGS::BLICKSTEINDown on that shreddin' flo'Fri Nov 19 1993 11:128
    Bought the DT video tape.
    
    Definitely worth the $12.95!
    
    The concert footage is HQ and the performances are top-notch.  I also
    like the home videos of them in the studio recording I&W.
    
    	db
542.735Dream Theater DiscographyPOWDML::BUCKLEYviolent new breedFri Dec 03 1993 19:14340
    
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------------------------------------------------------------------------------
    
Discography: Dream Theater (Current to 12/10/93)
Compiled by: Mike Bahr (garion@indirect.com) (garion#hack)

LEGEND:
LP - Record; CT - Cassette; CD - 5" Compact Disc; MD - 2.5" Mini Disc
C3 - 3" Compact Disc - CS - Cassette Single; 2CD - Double CD set; V - Video

Full discography to
OFFICIAL RELEASES:
	Majesty demos, 1987-89, Not produced.
        When Dream And Day Unite, 1989, MCA/Mechanix (France, Germany Only)
          LP, CT, CD
        Images & Words, 1992, Atlantic/ATCO (USA) CT, CD, MD
        Images & Words, 1993, Sony Music Entertainment (Japan) LP, CT, CD
        Images & Words, 1993, Vertigo/Biem/Stemra (Germany, Holland, UK) LP, CD
        Another Day/Status Seeker, 1993, WEA International (UK Only?) CS
        Another Day/Under A Glass Moon, 1993, Atlantic/ATCO (USA) CS
        Pull Me Under, 1993, ATCO Promotional (USA) CD
        Pull Me Under, 1993, AVision ATCO (USA) V
	Take The Time, 1993, ATCO Promotional (USA) CD
        Another Day, 1993, ATCO Promotional (USA) CD
        Under A Glass Moon, 1993, ATCO Promotional (USA) CD
        Surrounded, 1993, ATCO Promotional (USA) CD
        Live At The Marquee, 1993, WEA International (Germany, Holland, UK) CD
        Live At The Marquee, 1993, MMG Inc. (Japan) CD
	Images & Words Live In Tokyo, 1993, AVision ATCO (USA) V

CONFIRMED BOOTLEGS:
        A Fortune Pulled Under, 1992, LP (USA)
                Live cuts from early promotional touring after the release
                of Images & Words.
        Images & Tour!, 1993, CD (USA)
                A full length live bootleg from the Images & Tour Tour.
        Runes, 1993, CD (USA)
                A passable recording of a portion of the second leg of the
                Images & Tour Tour.
        Skyway of Nightmares, 1993, CD (Italy)
                A mid-quality recording of a full-length DT show, recorded 
                during the bands first sweep of Europe on the Images and
    		Tour Tour.
	The Dance Of Eternity, 1993, 2CD (USA)
		An excellent-quality audience recording from about the same
		time as Images & Tour! was done. Near-soundboard clarity.
		Great disc pictures and liner, professionally done.
	Consciously Unreal, 1993, 2CD (Italy)
		The only bootleg with the original DT lineup live. Includes
		a boot from the Images tour and a few tracks from the first,
		When Dream and Day Unite, tour. Liner notes say it's USA but
		James LaBrie makes statements during the performance that
		indicate they are in Italy.
 
RELEASE INFO
----------------------------------------

the Majesty demos, 1987-89 (Not produced.)
	Before they were Dream Theater, they were Majesty. Included on their
	demo tapes are the following:

1986:   Another Won	
        Your Majesty		
        A Vision	
        Two Far
	Vital Star	
        March of the Tyrant
	A Late Summer Rain/Schizophrenia

1987:   Afterlife	
        The Death of Spock	
	Ytse Jam	
        Killing Hand		
        Cry For Freedom
	Ressurection of Ernie

1988: 	Mission Impossible Theme	
        Golden Slumbers
        O Holy Night
        Don't Look Past Me
        To Live Forever

1989:   Metropolis part I: The Miracle and the Sleeper
	Light Fuse and Get Away
    
When Dream And Day Unite, 1989, MCA/Mechanix, France, Germany only
MCD42259/MCAD42259/D:QM-F:BM720
Members of the band:
        Vocals: Charlie Dominici
        Drums: Michael Portnoy
        Guitars: John Petrucci
        Keyboards: Kevin Moore
        Bass: John Myung

Side 1 -        1. A Fortune In Lies 5:10
                2. Status Seeker 4:15
                3. The Ytse Jam 5:43
                4. The Killing Hand 8:40
                        I. The Observance
                        II. Ancient Renewal
                        III. The Stray Seed
                        IV. Thorus
                        V. Exodus
Side 2 -        5. Light Fuse and Get Away 7:23
                6. Afterlife 5:27
                7. The Ones Who Help to Set the Sun 8:04
                8. Only a Matter of Time 6:35


Images & Words, 1992, Atlantic/ATCO, USA
7567-92148-2
Members of the band:
        Vocals: James LaBrie
        Otherwise same

Side 1 -        1. Pull Me Under 8:11
                2. Another Day 4:22
                3. Take The Time 8:21
                4. Surrounded 5:28
Side 2 -        5. Metropolis Part I
                    (The Miracle and the Sleeper) 9:30
                6. Under a Glass Moon 7:02
                7. Wait For Sleep 2:31
                8. Learning to Live 11:30

Images & Words, 1993, Sony Music Entertainment (Japan)
Need a catalog # (mine is a copy)
Images & Words, 1993, Vertigo/Biem/Stemra (Germany, Holland, UK)
Need a catalog # (mine is a copy)
        Identical to USA version except extra track on Vertigo release:
                5. The Ytse Jam (Live) 6:36
	Tracks #5-8 on USA version renumbered to #6-9 here.

Another Day, 1993, WEA International, UK Only? Confirmation anyone?
Need a catalog # (submitted as entry, I don't own it)
        Cassette Single

        Side 1 - Another Day (LP Version) 4:22
        Side 2 - Status Seeker (Live) 4:28

Another Day, 1991, Atlantic/ATCO, USA
Need a catalog # (submitted as entry, I don't own it)
        Cassette Single

        Side 1 - Another Day (LP Version) 4:22
        Side 2 - Under A Glass Moon (LP Version) 7:02

Pull Me Under, 1993, ATCO Promotional (USA) PRCD 5067
        CD Single

        Pull Me Under (LP Version) 8:11

Pull Me Under, 1993, AVision ATCO (USA)
Need a catalog # (submitted as entry, I don't own it)
	Video

	Pull Me Under (Edit) 4:39
	Pull Me Under (MTV Edit) 4:48
	Pull Me Under (LP Version) 8:11

Take The Time, 1993, ATCO Promotional (USA) PRCD 5069
        CD Single

	Take The Time (MTV Edit) 5:31
        Take The Time (LP Version) 8:21

Another Day, 1993, ATCO Promotional (USA) PRCD 5077
        CD Single

        Another Day (LP Version) 4:21

Under A Glass Moon, 1993, ATCO Promotional (USA) PRCD 5080
        CD Single

        Under A Glass Moon (LP Version) 7:02

Surrounded, 1993, ATCO Promotional (USA) PRCD 5104
        CD Single

        Surrounded (LP Version) 5:29

Live At The Marquee, 1993, WEA International (Germany, Holland, UK)
7567-92286-2/CA 835
        CD EP
        Recorded in London, England, UK, April 1993

                Metropolis 9:36
                A Fortune In Lies 5:10
                Bombay Vindaloo (Previously Unreleased) 6:48
                Surrounded 6:00
                Another Hand/The Killing Hand 10:30
                Pull Me Under 8:42

Live At The Marquee, 1993, MMG Inc. (Japan)
ACM4-574 
	CD EP
	Identical to Germany/Holland/UK version Except:
	Substitute track:
		4. Another Day 4:37

Images & Words Live In Tokyo, 1993, AVision ATCO (USA)
50537-3
Full-length video release (need times)

	 1. Arrival 0:31
	 2. Under A Glass Moon (live) 7:13
	 3. The making of Pull Me Under 3:03
	 4. Pull Me Under (video) 4:48
	 5. The making of Take The Time 2:15
	 6. Take The Time (video) 5:31
	 7. Kimonos and tapes that are too big 3:01
	 8. The condoms of Dream Theater 1:02
	 9. The interview 0:27
	10. Wait For Sleep (live) --> 2:45
	11. Surrounded (live) 5:54
	12. The Ytse Jam/Drum Solo (live) 10:28
	13. Chunk and balls (MTV sucks) 0:51
	14. Another Day (video) 4:29
	15. To Live Forever/A Change of Seasons (live) 12:05
	16. A Fortune In Lies (live) 5:00
	17. Mike crosses the Abbey Road 1:11
	18. Eve/Take The Time (live) 10:32
	19. Take The Time by Galactic Cowboys 0:29
	20. Take The Time by Sebastian Bach 0:25
	21. Breast signing 0:50
	22. Pull Me Under (live) 8:29


BOOTLEG INFO
--------------------------------------
A Fortune Pulled Under (USA) 1992, LP
Need a mfr. and catalog # (it was submitted)
        1 LP
        Recorded in Paris, France, October 1992
        Side 1 -        Take The Time
                        Afterlife
                        The Ytse Jam/Drum Solo
                        Only a Matter of Time
        Side 2 -        Guitar Solo/A Fortune In Lies
                        Under a Glass Moon
                        Surrounded
                        Pull Me Under

*** I Need to know who is currently vending this. I have had requests for
	copies which I intend to provide, and a copy of a copy of an LP
	that was a bootleg to begin with turns out as pretty sorry quality.

Images & Tour! (USA) 1993, CD (Big Red Records #48733-DT)
        1 CD
        Recorded in Tempe, AZ, USA, March 1993
                        Dance of Eternity 9:46 (Metropolis mislabeled)
                        A Fortune In Lies 5:02
                        Under a Glass Moon 7:15
			The Approach/Bombay Vindaloo (mislabeled?) 7:08
                        Waits For Sleep (mislabeled the "s" in Wait) 2:44
			Surrounded 6:10
                        Instrumental/Drum Solo 10:53 (Ytse Jam mislabeled)
                        To Live Forever 4:50
                        A Change of Seasons 7:20
                        Eve/Take The Time (mislabeled?) 10:31
                        Pull Me Under 8:35

*** Corrected: A Fortune In Lies is track #2, not Afterlife as previously
	noted. I finally got an original of this one and confirmed this.
	The vendor is Tracks In Wax, N. Central Ave, Phoenix, AZ.
	A whole show is not included; absent is Learning to Live and
	Another Hand/The Killing Hand.

Runes (USA) 1993, CD (The Camera's Ear Productions, #9103)
        1 CD
        Recorded in Sacramento, CA, USA, no date given.
        Can be distinguished by lack of good bass in the first three tracks.
                        (cuts right to song, no fade-in)
                        Metropolis
                        Under A Glass Moon
                        To Live Forever
                        Wait For Sleep
                        Surrounded
                        A Fortune In Lies
                        Take The Time
                        Pull Me Under
                        Learning To Live
                        (cuts off after last chord)

*** I need to know who is vending this. 

The Dance of Eternity (USA) 1993, 2CD (Why Not? Records WOT2014/15)
	2 CD's - further notes above in description section
	Recorded at the Limelight, New York, March 4 1993
		Disc 1
			Metropolis, part 1 9.21
			A Fortune In Lies 5.20
			Under A Glass Moon 7.31
			Surrounded 6.16
			The Ytse Jam 9.46
			To Live Forever 5.57*
			Take The Time 10.42
		Disc 2
			Eve/Pull Me Under 13.59
			Another Day 6.39
			Another Hand/The Killing Hand 8.20
			A Change Of Seasons 20.04
			Wait For Sleep 2.52
			Learning To Live 13.14

* Mislabeled on liner as "Forever", which is what it was called back when
Dream Theater was 'Majesty'.

*** Every importer/specialty shop I inquired at indicated they could obtain
	copies of this, so you should have no trouble.

Consciously Unreal (Italy) 1993, 2CD
Need mfr. and catalog # (it was submitted)
Tracks 1-11 recorded in Italy during the Images & Tour tour. LaBrie on
vocals. Tracks 12-16 recorded during the Dream & Day tour, Dominici vocals.
		Disc 1
			Metropolis part I
			A Fortune In Lies
			Under A Glass Moon
			Surrounded
			The Ytse Jam/Drum Solo
			Another Day
			The Killing Hand
			Pull Me Under
			Take The Time

		Disc 2
			Wait For Sleep
			Learning To Live
			-----------------
			Metropolis part I
			Afterlife
			Forever
			The Ytse Jam
			The Killing Hand

542.736The Dream Theater FAQPOWDML::BUCKLEYScandalized my name!Tue Dec 14 1993 17:30991
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FAQ/Discography: Dream Theater (Current to 12/14/93)
Compiled by: Jason Hough & Mike Bahr 
 	     (jhough@qualcomm.com) and (garion@indirect.com)
Beta-tested or whatever by Michael Burstin and Randall Haskin (address below)
 
Welcome to the first edition of the Dream Theater FAQ, presented by us
and the members of the Ytsejam mailing list!


A word of thanks goes here to the dozen-odd folks who wrote to us with needed 
changes.  Since I lost my old account (aumpb@asu.edu) I need you to write me 
back at garion@indirect.com and tell me who you were, I want to give name 
credit in this discography.      
 
I've shortened the credits section because of all the people who have been
a part of it, but I wish to slight nobody; you ALL have helped a hell of a
lot and a lot of kudos go to the people listed below.
 
Many thanks to the following for their additions and corrections:  
> * Randall Haskin (strega@stien1.u.washington.edu)
> * Brent Nuttall (elric@indirect.com)
> * Dave (dld30@quts.ccc.amdahl.com)
> * Michael Burstin (Mikeb@cs.brandeis.edu)
> * Todd Henson (thenson@mason1.gmu.edu)
> * Bill Buckley (buckley@powdml.enet.dec.com)
> * Jennifer Albert (cc p.terrell@genie.geis.com)
> * Lars "ORION" Karlsson ()
> * Tim (space2@hardy.u.washington.edu)
 
Abbreviations you should know:
------------------------------
DT - Dream Theater
WDADU - When Dream And Day Unite
IAW - Images And Words
LATM - Live At The Marquee
LIT - Live in Tokyo (video)
ACOS - A Change of Seasons
YML - Ytsejam mailing list

CONTENTS
--------
0. New Questions/Frequently Changing Recent Information
1. Questions about the members of DT/DT History
2. Questions about DT performances/appearances/miscellany
3. Questions about the songs themselves
4. Brief discography
5. Extended discography

New Stuff
---------
0.1 What do we know about Dream Theater's new (third studio) album?

	We know a few things. Here's what we've been able to glean from
the band members:

* It's not yet titled. (soon as you hear info on this mail us FAST!)
* It started recording in early December 1993.
* (To Live) Forever and A Change of Seasons are slated for inclusion.
* Their producer will be Terry Brown.
* It's still on the Atlantic label, with a five-month budget.
* No other pre-LaBrie songs will be re-done or re-recorded.
* Bombay Vindaloo is not slated for inclusion.
* It will not be the concept album that Moore and Portnoy keep putting
  off, that they really want to do "one of these days"
* LaBrie will be the first DT vocalist with a hand in the songwriting.

1. Questions about the members of DT
------------------------------------
1.1 Who are the current members of Dream Theater?
 
	They are Kevin James LaBrie (vocals), John Petrucci (guitar), Michael
Portnoy (drums), Kevin Moore (keyboards), and John Myung (bass).  Petrucci,
Moore, and Myung grew up together in New York.  Portnoy joined them later
when they caught him playing at a club.  LaBrie joined them in late 1990.
 
1.2 Has anyone been a member of Dream Theater that is not in it now?
 
	Yes. Charlie Dominici was their vocalist from 1988 to 1989,
approximately.  He did the vocals on "When Dream And Day Unite" and on part
of the bootleg "Consciously Unreal".  Chris Collins was their vocalist
before 1988 on the Majesty demos.
 
1.3 What are the Majesty demos?
 
	Before they were Dream Theater, they were Majesty. However, there
was already a band called Majesty, so they could not release the demos.
They wound up on bootlegs and evaluation tapes, and a list of known songs
is in the extended discography in this file.
 
1.4 Who inspired the band members the most?
 
	In an interview, Mike Portnoy cited Neil Peart of Rush as his
greatest influence and favourite drummer.  His other influences include
Terry Bozzio and Vinnie Calauta, but Portnoy says Peart was his drum "God"
for years when Rush was all he listened to. 

	Petrucci has two groups of influences, he said in an interview.
The Steves and the Als.  The Steves are Steve Morse, Steve Howe, Steve Vai,
and Stevie Ray Vaughan.  The Als are Alex Lifeson, Al Dimeola, and Alan
Holdsworth.

	John Myung's bass idols are Steve Harris and Geddy Lee.  Kevin
Moore's ivory inspiration comes from Rick Wakeman, Jens Johansen, and
Michelle Camillo, among others.

	As a band, they are influenced most (according to Portnoy) by
Rush, Queensryche, Yes, Marillion, Genesis, and Kansas.  Those groups make
a few appearances here in this FAQ forasmuch as they relate to DT.
 
1.5 Andrea Held Leone and Ralph R. Dominici Sr. are mentioned in the liner
notes to WDADU as the dedicants.  What relation to the band are they?
 
 	Anyone?
 
1.6 Marillion is thanked in the liners in IAW, whats the relation?
 
 	Dream Theater opened for Marillion in New York (anyone have the
exact date?).  Mike Portnoy also said to me, "We're all really big fans.  I
really dig 'Misplaced Childhood'."
 
1.7 What is DT's address?
 
 	Their mail address is PO BOX 166, Long Beach, NY, 11561.
 
1.8 What musical instrument sponsorships does DT have?
 
 	Ibanez sponsors John Petrucci, and Tama Drums sponsors Mike
Portnoy.  His current drum kit was designed by Neil Peart in 1984 (see the
Rush/Grace Under Pressure tourbook for more on this).

1.9 Is there a Dream Theater fan club?

	Yes.  Write to the address below:

		Dream Theater Fan Club
		Dept. A
		11 Penn Plaza, Suite 910
		New York, NY  10001-2006

1.10 Why did Charlie Dominici leave DT?

	According to Mike Portnoy and John Petrucci, he was released
because of several things, but most importantly because he didn't fit in
with the band in a few important ways.  He was far older than the rest of
them, had a different idea of what DT should be, and lacked ability as a
frontman when performing live.  There were apparently a few personality
conflicts at work. The band and Dominici are not currently in contact with
each other.

1.11 Why did Chris Collins leave Majesty/DT?

	Anyone?

1.12 What was James LaBrie doing before he joined the band?

	Kevin James LaBrie (they drop the Kevin because they would
otherwise confuse him with Kevin Moore, and two Johns are already hard
enough to deal with, says Petrucci) sang for a Canadian band by the name
of Winter Rose.  He was selected from among 20 auditions and over 200 tapes
by DT during the making of IAW.

1.13 What does the "symbol" DT uses mean?

	The "symbol" can be seen on the IAW disc, on the IAW cover on top
of the bed, on the WDADU cover, etc.  It is the letter "M" of "MAJESTY" in
a stylized font, says Portnoy.

1.14 What does the burning heart symbolize?

	According to Portnoy, it was Moore's idea and essentially a copy
of the Sacred Heart of Jesus.  The barbed wire represented obstacles and
difficulties, the heart endurance and strength, and the fire their energy
and passion.

1.15 Who thought up the name for the band?

	Mike Portnoy's father Howard thought they should name it after the
moviehouse near where they grew up.  It was called The Dream Theater.
Initially, they recorded a demo by that name, then named the band after it.
 
2. Questions about DT performances/appearances/miscellany
---------------------------------------------------------
 
2.1 Who has toured with Dream Theater?
 
 	Psychotic Waltz, the Galactic Cowboys, and others among a slew of
local acts the band likes to use for openers.
 
2.2 What producers has Dream Theater worked with?
 
 	Terry Date produced WDADU.  Terry Brown (Broon), the producer who
took Rush through their first eleven albums, produced the promotional
discs from WDADU. David Prater produced IAW.  Prater was the
ex-drummer/producer of Santana.  Doug Oeberkircher produced and mixed Live 
At The Marquee.  

2.3 What songs has Dream Theater made videos for?
 	
 	Pull Me Under, Take The Time, and Another Day.  Another Day did not
make MTV's playlist, even though DT felt it had the most MTV potential.
Pull Me Under was shot live and has received the most airplay.  Take The
Time was shot as a video production, however the song had to be shortened
a lot and many unexpected jumps in the song throw the video off pace.
 
2.4 What songs has Dream Theater played live?
 
 	A better question would probably be which ones have they NOT
played live, since they play just about all of them.  First of all,
anything from the Majesty demos from 1986 or 1987 has either not been
played live, or has been played live rarely enough never to be recorded on
any known release or bootleg.  Beyond that, here are the songs that either
don't get played live, or have never been recorded live at any known show.
 
 	Light Fuse and Get Away
 	The Ones Who Help to Set The Sun
 	(this will be added to when they release another album no doubt)
 
 	Here are a few songs that have ONLY been performed live, and never
recorded in any studio (yet):
 
 	A Change of Seasons
 	Eve
 	Bombay Vindaloo (which is actually an improv based off ACOS)
	Moon Bubbles
	Barfbag
 
2.5 Who plays the saxophone on "Another Day"?
 
 	Jay Beckenstein of Spiro Gyra, who owned the studio where IAW was put 
to tape (Bear Trax).

2.6 Will DT ever release production versions of the old Majesty demos?

	In some cases, they did just that (see the discog further on).
Portnoy was asked about this, and said that while they might be fun to
play live, it really wouldn't get the band anywhere to release new
recordings of them.  Since DT is concerned with moving forward, he said, it
will likely not happen any more than it already has.  Half the first album
was production from the demos, but the remaining demos are "just too old."
 
3. Questions about the songs themselves
---------------------------------------
3.1 What is the header for "A Fortune In Lies?"
 
 	As written by Petrucci, it is:
 
 	"For the first time in a long time... everything was right in my
world...and then I woke up.
 
3.2 What does "The Ytse' Jam" mean?
 
 	YTSEJAM is MAJESTY written backwards, and it probably refers to
their original band name in that ambiguous way instrumentals refer to things.
 
3.3 What is "The Killing Hand" about?
 
 	John does not comment on it often, but Mike Portnoy opened up in
an interview about why it was written and what he "thinks" it's about.  In
the interview Portnoy is very careful to remind the reader that he Could
be all wrong, but that it's not likely.  Petrucci wrote it as a sort of
"Twilight Zone" story about war, in which he witnesses all these
atrocities, and sees the names of the dead on a wall, and then realizes
it's been him this whole time causing all the atrocities... then he sees
his name on the wall, very Rod Serling-type of stuff.
 
3.4 Is "Afterlife" a Christian song? Is "Eve"?
 
 	While the band admits Afterlife has Christian overtones, it is not a
religious tune in the same spirit as the music of King's X or Parallax.
Eve, the piano/guitar intro sequence used live for both Pull Me Under and
Learning To Live at different times, includes a lot of voice samples
including "Guide us on to our Lord Jesus, guide us home."  Kevin Moore and John
Myung are the more religious members of the band (compared to the secular
Portnoy) and Moore wrote it, so while it is certainly not a Stryper-style
preach jam, it can be classified as a Christian song.  Mike indicated in an
interview that Kevin Moore was aiming at that, but that (like in the
Killing Hand case) he didn't write it himself so he couldn't guarantee the
meaning was exactly right.
 
3.5 What is "Pull Me Under" about?
 
 	The current explanation goes that it was inspired by Shakespeare's
"Hamlet".  Prince Hamlet swore vengeance on King Claudius for murdering his
father, the former King, and then marrying his mother, still Queen.  Hamlet's 
famous Soliloquy was the passage in which the conflict in Hamlet's mind is 
detailed, and the second verse of "Pull Me Under" coincides pretty thoroughly 
with it.  The very end of the song James can be heard singing this line from 
Hamlet:
	"Oh that this too, too solid flesh would melt."

	Furthermore, after seeing the video, in an interview, Portnoy said
"Who the hell was that wolfman guy in the video anyway?  We had written it
based on something else entirely."  Portnoy noted that while Moore did not
write PMU about Hamlet specifically, he DID write PMU about what Hamlet was 
ABOUT.  Same themes, ideas, etc.

	Here's the no-brainer explanation:
> Here's a post from YTSEJAM #42 that shows the Pull Me Under/Hamlet connection.
> Date: Tue, 6 Apr 1993 05:47:59 -0400 (EDT)
> From: ender@uunet.uu.net (Pete "Ender" Walsh)
> Subject: Pull Me Under / Hamlet
> 
> PULL ME UNDER
> Images: Dream Theater
> Words: Moore
> 
> Lost in the sky
> Clouds roll by and I roll with them
> 
> 	KING CLAUDIUS [to Hamlet]  How is it that the clouds still hang on you?
> 
> Arrows fly
> Seas increase and then fall again
> 
> 	HAMLET  To be, or not to be: that is the question:
> 		Whether 'tis nobler in the mind to suffer
> 		The slings and arrows of outrageous fortune,
> 		Or to take arms against a sea of troubles,
> 		And by opposing end them? To die: to sleep;
> 		[and so on...]
> 
> This world is spinning around me
> This world is spinning without me
> Every day sends future to past
> Every breath leaves one less to my last
> 
> Watch the sparrow falling
> Gives new meaning to it all
> If not today nor yet tomorrow then some other day
> 
> 	HAMLET  Not a whit, we defy augury: there's a special
> 		providence in the fall of a sparrow. If it be now,
> 		'tis not to come; if it be not to come, it will be
> 		now; if it be not now, yet it will come: the
> 		readiness is all: since no man has aught of what he
> 		leaves, what is't to leave betimes?
> 
> I'll take seven lives for one
> 
> 	There are seven deaths in Hamlet.
> 
> And then my only father's son
> As sure as I did ever love him
> I am not afraid
> 
> 	Ghost   I am thy father's spirit,
> 		Doom'd for a certain term to walk the night,
> 		And for the day confined to fast in fires,
> 		Till the foul crimes done in my days of nature
> 		Are burnt and purged away. But that I am forbid
			[etc...]
> 		But this eternal blazon must not be
> 		To ears of flesh and blood. List, list, O, list!
> 		If thou didst ever thy dear father love--
> 
> 	HAMLET  O God!
> 
> 	Ghost   Revenge his foul and most unnatural murder.
> 
> 	HAMLET  Murder!
> 
> 	Ghost   Murder most foul, as in the best it is;
> 		But this most foul, strange and unnatural.
> 
> 	HAMLET  Haste me to know't, that I, with wings as swift
> 		As meditation or the thoughts of love,
> 		May sweep to my revenge.
> 			- AND -
> 	HAMLET	Ay, so, God be wi' ye;
> 		[Exeunt ROSENCRANTZ and GUILDENSTERN]
> 			Now I am alone.
> 				[...etc, etc...]
> 		O, vengeance!
> 		Why, what an ass am I! This is most brave,
> 		That I, the son of a dear father murder'd,
> 				[...etc, etc...]
> 
> This world is spinning around me
> The whole world keeps spinning around me 
> All life is future to past
> Every breath leaves me one less to my last 
> 
> Pull me under  Pull me under
> Pull me under  I'm not afraid
> All that I feel in honor and spite
> All I can do is set it right
> 
> 	HAMLET  Rest, rest, perturbed spirit!
> 
> 		[They swear]
> 
> 				So, gentlemen,
> 		With all my love I do commend me to you:
			[etc.]
> 		The time is out of joint: O cursed spite,
> 		That ever I was born to set it right!
> 
> 				- AND -
> 	HAMLET	[...]
> 		When honour's at the stake. How stand I then,
> 		That have a father kill'd, a mother stain'd,
> 		Excitements of my reason and my blood,
			[etc.]
> 
> Dust fills my eyes
> Clouds roll by and I roll with them
> Centuries cry
> Orders fly and I fall again
> 
> This world is spinning inside me
> The whole world is spinning inside of me 
> Every day sends future to past
> Every step brings me closer to my last
> 
> Pull me under  Pull me under
> Pull me under  I'm not afraid
> Living my life too much in in the sun
> Only until your will is done
> 
> 	HAMLET  Not so, my lord; I am too much i' the sun.
> 			[in response to Claudius's comment on clouds, above.]
> 
> Oh that this too
> Too solid flesh
> Would melt
> 
> 	[Direct quote]
> 
> 	HAMLET  O, that this too too solid flesh would melt
>         Thaw and resolve itself into a dew!
 
3.6 What is "Another Day" about?
 
 	We get help from the video here: it is about autism or some other
form of psychological communicative disorder. There are a few theories
being bounced around YML (and any that can be backed up will be included
here) but they generally connect on the psychological meaning.
 
3.7 What is "Surrounded" about?
 
 	During the IAW tour they dedicated the song to Arthur Ashe, the
tennis player who died of AIDS. However, the song seems more about
enlightenment (in several forms) than death. The fact that Ashe was the
first African-American tennis player to succeed in the sport supports this
hypothesis.
 
3.8 What story is "Metropolis part I: The Miracle and the Sleeper" based on?
 	
 	It is based on the story of two twins from the Iliad (? or is it
the Odyssey?) who are telepathically linked. It has no relation to the 
movie "Metropolis". Petrucci wrote it as a sort of fantasy epic, inspired
by the likes of, you guessed it, Yes and Rush. The story itself is
original (the twins are named Miracle and Sleeper and do not appear in
literature) but the story type was Homeric.
 
3.9 What is "Wait For Sleep" about? Who is the girl/woman in "Wait For Sleep"?
 
 	Kevin Moore has said she was a friend of his who had a spiritual
void and a hard time filling it, reaching for something to believe in. It
dealt with her fears about belief and her grief over a loved one's death.
His explanation is longer, but that about says it.

3.10 What is "Learning to Live" about?
 
 	This has been the bigger topic of discussion on the YML because
Myung has commented briefly on it and Portnoy has, while not wanting to
confirm it, indicated that the premise is correct in an interview.
Learning to Live was inspired by the AIDS epidemic. Patricularly, the
"From a common fear ... reach for life" passage, but the rest fits very
snugly with the AIDS theme.
 
3.11 What is a "Vindaloo"?
 
 	It's not in the Webster's Collegiate Dictionary, so it might be
something DT made up. Anyone know more about this? Is there a Vindaloo
street, region, or building somewhere in Bombay? Is there an alcoholic
drink called a Bombay Vindaloo? Anyone? Bueller?

3.12 What was the original title of "Surrounded"?

	Promotional cassettes for Images And Words had Surrounded labeled
as "The Longest Night" on the sleeve.

3.13 What is Take The Time about?

	The band wrote this as a joint effort just before LaBrie joined
them, so the meanings are many and esoteric. However, in an interview,
Portnoy has said it is just what it implies. You'll find all you need in
your mind if you take the time.

	One of the YML subscribers had a very good correlation going on
with part of TTT and J.R.R. Tolkien's Lord of the Rings. Since those parts
of the song are heavy in the relation and the rest are not, it is safe to
assume that only one of the four used a Tolkien influence in penning their
part of the lyrics. The middle passage (Unbroken spirit, obscured in
disquiet... must turn to hope) was the clincher. Mike Portnoy indicated that
TTT is definitely NOT a concept song in the way that Pull Me Under is about
what Hamlet is about (which is obvious) or Learning to Live is about AIDS
(also rather clear), but that it has a spectrum of influence and that since
Petrucci wrote the section in question, the influence could very well have
been conceptual. Nobody has asked Mike if LotR is in there, though.

3.14 Where is the sampled voice in "A Fortune In Lies" from?

	Mike Portnoy recorded it off a television documentary about the
prison system.

3.15 What are the sampled passages at the beginning of "Take The Time"?

	They are samples of Beastie Boys and Public Enemy and read as follows:
"Hold it now (medium)" "Wait a minute (low)" "Come on (high pitch)"
	
3.16 What is being said in Italian in "Take the Time" and where is it from?

	It's Italian for "Now that I'm blind, I can see much clearer." It
was from the film "Cinema Paradisio" as the following:
        "Adesso che ho
         perso la vista,
         ci vedo meglio
         e di piu"
	It's Not a coincidence that LaBrie sings "I can see much clearer
now I'm blind" right before the sample.

3.17 What are the lyrics to "Eve" and where are they from?

	They are from "Portrait of an Artist as a Young Man" by James Joyce. 
The "moo cow" part is from somewhere else, the "ivory tower" part from
somewhere else still, and the "Our Father" part from the Lord's Prayer. The
transcription is as follows.

	[soft piano]
	Chapter One. Once upon a time, and a very good time it was,
	There was a moo cow coming along down the road.
	[instrumental]
	So He came Himself in weakness, not in power,
	And He sent thee, the creature, in His stead.
	With the creature's comeliness, and luster,
	Suited to our state.
	[brief break]
	And now, thy very face and form dear mother
	Speak to us of the eternal.
	Not like earthly beauty, dangerous to look upon;
	But like the morning star, which is thy heirloom,
	Bright, and musical, breathing purity,
	Telling of Heaven and its easing peace.
	[brief break]
	O harbinger of day! O light of the pilgrim!
	Lead us still, as thou hast led,
	In the dark night, across the bleak wilderness;
	Guide us on to our Lord Jesus; guide us home.
	[instrumental]
	"Tower of Ivory?" they used to say, "House of Gold?"
	"How could a woman be a tower of ivory or a house of gold?"
	[instrumental]
	Our Father, who art in Heaven, hallowed be thy name,
	Lead us not into temptation, and deliver us from evil.
	[fadeout]

	This has been used live as an intro to both Pull Me Under (on the
Dance of Eternity bootleg, which is also the most complete version) and
Learning to Live (at any number of shows, including both Phoenix shows of
March and May 1993, among others, and skips the Tower of Ivory part) The
above is the composite transcription.	

3.18 What is unique about the song "A Change of Seasons"?

	Several things. 

	First of all, it's the only lyric work Mike Portnoy has ever done.
(of course, it is not the only vocal work Mike has done... Mike had the
dubious priviledge of singing the end of "Surrounded" after James walked
off the stage at one of the England shows)

	Second of all, it's the longest DT song at 20:42. It barely misses
matching the longest Rush song on CD (2112, which is 20:47) and the
longest Rush song on LP (2112, which was 21:12). This is a distinction
because it's very rare to find bands comfortable with lengthy formats.

	Third of all, it's the only song that had LaBrie singing in it
that has ONLY been recorded live, as in, not for any album. The other four
songs that hold the live distinction are instrumentals.

3.19 Has anybody noticed the re-usable riff phenomenon?

	Yes. Pull Me Under and Take The Time share a main riff, and Wait
For Sleep and Learning to Live also share a main riff. Thematically, none
of the songs interconnect. Mike Portnoy has said that the music is written
out before the lyrics are written and set to melody. It is possible (any
interviews mention this?) that they were intended to be counterparts and
that the relation was either scrapped or made more subtle.

3.20 Has anybody noticed the Another Song phenomenon?

	Yes. DT has a knack, it would seem, for Another Song titles.
Another Won (from the Majesty demos), Another Day (from Images And Words)
and Another Hand (prologue to The Killing Hand live and on LATM) are the
factors of this phenomenon. At this rate, the leadoff track from DT's next
album will be called "Another Try" or something like that. Another Hand is
mainly just a bridge intro to "The Killing Hand" but it's a titled segment
just the same.

3.21 Who wrote "(To Live) Forever"?

	John Petrucci.

3.22 What is "A Fortune In Lies" about?

	According to Mike, it was about a friend of theirs who was busted
for stealing, and the experience he gleaned from it.
 
-------
LEGEND:
LP - Record; CT - Cassette; CD - 5" Compact Disc; MD - 2.5" Mini Disc
C3 - 3" Compact Disc - CS - Cassette Single; 2CD - Double CD set; V - Video
 
4. Brief discography 
------------------
4.1 OFFICIAL RELEASES:
 	Majesty demos, 1986-89, Not produced.
        When Dream And Day Unite, 1989, MCA/Mechanix (All) LP, CT, CD
 	Status Seeker, 1989, MCA/Mechanix (USA) CD
 	Afterlife, 1989, MCA/Mechanix (USA) CD
        Images & Words, 1992, Atlantic/ATCO (USA) CT, CD, MD
        Images & Words, 1993, Sony Music Entertainment (Japan) LP, CT, CD
        Another Day/Status Seeker, 1993, WEA International (UK Only?) CS
        Another Day/Under A Glass Moon, 1993, Atlantic/ATCO (USA) CS
        Pull Me Under, 1993, ATCO Promotional (USA) CD
        Pull Me Under, 1993, AVision ATCO (USA) V
	Take The Time, 1993, ATCO Promotional (USA) CD
	Take The Time #2, 1993, ATCO Promotional (USA) CD
        Another Day, 1993, ATCO Promotional (USA) CD
        Under A Glass Moon, 1993, ATCO Promotional (USA) CD
        Surrounded, 1993, ATCO Promotional (USA) CD
        Live At The Marquee, 1993, WEA International (Germany, Holland, UK) CD
        Live At The Marquee, 1993, MMG Inc. (Japan) CD
	Live, 1993, ATCO Promotional (USA) CD
	Images & Words Live In Tokyo, 1993, AVision ATCO (USA) V
 
4.2 CONFIRMED BOOTLEGS
        A Fortune Pulled Under, 1992, LP (USA)
        Images & Tour!, 1993, CD (USA)
        Runes, 1993, CD (USA)
	The Dance Of Eternity, 1993, 2CD (USA)
	Consciously Unreal, 1993, 2CD (Italy)
	Skyway of Nightmares, 1993, CD (Germany)
	Live in Long Island ptII, 1993, CD (USA)
	(not detailed in section 5): various venue recordings including
	 Washington, D.C.; Buffalo, NY; Sacramento, CA; Ogden, UT; 
	 Talahassee, FL; Terre Haute, IN; Tempe, AZ; El Paso, TX;

5. Extended discography
----------------------------------------
5.1 The Majesty demos, 1986-89 (Not produced.)
Members of the Band:
	John Petrucci (guitars)
 	Mike Portnoy (drums)
	John Myung (bass) 
	Kevin Moore (keys)
	Chris Collins (vocals)
 
	Before they were Dream Theater, they were Majesty. Included on their
	demo tapes are the following:
 
	-1986-				-1987-
	Another Won 5:23		Afterlife
	Your Majesty 3:41		"Death of Spock"
	A Vision 11:13			The Ytse Jam (Majesty backwards)
	Two Far 5:15			The Killing Hand
	Vital Star 5:34			Cry for Freedom
	March of the Tyrant 5:21	-1988-
	A Late Summer Rain -->		Mission Impossible Theme
	Schizophrenia			Golden Slumbers

	And the demos without a home:
		Heuristica
		Dream Theater (yes, it was a song before it was a band!)
		Metropolis part I: The Miracle and the Sleeper
		Don't Look Past Me
		(To Live) Forever
		O Holy Night

	Anyone with a reliable source for these recordings, please contact
	me at the address above... I want to get them...

5.2 When Dream And Day Unite, 1989, MCA/Mechanix, Worldwide
MCD42259/MCAD42259/D:QM-F:BM720
Members of the band:
        Vocals: Charlie Dominici
	Otherwise same

Side 1 -        1. A Fortune In Lies 5:10
                2. Status Seeker 4:15
                3. The Ytse Jam 5:43
                4. The Killing Hand 8:40
                        I. The Observance
                        II. Ancient Renewal
                        III. The Stray Seed
                        IV. Thorus
                        V. Exodus
Side 2 -        5. Light Fuse and Get Away 7:23
                6. Afterlife 5:27
                7. The Ones Who Help to Set the Sun 8:04
                8. Only a Matter of Time 6:35

5.3 Status Seeker, 1989, MCA/Mechanix, USA
	Promo CD single, mixed by Terry Brown (Rush)

		1. Status Seeker (LP version) 4:15

5.4 Afterlife, 1989, MCA/Mechanix, USA
	Promo CD single, mixed by Terry Brown (Rush)
	
		1. Afterlife (LP version) 5:27


5.5 Images & Words, 1992, Atlantic/ATCO, USA
7567-92148-2
A known variant exists on cassette with a promotional cover.
Members of the band:
        Vocals: James LaBrie
        Otherwise same

Side 1 -        1. Pull Me Under 8:11
                2. Another Day 4:22
                3. Take The Time 8:21
                4. Surrounded 5:28
Side 2 -        5. Metropolis Part I
                    (The Miracle and the Sleeper) 9:30
                6. Under a Glass Moon 7:02
                7. Wait For Sleep 2:31
                8. Learning to Live 11:30

5.6 Images & Words, 1993, Sony Music Entertainment (Japan)
Need a catalog # (mine is a copy)

5.7 Another Day, 1993, WEA International, UK Only? Confirmation anyone?
Need a catalog # (submitted as entry, I don't own it)
        Cassette Single

        Side 1 - Another Day (LP Version) 4:22
        Side 2 - Status Seeker (Live) 4:28

5.8 Another Day, 1991, Atlantic/ATCO, USA
ATCO 4-98415
        Cassette Single

        Side 1 - Another Day (LP Version) 4:22
        Side 2 - Under A Glass Moon (LP Version) 7:02

5.9 Pull Me Under, 1993, ATCO Promotional (USA) PRCD 5067
        CD Single
	Two known variants exist missing one of the three tracks.

	Pull Me Under (Edit) 4:39
	Pull Me Under (MTV Edit) 4:48
        Pull Me Under (LP Version) 8:11

5.10 Pull Me Under, 1993, AVision ATCO (USA)
Need a catalog # (submitted as entry, I don't own it)
	Video

	Pull Me Under (MTV Edit) 4:48
	Pull Me Under (LP Version) 8:11

5.11 Take The Time, 1993, ATCO Promotional (USA) PRCD 5069, 4949
        CD Single
	Three known variants exist containing the same tracks, but
	in different packaging.

	Take The Time (MTV Edit) 5:31
        Take The Time (LP Version) 8:21

5.12 Another Day, 1993, ATCO Promotional (USA) PRCD 5077
        CD Single

        Another Day (LP Version) 4:21

5.13 Under A Glass Moon, 1993, ATCO Promotional (USA) PRCD 5080
        CD Single

        Under A Glass Moon (LP Version) 7:02

5.14 Surrounded, 1993, ATCO Promotional (USA) PRCD 5104
        CD Single

        Surrounded (LP Version) 5:29

5.15 Live At The Marquee, 1993, WEA International (Germany, Holland, UK)
7567-92286-2/CA 835
        CD EP
        Recorded in London, England, UK, April 1993

                Metropolis 9:36
                A Fortune In Lies 5:10
                Bombay Vindaloo 6:48
                Surrounded 6:00
                Another Hand/The Killing Hand 10:30
                Pull Me Under 8:42

5.16 Live At The Marquee, 1993, MMG Inc. (Japan)
ACM4-574 
	CD EP
	Identical to Germany/Holland/UK version Except:
	Substitute track:
		4. Another Day 4:37

5.17 Live, 1993, ATCO Promotional (USA)
PRCD 5340-2
	CD Single
		1. Pull Me Under (live) 8:42
		2. Surrounded (live) 6:00
	Both tracks taken from the EP "Live at the Marquee"

5.18 Images & Words Live In Tokyo, 1993, AVision ATCO (USA)
50537-3
Full-length video release (need times)

	 1. Arrival 0:31
	 2. Under A Glass Moon (live) 7:13
	 3. The making of Pull Me Under 3:03
	 4. Pull Me Under (video) 4:48
	 5. The making of Take The Time 2:15
	 6. Take The Time (video) 5:31
	 7. Kimonos and tapes that are too big 3:01
	 8. The condoms of Dream Theater 1:02
	 9. The interview 0:27
	10. Wait For Sleep (live) --> 2:45
	11. Surrounded (live) 5:54
	12. The Ytse Jam/Drum Solo (live) 10:28
	13. Balls and chunk are where it's at 0:51
	14. Another Day (video) 4:29
	15. (To Live) Forever/Free form instrumental (live) 12:05
	16. A Fortune In Lies (live) 5:00
	17. Mike crosses the Abbey Road 1:11
	18. ?/Take The Time (live) 10:32
	19. Take The Time by Galactic Cowboys 0:29
	20. Take The Time by Sebastian Bach 0:25
	21. Breast signing 0:50
	22. Pull Me Under (live) 8:29


BOOTLEGS
--------------------------------------
5.19 A Fortune Pulled Under (USA) 1992, LP
Need a mfr. and catalog # (it was submitted)
        1 LP
        Recorded in Paris, France, October 1992
        Side 1 -        Take The Time
                        Afterlife
                        The Ytse Jam/Drum Solo
                        Only a Matter of Time
        Side 2 -        Guitar Solo/A Fortune In Lies
                        Under a Glass Moon
                        Surrounded
                        Pull Me Under

*** I Need to know who is currently vending this.  I have had requests for
	copies which I intend to provide, and a copy of a copy of an LP
	that was a bootleg to begin with turns out as pretty sorry quality.

5.20 Images & Tour! (USA) 1993, CD (Big Red Records #48733-DT)
        1 CD
	Recorded from soundboard evaluation tapes (unknowingly?) provided
	by the band itself.  Sound quality excellent.

                        Dance of Eternity 9:46 (Metropolis mislabeled)
                        A Fortune In Lies 5:02
                        	-London
			Under a Glass Moon 7:15
				-Tempe
			?/Bombay Vindaloo (mislabeled?) 7:08
				-Salt Lake City
                        Waits For Sleep (mislabeled the "s" in Wait) 2:44
			Surrounded 6:10
				-Philadelphia
                        Instrumental/Drum Solo 10:53 (Ytse Jam mislabeled)
				-Bonn
                        (To Live) Forever 4:50
                        Guitar Solo 7:20
				-Portland
                        ?/Take The Time (mislabeled?) 10:31
				-Tokyo
                        Pull Me Under 8:35
				-London

*** Corrected: A Fortune In Lies is track #2, not Afterlife as previously
	noted.  I finally got an original of this one and confirmed this.
	The vendor is Tracks In Wax, N. Central Ave, Phoenix, AZ.
	A whole show is not included; absent is Learning to Live and
	Another Hand/The Killing Hand.

5.21 Runes (USA) 1993, CD (The Camera's Ear Productions, #9103)
        1 CD
        Recorded in Sacramento, CA, USA, no date given.
        Can be distinguished by lack of good bass in the first three tracks.
                        (cuts right to song, no fade-in)
                        Metropolis
                        Under A Glass Moon
                        (To Live) Forever
                        Wait For Sleep
                        Surrounded
                        A Fortune In Lies
                        Take The Time
                        Pull Me Under
                        Learning To Live
                        (cuts off after last chord)

*** I need to know who is vending this. 

5.22 The Dance of Eternity (Italy) 1993, 2CD (Why Not? Records WOT2014/15)
	2 CD's - further notes above in description section
	Recorded at the Limelight, New York, March 4 1993
		Disc 1
			Metropolis, part 1 9.21
			A Fortune In Lies 5.20
			Under A Glass Moon 7.31
			Surrounded 6.16
			The Ytse Jam 9.46
			(To Live) Forever 5.57
			Take The Time 10.42
		Disc 2
			Eve/Pull Me Under 13.59
			Another Day 6.39
			Another Hand/The Killing Hand 8.20
			A Change Of Seasons 20.04
			Wait For Sleep 2.52
			Learning To Live 13.14

*** Every importer/specialty shop I inquired at indicated they could obtain
	copies of this, so you should have no trouble.

5.23 Consciously Unreal (Italy) 1993, 2CD
Classical Shots on CD
	Worldwide distribution by Robespierre, Srl, Italy
	CD #1 - CSCD009; CD #2 - CSCD010
Tracks 1-11 recorded in Milan, Italy on 5 April 1993.  LaBrie on
vocals.  Tracks 12-16 recorded during the Dream & Day tour, Dominici vocals.
		Disc 1
			Metropolis part I
			A Fortune In Lies
			Under A Glass Moon
			Surrounded
			The Ytse Jam/Drum Solo
			Another Day
			The Killing Hand
			Pull Me Under
			Take The Time

		Disc 2
			Wait For Sleep
			Learning To Live
			-----------------
			Metropolis part I
			Afterlife
			(To Live) Forever
			The Ytse Jam
			The Killing Hand


5.24 Skyway of Nightmares (UK) 1993, CD
Recorded at Augsbug Rockfabrik, 7 April 1993, Germany

			Metropolis part I
			A Fortune In Lies
			Under a Glass Moon
			Surrounded
			The Ytse Jam
			Another Day
			Pull Me Under
			Take The Time
			Wait For Sleep
			Learning To Live			

5.25 Live In Long Island part II (what happened to part I?)
Recorded at the Sparks Club, 10 April 1992

			Take The Time
			Wait For Sleep
			Learning To Live
			A Change of Seasons
			(and from the demos)
			Another Won 5:23
			Your Majesty 3:41
			Two Far 5:15
			March of the Tyrant 5:21
[END]
542.737CADSYS::FENNELLRepulsively TitanicTue Dec 14 1993 18:251
So, Buck, looks like you got prime billing...
542.738unplugged on WHJYQRYCHE::STARRRemember your mission!Wed Dec 15 1993 11:2017
Anyone else see/hear Dream Theater last night doing their unplugged set
at the WHJY R'n'R auction? I heard it on 'HJY, and I believe it was also
shown on the Fox TV outlet in Rhode Island (Channel 64? WNAS, or something
like that).

Unfortunately it was very short, just two songs - that was all they said 
they had prepared for an unplugged format, and it was just the singer and
guitarist. They did a ballad off the latest album (not sure of the title,
I don't have the album), which sounded real nice. And then they did an
unbelievable version of "Oh Holy Night", just incredible! I'm sure you'll
hear this re-broadcast on 'HJY over the next few weeks, 'cause it was
just amazing..... also sure to be a popular bootleg with the DT fanatics
out there....

Anyone videotape it? I'd be interested in seeing it....

alan
542.739AD::FLATTERYWed Dec 15 1993 12:305
    alan...we heard them do  'o holy night' last year at Axis......and it
    was unbelievable......i wasn't looking at the stage at the time and i
    thought it was a tape for a minute.....i believe it was an encore that
    they came back to do and i didn't realize they'd taken the stage
    again................a real chill giver.............../k
542.740what's so amazing about their version?FRETZ::HEISERno I'm really very, very shyWed Dec 15 1993 12:401
    
542.741QRYCHE::STARRRemember your mission!Wed Dec 15 1993 12:427
> alan...we heard them do  'o holy night' last year at Axis......

Yeah, I remember we got there in time for the encores, and that was the 
last one. This time it was acoustic, but still just as impressive. I tell
ya, that dude can *sing*!

alan
542.742GOES11::HOUSEYou sick little monkey!Wed Dec 15 1993 13:555
>      -< what's so amazing about their version? >-
    
    It's amazing that they could do that song so completely void of
    emotion...
    
542.743that's what I thoughtFRETZ::HEISERno I'm really very, very shyWed Dec 15 1993 15:391
    
542.744KDX200::COOPERThere's a moon in the sky!Wed Dec 22 1993 13:5113
    RE: /K and Alan
    
    
    I remember that...Sorta.  :-)
    
    I would mucho indebt to anyone who could send me an audio or 
    video copy of that special!  We don't get anything like that out
    here in the Rockies...  :-(
    
    Alan - was it 'Surrounded' that they did for a ballad??
    
    jc (Who hopes that Santa leaves their live vid in my stocking along
        with my obligatory lump of coal)  :-)
542.745QRYCHE::STARRRemember your mission!Wed Dec 22 1993 16:067
> Alan - was it 'Surrounded' that they did for a ballad??
  
Dunno! If someone has the lyrics to the album, send 'em to me and I'm sure
I can remember which song it was. How does "Surrounded" go? I've only heard
the album a couple times total....

alan
542.746KDX200::ROBRThe road to the south... Impassible!Thu Dec 23 1993 00:524
    
    id offer to send one coop, but you know how good i am at sending
    tapes!!! :')
    
542.747how patheticFRETZ::HEISERMatthew 5:18Fri Jan 21 1994 12:403
    I like to petition the moderators to change the title of this topic to 
    
    DREAM CHEATER!
542.748POWDML::BUCKLEYRaptor -- Rules the Skies!Fri Jan 21 1994 12:413
    -1
    
    you forgot the (tm)!
542.749thanks for the reminder, have to protect my royaltiesFRETZ::HEISERMatthew 5:18Fri Jan 21 1994 12:441
    oh yeah.  Fascist mods, make a note of that.
542.750during the beginning of one of the events...SALEM::STIGBig Sister HILLARY is Watching You!!Mon Apr 04 1994 08:594
    did anyone happen to hear the beginning of one of there songs on wide
    world of sports this past saturday?? i forget which one...
    
                 stig
542.751New album dateDREGS::BLICKSTEINdbMon Apr 18 1994 11:403
    According to the "new releases" list on the usenet, a new Dream Theater
    album is scheduled to be released in August.  No other information
    was provided other than that.
542.752POWDML::BUCKLEYRaptor -- Rules the Skies!Mon Apr 18 1994 17:473
    RE: STig
    
    Wide World of Sports has been playing Another Day from the I&W album.
542.753mark those calendars!POWDML::BUCKLEYTue Jun 14 1994 17:473
    
    DT's as_yet_untitled 3rd album will be released on Tuesday, September 
    20th!!!
542.754I think I'm getting a manicure that dayFRETZ::HEISERugadanodawonumadjaTue Jun 14 1994 19:261
    
542.755Get a clue instead - the manicure can waitDREGS::BLICKSTEINLight to dark, dark to lightTue Jun 14 1994 19:371
    I hope the new album has lots of "squealies".
542.756KDX200::ROBRDust fills my eyes...Tue Jun 14 1994 20:004
    
    hey buck, ill have a copy long before that :').  i'll let you know when
    i get it....  got the last one about 6 weeks in advance.
    
542.757maybe I'll pick some up in BostonFRETZ::HEISERugadanodawonumadjaTue Jun 14 1994 20:471
    the local stores are all out of clues.  
542.758"Their direction kept me hooked..."HOTLNE::LUCHTWed Jun 15 1994 14:124
         An INSANE band !!  I can't wait.
    
    Kev --
    
542.759A tape in my hand, or the TD-7 gets itDREGS::BLICKSTEINLight to dark, dark to lightWed Jun 15 1994 17:4016
    Rob, I want a tape IN MY HAND within 24 hours after you get it.
    
    These guys are the only band to come along in years who I'd put in
    a league with my very favorites.   I&W is the best album to come
    along since the mid 80's!
    
    BTW, I've turned about 10 people on CompuServe onto them and the
    reactions are incredible!
    
    What's funny is that nearly EVERY one who gets into the band ends up
    making almost this EXACT STATEMENT:
    
    		"The [CD | tape] hasn't left my player since I
    		 first put it in."
    
    
542.760look at me, I now own over a dozen DT CD's!!POWDML::BUCKLEYWed Jun 15 1994 18:0021
    >BTW, I've turned about 10 people on CompuServe onto them and the
    >reactions are incredible!
    
    Robpose...bless his heart...he tried on-line to get me to listen to
    I&W for about 20K blocks worth.  Only after I go to see them live
    (mainly because LA already_hasbeen_posuers WILD SIDE were opening the
    show, and their tape, at the time, had not left my deck in weeks)
    did they drop my jaw for 90 minutes.  I tuned into their Prog rock/
    Berklee vibe instantly!!  Dawn finally breaks on Marblehead scenario..
    ;')
    
    
    >What's funny is that nearly EVERY one who gets into the band ends up
    >making almost this EXACT STATEMENT:
    >
    >		"The [CD | tape] hasn't left my player since I
    >		 first put it in."
    
    I'm sure I said that somewhere circa 542.80  ;')
    
    /b
542.761you can still get cool info in notes!POWDML::BUCKLEYThu Jun 16 1994 11:0023
    
    FYI -- The new Dream Theater album will be titled "Awake".  The track 
    listing will be as follows:

	Lifting Shadows Off A Dream
	Innocence Faded
	Space Dye Vest
	Caught In A Web
	Lie
	6:00
	The Mirror
	A Mind Beside Itself
		Erotomania
		Voices
		The Silent Man
	Scarred

    ---
    
    Editors note:  Looks cool, but sad to see ideas of recording 'To Live
    Forever' and 'A Change of Seasons' were nuked?!
    
    B.
542.762KDX200::ROBRDust fills my eyes...Thu Jun 16 1994 13:245
    
    im not sad at all about those getting nuked :').  actually to live
    forever started to grow on me.  EVE just plain sucked....  glad to see
    that's not on there.
    
542.763once upon a time, there was a moo cow coming down the roadPOWDML::BUCKLEYThu Jun 16 1994 14:232
    dude, no way -- eve is like one of their all time best tunes.  I
    love the james joyce overlay!!
542.764KDX200::ROBRDust fills my eyes...Thu Jun 16 1994 16:397
    
    I could never get into it....
    
    On the other hand....  DT's new album release has been delayed until
    October 2nd per Jack who just got the date from the Atlantic rep he
    spoke with today.
    
542.765babyhead show was the worst!POWDML::BUCKLEYThu Jun 16 1994 17:356
    >On the other hand....  DT's new album release has been delayed until
    >October 2nd per Jack who just got the date from the Atlantic rep he
    >spoke with today.
    
    Oh great, another wintertime world tour!!  I really loved tooling out
    to those DT shows in the show...not!  
542.766KDX200::ROBRDust fills my eyes...Thu Jun 16 1994 22:584
    
    yeah, but their last world tour lasted thru the summer :').  of course
    we have to be there no matter how many times they play in the area :')
    
542.767Must see showsDREGS::BLICKSTEINLight to dark, dark to lightFri Jun 17 1994 12:2911
    Speaking of "Having to be there", Rob you might as well plan on going
    to the next Dregs concert.   I've been to a Rush concert so now you
    have to come to a Dregs show.
    
    I'll let you know when that is, and I'm not buying the "have to sort
    the sock drawer excuse" this time!  ;-)
    
    	db
    
    p.s. I'll kill anyone who tells Rob who opened for Rush at the concert
    	 I went to.  ;-)
542.768STAR::BENSONMusical Weapons ResearchFri Jun 17 1994 14:4014
    > p.s. I'll kill anyone who tells Rob who opened for Rush at the concert
    >      I went to.  ;-)
    
    Hint: The guys sitting behind us (I was there with db) had this
    conversation:
    
    	guy 1: "Who's this opening act"
        guy 2: "I dunno - some friggin jazz guitarist..."
    
    motto
    
    
    PS, I know db won't kill me - he'd *really* never get to do a Dregs cover
        then!
542.769man, db sure makes cruel demandsFRETZ::HEISERugadanodawonumadjaFri Jun 17 1994 15:141
    
542.770Barfin' with the AlienDREGS::BLICKSTEINLight to dark, dark to lightFri Jun 17 1994 17:3612
    > man, db sure makes cruel demands
    
    Making Tom go to a Rush concert just to see Steve Morse is kinda
    cruel, but Tom and I remained friends up until the time that I
    played him "Surfin with the Alien" on the way home from lunch.
    
    He's never forgiven me for that, and I'm still kinda miffed that
    he couldn't control his stomach a second or too longer until I 
    could pull over.
    
    We're now "cordial" but it'll never be the same.
    
542.771FRETZ::HEISERugadanodawonumadjaFri Jun 17 1994 19:181
    Well db, the next time you guys have lunch, wear a bag over your head.
542.772If you don't already...DREGS::BLICKSTEINLight to dark, dark to lightMon Jun 20 1994 11:453
    > Well db, the next time you guys have lunch, wear a bag over your head.
    
    Next time you listen to Satch put a pillow over ears.
542.773;'(POWDML::BUCKLEYVenimus, Vidimus, CoastimusMon Jun 20 1994 15:123
    IHIW I have to unsubscribe from the DT mailing list, cuz there is just
    too much BS in there.  They should call it the Rush/Queensryche/King's
    X/Magellan/Marillion/Genesis/Sometimes Dream Theater mailing list!
542.774pretty cool tooFRETZ::HEISERugadanodawonumadjaMon Jun 20 1994 15:531
    King's X already has their own mailing list.
542.775KDX200::ROBRDust fills my eyes...Tue Jun 21 1994 13:277
    
    re: .773
    
    no kidding.  i did that 3 months ago.  the best thing to ever happen to
    my mail account.  wonder if my goodbye scathing note ever showed up.... 
    at least the QR newsletter is still pretty orgranized.
    
542.776BUSY::SLABOUNTYIs this p_n great or what?Tue Jun 21 1994 13:595
    
    	Quiet Riot has their own newsletter?
    
    							GTI
    
542.777no clowns!KDX200::ROBRDust fills my eyes...Tue Jun 21 1994 20:164
    
    go away... i knew some clown would say that...
    
    
542.778Old CW: Morse is god, new CW: Morse and Petrucci are godsDREGS::BLICKSTEINLight to dark, dark to lightTue Jul 05 1994 18:0230
    Well, I've now listened to WDADU almost as much as I listened to I&W
    before I started to like it and...
    
    I still think that I&W is an infinitely superior work.  
    
    One knock against WDADU is that it's got so many sections that just
    remind too much of other bands, whereas I&W has a totally original
    sound throughout - even the section of a song that they refer to
    as "the Dregs section" doesn't really sound like the Dregs to these
    educated ears.
    
    I mean the album starts off with something that anyone in this
    notesfile would hear and immediately say "Yngwie".   And, unlike
    I&W, there's just a lot of "generic metal" both musically and
    lyrically.   I think a miracle would have to happen for me to
    change my opinion of this album's lyrics ("sucks").
    
    I also think James would be a better singer even immediately after
    a tonsilectomy!
    
    Ytse Jam is the only song that really gets to me.
    
    Now having ragged on WDADU, I'm now going to shock the world and say
    that I like "Images and Words" as much as any Dregs album, and I think
    Petrucci is the only other player in the world whom I'd put in Morse's
    league in terms of "overall" playing (technique, expression, tone,
    etc.).  
    
    At least based on that one album. We'll have to see if he can have a 15
    year career full of nothing but superlative albums like Morse.
542.779POWDML::BUCKLEYVenimus, Vidimus, CoastimusTue Jul 05 1994 18:098
    I still think that the material on I&W (and that which was written just
    before it -- tunes like Don't Look Past Me, To Live Forever, Eve, etc.)
    are FAR superior to the I&W material!!  I just like it tonsmore.  ALSO
    -- very controversial, I like Charlie D's voice better than I like
    James.  James is too much of a metal screamer imvho.  Charlie SINGS (or
    whines, depending on your point of view) the melodies more.
    
    Call me weird, but those are my opinins..
542.780KDX200::ROBRDust fills my eyes...Tue Jul 05 1994 18:125
    
    i also like charlie much more, especially in things like the killing
    hand.  that whole song absolutely rules and is probably my fav tune of
    anything they've done.
    
542.781POWDML::BUCKLEYVenimus, Vidimus, CoastimusTue Jul 05 1994 18:425
    My all-time fave tune is Don't Look Past Me -- just rips me apart!
    
    But as far as DT CDs go, definitely A Matter of Time (which James
    ALWAYS screws up the syncopated vocal part on!!).
    
542.782GOES11::HOUSEHow could I have been so blind?Tue Jul 05 1994 19:305
>    I still think that the material on I&W (and that which was written just
>    before it -- tunes like Don't Look Past Me, To Live Forever, Eve, etc.)
>    are FAR superior to the I&W material!!  
    
    Class, can anyone spot the problem in this sentence?  Anyone?
542.783BUSY::SLABOUNTYIs this p_n great or what?Tue Jul 05 1994 21:507
    
    	Yeah, I chalked it up to "Holiday Syndrome" and blew it off.
    
    	I knew what he meant.
    
    							GTI
    
542.784KDX200::COOPERRevolution calling!Thu Jul 07 1994 00:586
    I'll be suscinct here.
    
    ALL Dream Theater RULZ THE FACKIN WORLD!
    
    End of discussion.
    :-)
542.785COOOOLLLLL!!!! New DT available on WWWDREGS::BLICKSTEINdbWed Aug 10 1994 13:0716
In article <328uqj$6me@dockmaster.phantom.com>, mcorso@phantom.com (Lanny Potts) writes:
As of today (8/8), portions of "Lie" from Dream Theater's upcoming album,
_Awake_, can be heard on the Dream Theater page at:

http://www.music.net
(Note: the music.net site is still under construction so don't expect too
much--in a few weeks, expect too much 'cause that's what it's gonna be)

The full-length version is available via ftp (ftp.music.net/pub/music.....)

A new song from Dream Theater's AWAKE will be uploaded to the web site every
two weeks (WAIT till you hear "Erotomania").



542.786GOES11::HOUSEHow could I have been so blind?Wed Aug 10 1994 15:271
    Cure for insomnia found on WorldWide Web!  Film at 11!
542.787ZZZZZZZZZZZZZzzzzzzzzzzzzz!FRETZ::HEISERMaranatha!Wed Aug 10 1994 16:131
    
542.788KDX200::ROBRDust fills my eyes...Wed Aug 10 1994 16:483
    
    way cool
    
542.789KDX200::ROBRDust fills my eyes...Thu Aug 11 1994 15:1524
    from the www.music.net home page:
    
    DREAM THEATER will debut LIE, a track off of their upcoming album AWAKE
    right here on Monday, August 8th, 1994.  We will then debut a new track
    off of AWAKE every two weeks there after.  Look for us to be doing
    debuts with several other bands as well.
    
    Dream Theater fans - Kevin Moore Keyboardist for Dream Theater may be
    leaving the Band (Not yet confirmed information).
    
    Sources close to Dream Theater report that Kevin Moore "has decided to
    leave the band to pursue a new musical direction which would not be
    possible for him to explore within the confines of Dream Theater.  The
    split is friendly, and we wish Kevin the best of luck in his future
    endeavors.  In the meantime, please rest assured that Kevin's
    replacement is of world class caliber and we will ABSOLUTELY NOT lose
    any momentum in our drive to make Dream Theater the success that they
    so rightly deserve to be."
    
    Yet another resource reports:
    
    He's out... Jens Johanssen (Yngwie) is the replacement.  
    
    
542.790KDX200::ROBRDust fills my eyes...Thu Aug 11 1994 15:1812
    
    
    I will be making LIE.WAV available soon.  This version is 8bit mono
    sampled at 8kHz, so isn't the greatest sounding thing in the world. 
    Somewhere down the road I may make a 44kHz stereo 16bit MPEG version
    available.  I'll let you know where to grab it when it's available.
    
    If you have FTP, anonymous FTP to ftp.music.net
    
    DT files are available there as well as pictures, interviews, lyrics,
    etc.  (plus crap from a bunch of other bands... STP, Pantera, etc).
    
542.791oops! lyrics2.htmKDX200::ROBRDust fills my eyes...Thu Aug 11 1994 15:239
    
    Lyrics to the new album are available in hypertext format (still ascii
    readable) at
    
    kdx200::u2:[rob.dt]lyrics2.htf
    
    These were released on the internet with the permission of the record
    label.
    
542.792KDX200::COOPERRevolution calling!Thu Aug 11 1994 15:325
    Cool!!
    
    This must be why I've gotta fix that LYNX problem for ya, eh??
    
    :-)
542.793he blowsPOWDML::BUCKLEYVenimus, Vidimus, CoastimusThu Aug 11 1994 15:437
    Jens Johanssen of Yngwie fame IN???
    
    
      _    /|   
      \'o.O'    
      =(___)=   Aack!!!
         U      
542.794i like him, but hardly a kevin moore...KDX200::ROBRDust fills my eyes...Thu Aug 11 1994 15:494
    
    unfortunately you cant get to it with Lynx - YET!!!  its coming though. 
    yeah, the Yngwie guy (world class) IN!
    
542.795DREGS::BLICKSTEINdbThu Aug 11 1994 16:144
    I think the Yngwie guy is no Kevin Moore.
    
    I'm bummed to hear about that, but let's hope that he's actually a
    better and more versatile player than Yngwie allowed him to be.
542.796BABAGI::COOKThe Cookster...237-2638Thu Aug 11 1994 16:152
    
    Jens facking roolz the wasteland.
542.797Rising FarceDREGS::BLICKSTEINdbThu Aug 11 1994 17:423
    > Jens facking roolz the wasteland.
    
    Dream Theater deserves someone who can rule over more than wasteland.
542.798BABAGI::COOKThe Cookster...237-2638Thu Aug 11 1994 17:452
    
    His father is great, and so is he. Give him a chance.
542.799KDX200::ROBRDaybreak at the bottom of a lake...Tue Aug 23 1994 12:004
    
    two more new dt songs being released on the internet on the 31st.  the
    only one out so far is Lie.
    
542.800release in uk AYOV25::JFOSTERTue Aug 23 1994 13:594
any info on UK release would be appreciated....first cd in ages that i'm 
looking forward to.

jim 8^)
542.801bootleg dream theater AYOV25::JFOSTERMon Sep 12 1994 13:2611
got a live double cd at the weekend called "lords of sounds" by dream theater 
from milwalkee (sp?) june 93. The quality is great, guitar sounds good, 
keyboards, drums, even bass (for a live cd)

anyone else have any bootlegs. the reason for asking is that the singing is
very poor. mr le brie murders many an otherwise good track. he cant hit the 
high notes at all.

i'd hate others to waste their hard earned cash. anyone at this show.

jim
542.802KDX200::ROBRDaybreak at the bottom of a lake...Mon Sep 12 1994 15:085
    
    i think between buck and i we have a dozen and a half bootlegs!  :')
    
    i like the tokyo one the best (came right off the sound board)
    
542.804HOTLNE::LUCHTCool weather, stronger beerMon Sep 12 1994 15:413
    
    Keep on teasing, Buck...
    
542.805DREGS::BLICKSTEINdbMon Sep 12 1994 16:363
    Do you have the NON-Bootleg video?
    
    I think Lechmere has it on sale this week - sale price is like $10.
542.806KDX200::ROBRDaybreak at the bottom of a lake...Mon Sep 12 1994 17:295
    
    non bootleg?!?!? gasp!!  :')
    
    well, buck is far ahead of me.  i stopped about 9 months ago :').  
    
542.807DT bootlegAYOV25::JFOSTERTue Sep 13 1994 07:3716
542.803Modified list -- I forgot one!!POWDML::BUCKLEYVenimus, Vidimus, CoastimusTue Sep 13 1994 11:1728
    Yeah, Rob and I have all but cornered the DT bootleg market!!  ;')
    I have the following:
    
    - Majesty -- 6 song demo (CD)
    - InstruMental (CD)
    - Live at the Marquee (CD)
    - Skyway of Nightmares (CD)
    - Home Sweet Home -- Part 1 (CD)
    - Dream Theater Live! (CD, 2 song live promo)
    - Consciously Unreal (2 CD set)
    - The Dance of Eternity (2 CD set)
    - Dream Out Loud (2 CD set)
    - Lords Of Sound (2 CD set)
    - Lost In The Sky (2 CD set)
    
    - Lost Berklee Demos/pre-WDADU (audio cassette)
    - Live in Tokyo (audio cassette)
    - Live in Washington (audio cassette)
    - Live in Baltimore (audio cassette)
    - Live in Buffalo (audio cassette)
    
    - Live at Sparks (Video Cassette)
    - Live in Tokyo (Video Cassette)
    - Live at the Limelight (Video Cassette)
    - Live in San Francisco (Video Cassette)
    
    
    This collection, BTW, if ever growing as stuff becomes available!
542.808POWDML::BUCKLEYVenimus, Vidimus, CoastimusTue Sep 13 1994 11:2131
542.809BUSSTP::DREESTue Sep 13 1994 11:2912
    
    re : a couple back
    
    Jim,
    
    I was at the same fair. Picked up a few goodies myself. I heard one of
    the stall guys being asked about the amount of disks coming out of
    Italy and seemingly there are quite a few "factories" there that 
    manufacture only bootleg disks. It is illegal but is not clamped down
    on. 
    
    Del.
542.810KDX200::COOPERRevolution calling!Tue Sep 13 1994 16:513
    When is the REAL album supposed to release??
    
    
542.811BUSY::BUSY::SLABOUNTYI smell T-R-O-U-B-L-ETue Sep 13 1994 17:277
    
    	Just wait a couple years and buy it at 2x the price as a rare
    	bootleg.
    
    	8^)
    
    							GTI
542.812hey, this is a family conference!FRETZ::HEISERMaranatha!Tue Sep 13 1994 18:371
    >    Keep on teasing, Buck...
542.813a little wound up?POWDML::BUCKLEYwhy do we have to fall from grace?Tue Sep 13 1994 18:523
    
    Mike reminds me of Beevis on that sugar high in the Don Cornholio
    episode today!
542.814I don't do sugarFRETZ::HEISERMaranatha!Tue Sep 13 1994 18:591
    
542.815whats the point? AYOV25::JFOSTERWed Sep 14 1994 05:337
re del,

i agree, what is the point in outlawing bootlegs, you wouldn't buy the bootleg
if you didn't like the band and have most if not all of their recordings already.

two really good ones are atlanta jamming/pearl jam, and 21 sumners tracks/sting.
and i already have their cd's etc....
542.816DREGS::BLICKSTEINdbWed Sep 14 1994 11:5125
    >i agree, what is the point in outlawing bootlegs, you wouldn't buy the
    >bootleg if you didn't like the band and have most if not all of their
    >recordings already
    
    Two points:
    
    1) Yes the band does not "lose money they would've earned" but they
       do "lose money that they are entitled to, legally and morally".
    
       It may well be that the band would be open to licensing those
       recordings and thus they need a law to require such licensing.
    
    2) The band wants to have control over what is presented under their
       name.
    
       The reason for this is best demonstrated by an analogy:  Suppose
       someone is selling a picture of you that is VERY unflattering.
       Wouldn't you want to stop them?
    
       Artists in general are very particular about what they release.
       They don't like stuff floating out there that is less than their
       best effort (stuff that they feel is "unflattering").
    
    I'm not trying to tell anyone here "don't buy bootlegs".  I'm just
    saying that I can understand the rationale behind them being illegal.
542.817UPROAR::THOMASMMark Thomas (CONTRACTOR)Wed Sep 14 1994 13:2626
Some more thoughts on bootlegs -

The unflattering picture analogy is a bit dodgy. The only reasons a bootleg 
would be "unflattering" are; 1) The sound quality is bad, or 2) the performance 
is bad. Nobody with more than half a brain buys a bootleg where the sound 
quality is THAT bad, so the only reason for a bootleg being unflattering would 
be that the bands performance wasn't up to scratch. If they've taken money from 
the punters for a substandard concert, they can't complain too much if a 
recording highlighting the fact gets out.

The demand for bootlegs will never go away until bands start to record more (and 
more HONEST) live albums. I'm hacked off with hearing "retouched" and "redubbed" 
live albums that bear no resemblance to what a concert is really like, and/or 
have no noticeable aptmosphere. I want live albums that SOUND LIVE, not like a 
studio jam with some cheering dubbed on.

Take Rush - they are awesome live, I have two great bootlegs, yet their 3 (only 
3 in 20 years !!) live albums convey none of this. Blandsville Arizona.

A final thought. I have just bought the "Radio 1 Live in Concert" CD by the 
Michael Schenker Group, which was recorded at the Reading Festival in 1983. It 
is completely untouched or undubbed - the most honest live album I've got, yet 
it was recorded by BBC Radio and lay in a vault for 10 years before being 
shipped out as part of a cheap "Collectors" series. A few more live albums like 
this (preferably in the same decade as the gigs !), and then perhaps the desire 
for bootlegs can start to be met.
542.818DREGS::BLICKSTEINdbWed Sep 14 1994 13:5227
>The unflattering picture analogy is a bit dodgy. The only reasons a bootleg 
>would be "unflattering" are; 1) The sound quality is bad, or 2) the performance 
>is bad. Nobody with more than half a brain buys a bootleg where the sound 
>quality is THAT bad, so the only reason for a bootleg being unflattering would 
>be that the bands performance wasn't up to scratch. 
    
    I find this line of reasoning more than a bit dodgy.
    
    First, people buy bootlegs with awful sound quality quite regularly.
    So much so that most bootlegging catalogs give a RATING of how decent
    the sound quality is.
    
    I suppose you could argue that many people do not have "more than half
    a brain" but perhaps the artist still want's THOSE people to have only
    product that represents their work in a way that is up to their
    standards.
    
    > If they've taken money from  the punters for a substandard concert,
    > they can't complain too much if a  recording highlighting the fact gets
    > out.
    
    I fail to see the logic in this.  No artist can be expected to be
    perfect every night.  The mere fact of being human and flawed does
    not obligate them to live with someone distributing a less than
    flattering bootleg.
    

542.819POWDML::BUCKLEYwhy do we have to fall from grace?Wed Sep 14 1994 14:212
    How come some bands like the Dead don't mind bootlegging?  They 
    even encourage it!
542.820DREGS::BLICKSTEINdbWed Sep 14 1994 15:066
    > How come some bands like the Dead don't mind bootlegging?  They
    > even encourage it!
    
    It's just a different attitude about bootlegging.  Not a "better" or
    "worse" attitude.
    
542.821Interesting discussion!GOES11::HOUSEHow could I have been so blind?Wed Sep 14 1994 15:3442
>    How come some bands like the Dead don't mind bootlegging?  They 
>    even encourage it!
    
    Probably because they make the majority of their income from doing live
    shows instead of record sales.  They haven't put out an album since the
    late 80s, and there was a long time between even that one and the one
    prior to it.
    
    Also, the GD aren't hung up about perfection and precision.  They play
    a show as they want to play it and every one's supposed to be
    different, so why not let people distribute tapes?
    
    Could also be because the Dead have gotten to the point where they
    don't need any more money...
    
    My personal take on bootleg concert recordings is that they're
    interesting, but wouldn't really take the place of a studio recording
    for anyone that buys them.  As someone said a few notes back, there'd
    be about zero demand for them if the artists themselves would release
    enough material to satisfy the fans.  The sound quality on bootlegs
    I've heard has been universally poor.  Unfortunately, recording studio
    albums has turned into a huge time sink, what with the level of
    perfection that seems to be expected these days, so they really can't
    afford to release that.  And record companies expect a pretty high rate
    of return (spell: margin of profit) on release of pretty much any
    album, so releasing a bunch of comparitively primative live albums
    doesn't really fit the economics either, since only the true FANS of
    the group would buy all of them, the rest of the market might buy one
    or so along the way.  Therefore, I see the current concert boots
    filling a small nitch market that artists on big labels can't afford to
    fill (even if they wanted to).
    
    Bootleg copies of actually released studio recordings are a different
    story.  I consider that completely bogus, total robbery directly from
    the pocket of the artist.  I would never even consider (knowingly)
    buying that sort of rubbish.
    
    As to the issue of selling boots of performances the artists weren't
    happy with, well...if it's that bad, nobody's going to want to buy it
    anyway, especially not at the higher prices most boots come at.
    
    Greg
542.822what do I win?FRETZ::HEISERMaranatha!Wed Sep 14 1994 15:365
>    How come some bands like the Dead don't mind bootlegging?  They 
>    even encourage it!
    
    because deadheads spend all their $$ on drugs and can't afford to buy
    the albums in stores.
542.823DREGS::BLICKSTEINdbWed Sep 14 1994 17:559
    Actually, another reason why the Dead don't mind bootlegging is because
    they have no intention of releasing a live album, and thus they're
    not concerned (as other artists might be) that bootlegs rob from
    the sale of "official" live albums.
    
    I.E. they're not worried that someone with a bootleg is going to say
    "eh... I don't need another live album, I've already got one".
    
    	db
542.824ZepBUSSTP::DREESThu Sep 15 1994 08:1317
    
    I follow the same logic as the noter who wrote about the lack of
    quality live material by Rush. I love Zep, but The Song Remains The
    Same is probably one of the worst live albums around. There are certain
    Zep boots that show the band at their best. This is the kind of live
    material I want to hear. Because I'm buying boots, it doesn't mean I
    don't buy the official releases already available. There will always be
    a market for boots but if bands would release quality live albums that
    haven't been overly inhanced in the studio, there demand might be less.
    
    In the case of Zeppelin there are many quality boots (like the Earls
    Court shows) that knock spots off there official release. Jimmy Page
    wants to get his act together and officially release some of these
    shows. 
    
    Del.
                        
542.825Dream Theater on-line interview transcriptDREGS::BLICKSTEINdbThu Sep 15 1994 12:361071
    For those who are interested, here's a "transcript" of the Dream
    Theater "on-line interview" on CompuServe.
    
    It's rather pathetic, with people speaking out of turn, and getting
    into little cat fights, and stupid questions and what not and to make
    matters worse, the order of comments in the transcript is all jumbled
    (as it happened live) but... there's some interesting stuff here and
    there.
    
    Coop, if this is too long feel free to delete it.
    
    	db
    ---------------------------------------------
   Dream Theater's Mike Portnoy, John Myung and John Petrucci were in CO on 
Thursday (September 8) night.  The following is a transcript:


 (1-18,DREAM THEATER/MIKE ) hi EVERYOHe, it's Mike a& John
 (1-3,Brian Powell) Do we have a singer? Let's start a band! <G>
 (1-14,Dave Sloan) hey guys!!
 (1-6,Brian M. Polka) LOL :-)
 (1-17,Sadie) Hey Dream Theater!  (waving)
 (1-18,DREAM THEATER/MIKE ) it's  great being here
 (1-1,Slash) Hey!
 (1-22,mmo) good evenin' all
 (1-8,Steve Cohen) hey
 (1-5,john&dave) hey guys!
 (1-14,Dave Sloan) hah
 (1-12,Deblette) Hi all
 (1-18,DREAM THEATER/MIKE ) werer
 (1-23,Jimi Hendrix (DSD)) Hello All
 (1-18,DREAM THEATER/MIKE ) looking forward to dealing with you
 all one on one
 (1-22,mmo) werer?
 (1-6,Brian M. Polka) Hey Guys... what's up? :-)
 (1-17,Sadie) Sure is, DT/M - welcome to CO!
 (1-5,john&dave) amazing!!!!!!
 (1-22,mmo) one on one or one on 15?
 (1-3,Brian Powell) Hi DT!
 (1-17,Sadie) DT/M - would you like a structured or freeform CO?
 (1-2,Strings) more like 20
 (1-10,Gravy Train) How do we know which one is talking?
 (1-22,mmo) yeah, welcome!
 (1-18,DREAM THEATER/MIKE ) both of us are
 (1-5,john&dave) DT is the band of the 90's
 (1-4,C.P.I.) who came up with the cover design for images and
 (1-4,C.P.I.) words quite a trippy little thing it is
 (1-18,DREAM THEATER/MIKE ) were playing guitar as were doing
 this interview
 (1-1,Slash) THere's 2 L.T's
 (1-8,Steve Cohen) sure is
 (1-17,Sadie) Mebbe you guys in the audience should pipe down
 slightly, to let the
 (1-16,Nicolas van Dyk) Will Change of Seasons be on Awake?
 (1-17,Sadie) celebs get their bearings...
 (1-18,DREAM THEATER/MIKE ) basically we all sat saround and came
 up wth the concept as the band
 (1-4,C.P.I.) can we get some fuckin order please
 (1-10,Gravy Train) van Dyk, you made it!  Welcome!
 (1-18,DREAM THEATER/MIKE ) we pulled elements from different
 song lyrics
 (1-18,DREAM THEATER/MIKE ) we did the same with the cover AWAKE
 (1-4,C.P.I.) what are some of your inspirations and aspirations
 (1-18,DREAM THEATER/MIKE ) Nicolas, no it is not
 (1-1,Slash) I can't wait for it to come out!
 (1-18,DREAM THEATER/MIKE ) we would like to record it inthe
 future
 (1-18,DREAM THEATER/MIKE ) but we had so many good and new ideas
 come on
 (1-23,Jimi Hendrix (DSD)) Hello All.
 (1-5,john&dave) guys  are you touring with Queensryche????
 Fates?
 (1-8,Steve Cohen) do you have final word on a keyboardist?
 (1-17,Sadie) Hello, DSD.  Say hi to our guests, ok?
 (1-23,Jimi Hendrix (DSD)) hi guest.
 (1-4,C.P.I.)  i heard john and steve morse did a litlle
 something together
 (1-23,Jimi Hendrix (DSD)) how are you tonite sadie?
 (1-6,Brian M. Polka) How do you guys feel about the resurgence
 of
 (1-6,Brian M. Polka) progressive metal as of late compared to
 the past
 (1-6,Brian M. Polka) poularity of grunge?
 (1-18,DREAM THEATER/MIKE ) CPI... inspirations are... the people
 around me that I interact with and
 (1-18,DREAM THEATER/MIKE ) thenatural events in life
 (1-17,Sadie) Shall we take numbers of questions?
 (1-14,Dave Sloan) john, here's a song idea--ever think about
 getting out
 (1-14,Dave Sloan) the old violin and playing sort of a haunting
 song with
 (1-14,Dave Sloan) accompaning keyboards?
 (1-18,DREAM THEATER/MIKE ) aspirations.. become musically more
 expressive and literate
 (1-5,john&dave) numbers is a good idea!
 (1-1,Slash) yeah
 (1-5,john&dave) numer 1 <-----
 (1-6,Brian M. Polka) NUmbers will work :-)
 (1-1,Slash) 2
 (1-22,mmo) wow, this is really chaotic
 (1-14,Dave Sloan) 3
 (1-6,Brian M. Polka) 5
 (1-27,WD <Witless Dave>) 4
 (1-23,Jimi Hendrix (DSD)) hey mmo remember me?
 (1-17,Sadie) OK - J&D, shoot, and I'm taking the rest of your
 numbers.
 (1-4,C.P.I.) your songs have a lot of drama and theatrics and
 imagery your not held down by industry conformities
 (1-7,Not Mike) .bak....er...evening all (mighty crowded tonight)
 (1-3,Brian Powell) 6
 (1-23,Jimi Hendrix (DSD)) hey nm.
 (1-18,DREAM THEATER/MIKE ) no, were not touring with
 Queensrhyce.
 (1-5,john&dave) are you guys tourning with queensryche?? Fates??
 who????
 (1-2,Strings) 7
 (1-5,john&dave) who?
 (1-23,Jimi Hendrix (DSD)) sadie please slide the jd down here.
 (1-17,Sadie) OK, Slash is next.
 (1-18,DREAM THEATER/MIKE ) were in LA right now
 (1-18,DREAM THEATER/MIKE ) were going to premiere the album
 (1-18,DREAM THEATER/MIKE ) at the foundations forum convention
 (1-4,C.P.I.) how did the band get formed
 (1-18,DREAM THEATER/MIKE ) we play tomorrow night, live with new
 material
 (1-17,Sadie) CPI!  WAit your turn.
 (1-4,C.P.I.) thats an important question
 (1-18,DREAM THEATER/MIKE ) the US tour will begin around OCtober
 20th and will
 (1-1,Slash) I'll take #8, my question got answered
 (1-18,DREAM THEATER/MIKE ) go until about mid december then
 (1-18,DREAM THEATER/MIKE ) Japan in January and Europe in
 Feb/March
 (1-18,DREAM THEATER/MIKE ) will be a headliner tour
 (1-17,Sadie) OK, Dave Sloan is next.
 (1-28,Mike G) you guys comin to boston?
 (1-18,DREAM THEATER/MIKE ) "I'm Mother Earth" will be headlining
 tour
 (1-18,DREAM THEATER/MIKE ) in USA
 (1-4,C.P.I.) SADIE WHO THE HELL ARE YOU TO GIVE FUCKIN ORDERS
 (1-18,DREAM THEATER/MIKE ) Mike.. yes
 (1-18,DREAM THEATER/MIKE ) no confirmed Itinerary yet
 (1-28,Mike G) thanx
 (1-5,john&dave) so you r opening for them???
 (1-17,Sadie) I'm your mother, CPI.  Equal time for all fans.
 (1-23,Jimi Hendrix (DSD)) watch it cpi!!!!!!!
 (1-8,Steve Cohen) who's opening again?
 (1-18,DREAM THEATER/MIKE ) CPI... the band was formed in 1985
 when John and john grew up
 (1-4,C.P.I.) actually your closer to my toilet bowl
 (1-18,DREAM THEATER/MIKE ) togetther and went to Berkeley
 (1-17,Sadie) OK, WD is next.
 (1-18,DREAM THEATER/MIKE ) and met Mike Portnoy there
 (1-14,Dave Sloan) you guys are all my idols seriously, you've
 totally
 (1-14,Dave Sloan) changed my musical views, which is great but
 enough
 (1-14,Dave Sloan) of the mush.   myung, would you ever
 considered
 (1-14,Dave Sloan) getting out the violin and doing a haunting
 little piece
 (1-14,Dave Sloan) with background
 (1-18,DREAM THEATER/MIKE ) and we just .. stuck together
 (1-5,john&dave) let me take #9
 (1-18,DREAM THEATER/MIKE ) for the whole year.. constantly
 playing
 (1-14,Dave Sloan) i know you guys wouldn't be afraid to do it
 (1-17,Sadie) Gotcha, J&D.
 (1-27,WD <Witless Dave>) Hey.... who would you consider to be
 your influences?
 (1-4,C.P.I.) thanx  L.T
 (1-4,C.P.I.) WHAT kind of axe does john use
 (1-8,Steve Cohen) ibanez
 (1-18,DREAM THEATER/MIKE ) Dave.. no, I wouldnt at this
 point...violin for me was chosen for me
 (1-18,DREAM THEATER/MIKE ) by my mother when I was very young
 (1-8,Steve Cohen) ernie ball?
 (1-18,DREAM THEATER/MIKE ) I don't feel a passion for playing
 wise
 (1-19,Timothy Cox) CPI - slooowww down man
 (1-18,DREAM THEATER/MIKE ) I just kept it until I asked
 myself... why do
 (1-18,DREAM THEATER/MIKE ) I keep this
 (1-17,Sadie) CPI, wait your turn.  If you want to ask a
 question, you're after J&D.

 (1-4,C.P.I.) what bands do you guys listen to and who do you
 think is doing something important in any creative feel
 (1-4,C.P.I.) or style
 (1-18,DREAM THEATER/MIKE ) then I realized I didn't want to
 pursue it any further..
 (1-18,DREAM THEATER/MIKE ) that was around 16 years of age
 (1-14,Dave Sloan) i see, thanx
 (1-28,Mike G) I'm glad a band like Dream Theater had enough
 balls
 (1-18,DREAM THEATER/MIKE ) Our influences were..... Rush.. Gheyy
 Lee... Steve Harris of Iron Maiden.
 (1-18,DREAM THEATER/MIKE ) Chris Squire of Yes..
 (1-28,Mike G) to put out a musically smar album
 (1-17,Sadie) Briank Polka is next.
 (1-6,Brian M. Polka) Hey guys, thanks for coming by to meet the
 fans. My question: Lately, we are seeing
 (1-6,Brian M. Polka) more bands straying away from grunge type
 work and going to more progressive type
 (1-6,Brian M. Polka) influences. Do you feel you popularity has
 attributed to that in any?
 (1-18,DREAM THEATER/MIKE ) Early influences for Mike.. Beatles..
 Led Zepplin,, The Who and Kiss
 (1-18,DREAM THEATER/MIKE ) all of the drummers from those bands
 (1-18,DREAM THEATER/MIKE ) once I got more serious about
 playing.. I got heavily
 (1-4,C.P.I.) how did you guys get signed
 (1-18,DREAM THEATER/MIKE ) into Neil of Rush as well as Frank
 (1-18,DREAM THEATER/MIKE ) Zappas music
 (1-18,DREAM THEATER/MIKE ) currently I listen to .. heavy stuff
 (1-4,C.P.I.) mothers
 (1-17,Sadie) CPI.
 (1-29,MARK NAHAS) were you at all influenced by marillion?
 (1-18,DREAM THEATER/MIKE ) there's great double bass work in the
 music..
 (1-18,DREAM THEATER/MIKE ) Pantera.. Sepultura
 (1-28,Mike G) Zappa's new work is good
 (1-17,Sadie) Mark, you're up after J&D.
 (1-4,C.P.I.) zappa's checked out g
 (1-17,Sadie) We're taking numbers for questions.
 (1-15,Michael Pomerleau) Can  you fill us in on Why Moore left
 the band, and who you are hoping to replace him with
 (1-4,C.P.I.) ok  1 2 3 take all the damn numbers you want
 (1-27,WD <Witless Dave>) Thanks for answering. :)
 (1-18,DREAM THEATER/MIKE ) Helmet.... heavy aggressive
 stuff...Brian...it se...
 (1-17,Sadie) Wait your turn, MP.
 (1-17,Sadie) PLEASE!  Let these guys handle one question at a
 time.
 (1-18,DREAM THEATER/MIKE ) Hopefully the success wer'v had has
 given people the courage to stray away
 (1-4,C.P.I.) you guys don't listen to any non-metal shit
 (1-18,DREAM THEATER/MIKE ) from the trends
 (1-14,Dave Sloan) cpi----shut up, please
 (1-18,DREAM THEATER/MIKE ) I think the type of music has always
 been there
 (1-17,Sadie) If you want to ask a question, type ??? and I'll
 take your name down
 (1-17,Sadie) in order.
 (1-28,Mike G) when the hell did Moore leave??????????????????/
 (1-5,john&dave) ???
 (1-8,Steve Cohen) ???
 (1-4,C.P.I.) suck it sloan
 (1-32,sweet girl) ??????
 (1-18,DREAM THEATER/MIKE ) Michael... THE HOT TOPIC....
 (1-19,Timothy Cox) but out CPI
 (1-15,Michael Pomerleau) ???
 (1-6,Brian M. Polka) THanks for answering guys :-)
 (1-13,Amer Khan) ????
 (1-18,DREAM THEATER/MIKE ) Kevin left because he felt very
 strongly about
 (1-4,C.P.I.) fuck off cox
 (1-18,DREAM THEATER/MIKE ) it wasn't something that just came up
 out of no where
 (1-18,DREAM THEATER/MIKE ) he was contenplating this for a while
 (1-19,Timothy Cox) emsymf - CPI
 (1-18,DREAM THEATER/MIKE ) at closing sessions of AWAKE... he
 didn't have a choice anymore within
 (1-18,DREAM THEATER/MIKE ) himself.. musically
 (1-4,C.P.I.) your a damn pussy cox
 (1-18,DREAM THEATER/MIKE ) I know it's hard for other people
 (1-18,DREAM THEATER/MIKE ) but it's very difficult untless you
 knew him personally....so
 (1-28,Mike G) he was very talented as all of you are
 (1-6,Brian M. Polka) CPI.. just calm down and let these guys
 talk. Everyone wants to talk to them as
 (1-6,Brian M. Polka) much as you.
 (1-18,DREAM THEATER/MIKE ) he left due to musically reasons.. no
 angry parting
 (1-28,Mike G) thats good
 (1-18,DREAM THEATER/MIKE ) He in fact is very enthusiastically
 for the band to grow
 (1-17,Sadie) I believe Brian Powell has the next question...
 (1-18,DREAM THEATER/MIKE ) We all still have our personal
 friendship
 (1-18,DREAM THEATER/MIKE ) In fact we talked to him last week..
 (1-18,DREAM THEATER/MIKE ) REPLACEMENT... has not been made..
 yet
 (1-18,DREAM THEATER/MIKE ) not known yet
 (1-3,Brian Powell) Mike, you're the best (well...close race with
 Peart), but what size venues can we expect to see you guys in?
 I'd rather it be a small
 (1-28,Mike G) is he going solo
 (1-18,DREAM THEATER/MIKE ) promoting the record and touring is
 important right now
 (1-3,Brian Powell) one but will it be?
 (1-18,DREAM THEATER/MIKE ) and to lose the  momentim in that and
 to begin to look for a replacement
 (1-28,Mike G) when is the record due?
 (1-17,Sadie) MIke G, please wait your turn.
 (1-8,Steve Cohen) october 4
 (1-18,DREAM THEATER/MIKE ) ... the show we are doing tomorrow
 night...we will be using a keyboard play
 (1-28,Mike G) sorry
 (1-8,Steve Cohen) ok
 (1-18,DREAM THEATER/MIKE ) er named Jordan Rudess... who is a
 complete MONSTER..
 (1-10,Gravy Train) ???
 (1-2,Strings) Jordan rudes!!!  I know him!!  He's Incredible!
 (1-18,DREAM THEATER/MIKE ) If Jordan willl remain with the band
 will remain to be seen.. Brian...
 (1-2,Strings) Jordan Rudes from KORG?
 (1-18,DREAM THEATER/MIKE ) I think we will start first leg of
 tour in
 (1-18,DREAM THEATER/MIKE ) medium sized clubs (800 to 1200
 people)
 (1-18,DREAM THEATER/MIKE ) the sized we were playing towards the
 middle of the last tour...
 (1-14,Dave Sloan) ??
 (1-17,Sadie) Gotcha, Dave
 (1-18,DREAM THEATER/MIKE ) any more questions?
 (1-6,Brian M. Polka) Sadie-- I have another question, please put
 me on the list.
 (1-17,Sadie) Yup, Strings is next.
 (1-17,Sadie) Ok, Brian.
 (1-18,DREAM THEATER/MIKE ) yes,please begin
 (1-32,sweet girl) hey....me
 (1-8,Steve Cohen) sadie, am i on the list?
 (1-17,Sadie) Dream Theatre - type DONE when you're done with a
 question, ok?
 (1-2,Strings) You mentioned Jordan Rudes.  Is this Jordan Rudes
 from
 (1-2,Strings) KORG, the "Keyboard Wizard?"
 (1-17,Sadie) Yes, Steve.
 (1-17,Sadie) Ok, Sweeters
 (1-18,DREAM THEATER/MIKE ) Struings... Yes he is
 (1-2,Strings) He's AWESOME!
 (1-18,DREAM THEATER/MIKE ) he is currently playing with the
 Ddrags...
 (1-32,sweet girl) i heard you used to be under a different band
 name and then
 (1-17,Sadie) J&D next
 (1-2,Strings) I know him, I've talked with him a few times
 (1-5,john&dave) Guys-  I heard you were intrested in hearing
 about up and
 (1-5,john&dave) coming bands...I am a manager of a local
 (chicago) progressive
 (1-5,john&dave) band that is amaazing live, and is working on a
 demo.  ANy way
 (1-5,john&dave) you guys could take a listen to it?
 (1-32,sweet girl) you had to change it.  what was the name and
 why did you
 (1-32,sweet girl) have to change it?
 (1-18,DREAM THEATER/MIKE ) he won keyboard player magazine
 readers polls last yearSweet Girl....
 (1-17,Sadie) J&D first - sweeters, darling, you're on for later,
 ok?
 (1-18,DREAM THEATER/MIKE ) we were called MAGESTY
 (1-18,DREAM THEATER/MIKE ) between 1985 when we formed and
 1988...
 (1-18,DREAM THEATER/MIKE ) when we signed our first record deal.
 (1-18,DREAM THEATER/MIKE ) we found out the trade mark was held
 by somebody else
 (1-18,DREAM THEATER/MIKE ) we then changed the name....which was
 a blessing in disguise..
 (1-18,DREAM THEATER/MIKE ) then we came up with the Dream
 Theatre..
 (1-17,Sadie) Steve Cohen I believe had his hand up next...
 (1-36,Sig) What's Up!
 (1-5,john&dave) what about my question?
 (1-17,Sadie) Yikes!  That wasn't answering your question, J&D?
 SOrry!
 (1-8,Steve Cohen) guys, are you going to re release the first
 album, and are you coming to columbus?
 (1-18,DREAM THEATER/MIKE ) John & Dave... when we come through
 Chicago...
 (1-17,Sadie) Maybe you should repeat it after steve, J&D - I'm
 sorry!
 (1-18,DREAM THEATER/MIKE ) hook us up with a tape..
 (1-5,john&dave) how do I get it to you?

  (1-18,DREAM THEATER/MIKE ) Steve.... they plan on reissuing the
 album but I have no specific plans
 how u?(1-17,Sadie) Dream Theater, can you be reached at this CIS
 ID?

 (1-18,DREAM THEATER/MIKE ) for it to be reissued... howevery..
 (1-18,DREAM THEATER/MIKE ) it is easily obtainable through most
 stores
 (1-18,DREAM THEATER/MIKE ) that carry import cd's
 (1-17,Sadie) MIke G is next.

 (1-18,DREAM THEATER/MIKE ) Yes... we will be going through
 Columbus but when is the question..
 (1-8,Steve Cohen) ???
 (1-10,Gravy Train) DT can be reached at buffalo@panix.com
 (1-17,Sadie) Gotcha, Steve.
 (1-32,sweet girl) ???????
 (1-17,Sadie) Sweeters, you're down already!
 (1-18,DREAM THEATER/MIKE ) John... give it to a manager at the
 club..
 (1-1,Slash) could I ask my question next sadie? I need to
 disconnect soon
 (1-34,Turtle) hey!
 (1-18,DREAM THEATER/MIKE ) fortunatly were pretty accessable
 people
 (1-5,john&dave) ???
 (1-18,DREAM THEATER/MIKE ) next Slash...
 (1-1,Slash) thanx
 (1-17,Sadie) Go, Slash!
 (1-1,Slash) Two things: #1, I wrote a letter to you guys asking
 if you are planning a tour stop in
 (1-1,Slash) Puerto Rico and I got a generic letter which didn't
 answer the question. could you
 (1-1,Slash) answer? and #2, Is anyone planning on transcribing
 the music for any of your songs?
 (1-17,Sadie) Gotcha, J&D
 (1-5,john&dave) Dream Theater <-------fuckin amazing!
 (1-29,MARK NAHAS) I thought i was after J & D?
 (1-28,Mike G) when is the new album due out.
 (1-2,Strings) transcribing?  Now there's a job and a half! <g>
 (1-18,DREAM THEATER/MIKE ) Slash.. we do plan on releasing it.
 but not in
 (1-17,Sadie) I'm sorry, Mark - I was dealing with CPI.  Gotcha.
 (1-18,DREAM THEATER/MIKE ) immediate future..
 (1-17,Sadie) Let's have Mark, then.
 (1-29,MARK NAHAS) what kind of radio play do you expect?
 (1-18,DREAM THEATER/MIKE ) one is transcribed in an upcoming
 issue..
 (1-18,DREAM THEATER/MIKE ) As far as Puerto Rico.. no plans
 right now
 (1-21,slaught-bear) ussssssssssssssssssssss.
 (1-18,DREAM THEATER/MIKE ) but our bookin agent is pretty much a
 slave drive.
 (1-18,DREAM THEATER/MIKE ) r
 (1-18,DREAM THEATER/MIKE ) if he wants up to play, then we will.
 (1-18,DREAM THEATER/MIKE ) Mark.... well....
 (1-1,Slash) cool, thanx!
 (1-18,DREAM THEATER/MIKE ) were not the type that expects any
 radio
 (1-18,DREAM THEATER/MIKE ) play at all
 (1-17,Sadie) Brian Polka next..
 (1-18,DREAM THEATER/MIKE ) infact the last took us by complete
 surprise
 (1-1,Slash) Too bad about PR though :-(
 (1-5,john&dave) tell john we love him !!!!!!!!
 (1-18,DREAM THEATER/MIKE ) however, we have been surprised with
 the success with the first single
 (1-3,Brian Powell) ?
 (1-28,Mike G) you get it in boston...sometimes
 (1-6,Brian M. Polka) Why do you guys think your popularity has
 been soo much higher outside the US?
 (1-19,Chaos) you guys rule
 (1-17,Sadie) Gotcha, Brian Powell.
 (1-18,DREAM THEATER/MIKE ) live .. it seems to be doing
 well...which was released to radeio last
 (1-18,DREAM THEATER/MIKE ) week
 (1-4,mi luil) I'm baack!
 (1-1,Slash) WEll, Bye Dream Theater!!!!!   Please say hi to John
 Petrucci for me!
 (1-18,DREAM THEATER/MIKE ) it has been one of the top five
 requested songs
 (1-18,DREAM THEATER/MIKE ) across the country...KEEP ON CALLING
 (1-17,Sadie) Sweeters next...

 (1-15,Michael Pomerleau) What is the name of the first single
 (1-18,DREAM THEATER/MIKE ) Brian...that's not particularly true

 (1-2,Strings) What's it called?  I haven't listened to much
 radio recently
 (1-10,Gravy Train) ??? number?

 (1-18,DREAM THEATER/MIKE ) in sales figures... the US is doing
 better...
 (1-17,Sadie) HEY!

 (1-17,Sadie) OUt of order!
 (1-18,DREAM THEATER/MIKE ) it seems that the European and
 Japanese tend to like music
 (1-2,Strings) sorry, sadie
 (1-19,Chaos) I play drums for a band and where having alot of
 (1-19,Chaos) problems? how do you guys work things out
 (1-19,Chaos) when you dissagree or have a dilemma?
 (1-18,DREAM THEATER/MIKE ) like ours and don't really care about
 ttrends like the US does...
 (1-17,Sadie) Chaos, your turn will come.
 (1-18,DREAM THEATER/MIKE ) Michael "LIE"
 (1-19,Chaos) ok
 (1-17,Sadie) Steve Cohen is next.
 (1-6,Brian M. Polka) Cool, thanks guys :-)
 (1-32,sweet girl) want to play the Alrosa in Columbus?  I'll
 book you there. or will you
 (1-32,sweet girl) play the Newport instead  (boo hissss).
 (1-5,john&dave) Sadie the way you use your authoritty turns us
 on!!!!
 (1-8,Steve Cohen) Mike P, did you really write a letter to
 Prodigy a week or so ago?
 (1-8,Steve Cohen) ???
 (1-32,sweet girl) get the whips out sadie
 (1-18,DREAM THEATER/MIKE ) Chaos... we stick together by making
 sure we communicate with each other
 (1-11,Christopher T. Leme) Hey Chaos --- Just let everthing
 slide and keep the band working, keep your mouth shut and work
 hard !
 (1-18,DREAM THEATER/MIKE ) and if something is in our minds.. we
 don't hold it in
 (1-18,DREAM THEATER/MIKE ) we discuss things... so that there
 won't be a situation of
 (1-19,Chaos) cool, thats what we lack in
 (1-7,Not Mike) BRB
 (1-17,Sadie) J&D are on again.
 (1-19,Chaos) mike, where did you study in college?
 (1-11,Christopher T. Leme) no no hold it in, its usually so
 petty it doesnt matter Chaos
 (1-18,DREAM THEATER/MIKE ) anyone blowing up ...so that it would
 lead to arguements..being is prett
 (1-17,Sadie) Chaos, your turn will come.
 (1-18,DREAM THEATER/MIKE ) y much like a marriage..
 (1-18,DREAM THEATER/MIKE ) you have to be open to compromises..
 (1-5,john&dave) mike  in the Video, you say.."Balls and Chuck is
 Where its at"  Is
 (1-5,john&dave) that the music path you guys are taking?
 (1-18,DREAM THEATER/MIKE ) but at the end of the day. you
 realize your common goals
 (1-18,DREAM THEATER/MIKE ) that overcomes everything
 (1-18,DREAM THEATER/MIKE ) We've been to Alrosa twice already
 (1-5,john&dave) aslo, merritt gant of overkill says you guys are
 fucking
 (1-5,john&dave) amazing...don't you love band love! :)
 (1-18,DREAM THEATER/MIKE ) it was cool but were looking for
 someplace bigger
 (1-32,sweet girl) well, the newport is an old theater but under
 different mgnt.
 (1-18,DREAM THEATER/MIKE ) Chaos.. Berkeley....where we all
 attended..
 (1-32,sweet girl) they could steel you away i guess but you
 should stay with
 (1-17,Sadie) Has everyone who asked a question thus far been
 answered?
 (1-8,Steve Cohen) sadie, did you put me back in?
 (1-17,Sadie) Damned if I can tell...
 (1-32,sweet girl) the alrosa...tradition, you know.
 (1-17,Sadie) Yup, Steve.
 (1-18,DREAM THEATER/MIKE ) We all took courses in ear training.
 sight singing .. arranging... harnony
 (1-2,Strings) My band's lead singer studied at Berkley
 (1-8,Steve Cohen) thanks
 (1-19,Chaos) really, what did you major  & minor IN
 (1-18,DREAM THEATER/MIKE ) as well as individual instructions
 (1-2,Strings) berkeley, sorry
 (1-18,DREAM THEATER/MIKE ) on our instruments.
 (1-17,Sadie) CHAOS!
 (1-18,DREAM THEATER/MIKE ) JAM
 (1-18,DREAM THEATER/MIKE ) JAMES SAID HIIIII
 (1-19,Chaos) you guys are from long island
 (1-31,Paula) everybody but Mike & the person who Sadie calls on
 please be quiet!
 (1-4,Sky Brower) Hey, you guys are great, D.T.!!!
 (1-32,sweet girl) pk to the rscue
 (1-2,Strings) HI, PK
 (1-29,MARK NAHAS) have you heard about RUSH's 20th anniv. tour?
 maybe
 (1-29,MARK NAHAS) open for them?
 (1-2,Strings) That would be awesome!
 (1-31,Paula) MARK!  Wait for Sadie to call on you...!
 (1-17,Sadie) Mark, wait your turn.  PLEASE
 (1-3,Brian Powell) Too much to ask.
 (1-18,DREAM THEATER/MIKE ) Mark..actually it sounds like an
 incredibal tour
 (1-17,Sadie) Brian Powell is next.
 (1-18,DREAM THEATER/MIKE ) they are doing two sets with an
 inttermission and
 (1-18,DREAM THEATER/MIKE ) no opening act..
 (1-18,DREAM THEATER/MIKE ) therefore no opening for us..
 (1-32,sweet girl) that's the way it should be
 (1-5,john&dave) my question?
 (1-18,DREAM THEATER/MIKE ) next question..
 (1-17,Sadie [moderator]) Mike P.
 (1-5,john&dave) what about me????
 (1-18,DREAM THEATER/MIKE ) were all married.. 3/4 by the way..
 (1-3,Brian Powell) Mike, is it possible to get transcriptions to
 your percusion parts?
 (1-15,Michael Pomerleau) My question about Kevin leaving the
 band was answered earlier sadie
 (1-17,Sadie [moderator]) Sorry, J&D - you never did get
 answered.  You're next, again.
 (1-5,john&dave) can they scroll up and read it?
 (1-16,Jimmy V.) ta da!
 (1-17,Sadie [moderator]) Thanks, Mike P.  Noted.
 (1-6,Brian M. Polka) SAdie-- Got another question to ask :-)
 (1-10,Gravy Train) I've heard some samples of new songs on the
 net (Lie, 6:00)--there seems to be a very heavy John Lord/almost
 NIN keyboard
 (1-10,Gravy Train) influence; without Kevin will the keyboards
 maintain that trend?
 (1-17,Sadie [moderator]) Please ask it again, J&D.
 (1-17,Sadie [moderator]) You're in line again, Brian.
 (1-18,DREAM THEATER/MIKE ) Brian.. as of this moment .. no
 (1-18,DREAM THEATER/MIKE ) it is something that I would ohave
 liked to have done
 (1-3,Brian Powell) damn, oh well.
 (1-17,Sadie [moderator]) GT....
 (1-5,john&dave) mike  in the video, you said "balls and chuck is
 where its at" is
 (1-5,john&dave) that the musical direction you guys are
 following?
 (1-18,DREAM THEATER/MIKE ) write to Modern drummer magazine...
 (1-3,Brian Powell) I have a subscription
 (1-18,DREAM THEATER/MIKE ) Gravy.. absolutely. were spending
 alot of time with our
 (1-1,Steve Cohen) sadie, i got knocked out because of a power
 outage, can you put me back on the
 (1-1,Steve Cohen) list?
 (1-17,Sadie [moderator]) You're on the list, Steve.  I did that
 already.
 (1-18,DREAM THEATER/MIKE ) new keyboardist.. (temp. replacement)
 in maki8ng sure that what we recr
 (1-5,john&dave) also..I saw merritt gant of Overkill last week
 and he said you
 (1-5,john&dave) guys kick ass...I agree!
 (1-18,DREAM THEATER/MIKE ) eate live will be recorded..
 (1-19,Chaos) are you guys going to get another keyboardist?
 (1-19,Chaos) are you originally from long island, ny. i isten to
 (1-19,Chaos) guys for inspiration, what do you listen to for
 (1-19,Chaos) yours?
 (1-17,Sadie [moderator]) Strings is up next.
 (1-17,Sadie [moderator]) Chaos, wait your turn.
 (1-18,DREAM THEATER/MIKE ) it is definitly contains some tof the
 heaviest stuff
 (1-18,DREAM THEATER/MIKE ) we've done by far.. however, the
 record as a whole
 (1-18,DREAM THEATER/MIKE ) is very balanced and diverse...
 (1-2,Strings) Around when will you be coming to Detroit?  If you
 know off hand.
 (1-2,Strings) Is there any telling whether or not Jordan Rudes
 will be with you?
 (1-18,DREAM THEATER/MIKE ) Chaos.. yes, were from Long ISland..
 except James.. Mike is from Long
 (1-5,john&dave) BUY GUYS!!!!!!!!  YOU ARE SIMPLY THE BEST BAND
 OUT
 (1-5,john&dave) THERE!
 (1-18,DREAM THEATER/MIKE ) beach and the rest is from..Kings
 Park.. James is from Toronto Canada
 (1-19,Chaos) cool, im from syosset
 (1-5,john&dave) sadie-we love you to :)
 (1-17,Sadie [moderator]) Thanks, J&D!  Heh...
 (1-13,Amer Khan) Am I still in line???
 (1-18,DREAM THEATER/MIKE ) Strings.. we can guess.. early to mid
 November..... check it our.
 (1-18,DREAM THEATER/MIKE ) yes Amer.... you are ...
 (1-2,Strings) I've got Jordan's autograph from one of the few
 shows I've seen him
 (1-2,Strings) at demoing for KORG
 (1-17,Sadie [moderator]) I didn't get you earlier, Amer, sorry.
 You're on.
 (1-2,Strings) He's a real cool guy
 (1-13,Amer Khan) First I would like to say that I think its
 great that
 (1-13,Amer Khan) Progressive metal is finally getting some
 publicity.
 (1-13,Amer Khan) Band like yourself, and Fates are long over
 due.  My
 (1-13,Amer Khan) question is how do you guys come up with the
 material?
 (1-13,Amer Khan) And most the important thing (the rhythm
 section :-)),
 (1-13,Amer Khan) with the tight rhythms that you play, do you
 (John) come
 (1-13,Amer Khan) up with the Bass lines first, or do Mike's
 drums dictate a
 (1-13,Amer Khan) lot of what you do?
 (1-18,DREAM THEATER/MIKE ) any more questions..
 (1-17,Sadie [moderator]) I guess Amer has one, Mike.
 (1-5,john&dave) BYE all   DT forever  Ryche on!
 (1-17,Sadie [moderator]) Steve Cohen is up next.
 (1-18,DREAM THEATER/MIKE ) Amer... it's a little of both.. the
 bass parts
 (1-18,DREAM THEATER/MIKE ) tend to come first but they get
 switched around alot by Mikes
 (1-1,Steve Cohen) John M, I work at a guitar company in
 Cleveland,called Hill Guitars,  and would
 (1-1,Steve Cohen) consider it an honor to make you a bass if you
 would play it.  I'd like to know if
 (1-1,Steve Cohen) you would take my offer, or are you locked
 into endorsing someone?
 (1-28,Mike G) well i gotta get going soon, you guys are
 amaizing...I hope
 (1-28,Mike G) your album does awsome.  I just wanna say you guys
 are great.
 (1-28,Mike G) my main influences, and i'm glad to see other than
 a
 (1-28,Mike G) grunge band doing
 well....thanx!!!!!!!!!!!!!!!!!!!!!!!!!!!
 (1-18,DREAM THEATER/MIKE ) interpertation of it arhythymitcally
 (1-18,DREAM THEATER/MIKE ) so it's a balance between the two...
 (1-16,icky joey) oh my god are we full tonight
 (1-17,Sadie [moderator]) Thanks, Mike G - later!
 (1-16,icky joey) kisses to all
 (1-2,Strings) carefull, icky, Sadie is ruling with an Iron fist!
 <g>
 (1-19,Chaos) where do you guys get your inspiration and i
 (1-19,Chaos) definitley get mine from you guys!!!!
 (1-18,DREAM THEATER/MIKE ) Steve.. I'm locked into endorsing
 some new... "Tong" is the name of it
 (1-17,Sadie [moderator]) Mark N is up next.
 (1-18,DREAM THEATER/MIKE ) it's a new lind of 6 strings...coming
 out of CA..
 (1-17,Sadie [moderator]) Chaos, wait your turn.
 (1-15,Michael Pomerleau) ???
 (1-18,DREAM THEATER/MIKE ) I'm flattered by the offer but I'd
 have to find out exactly what
 (1-18,DREAM THEATER/MIKE ) my limitations are with the
 company...
 (1-17,Sadie [moderator]) Gotcha Michael P
 (1-18,DREAM THEATER/MIKE ) next question..
 (1-2,Strings) ??/
 (1-17,Sadie [moderator]) Brian Polka is up after Mark N.
 (1-17,Sadie [moderator]) Gotcha, Strings.
 (1-18,DREAM THEATER/MIKE ) Mark.
 (1-14,Dave Sloan) ??? (a while ago) You guys have GOT TO BE on a
 movie soundtrack sometime--any action
 (1-14,Dave Sloan) sequences would absolutely ROCK with your
 music. My hypothesis for your Japanese
 (1-14,Dave Sloan) popularity is the "video game"  music that you
 sort of sound like--which is NOT BEING
 (1-14,Dave Sloan) DEROGATORY in any way, seriously.  My ?--what
 were the top few highlights of the
 (1-14,Dave Sloan) international touring?
 (1-23,Jimi Hendrix (DSD)) bak. all
 (1-17,Sadie [moderator]) Thank you, Dave Sloan.
 (1-18,DREAM THEATER/MIKE ) Dave... a couple that come to mind.
 (1-19,Chaos) GOTTA GO, YOU GUYS RULE!!!!!! BEST OF
 (1-19,Chaos) LUCK AND DON'T GIVE UP!!!!!!1
 (1-18,DREAM THEATER/MIKE ) both tours of Japan.. Italy, which is
 one of the loving and devoted
 (1-17,Sadie [moderator]) Thanks, Chaos.
 (1-20,Mayhem) wow....its crowded in here!! whats the occasion?
 (1-1,Steve Cohen) ???
 (1-18,DREAM THEATER/MIKE ) county of(country) of fans we've ever
 encountered.
 (1-18,DREAM THEATER/MIKE ) Germany.. Holland.. every night was
 an experience in itselfl.
 (1-17,Sadie [moderator]) Brian Polka is next...
 (1-6,Brian M. Polka) In Guitar for the Practicing Muscian a few
 months back John Petrucci recieved the
 (1-6,Brian M. Polka) Breakthrough Guitarist award and the Band
 as a whole got A LOT of recognition for
 (1-6,Brian M. Polka) the I&W album. Why do you think this last
 album was soo well recieved?
 (1-18,DREAM THEATER/MIKE ) Brian
 (1-10,Gravy Train) Mayhem---DREAM THEATER IS HERE
 (1-13,Amer Khan) ???
 (1-17,Sadie [moderator]) Gotcha, Amer.
 (1-18,DREAM THEATER/MIKE ) Brian.. well received in the music
 magazines because there's a
 (1-2,Strings) 'cause they're awesome, Bri!
 (1-17,Sadie [moderator]) Michael P is next...
 (1-18,DREAM THEATER/MIKE ) stong (strong) element of
 musicianshilp
 (1-15,Michael Pomerleau) What bands & what type of music do you
 guys listen to, in your spare time??? What albums are your
 (1-15,Michael Pomerleau) favorites.
 (1-18,DREAM THEATER/MIKE ) I think also that alot of it had to
 do with the timing with when our al
 (1-21,Gilbert Hoffman) Hey everyone.
 (1-18,DREAM THEATER/MIKE ) bum came our versus what was
 happening in the pop climate
 (1-17,Sadie [moderator]) Hey Gilbert.  Take a number!
 (1-18,DREAM THEATER/MIKE ) and knowing that there's always an
 audience for
 (1-16,icky joey) <-----sneaking off slowly, may be back later,
 when things
 (1-6,Brian M. Polka) What ever the reason where, I'm glad it
 happened.. thanks again :-)
 (1-16,icky joey) calm down, buy everyone
 (1-18,DREAM THEATER/MIKE ) every style of music...
 (1-17,Sadie [moderator]) Thanks, Brian, later, ick...
 (1-17,Sadie [moderator]) Good answer, Mike!  Strings is next.
 (1-14,Dave Sloan) ??
 (1-17,Sadie [moderator]) Gotcha, Dave.
 (1-18,DREAM THEATER/MIKE ) okay Michael... U2, Mos Davis.
 Pantera.. Seal.. Jelly FIsh
 (1-18,DREAM THEATER/MIKE ) .... Sound Garden...Rush..Premise
 (1-18,DREAM THEATER/MIKE ) Pink Floyd .. Peter Gabriel
 (1-18,DREAM THEATER/MIKE ) QueensRhyche..
 (1-2,Strings) I heard someone mention an interest in local,
 unsigned bands
 (1-2,Strings) earlier, and would consider it the highest honor
 if you guys would
 (1-2,Strings) give my band a listen
 (1-18,DREAM THEATER/MIKE ) Police... Public Enemy..Kings
 X...James Addication
 (1-18,DREAM THEATER/MIKE ) CHILI Peppers..
 (1-18,DREAM THEATER/MIKE ) Journey
 (1-18,DREAM THEATER/MIKE ) Joe Satriani
 (1-18,DREAM THEATER/MIKE ) FranK Zappa..
 (1-2,Strings) I would love input from such a talented bunch of
 musicians like you
 (1-2,Strings) guys
 (1-18,DREAM THEATER/MIKE ) Favorite Albumm...(list goes on
 forever actually)....albumm....
 (1-17,Sadie [moderator]) Dream Theater, can people reach you in
 the future under this CIS ID?
 (1-17,Sadie [moderator]) (per STrings' question)
 (1-18,DREAM THEATER/MIKE ) of all time......Mike...: Seargent
 Pepper by the Beatles.. the Wall (PInk
 (1-18,DREAM THEATER/MIKE ) Flyod)
 (1-2,Strings) thanx, Sadie
 (1-18,DREAM THEATER/MIKE ) Master of Puppets (Metallica)
 (1-18,DREAM THEATER/MIKE ) Misplaced Childhood (merillion)
 (1-31,Paula) ??
 (1-18,DREAM THEATER/MIKE ) Fea4r of the Black Planet (Public
 Enemy)
 (1-17,Sadie [moderator]) Paula, you're on the list...
 (1-2,Strings) Did you guys get my question?
 (1-18,DREAM THEATER/MIKE ) John...: Janes Addicaiton :"( Nothing
 shocking)
 (1-18,DREAM THEATER/MIKE ) Pink Flyod (Dark side Of the moon)
 (1-17,Sadie [moderator]) Dream Theater, can people contact you
 at this CIS ID?
 (1-17,Sadie [moderator]) (sheesh)
 (1-18,DREAM THEATER/MIKE ) King Crysom (beat)
 (1-4,Lance Boyle) Beat???
 (1-18,DREAM THEATER/MIKE ) what was the Strings..
 (1-18,DREAM THEATER/MIKE ) ?
 (1-17,Sadie [moderator]) STrings would like to know if you would
 listen to his bands' demo.
 (1-18,DREAM THEATER/MIKE ) next question..

 (1-2,Strings) I heard someone mention an interest in local,
 unsigned bands, and
 (1-2,Strings) would consider it the highest honor if you guys
 could give us a
 (1-2,Strings) listen
 (1-18,DREAM THEATER/MIKE ) demoss...
 (1-17,Sadie [moderator]) And I think everyone would like to know
 if they can contact you through
 (1-17,Sadie [moderator]) this CIS ID in the future.
 (1-18,DREAM THEATER/MIKE ) we have a new fan club address that
 will be on the inside
 (1-18,DREAM THEATER/MIKE ) of the new album that you can send
 all mail to
 (1-18,DREAM THEATER/MIKE ) we don't rememaber it off hand..
 (1-17,Sadie [moderator]) Chris Leme is up next.
 (1-2,Strings) maybe even just to get some constructive feedback
 from my favorite
 (1-2,Strings) musicians
 (1-31,Paula) related to that, if I can jump in...
 (1-17,Sadie [moderator]) Sure, PK!
 (1-31,Paula) can folks contact you through Walter O'Brien?
 (1-31,Paula) he *does* have a CIS account...
 (1-18,DREAM THEATER/MIKE ) Paula..no, but you can contact
 Pantera through him..
 (1-18,DREAM THEATER/MIKE ) hahha
 (1-18,DREAM THEATER/MIKE ) next question..
 (1-31,Paula) oh, okay.
 (1-17,Sadie [moderator]) OK.... Is Chris Leme here?
 (1-11,Christopher T. Leme) Mike, you mention Pantera, I like
 them but I really don't care for that type of singing, what do
 you think about that kind of vocal
 (1-18,DREAM THEATER/MIKE ) that's Pantera's manager.
 (1-31,Paula) i'd thought it was yours too, oops <G>  on to
 Chris's question...
 (1-18,DREAM THEATER/MIKE ) Chris...the vocals are myu least
 favorite part
 (1-18,DREAM THEATER/MIKE ) of that type of music
 (1-18,DREAM THEATER/MIKE ) it doesn't bother me that much
 (1-17,Sadie [moderator]) Amer Khan is next.
 (1-18,DREAM THEATER/MIKE ) because aggressive music should have
 agresssive vocals
 (1-11,Christopher T. Leme) Do you like Ice T  ???
 (1-2,Strings) Did I miss the answer to my question?
 (1-18,DREAM THEATER/MIKE ) I 'm a fan for the power, drumming
 and speed. and rhymithical Chris... Y
 (1-18,DREAM THEATER/MIKE ) Yes, I'm a very big rap fan.. his
 band Body count is
 (1-18,DREAM THEATER/MIKE ) going on right before us tomorrow
 night
 (1-18,DREAM THEATER/MIKE ) I'm looking forward to seeing him.
 (1-17,Sadie [moderator]) Dave Sloan follows...
 (1-18,DREAM THEATER/MIKE ) next question...
 (1-14,Dave Sloan) would you guys ever do a band\rap combo song
 with Public Enemy, ICE T, etc. like the
 (1-14,Dave Sloan) stuff on the Judgement Night soundtrack? I'm
 sure it would expose your music to a different
 (1-14,Dave Sloan) audience.
 (1-13,Amer Khan) This is another question for John M.  I am
 (1-13,Amer Khan) a bass player also...When you were in Dallas
 (1-13,Amer Khan) last year,  I was blown away by your playing.
 (1-13,Amer Khan) Seeing you play it live is a completely
 different
 (1-13,Amer Khan) experience.  I was wondering how you developed
 the
 (1-13,Amer Khan) hand strength, and dexterity that you have?
 (1-11,Christopher T. Leme) Thanks Mike
 (1-18,DREAM THEATER/MIKE ) Dave... I personally would enjoy it
 but I don't think that is the coll
 (1-18,DREAM THEATER/MIKE ) ective directive of Dream Theater as
 a band.
 (1-17,Sadie [moderator]) OK, assembled masses - any more
 questions?
 (1-6,Brian M. Polka) ????
 (1-18,DREAM THEATER/MIKE ) Amer... alot of that comes from
 playing and practicing my parts until
 (1-18,DREAM THEATER/MIKE ) I'm blue inthe face..
 (1-1,Steve Cohen) yes
 (1-18,DREAM THEATER/MIKE ) what helps me before going out on
 tour..
 (1-17,Sadie [moderator]) Hokay, Steve.
 (1-18,DREAM THEATER/MIKE ) is the recording process of lthe
 album
 (1-18,DREAM THEATER/MIKE ) that's when I spend the biggest
 (1-20,Mayhem) ??
 (1-1,Steve Cohen) What kind of stage show are you planning with
 the new tour?
 (1-18,DREAM THEATER/MIKE ) chunk of time
 (1-2,Strings) ???
 (1-17,Sadie [moderator]) Mayhem is next...
 (1-18,DREAM THEATER/MIKE ) concentrating my parts....
 (1-17,Sadie [moderator]) Gotcha, Strings.
 (1-18,DREAM THEATER/MIKE ) Steve....
 (1-18,DREAM THEATER/MIKE ) we will continue to try to present
 the music in both the visual
 (1-5,Steve Crowell) This is Steve from Texas, when is DT coming
 to big D???????
 (1-8,denny) helloo
 (1-17,Sadie [moderator]) Steve, you're on the list to ask
 questions.
 (1-1,Steve Cohen) hey one steve at a time!!!!
 (1-5,Steve Crowell) no prob!
 (1-18,DREAM THEATER/MIKE ) and audio .. .. make everything sound
 is clear and light show in intersting
 (1-18,DREAM THEATER/MIKE ) while also getting creative with the
 song selection..
 (1-17,Sadie [moderator]) Shoot em, Mayhem!
 (1-20,Mayhem) Any words/advice for the struggling guitarist
 workin' hard
 (1-20,Mayhem) for 9 years and not yet playin' up to where he
 hopes?
 (1-13,Amer Khan) ???
 (1-18,DREAM THEATER/MIKE ) Steve, we arestarting onthe East
 Coast.. working towards the west coast
 (1-18,DREAM THEATER/MIKE ) Around November I would think...
 (1-17,Sadie [moderator]) Gotcha, Amer
 (1-1,Steve Cohen) ???
 (1-24,Geoff) evevin' all
 (1-24,Geoff) :>
 (1-17,Sadie [moderator]) Yup, you're in line, Steve.
 (1-4,Lance Boyle) ???!
 (1-17,Sadie [moderator]) Gotcha, Lance.
 (1-8,denny) any dead fans hear
 (1-17,Sadie [moderator]) Didja have any words of wisdom for
 Mayhem, Dream Theater?
 (1-17,Sadie [moderator]) Denny, you're on the list.
 (1-5,Steve Crowell) are there any other albums otherthan the 3?
 (1-18,DREAM THEATER/MIKE ) Mayhem...to be....to have an open
 mind in music.. and to understand musi
 (1-18,DREAM THEATER/MIKE ) c is something that will teach you as
 much
 (1-18,DREAM THEATER/MIKE ) as you want to know
 (1-8,denny) what list
 (1-17,Sadie [moderator]) STrings is next.
 (1-18,DREAM THEATER/MIKE ) but it's some6hing that requires
 (1-18,DREAM THEATER/MIKE ) patience and discipleine
 (1-18,DREAM THEATER/MIKE ) and to be open minded into different
 (1-2,Strings) Any chance I can get really good tickets for a
 Detroit show? <Just
 (1-2,Strings) kidding>   Being a studio engineer, I was just
 curious as to want
 (1-2,Strings) kind of equipment or techniques you use when you
 record.
 (1-18,DREAM THEATER/MIKE ) styles of music and to always have
 (1-17,Sadie [moderator]) The list of people in line to ask
 questions, denny.
 (1-18,DREAM THEATER/MIKE ) somthhing on the side that you're
 doing
 (1-22,MAJESTY) only to have your record label blow that theroy
 out of the water
 (1-18,DREAM THEATER/MIKE ) never just dwell in one particular
 piece of music..
 (1-17,Sadie [moderator]) Steve Cohen is next
 (1-1,Steve Cohen) how long is the new album?
 (1-20,Mayhem) great answer....thanks...
 (1-18,DREAM THEATER/MIKE ) St5rings....hmmmm.
 (1-18,DREAM THEATER/MIKE ) 75 minutes... 3 seconds...
 (1-1,Steve Cohen) ???
 (1-18,DREAM THEATER/MIKE ) HOWEVER!!! the cassette will only be
 about 65 minutes in length
 (1-17,Sadie [moderator]) Gotcha, Steve.
 (1-18,DREAM THEATER/MIKE ) because of manufacturing
 restrictions.. get the CD for the fulll album
 (1-18,DREAM THEATER/MIKE ) next question

 (1-17,Sadie [moderator]) Did STrings get answered?
 (1-2,Strings) no.
 (1-17,Sadie [moderator]) I didn't think so - ask again, Strings.
 (1-18,DREAM THEATER/MIKE ) Stin(Strings...)
 (1-18,DREAM THEATER/MIKE ) Strings.. you have a question?
 (1-2,Strings) What kind of equipment or techniques do you use
 when you record
 (1-2,Strings) I'm an engineer myself
 (1-5,Steve Crowell) YOU HAVE HUGE FANS IN DALLAS, COME
 SOON...............
 (1-18,DREAM THEATER/MIKE ) Strings... we try to put alot of time
 intot he different textures ..
 (1-18,DREAM THEATER/MIKE ) the drums are recorded first witht he
 drest of the band
 (1-18,DREAM THEATER/MIKE ) playing alive with me
 (1-18,DREAM THEATER/MIKE ) we then do the guitar next followed
 by the bass.. and then alternate
 (1-18,DREAM THEATER/MIKE ) between keyboard , vocals and leads..
 (1-18,DREAM THEATER/MIKE ) on the new album we all tried to
 texture the music as much as possible
 (1-18,DREAM THEATER/MIKE ) with different sounds
 (1-18,DREAM THEATER/MIKE ) Since I'm using different percussion
 with the album
 (1-17,Sadie [moderator]) Amer Khan is next, then Denny last.
 (1-18,DREAM THEATER/MIKE ) John Used alot of . etc.. we
 constantly try to make the sounds change..
 ==Th(1-18,DREAM THEATER/MIKE ) LAST QUESITON>..
 anks, Mike!==(1-13,Amer Khan) Is there any way to correspond
 with you electronically in the future, or
 (1-13,Amer Khan) does all correspondence need to go through the
 fan club
 (1-13,Amer Khan) address?
 (1-18,DREAM THEATER/MIKE ) (Question)
 (1-2,Strings) Thanks a lot, any chance I can meet you guys while
 in Detroit?

 (1-18,DREAM THEATER/MIKE ) this is not the direct address
 (1-18,DREAM THEATER/MIKE ) however there is an official one for
 the latest happenings
 (1-18,DREAM THEATER/MIKE ) of the bands... Dream Theater
 (1-18,DREAM THEATER/MIKE ) Images & Words
 (1-18,DREAM THEATER/MIKE ) 8 Ryelends Close
 (1-18,DREAM THEATER/MIKE ) Caterhan Surrey
 (1-18,DREAM THEATER/MIKE ) CR35HY (ENGLAND)
 (1-17,Sadie [moderator]) I guess you have to leave now, Dream
 Theater?
 (1-17,Sadie [moderator]) Hope you all had your pencils handy!
 (1-18,DREAM THEATER/MIKE ) It was alot of FUNNNNN...
 (1-31,Paula) it'll be in the transcript, though, right LT?
 (1-31,Paula) <the address?>
 (1-17,Sadie [moderator]) Do you have time for any more questions
 or random acts of adulation, guys?
 (1-3,Brian Powell) Thanks DT! See ya soon!
 (1-1,Steve Cohen) thanks, you rule!!!!!!
 (1-2,Strings) Thanks guys, See you in Detroit!
 (1-13,Amer Khan) Thanks...DT see you in Dallas.
 (1-17,Sadie [moderator]) Hopefully by the weekend, Amer.
 (1-9,MetalMan Dan) See you in Columbus, OHIO!
 (1-6,Brian M. Polka) Thanks Guys... catch you on tour :-)
 (1-14,Dave Sloan) i'll always remember your guys' sincerity!!
 THANKS!!!
 (1-1,Steve Cohen) See ya in Columbus also!!!!!!
 (1-3,Brian Powell) Or...Houston! <G>
 (1-17,Sadie [moderator]) Hopefully someone will post tour dates
 here?  Les?
 (1-31,Paula) so... shall I start putting chairs on the table?
 (1-31,Paula) yeah, tour dates would be nice...
 (1-17,Sadie [normal]) *whew*
 (1-2,Strings) Are they gone?
 (1-31,Paula) good job Sadie!  & D.T!
 (1-20,Mayhem) last call??? one more beer please....
 (1-31,Paula) <applause!  applause!>
 (1-6,Brian M. Polka) That was quite interesting :-)
 (1-9,MetalMan Dan) <clap, clap, clap>
 (1-17,Sadie [normal]) Right - I'm getting a BIG glass of wine -
 any virtual bar orders?
 (1-20,Mayhem) <    > <----the sound of one hand clapping
 (1-31,Paula) yeah, a white russian please!




542.826GOES11::HOUSEHow could I have been so blind?Thu Sep 15 1994 13:348
    What a nightmare, I bet they'll never attempt that again.  The DT guys
    seemed pretty cool (but could improve their typing...), but their fans
    appeared to be mostly jerks and idiots!
    
    I did notice that they listed Joe Satriani as an influence and referred
    to that Morse band as "the Ddrags".  Haha!
    
    gh
542.827BABAGI::COOKThe Cookster...237-2638Thu Sep 15 1994 13:432
    
    HA! There it is! Influenced by Steve Harris of Iron Maiden!
542.828DREGS::BLICKSTEINdbThu Sep 15 1994 13:469
    Yes, but in any magazine interview you care to read you'll see that
    they cite the Dregs as their #1 influence.  Particularly John Petrucci.
    
    In fact, there's a section of "Take the Time" (the killer unison part)
    that they refer to as "the Dregs section".
    
    Petrucci and Morse are collaborating on some songwriting.
    
    	db
542.829BABAGI::COOKThe Cookster...237-2638Thu Sep 15 1994 13:483
    
    Sounds cool. Man, I'm glad I don't use Compuserve. What a bunch of
    morons!
542.830GOES11::HOUSEHow could I have been so blind?Thu Sep 15 1994 17:141
    I don't care to read magazine interviews...
542.831The problem ain't C-serve, it's "online interviews"DREGS::BLICKSTEINdbThu Sep 15 1994 18:4719
    >  Man, I'm glad I don't use Compuserve.
    
    CompuServe is perhaps one of the best things about my PC.
    
    I have pulled so much neat software off it, gotten so many questions
    answered, got turned onto some great deals for PC and music stuff,
    etc.   I'm 100% sure that the COST of Compuserve for me has been
    FAR exceeded by the benefit - which is NOT generally true of most
    of the stuff I do on my PC.
    
    However, IMHO the idea of an "on-line interview" is just a bad idea.
    
    Perhaps they might eventually be able to improve it somewhat by having
    special protocols (and software to implement/enforce them) such that
    people need to be "recognized" by the moderator before what they type
    shows up (much like how many meetings are run) but what they have now
    really sucks.
    
    	db
542.832as you say...GOES11::HOUSEHow could I have been so blind?Thu Sep 15 1994 19:2910
>    However, IMHO the idea of an "on-line interview" is just a bad idea.
    
    I don't have a problem with the concept, it's the implementation. 
    Everyone should be able to READ the discussion, but the only people who
    should be able to WRITE into it are the moderator and the interviewees. 
    Everyone else sends their questions directly to the interview
    moderator, who then puts them to the artists one at a time in an
    orderly manner.
    
    gh
542.833KDX200::ROBRDaybreak at the bottom of a lake...Mon Sep 19 1994 19:5517
    
    well, im sitting here listening to the new album.  at first pass i
    thought it was rather lacking (1st pass consisted of hitting next song
    every few seconds :')).
    
    but im listening to the whole thing thru (last song to first) and space
    dye vest is way cool.  pretty simple and straightforward, 6:00 into it
    and nothing progressive, lots of dialog and recordings in the
    background...
    
    im going to shoot my sound card though.  i did a direct digital copy of
    the cd and the thing wont play back the .wav files...
    
    ah, onto song 10...  scarred...  beginning reminds me of 'i dont want
    to face the day' a little bit...
    
    
542.834KDX200::ROBRDaybreak at the bottom of a lake...Mon Sep 19 1994 20:1612
    
    song 9....  lifting shadows off a dream...  destined for radio airplay
    (after some trimming of the 6:00 length).  great singing by james, but
    very commercial.  nothing progressive about this song....
    
    song 8....  lie....  i love this tune....
    
    song 7....  the mirror....  ive seen them do this tune live but forget
    what they called it then (it wasnt the mirror)...  its the one that
    starts out kind of like a metallica tune....  i think it was an
    instrumental back then... it has words now....
    
542.835KDX200::ROBRDaybreak at the bottom of a lake...Mon Sep 19 1994 20:3925
    
    song 6... the silent man... BORING....  damned boring acoustic guitar
    song....  song 5... voices... MAJOR COOL beginning...  very QR: Empire
    like, then mellows out.  man, james voice is SO much better on this
    album...  10 minutes of coolness...  a very epic song....  
    
    song 4....  erotomania...  an instrumental....  not as good as ytsejam
    by any means...  pretty cool, but not super technical... also moves at
    a fairly slow pace...  ah, now its picking up about 4:45 into it...
    key patch and chords remind me of ELP....
    
    song 3... oh man... innocence faded... listened to this whole thing
    this morning...  all i can say is Winger.  complete with ahhh.. 
    ahhh... harmonies.  another destined for the radio....  still not too
    bad i guess....  
    
    2... caught in a web... this sounds familiar...  big vocal harmonies
    during the chorus...  wonder if theyre gonna try that live...  sort of
    seattle sounding i guess..  maybe along the lines of alice in chains.
    
    song 1 - 6:00 - hmmm... keys and bass remind me of rush...  lots of
    background dialong...  overall a pretty cool tune... 
    
    im going home...  night...
    
542.836MILKWY::LABOUNTYGuess who??Tue Sep 20 1994 09:099
    
    	I just figured out what "Ytsejam" is ...
    
    
    	... it's "Majesty" spelled backwards.
    
    	Is anyone proud of me, besides me?
    
    							GTI
542.837POWDML::BUCKLEYwhy do we have to fall from grace?Tue Sep 20 1994 10:1213
    >	I just figured out what "Ytsejam" is ...
    >
    >	... it's "Majesty" spelled backwards.
    >
    >	Is anyone proud of me, besides me?
    
    No, and, it took you long enough!!
    
    
    RE: Rob and mini-album review.
    
    Hmmm, sounds like the progressiveness went out the window, eh??  Hmmm,
    wonder if I'll even like this thing?  What do you think, Rob?
542.838KDX200::ROBRDaybreak at the bottom of a lake...Tue Sep 20 1994 11:359
    
    well, i think it will grow on me, but there are quite a few songs that
    are just straight 4/4 made somewhat 'progressive' by syncopation, etc.
    
    there are DEFINATELY a few cool tunes on this though, but nothing stood
    out like most of the tunes on I&W did.
    
    there were no 'dregs' parts that i could find.
    
542.839DREGS::BLICKSTEINdbTue Sep 20 1994 11:406
    Massive bummer.
    
    Well, I guess that all that's left to be determined is whether DT was a
    "one hit wonder" or a "two hit wonder".  ;-0)
    
    	db - who still finds WDADU totally boring except for "The Ytse Jam"
542.840BABAGI::COOKThe Cookster...237-2638Tue Sep 20 1994 11:432
    
    One could say it was "horrible", huh Dave?
542.841POWDML::BUCKLEYwhy do we have to fall from grace?Tue Sep 20 1994 11:453
    Dave,
    
    had a chance to check out the 86-87 stuff yet??  thoughts???
542.842POWDML::BUCKLEYwhy do we have to fall from grace?Tue Sep 20 1994 11:456
    >	db - who still finds WDADU totally boring except for "The Ytse Jam"
    
    (in my best Bugs Bunny voice)
    
    
    "You...are a mental case!"
542.843HOTLNE::LUCHTCool weather, stronger beerTue Sep 20 1994 12:317
    
    I'd LOVE to check out some old, rare, precious, vintage
    Dream Theater but I can't quite seem to get a hold
    of anything...
    
    
                                    
542.844DREGS::BLICKSTEINdbTue Sep 20 1994 15:5918
    Buck,
    
    I've been listening to that in my car pretty often since you gave it
    to me.  I guess my reaction is that there's a lot of good stuff there
    but it's definite rough (as you'd expect).
    
    Maybe part of what impresses me so much about I&W is the incredible
    production (save for snare).   I hope you agree that the production
    on I&W is much better than WDADU?
    
    I'll keep listening to it - probably make a copy and give your copy
    back.  
    
    As I've said many times before, the stuff I end up liking best is most
    often the stuff I don't like immediately (on the first listen or two
    or three).
    
    	db
542.845POWDML::BUCKLEYwhy do we have to fall from grace?Tue Sep 20 1994 21:265
    Rob,
    
    
    PS -- WHARZ MY TAPE?!?!?
    ;')
542.846KDX200::ROBRDaybreak at the bottom of a lake...Wed Sep 21 1994 12:216
    
    i dont even have one yet!  had to give it back to jack, but ill get the
    cd from him again this weekend.  tried to do a direct digital dump off
    the cd to my pc, but the damned dumps wouldnt play back!  i think it
    may be my soundcard rather than the dump though....
    
542.847GOES11::HOUSEHow could I have been so blind?Wed Sep 21 1994 14:341
    Yawn Theater
542.848HOTLNE::LUCHTCool weather, stronger beerWed Sep 21 1994 15:105
    
    >  Yawn Theater
    
    Wow! That bad?!?
    
542.849GOES11::HOUSEHow could I have been so blind?Wed Sep 21 1994 16:114
    I was just jokin.  I haven't heard the new stuff, but everything I've
    heard from them in the past has basically fit that category for me.
    
    gh
542.850sounds like a closet DT fan to me!!!POWDML::BUCKLEYwhy do we have to fall from grace?Wed Sep 21 1994 17:3218
    RE: Yawn Theater
    
    
    >I was just jokin.  I haven't heard the new stuff, but everything I've
    >heard from them in the past has basically fit that category for me.
    
    That's funny Greg, becuase at one point, you wrote the following:
    
================================================================================
Note 542.7                        Dream Theater                         7 of 849
GOES11::G_HOUSE "WhereWereYouInMyDarkestHour"         5 lines  25-JUN-1992 19:31
                             -< Yeah, good stuff >-
--------------------------------------------------------------------------------
    I heard a song off this one a week or so ago and I thought it rooled! 
    Could be an excellent album.  I liked their first effort as well, even
    though it was a little keyboard heavy.
    
    gh
542.851selective memory loss....KDX200::ROBRDaybreak at the bottom of a lake...Wed Sep 21 1994 17:575
    
    ahahahaha!!!!
    
    
    
542.852BUSY::FISED::SLABOUNTYI smell T-R-O-U-B-L-EWed Sep 21 1994 18:077
    
    	Alot can happen in 2 years.
    
    	People change, opinions change, I change my underwear.
    
    
    							GTI
542.853GOES11::HOUSEHow could I have been so blind?Wed Sep 21 1994 18:2917
>    I change my underwear.
    
    There's a first for everything...
    
    re: Buck
    
    I wrote that after I'd heard the song one time (maybe not even all of
    it).  I was sick of it by about the third time, and it was the only
    song that I heard off I&W that caught my ear at all.  
    
    Times do change, that was 2 years ago.  I have never been someone who
    listened to the same thing forever.  I actually listened to stuff like
    Motley Slime (the horror...the horror) back in the mid 80s.  Seems like
    every time I dig out one of those relics that I liked back then now, I
    go "What did I ever hear in this???  This SUCKS!!"
    
    Greg
542.854FRETZ::HEISERGrace changes everythingWed Sep 21 1994 19:098
    >    I change my underwear.
    
    ...he forgot to tell you that the original pair had to be surgically 
    removed.
    
    Guess what gang?  I'm listening to I&W right now!
    
    Mike
542.855GOES11::HOUSEHow could I have been so blind?Wed Sep 21 1994 19:323
>    Guess what gang?  I'm listening to I&W right now!
    
    Bummer!  We can have that surgically removed too.
542.856FRETZ::HEISERGrace changes everythingWed Sep 21 1994 19:357
    Well I'm on my 2nd pass and only a few songs really appeal to me.  I
    probably won't keep it.  Back to the used bin for something else.
    
    Pull Me Under, Surrounded, Metropolis, and Wait for Sleep were the only
    ones I liked.
    
    Mike
542.8578^)POWDML::BUCKLEYwhy do we have to fall from grace?Wed Sep 21 1994 20:384
    >Pull Me Under, Surrounded, Metropolis, and Wait for Sleep were the only
    >ones I liked.
    
    No accounting for taste!
542.858DREGS::BLICKSTEINdbThu Sep 22 1994 11:476
    You like 4 tunes out of the whole album and aren't going to keep it?
    
    That's a much higher "yield" than I'm used to with albums these days.
    
    If I required albums to have more than 4 good tunes I certainly
    wouldn't have kept any of my Satriani albums.
542.859guitar notes maybe?AYOV25::JFOSTERThu Sep 22 1994 11:505
does anyone know if there's a transcription to 'another day' solo. 

thanks,

jim
542.860DREGS::BLICKSTEINdbThu Sep 22 1994 12:4010
    "Guitar for the Practicing Musician" had a transcription of "Take the
    Time" but I've never seen anything for any other song.
    
    Pretty soon I'll be able to provide keyboard (and possibly guitar)
    transcriptions for all the songs I do (currently just "Surrounded"
    but I'm learning "Wait for Sleep" and probably "Take the Time").
    
    I.E. I bought some notation software for the PC.
    
    	db
542.861POWDML::BUCKLEYwhy do we have to fall from grace?Thu Sep 22 1994 12:442
    There was a transcription floating around one of the mags for Pull
    Me Under, but it looked pretty bogus when I saw it in the store.
542.862FRETZ::HEISERGrace changes everythingThu Sep 22 1994 14:179
    I *like* them as opposed to *love* them.  I was expected the earth to
    move from all the reviews in here and nothing happened.  I'll probably
    swap it for "Hearts in Motion." ;-)
    
    Greg is so correct on changing tastes.  Back in my Vessell days I
    would've loved this album.  Now that stuff just do anything for me. 
    However, there's no doubt that these guys are a talented band.
    
    Mike
542.863POWDML::BUCKLEYwhy do we have to fall from grace?Sat Sep 24 1994 14:0410
    So, where did everyone get seats for the 10/21 DT show at the BPC?
    
    I was first in line at the BCP box office when the tickets went on
    sale at 10am.  My seats?  Row *E* -- talk about a scam ... nothing 
    like reserving the first 5 rows for _someone_, eh??  8^(  Hey Pete,
    add this crap to my list of TicketMaster owned-venue hates!!!
    
    
    BTW -- Dream Theater will also be playing in RI the night before ...
    Thursday, Oct 20th at the Strand (this is a G/A show).
542.864KDX200::ROBRDaybreak at the bottom of a lake...Sun Sep 25 1994 19:556
    
    crap... still no good... sigh... thu and fri...  hey buck, make a tape
    :').  oh well, alan wanted to be back for the pretenders, but we miss
    that one too... hahaha!!!  oh the bands you have to miss just to go
    someplace else to drink for a week...  :')
    
542.865BerkleeHOTLNE::LUCHTCool weather, stronger beerMon Sep 26 1994 08:3714
    
         Still excellent seats considering all that's going
    on in the scammin department.   I saw yes, Joe Satriani,
    in the third row there on his Surfing Across America 
    tour back in like '88.  I don't know if this still holds
    true Buck, but back then you were allowed to bring in
    cameras.  Nice, I got some killer shots of him that night.
    
    THE TAPE, man,
    Kev --
    
    
    
    
542.866BABAGI::COOKBlue SteelMon Sep 26 1994 08:446
    
    If I go I'm going to wait until the night of the show. Sometimes they
    release all the first couple of rows the night of the show when
    they're not used by media, etc...
    
    -prc
542.867This ain't Foxboro dudeDREGS::BLICKSTEINdbMon Sep 26 1994 11:234
    The first couple of rows are probably going to people in the "friends
    of Berkeley" program Pete.
    
    If you want tickets, I'd get them now.
542.868FRETZ::HEISERGrace changes everythingMon Sep 26 1994 13:257
    >    Thursday, Oct 20th at the Strand (this is a G/A show).
    
    this is the Clinton show right?  Could you post direction on how to get
    to Clinton from Clinton?
    
    THANKS,
    Mike
542.869KDX200::COOPERRevolution calling!Mon Sep 26 1994 13:363
    Does anyone have a tour sched?  When are they gonna be in Colo??
    
    jc
542.870A strand of a differnt kind...HOTLNE::LUCHTCool weather, stronger beerMon Sep 26 1994 13:4011
    
    RE:  .868 "The Strand" (of sorts)
    
         I wish!  Hey, they're going to be opening this
    joint again.  This time with a liquor licence.  How
    Clinton could that be!!
    
    
    Kev --
    
    
542.871GOES11::HOUSEHow could I have been so blind?Mon Sep 26 1994 13:444
>    How Clinton could that be!!
    
    I donno, does it inhale?
                                                    
542.872FRETZ::HEISERGrace changes everythingMon Sep 26 1994 17:404
    Clinton alone probably has more liquor licenses than the rest of the
    state combined.
    
    Mike (an ex-Clintonian)
542.873Dream Theater -- Home Sweet HomePOWDML::BUCKLEYwhy do we have to fall from grace?Thu Sep 29 1994 23:2714
    Heads up, Dreamers!!
    
    
    The incredible DREAM THEATER will be performing at the Mahattan
    Ballroom in beautiful NYC on Friday, Oct. 28th.
    
    Also, DT is slated to "slay" them on Lawn Guyland at the ROXY (in
    Huntington Village, Rt. 110 ... this is just down the street from
    the bands old stomping grounds, STARZ ... which was torched last
    year 8^(  Some say Mafia doings...).  No date yet for the ROXY gig,
    but this will be their record release party ... Siagon Kick and Blue
    Murder are also on the bill, and the crew from The Howard Stern Show
    will also be on hand.  Call 516.424.7703 for info, or 516.888.9000
    for tickets (Ticket Shafter in NY).
542.874KDX200::ROBRDaybreak at the bottom of a lake...Fri Sep 30 1994 12:103
    
    figures... im still away....  you going down to ny for that/those buck?
    
542.875POWDML::BUCKLEYwhy do we have to fall from grace?Fri Sep 30 1994 12:347
    
    >figures... im still away....  you going down to ny for that/those buck?
    
    Of course -- esp. the Long Isl. show -- should be roolin.
    
    
    Buck, on the 1995 mission to catch every and all DT shows feasible!!
542.876;')ICS::WHITMANYou ain't seen nothin yet..Fri Sep 30 1994 12:515
    
    
    
    
    ACKK! 
542.877Or...will it be Unmasked?GOES11::HOUSEHow could I have been so blind?Fri Sep 30 1994 17:195
    Yo Buck, will they be wearing their makeup at this show?  Will Meyong
    have the cat or the star?  Will they have their giant platform boots? 
    Will they have hair poofed more then 6 inches?
    
    gh
542.878Do you have "it"DREGS::BLICKSTEINdbTue Oct 04 1994 11:258
    So... does anyone have "it" yet.
    
    I'm going out at lunch to get it (and a plentiful helping of sushi).
    
    	db
    
    p.s. And yes, I know I'm leaving myself open here.  I'm relying on the
         good taste of my fellow noters to bypass the opportunity.
542.879GOOEY::JUDYThegenepoolcouldusealittlechlorineTue Oct 04 1994 12:054
    
    
    	db....dontcha think that's asking a bit much?  ;)
    
542.880db's life lessons, lesson #1DREGS::BLICKSTEINdbTue Oct 04 1994 12:1115
    > db....dontcha think that's asking a bit much?  ;)
    
    Judy honey... if there's one lesson in life I've learned it's
    this:
    
    
    
    		If you don't ask for the world...
    
    
    
    
    		you won't get it.
    
    
542.881had to give my copy back :')KDX200::ROBRDaybreak at the bottom of a lake...Tue Oct 04 1994 13:133
    
    im on my way out to buy it myself....
    
542.882POWDML::BUCKLEYwhy do we have to fall from grace?Tue Oct 04 1994 14:297
    Just got the tape and CD -- hmmm, would have liked to have heard the 
    bass louder in the mix, but...I didn't mix it.  Whar are the keyboards?
    i can see why Moore bailed -- this is a very guitar-heavy album!!
    
    Overall, pretty decent -- more Rush sounding than classic DT (imho).
    Even the cover artwork reeks of Rush!!  Oh well, should make the
    hard-core Rush fans happy...
542.883DREGS::BLICKSTEINdbTue Oct 04 1994 15:524
    I've only heard the first song, but I *LIKE* that.
    
    Much better than "Lie" at least.  Probably won't get to hear the rest
    of it until tonite.
542.884KDX200::COOPERRevolution calling!Wed Oct 05 1994 12:5828
Thought I'd post this here also...
    
         <<< KDX200::DISK$KDX200_USER2:[NOTES$LIBRARY]GUITAR.NOTE;1 >>>
                              -<  Guitar Notes  >-
================================================================================
Note 2640.171               Dream Theater--Base Note                  171 of 171
KDX200::COOPER "Revolution calling!"                 19 lines   5-OCT-1994 09:55
                               -< Awake roolz!~ >-
--------------------------------------------------------------------------------
    Okay, Dream Theaters latest effort "Awake" was released yesterday.
    Naturally, I was first in line to pick up the new CD.  It roolz.
    
    This is definately a different approach for the Dream Team, but I like 
    it a LOT.  Sort've has a "Dream Theater meets Pearl Jam" - it's a lot
    grungier than WDADU or I&W.  So far, a favorite cut on the album is the 
    5th track called "Voices".  It's a 9 minute opus-sorta-power-ballad thing 
    that moved me the second I heard it.  
    
    Petrucci's tone just fackin' roolz.
    
    Another thing that caught my ear is the production of the album... Much
    better than I&W - No sampled snare, and I can actually hear the bass
    guitar.  Also seems like Moore held back some on the keys - perhaps 
    to pave the way for the new guy??
    
    I recommend this CD for all progressive metal-units!!
    jc
      
542.885KDX200::COOPERRevolution calling!Wed Oct 05 1994 13:0211
    Buck,
    
    I still the the low-end of this mix is *much* better than I&W!
    I can *hear* the chops better, and the kicks don't saturate my
    stereo like I&W did...
    
    Overall, I'm in total agreement...  Rush with a grungy taste, and/but
    totally Dream Theater.  I've waited patiently for some NEW DT, and this
    one isn't a let down to me in the least. 
    
    jc
542.886KDX200::ROBRDaybreak at the bottom of a lake...Wed Oct 05 1994 14:219
    
    i bought the tape and album also (along with new slayer and testament
    :'))....  havent listed to either of the latter yet....
    
    i already gave my first impression review...  my 2nd impression is that
    there are several songs i find pretty boring, but the ones i like im
    beginning to like even more.  far more 'balls & chunk' in this album
    and less prog stuff.  labrie's voice is WAY improved though.
    
542.887POWDML::BUCKLEYwhy do we have to fall from grace?Wed Oct 05 1994 14:2813
    >i already gave my first impression review...  my 2nd impression is that
    >there are several songs i find pretty boring, but the ones i like im
    >beginning to like even more.  far more 'balls & chunk' in this album
    >and less prog stuff.  
    
    ...and as Mike Portnoy says ... "Balls n chunk are where it's at!"
    
    (at least in his mind it's where it's at)
    
    
    >labrie's voice is WAY improved though.
    
    agreed, but he's still no Harnell!
542.888BUSY::FISED::SLABOUNTYI smell T-R-O-U-B-L-EWed Oct 05 1994 14:506
    
    	Harnell's a girly man.
    
    	8^)
    
    							GTI
542.889POWDML::BUCKLEYwhy do we have to fall from grace?Wed Oct 05 1994 14:5312
BBBBBB    OOOOOO   LL      LL       OOOOOO    CCCCCC   KK     KK    SSSSSS
BB   BB  OO    OO  LL      LL      OO    OO  CC    CC  KK    KK    SS    SS
BB   BB  OO    OO  LL      LL      OO    OO  CC        KK   KK     SS
BB   BB  OO    OO  LL      LL      OO    OO  CC        KK  KK      SS
BB   BB  OO    OO  LL      LL      OO    OO  CC        KK KK       SS
BBBBBB   OO    OO  LL      LL      OO    OO  CC        KKKK         SSSSSS
BB   BB  OO    OO  LL      LL      OO    OO  CC        KK KK             SS
BB   BB  OO    OO  LL      LL      OO    OO  CC        KK  KK            SS
BB   BB  OO    OO  LL      LL      OO    OO  CC        KK   KK           SS
BB   BB  OO    OO  LL      LL      OO    OO  CC    CC  KK    KK    SS    SS
BBBBBB    OOOOOO   LLLLLL  LLLLLL   OOOOOO    CCCCCC   KK     KK    SSSSSS
542.890emotion!FRETZ::HEISERGrace changes everythingWed Oct 05 1994 16:421
    Maybe DT was reading replies from Greg and I. 
542.891TPLAB::VLASIUSorin Vlasiu - Brussels, BelgiumThu Oct 06 1994 05:579
>KDX200::ROBR "Daybreak at the bottom of a lake..."    9 lines   5-OCT-1994 11:21
>    
>    i bought the tape and album also (along with new slayer and testament
>    :'))....  havent listed to either of the latter yet....

Please don't forget to tell your impressions about the new Slayer album.

Thanks,
Sorin
542.892Jon Finn added to Oct. 21 showUSOPS::CLELANDCenterline violation...Thu Oct 06 1994 10:5314
    	I just noticed in the latest Boston Phoenix, that the Jon Finn
    	group has been added to the bill at Berklee Performance Center.
    
    	I saw Jon two years ago when he warmed up for the Dixie Dregs at
    	the Paradise on Commonwealth Ave in Boston.
    
    	The interesting part was, the bass player (Dave LaRue) played with
    	both bands that night. I guess Dave is a Berklee grad? I wonder
    	who will be playing bass for Jon Finn on the 21st?
    
    	This is going to be a great show, Jon's group is made up partly of
    	Berklee staff from what I've been told.
    
    	I hope tickets are still available...
542.893BUSY::FISED::SLABOUNTYI smell T-R-O-U-B-L-ESat Oct 08 1994 15:1414
    
    	I picked up "Awake" last night ... and 1st thing I have to say,
    	after hearing most of it, is that it's a very good album.  But
    	the next thing I have to say is that it's nowhere near as good
    	[IMO] as "Images and Words".
    
    	The teamwork thing was much better on the I&W album, compared
    	to what seems to be almost a musician's showcase on "Awake".
    	Not that there's anything wrong with that, of course, and it's
    	still an impressive album, but the way everything was meshed
    	together on I&W is what made that the album that it is.
    
    							GTI
    
542.894KDX200::ROBRDaybreak at the bottom of a lake...Sun Oct 09 1994 15:1810
    
    gotta agree, but its sort of apples and oranges.  like comparing a
    farewell to kings and moving pictures.  both great albums, but one is
    much more straightforward and rocking, the other muck more laid back
    and complex.
    
    i love the new DT, but in a different sort of way than I&W.  If you
    FORCED me to pick ONE album, I&W would win hands down between the two,
    but I'm not unhappy.
    
542.895A liner "thanks" to FW...HOTLNE::LUCHTTriple Bock is here!Mon Oct 10 1994 08:5324
    
    Got out and picked up the new Dream Theater CD over
    the weekend.  Just finished with the second listening.
    
    First off, this band is amazing - very capable, imaginative
    musicians, all of them.  Secondly, "Awake" isn't bad, but
    it's not upper caliber stuff either.  At times I found
    it terribly difficult to hear the lyrics through the
    cascade of instrumental barrage going on constantly.
    
    This one lacks the "flair" (and finesse!) of I&W.  I 
    remember being blown away on the first listen of I&W as
    there were things going on in the music there (and then)
    that were so fresh to my ears.  "Awake" seems a tad bit
    redundant at times - all around the instrumental spectrum.
    
    VERY cool to see the 7-string surface here.  Sounded like
    it was a bit tough to get that low B to tweek!  However, 
    it still made for some interesting riffs in sync with the
    6-string bass.  Nice.
    
    Good stuff!
    Kev --
    
542.896see rob's review for my viewsPOWDML::BUCKLEYwhy do we have to fall from grace?Mon Oct 10 1994 10:074
    I'm about at the point where Rob is with Awake -- I love the album,
    but for what it is.  It took several listenings to appreciate it for
    it's own sake...pretty much what happened when I got WDADU after
    listening to I&W for quite a while.
542.897Sold out Boston showUSOPS::CLELANDCenterline violation...Wed Oct 19 1994 12:264
    	It's official, The Berklee Performance Center - Oct. 29th, is
    	completely sold out. It sold out last week...
    
    	The only tickets available might be via ticket agency.
542.898JUGHED::FLATTERYWed Oct 19 1994 14:182
    they're playing october 29th too??....i know we're going to the show on
    the 21st............./k
542.899KDX200::ROBRDaybreak at the bottom of a lake...Wed Oct 19 1994 14:274
    
    i think he got the date wrong...  im back on the 29th, so it had BETTER
    be wrong :')
    
542.900900ICS::WHITMANYou ain't seen nothin yet..Wed Oct 19 1994 14:353
    
    
    900 dreamy replies!
542.901POWDML::BUCKLEYI know all about the honor of God...Wed Oct 19 1994 14:432
    I think they got the date wrong -- DT plays NYC on 10/28, so I doubt
    they're back in Boston for the 29th!
542.902Another convertAIMHI::KERRCaught in the CrossfireWed Oct 19 1994 14:4516
    
    I'm normally read only in this file, but all this talk about the new album
    compared to the old albums, has caused me to enter a note.  First off,
    before reading about them in here and other notesfiles, I had never
    heard of Dream Theatre (or listened to any of their music for that
    matter, I lead a sheltered life, OK).  So, I went out last week and 
    bought both Awake and Images and Words.  To my taste, I much prefer 
    Images and Words.  I've always liked Kansas, Styx, Yes, and early Genesis, 
    and this album has segments that remind me of all of them.  I've listened 
    to both albums now several times, and I don't dislike Awake, I just don't 
    like it as much as Images and Words.  
    
    So, thanks to this notesfile, I am now a Dream Theatre advocate.
    
    Al         
    
542.903led zepplin!KDX200::ROBRDaybreak at the bottom of a lake...Wed Oct 19 1994 16:283
    
    being the advocate that you are now, it's dream theatER :') :')
    
542.904Who needs ya, I don't!AIMHI::KERRCaught in the CrossfireWed Oct 19 1994 16:414
    .-1 
    FINE, I'll remember it the next time I don't note in this freakin
    file.  
    
542.905so, don't take it personallyPOWDML::BUCKLEYI know all about the honor of God...Wed Oct 19 1994 16:477
    Woah al...how bout a pill, dude?
    
    
    I think rob was noting the fact that band, specifically guitarist John
    Petrucci, is extremely adamant about the fact that their band name is
    Dream TheatER ... obviously, it's a common mistake, one which obviously
    irks the band to no end...
542.906FRETZ::HEISERGrace changes everythingWed Oct 19 1994 17:483
    Theatre, Theater, Theeter, Theeder all spell 1 thing:
    
    PASS THE JOLT COLA, MAN!
542.907DREGS::BLICKSTEINdbWed Oct 19 1994 18:053
    And Rob added enough funny faces... 
    
    You MUST chill!  ;-)
542.908KDX200::ROBRDaybreak at the bottom of a lake...Wed Oct 19 1994 18:495
    
    yes, i made sure i put a funny face there, it wasnt a criticism...
    we need more DT advocates in this conference :')
    
    
542.909Ps -- show is 9pm at The Strand; Providence, RIPOWDML::BUCKLEYI know all about the honor of God...Thu Oct 20 1994 11:424
    Well kids, tonight is my first DT show on their AWAKE world tour and
    I'm physed(tm)!!!
    
    Full report in the am
542.910DREGS::BLICKSTEINdbThu Oct 20 1994 12:226
    I want details about WHO is playing keys with them, anything they say
    about the new keyboard player or the old one, and how well they fit
    in.
    
    I'm pretty sure at this point that it's T Lavitz from the Dregs. 
    Offhand he seems like a bad fit, but maybe not.
542.911HOTLNE::LUCHTThe moon is just the sun at nightThu Oct 20 1994 13:085
    
    RE: Buck
    
    Boot it dude!!!
    
542.912sweet dreams....KDX200::ROBRDaybreak at the bottom of a lake...Thu Oct 20 1994 13:583
    
    enjoy!!   (...you bastard....)  :')
    
542.913PASS THE JOLT COLA!!!FRETZ::HEISERGrace changes everythingThu Oct 20 1994 14:101
    
542.914POWDML::BUCKLEYI know all about the honor of God...Thu Oct 20 1994 14:2312
    Kev,
    
    A friend of mine is supposed to boot the show tomorrow night in Boston.
    He's wary hisbeloved tape player will be confiscated, but I'm edging
    him on...time will tell
    
    I'd boot both shows in a second, if I had a suitable tape recorder.
    I don't think my CD boom box would hide very well under my jacket or
    pants.  8^)
    
    ttfn
    B
542.915GOES11::HOUSEHow could I have been so blind?Thu Oct 20 1994 15:032
    Your friend is going to boot at the show tomorrow?  I suppose I might
    too, were I forced to listen to a whole show of that stuff.
542.916;')POWDML::BUCKLEYI know all about the honor of God...Thu Oct 20 1994 15:085
    >Your friend is going to boot at the show tomorrow?  I suppose I might
    >too, were I forced to listen to a whole show of that stuff.
    
    Such intolerance...but i'm not surprised, after all you do live in
    Colorado...  
542.917FRETZ::HEISERGrace changes everythingThu Oct 20 1994 16:401
    I'd throw the boot at them to try and stay AWAKE!
542.918I know it's early but...HOTLNE::LUCHTThe moon is just the sun at nightFri Oct 21 1994 09:193
    
    Well?????????
    
542.919AMAZING!POWDML::BUCKLEYI know all about the honor of God...Fri Oct 21 1994 10:293
    
    A more detailed review to follow, but for now I'll say one thing about
    last night's show...
542.920Dream Theater Tour Dates -- 1994POWDML::BUCKLEYI know all about the honor of God...Fri Oct 21 1994 11:0235
    Below are the tour dates for the first leg of the 1994-1995 WAKING UP
    THE WORLD tour:
    
    20 OCT	Providence, RI
    21 OCT      Boston, MA
    22 OCT      New Haven, CT
    24 OCT      Buffalo, NY
    25 OCT      Toronto, Ontario, Canada
    27 OCT      Baltimore, MD
    28 OCT      New York, NY
    29 OCT      Pittsburgh, PA
    31 OCT      Columbus, OH
    
    01 NOV      Grand Rapids, MI
    04 NOV      Milwaukee, WI
    05 NOV      Chicago, IL
    06 NOV      Detroit, MI
    08 NOV      Minneapolis, MN
    10 NOV      St. Louis, MO
    11 NOV      Kansas City, MO
    12 NOV      Oklahoma City, OK
    14 NOV      San Antonio, TX
    16 NOV      Dallas, TX
    17 NOV      Austin TX
    18 NOV      Houton, TX
    20 NOV      El Paso, TX
    22 NOV      Denver, CO
    25 NOV      Salt Lake City, UT
    28 NOV      Seattle, WA
    29 NOV      Portland, OR
    
    01 DEC      San Francisco, CA
    04 DEC      Tucson, AZ
    05 DEC      Tempe, AZ
    09 DEC      Los Angeles, CA
542.921Dream Theater Set List -- 1994 tourPOWDML::BUCKLEYI know all about the honor of God...Fri Oct 21 1994 11:1636
    
    ***** SPOILER WARNING *****
    
    
    Below is the apparent set list for this leg of the tour (if they
    perform this tour like they did the first leg of the I&W tour in
    1992-1993, the set remained the same, and changed only slightly for 
    the 2nd leg):
    
    
     
    - Pull Me Under
    - 6:00
    - Innocence Faded
    - Take the Time
    - Caught in a Web
    - Lifting Shadows off a Dream
    - The Ones Who Help to Set the Sun  (I almost died!!)
    - The Mirror
    - Lie
    - Another Day
    - A Mind Beside Itself:
    		  I Erotomania
    		 II Voices
    		III The Silent Man
    
    Encore:
    
    - Metropolis: Part 1
    
    (band left the stage)
    
    - Eve (instrumental version, sans James' "Portrait of a Young Man"
           voice overaly -- this was played as background music while 
           people exited and the roadies did their thing)
        
542.922Dream Theater's New KeyboardistPOWDML::BUCKLEYI know all about the honor of God...Fri Oct 21 1994 11:3976
    
    When DT took the stage last night, I did not need to wait until James
    LaBrie announced him after the 4th song -- I recognized him instantly.
    
    His name is Derek G. Sherinan.  I knew him from my years at Berklee
    College of Music.  This guy was Al Pitrelli's (Michael Bolton, Alice
    Cooper, Widowmaker) roommate, and has done tours with Cooper and other
    name acts since graduating Berklee in 1984.  
    
    In fact, it was while hanging out with Derek one day in his room that I
    found out how AMAZING a guitar player Al Pitrelli _really_ is.  Derek
    and I were chatting and trading licks in his room, and he had this
    background music was playing ... I wasn't paying too much attention to
    it, but every once in a while I'd stop and listen.  One part would be
    this burning Fusion/Bop style guitar playing ... "Is that Holdsworth?"
    I asked... "No, that's my roommate" Derek replies.   Back to noodling. 
    Then there is this killer classical guitar going on. "Is that
    Christopher Parkening?" I asked ... "No, that's just my roommate" Derek
    replies again.  Then there is this burning metal guitar -- I should
    have know, but I'm not one to assume ... "Is that Yngwie Malmsteen?" --
    "No, that's my roommate."  It didn't take long after that before I was
    insisting I meet his roommate!  8^)  Derek, Al and I were very close
    friends in college, but at least in Pitrelli's case, fame and a career
    has all gone to his head.  Last time a bunch of us 'old Berks' hung out
    with him, he had a major 'tude going on.  'Sorry Al, it was nice
    knowing you when you were socialble' is my basic attitude.  Hopefully,
    Derek is not that much of a dickhead now either.
    
    ANYWAYS -- enough 'glory days' $#!+ ... How did Derek do as a player?
    Well, he has burning chops, so he was copping most of Moore's killer
    keyboard licks.  However, Whereas Moore's style of playing is very 
    fluid and smooth...almost lyrical in his phrasing, Derek's technique
    is so perfect and clean, it came across in spots as almost "sequenced".
    His playing often sounded very stiff and precise.  Possibly, having to
    come up to speed on 13 tunes in just a few weeks made him play this way?
    Once can only hope that by the 2nd leg of the tour, he will have worked 
    into the band and found his own groove with the material.
    
    BTW, James said that "Derek would be helping out FOR THE TOUR", so I
    suspect that DT's plan of attack since the completion of the album must
    have been "lets find a permanent replacement for Kevin Moore"...when
    that turned out to be tougher than expected, due to all the killer
    players having other committments, I bet they called Berklee and said
    "we need a killer rock/fusion keyboardist...who do you recommend?" 
    Derek is just that, a great "rock" keyboardist, but I think he lacks a
    bit on the musical maturity that comes from a serious jazzer (which I
    think Moore had been dabbling in for a few years now).
    
    Hopefully, Kevin Moore will return to write/record the next album, or
    they'll get someone killer to work with, like Jordan Rudess (sp?).
    
    Nits of the night:
    
    - Everyone in DT sports the 'long flowing hair' rock star trip.  Derek
      has very short hair, so his image didn't really fit in overall.
    
    - Keyboards were, for the most part, kept back in the mix.  This may
      have been intentional, either becuase Derek is new to the material,
      or because the new album is primarily guitar-oriented?!?
    
    - Derek copped most of Moore's sound patches, but not all of them.  I
      found this irritating (when you're used to hearing Moore's "fat
      strings" solo patch, and you get this Digital sounding "chorus piano"
      patch from Derek).
    
    - Derek didn't cop Moore's lead lines note for note.  He was doing a
      lot of improvisation on his own.  Sometimes, he would play signature
      Moore licks, but as interprted by himself (i.e., in a slightly
      different time).  Other signature lines/solos, like the outro
      keyboard (sax) solo on Another Day, Derek chose to play his own thing
      entirely.  Since that is such a key solo to that song, it caught my
      ears WAY off guard.
    
    
    Well, that's about the long and short of DT's new keyboardist...
    
542.923Basic First Show ReviewPOWDML::BUCKLEYI know all about the honor of God...Fri Oct 21 1994 12:0059
    Here is a basic, overall review of last nights show...
    
    First impression as they took the stage was their light show --
    amazing!  It's clear what a little money will do for presentation!
    They've come a long way in two years in terms of the visuals of the
    band.  It's sort of nice now that they have a great stage and show,
    as well as being excellent players.
    
    Musical pacing is good, overall.  It was hard to tell in spots, as
    there was a vicious mosh pit happening, and often, I was more concerned
    with NOT trying to have someone thrown on me or into me, rather than
    listening to the music.  Tonight's "sit down" show at the BPC will be a
    much welcomed change of pace...I want to LISTEN to them this time around!
    
    Petrucci used his Ibanex custom "Faces" guitar most of the night (the
    grey/magenta one, not the yellow/red/blue one), as well as a new
    7-string version of the same guitar (this is noticably different in
    design from the Vai 'Universe' guitars!!).  He's still using his
    tri-axis based Boogie rack setup, complete with two stack of speakers
    (which are BOTH on, I know, I stook in front of them last night...ouch!)
    John also sports a new Ibanez acoustic guitar for the new show (the 
    Silent Man ... sounded nice!).
    
    James LaBrie's voice was the best live I have EVER heard it!!  Either
    this guy took some serious lessons on HOW to sing, or it's just early
    in the tour (well, it was the first show of the tour).  He never scream
    or got grungy ... his voice was clear the whole night and he hit every
    note (also rare towards the end of the I&W tour).  That was very nice.
    The vocals are also more out front on this tour, than they were on I&W.
    John Petrucci is providing backing vocals on a couple of tunes now as
    well.
    
    Mike Portnoy has a new drum set ... most noticable change is the color.
    Gone is the black drums featuring the colored "Dream Theater logo as
    derrived from the letters in 'Majesty'" logo.  The new drums are chrome
    colored, and really catch the bands amazing new light show.  Mike has
    added a bunch of percussion items, as well as some triggering digital
    drums, which evoked voice, guitar, and random sound samples upon
    request.
    
    John Myung is still using his Tung 6-string basses, Mesa amplification
    and Roland bass pedals.
    
    Derek's keyboard setup looked suspiciously like Kevin Moore's -- hmm,
    I wonder if they rented his gear for their tour?!?!?
    
    -----
    
    Openers I Mother Earth put on an "ok" show.  I've never heard them
    before, but my first impression was "these guys are STP wanna-bees,
    but with the addition of a killer percussionist".  Indeed, it's sad
    when the percussion player is a better "drummer" than the drummer,
    but between the two of them, they worked some serious grooves.  They
    singer also joined in on Bongos for one tune.  
                               
    Their music is ok, but the guitarist is just a tad too grungy for
    my tastes.  Take this outfit and put a "Lee Rit" clone in there, and
    I think it wouldbe a very happening ensemble ... but then they
    wouldn't be getting airplay on MTV, now would they?!?
542.924FRETZ::HEISERGrace changes everythingFri Oct 21 1994 13:441
    glad I have until Dec. 5th to stock up on the JOLT!
542.925DAGWUD::FLATTERYFri Oct 21 1994 14:011
    Buck....did John Finn play?..../k
542.926POWDML::BUCKLEYI know all about the honor of God...Fri Oct 21 1994 14:167
    >Buck....did John Finn play?..../k
    
    No.
    
    The tour, as it stands, is Dream Theater with I Mother Earth opening.
    The John Finn Group was added to the Berklee show ONLY (cuz DT's from
    Berklee and so is John, so it'll be that type of audience).
542.927DAGWUD::FLATTERYFri Oct 21 1994 14:202
    ...so...they'll probably put him on first.....then the 'bone' band and
    then DT....see you after the show.........../kkkkkkk
542.928DAGWUD::FLATTERYFri Oct 21 1994 14:212
    ...ahahhahahhahahaahha...i have NO idea where i got the 'bone' band
    thing from....of ccourse i meant that 'earth' band....;"))
542.929HOTLNE::LUCHTThe moon is just the sun at nightFri Oct 21 1994 14:555
    Buck, "Erotomania" is my favorite thing on the new
    CD.  How'd they perform it live?  Was it right on the 
    money?!?  Any solos worth noting?!?
    
    Kev --
542.930POWDML::BUCKLEYI know all about the honor of God...Fri Oct 21 1994 15:0419
    >Buck, "Erotomania" is my favorite thing on the new CD.  
    >How'd they perform it live?  
    
    Very well.  There were some "first night" jitters on everyones behalf,
    I think.  John Petrucci wasn't to clean in his footpedal changes (you
    could note a 'pop' when he changes programs, due to him not changing
    them in between beats), but he only really blew one lick the whole night.  
    
    James LeBrie's major flaw of the evening was in TOWHTSTS ... James
    seems to have a problem with singing the syncopated vocal lines of
    Charlie Dominici ... he always screws up songs like Only a Matter of
    Time, and TOWHTSTS was no exception in the verse after the solo
    section.
    
    Of course, all this was probably only noted by die-hard fans like
    myself, who have just analyzed DTs music far too much for probably
    anyone's good!  ;')
            
542.931...;')..DAGWUD::FLATTERYFri Oct 21 1994 15:072
    ...naw..buck..not YOU...!...i dont' get that you analyze the music too 
    much!..not at all..........!~..........;"))..................../k
542.932I Mother EarthTRACTR::SCHROEDERfrom the Moon we're comedyFri Oct 21 1994 16:356
    
    just an aside from DT...I Mother Earth will be on this afternoon with
    Mark Pimento on 'BCN. They played a song earlier...pretty good on 
    first listen...
    
    steve s.
542.933BUSY::FISED::SLABOUNTYThailboat!!Fri Oct 21 1994 16:426
    
    >    Mark Pimento on 'BCN.
    
    
    	Are olive you planning on listening?
    
542.934FREEBE::REAUMEmy 2 vices - GTS and coastersSat Oct 22 1994 20:5618
    
    
      RE: .922
        BUCK - what's wrong with a short haired dude playing with DT. 
      Are you trying to tell us that if you were joining a band like DT
      you'd: 
     	1) grow your hair back (you must've been a hairbag at one time
    	   but it must've been before I met you).
    	2) wear a wig 
    
        Actually FWIW- everyone in my band has mid-length hair except for 	
      the new keyboard player. He's the NIN fan in the band and is about
      fifteen years younger than the other three thirty-somethings.
      Keeps us on our toes.
    
        As far as AWAKE goes: 
      I've listened mostly to: LIE , VOICES, and Caught in the Web. Still
      getting heavy play in the CD though.
542.935POWDML::BUCKLEYI know all about the honor of God...Mon Oct 24 1994 10:2617
    Well, caughttwo more DT shows over the weekend 
    
    1) 21 OCT	Berklee Performance Center; Boston, MA
    2) 22 OCT	The Palace; New Haven, CT
    
    The band played the same set list as listed a few back...seems to be
    their set "set", as predicted in a previous reply.
    
    They played GREAT at Berklee -- they were really psyched to be there.
    The band also had a great mix at Berklee...the BPC is a great sounding
    hall...but the downside was they used the house lights...leaving their
    new AWESOME light show in the semi out back (I suspect there was no
    room).  The lights and backdrop show returned to the stage for the
    Palace show the following night.
    
    Out of the 3 nights, I'd say the Berklee show sounded the best, but
    that the Palace show had the best visual impact.
542.936BUSY::BUSY::SLABOUNTYThailboat!!Mon Oct 24 1994 11:013
    
    	Get a life!!  8^)
    
542.937POWDML::BUCKLEYI know all about the honor of God...Mon Oct 24 1994 11:043
    >	Get a life!!  8^)
    
    Do you recommend I get one similar to yours?
542.938;')ICS::WHITMANYou ain't seen nothin yet..Mon Oct 24 1994 11:585
    
    
    Now that would be scary.. 
    
    
542.939BUSY::FISED::SLABOUNTYThailboat!!Mon Oct 24 1994 12:196
    
    	Well, don't overdo it.  Start slowly, and maybe after awhile
    	you can work up to it.
    
    							GTI
    
542.940GET A ROOM!FRETZ::HEISERLHS Blew Devils #1Mon Oct 24 1994 14:191
    long hair is for poseurs!
542.941;')ICS::WHITMANYou ain't seen nothin yet..Mon Oct 24 1994 14:274
    
    
    
    Who'ya callin a poseur, ya big nancy blouse.. 
542.942SUBPAC::GOLDIEIt's a winged potatoMon Oct 24 1994 17:2825
    well after hearing about how wonderful Dream Theater was,I bought Karen
    and I tickets to see them and to be honest,I was quite
    disappointed.They are not shite but just not my cup of tea.At one
    point,towards the end,I sat down.They were in the middle of a 15
    minute instrumental and I got bored.The guy who impressed me most was
    the bass player.The support acts were...
    
    I Mother earth..who think its cool to insult the audience(they were
    shite apart from one song)
    
    John Fin..this guy is a teacher at Berkley and blew all other guitar
    players off the stage...incredible is too tame a word.Sometimes he
    sounded like Vai then Satch and with ease/skill did some of the best
    guitar work I've ever witnessed.He plays some of the clubs in Worcester
    so maybe I'll get to see him again.
    
    
    re-1
    
    
     there's only one big girls blouse in this notesfile laddie...and it's
    you! ;^)
    
    
     btw...I got to meet Buck(at last!) 8)
542.943TRY IT AGAIN NEXT TIMEFRETZ::HEISERGrace changes everythingMon Oct 24 1994 17:361
    IAN, THEY'RE MUCH BETTER WHEN YOU'RE DRINKING JOLT!!!!!!!
542.944SUBPAC::GOLDIEIt's a winged potatoMon Oct 24 1994 17:387
    RE-1
    
    I'M SURE THEY ARE BUT WHY ARE YOU SHOUTING?
    
    
    
    						Ian
542.945WMOIS::MAZURKASon_Of_Yanni.Mon Oct 24 1994 17:451
    I THINK HE JUST DOWNED A LITER JUG OF JOLT!!!!!
542.946the Scots would just love his poseur antics...POWDML::BUCKLEYI know all about the honor of God...Mon Oct 24 1994 17:454
    Ian,
    
    I think Whitforbrains should join a Pretty Boy Floyd cover band and
    tour Scotland, don't you think??
542.947FRETZ::HEISERLHS Blew Devils #1Mon Oct 24 1994 17:522
    IAN, YOU HAVE TO SHOUT IN HERE TO KEEP FROM FALLING ASLEEP!!!  DOWNING
    A QUART OF JOLT AND LISTENING TO Z-ROCK HELPS TOO!!!
542.948SUBPAC::GOLDIEIt's a winged potatoMon Oct 24 1994 17:557
    OH OK....THATS INTERESTING TO KNOW.I'VE BEEN PRACTICING SHOUTING AT THE
    DOG SO I'VE BEEN GETTING SOME PRACTICE IN.
    
    
    
    
    							IAN
542.949PASS THE COFFEE!GOES11::HOUSEHow could I have been so blind?Mon Oct 24 1994 18:043
    WHAT'S ALL THE SHOUTING ABOUT, THIS IS THE DREAM THEATER NOTE!!!
    
    GREG
542.950NEED THIS COFFEE STRAIGHTFRETZ::HEISERGrace changes everythingMon Oct 24 1994 18:351
    EASY ON THE CREAM AND SUGAR.
542.951Unconditional lawsuitDREGS::BLICKSTEINdbMon Oct 24 1994 18:404
    > WHAT'S ALL THE SHOUTING ABOUT, THIS IS THE DREAM THEATER NOTE!!!
    
    I don't know, but if I end up with a hearing loss, I'm suing all of
    you.
542.952ICS::WHITMANYou ain't seen nothin yet..Tue Oct 25 1994 14:239
    
    
    RE: Ian, Buck
    
    'DEMS FIGHTIN WORDS!! 
    
    I'll square off with you guys once I'm back from my Scottland tour...
    
    
542.953GOES11::HOUSEHow could I have been so blind?Tue Oct 25 1994 14:281
    Only Nancy boy's tour Scotland...
542.954FRETZ::HEISERGrace changes everythingTue Oct 25 1994 14:451
    AND WEAR KILTS!
542.955SUBPAC::GOLDIEIt's a winged potatoTue Oct 25 1994 16:376
    Mike,
        you don't have what it takes to wear a kilt. ;^)
    
    
    
    						ian
542.956;-)FRETZ::HEISERGrace changes everythingTue Oct 25 1994 16:531
    I KNOW!!!  I'M A MAN!!!
542.957GOES11::HOUSEHow could I have been so blind?Tue Oct 25 1994 16:582
    Come now, Mike, Ian looks very nice in his little dress! 
    
542.958FRETZ::HEISERGrace changes everythingTue Oct 25 1994 17:041
    DOES IT ZIP IN THE BACK OR THE FRONT?
542.959;')POWDML::BUCKLEYI know all about the honor of God...Tue Oct 25 1994 17:121
    DOES ONE WEAR PUMPS OR FLATS WITH THAT ENSEMBLE?
542.960demonic referenceDREGS::BLICKSTEINdbTue Oct 25 1994 17:331
    "Whatever happened to Fay Wray..."
542.961POWDML::BUCKLEYI know all about the honor of God...Tue Oct 25 1994 17:373
    "Whatever happened to Fay Wray..."
    
    that frail, satin-draped frame
542.962DREGS::BLICKSTEINdbTue Oct 25 1994 17:401
    As it clung to her thighs...
542.963POWDML::BUCKLEYI know all about the honor of God...Tue Oct 25 1994 17:431
    How I started to cry-hi-hi.....
542.964DREGS::BLICKSTEINdbTue Oct 25 1994 17:441
    cause I wanted...
542.965to be dressed...POWDML::BUCKLEYI know all about the honor of God...Tue Oct 25 1994 17:461
    
542.966DREGS::BLICKSTEINdbTue Oct 25 1994 18:131
    Just the same!
542.967SUBPAC::GOLDIEIt's a winged potatoTue Oct 25 1994 19:017
    well the Kilt is part of my culture and thats something that America
    will never have....in fact,I've eaten yogurt with more culture than
    America! ;^)
    
    
    
    						ian
542.968GOES11::HOUSEHow could I have been so blind?Tue Oct 25 1994 21:121
    You mean greasy hamburgers aren't culture?
542.969culture attache to the US! 8)SUBPAC::GOLDIEIt's a winged potatoTue Oct 25 1994 23:105
    nope...neither is "wearing your baseball cap at a jaunty angle".
    
    
    
    						ian
542.970And I just got a new cap too!GOES11::HOUSEHow could I have been so blind?Wed Oct 26 1994 11:123
    Dang!  And I thought I was all there!
    
    gh
542.971GOOEY::JUDYThat's Ms. Bitch to you!Wed Oct 26 1994 11:218
    
    
    	re: .969
    
    	Now wait a minute Ian....I seem to recall a certain
    	day by the pool where you did just that....and your
    	wife even took a picture!  =)
    
542.972GOES11::HOUSEHow could I have been so blind?Wed Oct 26 1994 13:286
    BUSTED!!!!
    
    After all that backward-baseball-cap-flaming, the truth finally comes
    out!!!  What do you have to say for yourself now, Mr. I-hate-it-but-I
    do-it?
    
542.973DAGWUD::FLATTERYWed Oct 26 1994 14:058
    ...now wait a minute..not that i usually run to his rescue but he's not
    here to defend himself......he wore my friends 5 year old's tazmanian 
    devil baseball cap (read: tiny hat)...at a jaunty angle ...for a laugh..
    ...that's not the same as wearing it all the time....and he only did it 
    cuz he knows how stupid he looks in hats.....in fact when we're really 
    bored we just go down to a hat store and i make ian try on all kinds of 
    hats...and then i just fall all about the place laughing hysterically....
    .i know..but what do you want for cheap entertainment   ;')....../k
542.974GOOEY::JUDYThat's Ms. Bitch to you!Wed Oct 26 1994 14:355
    
    
    	Ok, ok....that's true.  and he did looked darned
    	hysterical in it too.  =)
    
542.975SUBPAC::GOLDIEIt's a winged potatoWed Oct 26 1994 15:119
    
    ok I'm busted..in our spare time.Karen makes me wear the most arsehole
    hats she can find for her own amusement!The Pith(sp) helmet on our
    honeymoon was a memorable time for her!The people in the shop were
    getting upset at us laughing at their stock!
    
    
    
    						ian
542.976such domination, ian!POWDML::BUCKLEYI know all about the honor of God...Wed Oct 26 1994 15:264
    >ok I'm busted..in our spare time.Karen makes me wear the most arsehole
    >hats she can find for her own amusement!
    
    ...and then?  ;')
542.977never would've suspected it from IanFRETZ::HEISERGrace changes everythingWed Oct 26 1994 15:451
    ...makes you wish they'd sell tickets to we could all enjoy the sight!
542.978Nuff saidGOES11::HOUSEHow could I have been so blind?Wed Oct 26 1994 16:251
    Four words.  America's Funniest Home Videos.
542.979SUBPAC::GOLDIEIt's a winged potatoWed Oct 26 1994 16:5212
    
    
      two words...the second on is "off"
    
    
    
    
    
    ..can we guess the first? ;^)
    
    
    						ian
542.980SAME GREAT FUN, HALF THE VULGARITY!FRETZ::HEISERGrace changes everythingWed Oct 26 1994 17:273
    HOW ABOUT...
    
    DO ME!
542.981SUBPAC::GOLDIEIt's a winged potatoWed Oct 26 1994 17:345
    Mike,
          that would be two words.One is less than two! ;^)
    
    
    						ian
542.982GOES11::HOUSEHow could I have been so blind?Wed Oct 26 1994 17:424
>  -< SAME GREAT FUN, HALF THE VULGARITY! >-
    
    Same rude connotation...
    
542.983POWDML::BUCKLEYI know all about the honor of God...Wed Oct 26 1994 17:453
    >      that would be two words.One is less than two! ;^)
    
    Five is right out!
542.984Brother Maynard, bring out the Book of Armaments!GOES11::HOUSEHow could I have been so blind?Wed Oct 26 1994 17:557
    First shalt thou pull out thine holy pin.  Then shalt thou count to
    three.  Thou shalt count to three, no more, no less, and the number of
    the counting shalt be three.  Thou shalt NOT count to four.  Neither
    shalt thou count to two, unless thou then proceed to three.  Five it
    RIGHT OUT!
    
    Um...skip a bit, brother...
542.985FRETZ::HEISERGrace changes everythingWed Oct 26 1994 17:599
>    First shalt thou pull out thine holy pin.  Then shalt thou count to
>    three.  Thou shalt count to three, no more, no less, and the number of
>    the counting shalt be three.  Thou shalt NOT count to four.  Neither
>    shalt thou count to two, unless thou then proceed to three.  Five it
>    RIGHT OUT!...
    
    ...Six and thou
    
    BOOOOOOOOOOOM!!!
542.986Dr. Freud, what does it all mean?!?POWDML::BUCKLEYI know all about the honor of God...Thu Oct 27 1994 14:5210
    IIWW (isn't it weird when) you have a dream last night that John
    Petrucci doesn't show up for DT practice, and you happen to be there
    and fill in for him.  Yes, jamming with Mike and the guys was indeed
    awesome...we did some killer old tunes, too.
    
    Then you run into John P. and find out why he missed practice -- he was
    over at a friends, who was throwing this wicked party.  Best part was
    this HUGE wooden roller coaster the guy had in his back yard.  It was a 
    great ride, too -- I took several spins.
    
542.987DREGS::BLICKSTEINdbThu Oct 27 1994 15:0010
    > Dr. Freud, what does it all mean?!?
    
    I don't think we need the genius of Freud to interpret this one Buck.
    
    ;-)
    
    	db
    
    p.s.  I've had a similar Dream of becoming the guitar player for the
    	  Dregs
542.988don't do that to yourself, BuckFRETZ::HEISERGrace changes everythingThu Oct 27 1994 15:111
    Freud was a pervert.  
542.989GOES11::HOUSEHow could I have been so blind?Thu Oct 27 1994 17:1510
    Dr. Fraud, what does it all mean? 
    
    Well Bill, it goes like this.  In the deepest backward part of your
    mind, you're really a primative primate which is completely
    disconnected with modern things like stale progressive rock music and
    roller coasters.  You need to get back to your real roots and go bash
    some animals with a club.  This dream is a call away from things
    esoteric and back to the truly important things in life, like air,
    food, water, and marshmellow pies. 
    
542.990FRETZ::HEISERGrace changes everythingThu Oct 27 1994 19:452
    ...AND MAKE SURE THOSE SMALL ANIMALS ARE LITTLE FLUFFY PUPPIES AND
    KITTENS.
542.991KDX200::COOPERRevolution calling!Tue Dec 06 1994 13:443
    Ohh!  Coming up on .1000 dreamy repliez!
    
    Hey - I'm starting to really like this new CD...
542.992DREGS::BLICKSTEINdbTue Dec 06 1994 14:548
    > Hey - I'm starting to really like this new CD...
    
    Me too.
    
    Still hard to imagine I'll ever like it as much as I&W but... a few
    weeks ago, it was hard to imagine I'd ever like it at all.
    
    	db
542.993KDX200::COOPERRevolution calling!Tue Dec 06 1994 15:244
    Ditto - But learning a couple of the tunes made me INTO it!!
    
    jc (Who wishes he had it here now...)
    
542.994Hey JC, JC won't you play for me...Sanna Ho.. Sanna HeyDREGS::BLICKSTEINdbTue Dec 06 1994 15:266
    Cool!
    
    Which ones are you learning?  Are you doing this with the band or just
    for your own amusement?
    
    	db
542.995KDX200::COOPERRevolution calling!Tue Dec 06 1994 15:415
    Just my amusement...  I'm outta the live-band thing; sick of it.
    
    Which ones?   Guess (hint:  The easy ones.)
    
    
542.996caught in a world wide webAYOV25::JFOSTERWed Dec 07 1994 06:0711
has anyone tried ftp'ing the promo for awake (interactive software with the
lobster pointer!!) from DT page on WWW.

it seems to be corrupted in some way, all the music is there but the visuals
are distorted. has anyone copied it successfully and if so, what http did you
use.

jim

ps, fwiw, you should copy it anyway, the music/some visuals are excellent....

542.997KDX200::ROBRDrinks for all my friends...Wed Dec 07 1994 12:443
    
    i have the same problem with the dt thing (running under nt)
    
542.998i'll send an e-mailAYOV25::JFOSTERThu Dec 08 1994 04:442
i think i'll send an e-mail to the home page owner, see if he can re-load
for windows....
542.999Newbie wants to find other DT fans in DigitalPCBUOA::UTZTue Jan 03 1995 15:4111
    
    Hi,
    	I'm a new employee.  I collect Dream Theater stuff and was
    wondering if there are any other enthusiasts out there?
    
    James Utz
    PCBUOA::UTZ
    
    PS - If you reply quickly, you'll be #1000!!!!
    
    
542.1000GOOEY::JUDYThat's Ms. Bitch to you!Tue Jan 03 1995 15:494
    
    
    	You'll find at least three DT nuts in here....  =)
    
542.1001yes ... another onePOWDML::BUCKLEYWelcome to Paradise!Tue Jan 03 1995 16:201
    DREAM THEATER FANS (when dream and day) UNITE!
542.1002ICS::WHITMANYou ain't seen nothin yet..Tue Jan 03 1995 16:336
    
    
    
    oh boy.. now we're in for it.. 
    
    ;')
542.1003DABEAN::REAUMEmy 2 vices - GTS and coastersTue Jan 03 1995 16:597
    
    
      ...didn't take BUCK long to chime in. 
    
      (I listen to Awake fairly often , but still like I&W better)
    
    							-John R-
542.1004GOES11::HOUSEHow could I have been so blind?Tue Jan 03 1995 17:041
    All this Dream Theater discussion is making me tired...
542.1005KDX200::ROBRDrinks for all my friends...Tue Jan 03 1995 17:504
    
    DT r00lz!!!!!!!!!!!!!!!!
    
    
542.1006POWDML::BUCKLEYWelcome to Paradise!Thu Jan 05 1995 10:0311
    This is my favorite Greg House note of all time:
    
    
       <<< Note 542.7 by GOES11::G_HOUSE "WhereWereYouInMyDarkestHour" >>>
                             -< Yeah, good stuff >-

    I heard a song off this one a week or so ago and I thought it rooled! 
    Could be an excellent album.  I liked their first effort as well, even
    though it was a little keyboard heavy.
    
    gh
542.1007KDX200::ROBRDrinks for all my friends...Thu Jan 05 1995 11:165
    
    :')
    
    
    
542.1008KDX200::COOPERRevolution calling!Thu Jan 05 1995 12:5413
    Nyar, nyar.
    
    RE: .999
    
    Man, I think Ion ANY particular day, you will find in my CD pouch,
    you could find all three (released) Dream Theater CD's.  I don't 
    have more than that, 'cept for the video, and some wacko tape
    that Rob gave me...
    
    There be plenty of Dreamers in here...
    :-)
    
       
542.1009Mike Portnoy Interview in DRUM!POWDML::BUCKLEYMon May 15 1995 18:28423
Mike Portnoy Interview
DRUM! magazine
April/May '95

Paragraph under the table of contents section, describing the interview:

"By combining brainy progressive rock with hard-driving metal, Dream Theater
has made its name by defying stereotypes.  Double-bass pumping Portnoy, who
is often compared to Rush legend Neil Peart, steers the band with dizzying
chops and complex syncopations.  For this in-depth interview, we sat down
with Portnoy behind his kit, and had him explain how and why he plays the way
he does.  Complete with transcriptions and equipment diagrams."

Article title:  Indescribable Mike Portnoy of Dream Theater Goes His Own Way
Author:  Greg Rule

     From the grating grind of Nine Inch Nails to the infectious pop-punk
grooves of Green Day, today's multi-platinum megastars are a far cry from
yesterday's paid-by-the-note shredders.  If it's bloody, muddy, aggressive,
or angry, chances are, it has an audience.

     And then there's Dream Theater.

     When all current musical trends point toward the above, this
Berklee-trained quartet is running full speed in the opposite direction.
With _Awake_, their latest on East West Records, they've given the slumbering
progressive rock giant a swift and serious kick in the pants.  As Bass Player
magazine so aptly summarized:  "Whew -- these guys are licensed to chop!"

     And we couldn't agree more.

     But Dream Theater's music is more than a mere note-fest.  Much more.
 Just when they've established a theme in, say, seven, along comes a 16-bar
bridge of lethal, Pantera-esque metal that leads into a spacious, half-time
synth breakdown.  A series of surgically-played drum and guitar flurries ring
out like machine gun blasts and, just when you least expect it, the whole
band yanks an eighth-note off the end of a bar and launches into a section of
nine.  "Where's the frigging 1?!?"

     The man responsible for holding it all together is drummer Mike Portnoy.
 At times reminiscent of Neil Peart, Terry Bozzio, and even the mighty Vinnie
Paul, he's a twin kick master who's capable of displacing time and uncorking
brain-busting polyrhythms with the greatest of ease.

     One look is all it takes to realize that this drummer is his own unique
beast, though.  He sits high.  Very high.  His drums and cymbals are
clustered unusually close to his body.  And his calculated, almost
stiff-looking motions are not what you'd expect to see from such a
fluid-sounding technician.  Intrigued?  So were we.

     When Dream Theater rolled through San Francisco on their most recent worl
d tour, DRUM! was there with notebook, tape recorder, and camcorder in tow,
and, much to our enjoyment and enlightenment, our meeting turned out to be
anything but ordinary.  Backstage, sprawled across his dressing room sofa,
Portnoy told us stories of his musical past, took us behind the Dream Theater
scenes, and talked about his signing with Mapex drums.  But it wasn't until
he led us up to the stage that the sparks really started to fly.  With our
camcorder rolling, we watched bug-eyed as the drummer picked up his sticks
and proceeded to unload.

     Here's what we discovered.

DRUM!:  There's seldom a dull moment listening to Dream Theater.  Rush.  Yes.
 Kansas.  Malmsteen.  At times the band even sounds like Pantera with
keyboards.  Are they an influence?

Portnoy:  Oh yeah.  That's mainly my department, the heavy stuff.  We all
listen to a lot of different things.  As a band, we have a lot of common
influences.  Those are probably the ones that come out the most in the music.
 Stuff like the progressive rock bands of the '70s:  Rush, Yes, Kansas,
Zappa, the Dregs.  And we combine that with a lot of today's heavier music --
Metallica, for example -- and a lot of the heavies from the past:  Maiden,
Sabbath, Judas Priest.  Those are the band's common influences, but
individually, we go off on our own tangents.  I'm really into the heavy side,
like Pantera, Sepultura, and Machine Head.  But I also listen to a lot of
other music, like rap: Public Enemy, Beastie Boys.  That music has just as
much influence on my drumming as anything else.  I mean, Public Enemy is just
programmed drums, but all the different grooves and all the rhythms that they
layer on top of each other is just as inspirational to me as listening to
Terry Bozzio.  The thing is, we're all very open-minded listeners, and when
it comes to writing music, we try to be just as open-minded.  One day we'll
be in the mood to write something heavy, and another day we'll feel like
going off into a Peter Gabriel vibe.
  
DRUM!:  What type of regiment did you put yourself through in the early days
to reach this level of musicianship?

Portnoy:  I had a little bit of training, but I think I'm generally a
self-taught drummer.  My dad was a rock and roll disc jockey, so immediately
I was turned onto the Beatles, the Who, the Doors and Hendrix.  I was surround
ed by rock and roll.  Growing up, I had this enormous record collection.  So
once I started playing drums, I jammed along with the records.  I was a huge
Kiss freak at the time. Keith Moon and John Bonham were my first two drum
gods.  I took a few initial lessons just to learn how to hold the sticks and
stuff like that, but that was the extent of it.  Basically, I learned by
listening to records.  But I think the period when I developed the most was
when I started getting into music that was more intricate -- when I
discovered Rush.  Neil Peart turned my world upside down.  I became a Rush
fanatic.  I learned all of their songs backward and forward.  That was my
first introduction to odd time signatures and the like.  Then I discovered
Frank Zappa, probably my biggest influence of all time.  Terry Bozzio, Vinnie
Colaiuta, all those guys introduced me to the world of diversity and polyrhyth
ms.  Basically, I think I've always listened to a lot of different kinds of
music and always tried to learn.  I tried to get inside the heads of all
those drummers.  Another thing is, when I first started to play, my longing
to learn went beyond just the drums.  When I was in high school, I was taking
a lot of music theory classes, and I became obsessed with learning all that
stuff.  Harmony, theory -- I wanted to become a
complete musician, not just a drummer.  That training is something that's
really helped with the songwriting in this band because I'm always involved
in it now.

DRUM!:  You eventually wound up at the Berklee School of Music, right?

Portnoy:  Right.  I went to Berklee after I graduated high school and just
surrounded myself with music theory.  I took arranging classes, sight
singing, ear training, and all that kind of stuff.  That's where I met John
and John (bassist John Myung and guitarist John Petrucci), and that's when we
put the band together.

DRUM!:  In addition to drums, were you studying piano or other instruments at
Berklee?

Portnoy:  No, I pretty much taught myself how to play those; I taught myself
how to pick up a bass or a guitar or piano, learn the notes, and that's when
all my music theory training came in.  Music is mathematics, really.  You've
got to learn some of the golden rules, and from there you can take it
wherever you want.  When I was taking all the theory classes, I would go out
and pick up transcription books of Yes and all these bands who used odd time
signatures and I would look at the notes, figure out the counting, the time
signatures and the math.

DRUM!:  It's one thing to understand it, but another thing to manifest it
physically.

Portnoy:  Yeah, analyzing it is half the battle.  For me, getting myself to
learn it physically was just a matter of putting on the record and playing
along with it.

DRUM!:  In other words, you're one of the naturally-gifted types who most
musicians despise?

Portnoy:  [Laughs.]  The rest of the guys in the band hate me 'cause they're
constantly practicing, but I'm not as disciplined.  In fact, I'm downright
lackadaisical about it, at least these days anyway.  Years ago, when I was
really taking it all in, I used to practice a lot.  But these days, I have
more things in my life.  I'm onstage two hours a night playing drums, and
when we're off tour, the last thing I want to see is my drum set.  I want to
spend time with my wife, or do other things.  But those guys are always on
their instrument.

DRUM!:  Let's analyze a few songs from _Awake_, starting with "6:00."  The
chorus is in six, and about halfway through, you displace the time.

Portnoy:  The keyboard part is doing the same thing throughout, he's holding
down the downbeats, but I'm turning it around.  If I remember correctly, I'm
moving the downbeat for myself, the guitar, and the bass one 16th-note later
than where it was.

DRUM!:  Do you usually incorporate those types of tricks on purpose, or do
they occur unintentionally sometimes?

Portnoy:  In this case it was my doing.  They were playing the riff, and I
heard it differently than they were hearing it.  So we said, "Okay, let's do
it like this the first time around, and like that the second time."  A lot of
times when we're writing stuff, that's how it is. Someone will have a lick in
nine, and one guy will be phrasing it in five and four, and I might be
phrasing it in three, three, and three.  So a lot of times we'll try it every
possible way.  Or, if we're playing something in four, rather than phrasing
it as "one-two-three-four, one-two-three-four," I might phrase it as
"one-two-three, one-two-three, one-two.

DRUM!:  What drums are featured on the opening fill of "6:00"?

Portnoy:  Those are pseudo-Octabans that Mapex built for me.

DRUM!:  The intro groove is in four followed by a Bozzio-esque double bass
pattern.  What's your approach to fast double bass footwork?

Portnoy:  Single strokes, and I play heel up because I sit so high.  I don't
even think my heels would reach the floor.  I like my toms to be flat, so I
have to sit high in order to reach them without twisting my arms off.  That's
one of the reasons I had Mapex make me small toms so I could sit them flat
and low to the bass drums.  Anyway, that particular section was a bitch to
record.  It's weird, because when you're writing this stuff or playing it
live, there are always those types of monster sections, and it's like, "Okay,
here it comes, here it comes."  And you work it out, and that's it.  You
don't have to deal with it until the next night.  But when you're in the
studio and you're doing three or four takes of each song, after a while it
gets kind of crazy.  I remember that one particular part with those double
bass things -- it was a bitch to nail 'cause it had to be right on the money.
After playing it over and over and over in the studio, it starts to wear you
down.

DRUM!:  Speaking of fast double bass patterns, Vinnie Paul told us he
duct-tapes quarters to his bass drum heads so each note will come across
cleanly on tape.  Do you incorporate any type of special tuning, or similar
techniques, to make sure those fast notes won't end up sounding like a blur?

Portnoy:  No, I'm not a sound-monger like Vinnie is.  That's his thing. I
don't really know that much about the recording process.  I'm not an engineer
type guy.  So basically, I go over the sounds with the engineer and producer
and make sure everyone is happy.  That's something we didn't have with
_Images and Words_.  I hated the drum sounds on that album because the
producer shoved the  triggering thing down my throat, which is something I
was not a fan of.  He was a very head-strong producer who did things his way,
and
that was it.  But this time around I wanted to make sure that everything was
there, that everything was audible, and that everything was real -- all
acoustic.

DRUM!:  The song "Caught In A Web" has some nice time changes.

Portnoy:  It starts off in three or six, depending on how you count it, and
the verse grooves are in four.  The thing that pops up occasionally before
the chorus has a measure of seven in there.  But that whole song was cool
because I don't think I've ever done a song where the whole thing was double
bass throughout the whole song.  The only time the double bass stops is for
the choruses and part of the third verse.  It was kind of the opposite,
because a lot of people will kick into double bass for the choruses for
effect, but I did the opposite.

DRUM!:  On songs that have long, repetitive figures like that, do you ever
catch yourself playing psychological mind games:  "It's only the second
verse.  Keep it steady.  Will I make it?"

Portnoy:  When we record, yes.  In those situations, everything is under a
microscope, so yeah, you become real self-conscious about it.  Live, though,
I try not to think about it.  A big part of us playing live is the natural
adrenaline onstage.  If the tempo fluctuates, or whatever, that's okay.  I
don't usually get stressed-out over my parts.

DRUM!:  "Erotomania" starts with an organ riff in five.

Portnoy:  It's in five, but it ends in 9/8.  I bet some people think it's a
mistake, that we're rushing the beat on the last measure.  But it's actually
in 9/8.

DRUM!:  How did you phrase that section of nine?

Portnoy:  That's a good example of what I was saying earlier, because most of
the time, I'm phrasing it as four and five, but toward the end of the song, I'
m phrasing it as three sets of three.  It's all arithmetic.  There are so
many times when we're dealing with odd time signatures or polyrhythms and we
actually sit there with a pen and paper and figure out where the beats are
landing.  It's all a matter of counting and arithmetic, adding things up and
making them equal out.

DRUM!:  In "The Mirror" you apply a couple of different drum grooves to a
steady figure played by the guitar, giving the illusion that the whole riff
has changed when, in fact, it hasn't.

Portnoy:  That intro was something I came up with, just changing the beats
around under that one rhythm.  Without those guys ever changing, I change
from a triplet pattern to a 16th-note thing and then I yank one of the
eighth-notes off of it and turn it around.  That's just me having fun with
numbers.

DRUM!:  What drums did you record with?

Portnoy:  The Mapex kit.

DRUM!:  You used to play Tama.  Why the switch?

Portnoy:  The Tama kit I played on the last album was my first real kit.  I
worked three jobs one summer when I was 16 years old, saved up, and bought
that kit.  So basically, at the end of the last tour, it was like, "Okay,
it's definitely time for something new."  Not because I didn't like the drums
-- they held up great -- but because I wanted to expand my setup.  Different
sizes, and stuff like that.  Mapex was pursuing me strongly at the time, so I
went down to their factory in Nashville when we played there and they showed
me their drums.  My options were open at that point because Tama wasn't
really doing anything for me.  So I discussed with Mapex some things I
wanted, and they custom-built a kit for me.  Once they delivered it and I
played it, it was like, "Wow, this sounds great.  Let's do it."

DRUM!:  Do you play the same setup live?

Portnoy:  Same one.

DRUM!:  On tour, do you find yourself generally sticking to the same grooves
and fills each night, or do you mix it up?

Portnoy:  I like to change some of my parts live.  Obviously I can't stray too
 far away from the structure of the song, everything is so nailed down, but
within that structure I like to change the fills and the licks and sometimes
the phrasings every once in a while.  A lot of that stuff happens spontaneousl
y, and if I wasn't recording the shows, a lot of it would be lost forever.  I
might pull out some crazy thing that may or may not work, but at least I'll
have it on tape and if I like it, I might end up using it for the rest of the
tour.

DRUM!:  So you don't feel too inhibited live, improvisationally?

Portnoy:  It's tough, because this music is so thought-out and interlocked
and orchestrated, it's hard to stray too far from that, but we always have at
least one part of the live show that's a total improvisation.  We've always
tried to put that in the set somewhere.

DRUM!:  When you do improvise, do you attempt to detach yourself from your
tried-and-true vocabulary of chops, or do you strive to completely break free
of that at times?

Portnoy:  Every drummer has his or her vocabulary.  You learn stuff
throughout the years and that becomes part of your arsenal.  So you usually
find yourself picking and choosing from what you know.  But hopefully you
have enough to where you can throw it into different contexts.  Being able to
break free. . .so many of our songs are written like that, where we'll get
together at rehearsal, somebody will come up with a progression, and we'll go
off on it for an hour, taking it into a dozen different places.

DRUM!:  So Dream Theater writes as a band.

Portnoy:  Generally speaking, everything in this band is collaborative. The
method was a little different in the past, because on the the first two
albums we had all the time in the world to write.  This time around it was a
little different.  We had a clock hanging over our heads.  It was like, "Go.
 Get in there and do it."  We spent eight hours a night writing.  We really
had to put our heads together and bang it out.  In some cases, we actually
wrote a whole song in one eight-hour rehearsal, whereas in the past we'd go
for months on end writing one song.  We'd spend months dissecting everyone's
parts, making sure every note was perfectly locked-in and orchestrated
correctly.  There were points where we'd spend six hours of rehearsal on four
measures of music.  One thing that helped us this time were tapes from old
soundchecks.  I have my DAT machine out on tour with us and it's set up at
the board at all times.  The main groove in "Lie," for example, was something
from a soundcheck in Germany that we listened to and said, "Yeah, let's use
this."  The intro to "Voices" was from a soundcheck in Baltimore.  And
"Erotomania," because it was an instrumental, incorporated bits and pieces
from a bunch of different soundchecks.  "Throw 'em all in there!"

DRUM!:  How comfortable are odd time signatures to you now?

Portnoy:  Depends on the situation.  If we're writing something in an odd
time signature, I usually have to count it at first.  Some of the stuff gets
pretty intricate, so we keep a chalkboard at rehearsals and we write it out.
 But after playing the song a hundred times in rehearsal and then recording
it, it usually becomes second nature.  It's like, live -- now that I'm saying
this I'll probably screw up the whole show tonight [laughs] -- but by the
time we get on tour, I'm so comfortable with the songs, I can pretty much put
myself on automatic-pilot.

DRUM!:  Do you focus mentally on any one instrument more than the others when
you're playing?

Portnoy:  I'm one of these drummers who plays mostly off of the guitar,
whereas most traditional drummers play with the bass.  A lot of our music is
very intricate rhythmically, and the guitar is usually locked right in there
with me.  I'll usually only listen to the guitar in my monitor.  I won't even
put bass or vocals in there.  Usually, I'm keying in on that, and [bassist]
John Myung will key into me or the guitar.

DRUM!:  Your physical technique is somewhat unusual -- not the most relaxed
or fluid-looking.

Portnoy:  If you listen to the record, it might sound like I'm relaxed, but
I'm usually pretty stiff and aggressive.  Especially live.  It's all
aggression.

DRUM!:  Do you ever catch yourself tensing up too much?

Portnoy:  Sometimes, but I try to glide from section to section.  There are
parts that call for full-out thrash drumming.  But there are other parts
where you have to back off in order to nail the syncopations.

DRUM!:  If you weren't playing in Dream Theater, what style of music do you
think you'd pursue?

Portnoy:  My tastes are so different that I could be happy playing with the
Red Hot Chili Peppers, I could be happy playing with Pantera, or I could be
happy playing with a band like Jellyfish.  But the great thing about this
band is the fact that I can incorporate all of those influences.  As much as
I love the heavy stuff, if I was in Pantera, I would only be doing that, and
I would probably feel restricted because most of those bands don't go off
into all these different territories like Dream Theater does.  For diversity,
this gig is hard to beat.


Portnoy's Setup

Drums:  Mapex

1.24" bass drum
2.14" x 5-1/2" snare drum
3.6" Octabons
4.8" x 8" mounted tom
5.10" x 8" mounted tom
6.12" x 8" mounted tom
7.14" x 10" mounted tom
8.16" x 16" floor tom
9.18" x 16" floor tom

Percussion:  LP

10.Bongos
11.Junior congas
12.Tambourine
13.Percussion table:  Single-row chimes, bell tree, five wood blocks,
tri-bell set, agogo bell set, triangle, Vibra-Slap 2
14.10" timbalitos
15.Ridge Rider cowbell

Cymbals:  Sabian

16.10" B8 Pro splash
17.18" AA Chinese
18.14" AAX hi-hats
19.12" AAX splash
20.16" AA medium crash
21.18" AA medium crash
22.8" AAX splash
23.6" CD disc
24.10" AAX splash
25.18" AA medium crash
26.17" HH medium thin crash
27.13" AA Rock hi-hats
28.12" AA Mini Hats
29.22" HH Rock ride
30.12" AA Mini Chinese
31.20" HH thin Chinese

Mike Portnoy also uses DW 5000 Accelerator pedals, Hot sticks, Remo drumheads
and DW hi-hat pedals.
542.1010KDX200::ROBRWho wants to live forever?Tue May 16 1995 12:593
    
    cool!!
    
542.1011first CD available (on CD)?SUBSYS::MSOUCYTue May 16 1995 13:038
    
    Is that CD still available? I have I&W and Awake, the latter seems a
    tad heavier than the former, the former I noticed had hard, then
    mellow, then hard, then mellow almost through the entire CD to keep you
    wondering what would be coming next....not too bad of an arrangement. I
    wonder if they did it that way on purpose to see who noticed?? Nah!
    
    
542.1012KDX200::ROBRWho wants to live forever?Tue May 16 1995 14:244
    
    the first cd is not in print in the US but is available by mail order. 
    i think the places are mentioned in prior notes.
    
542.1013CD Sources for WDADUPOWDML::BUCKLEYTue May 16 1995 15:23104
    re: -2
    
    Check these sources for "When Dream and Day Unite" on CD -- this was at
    one time a comprehensive listing of avaliable sources, but it has not
    been kept up to date, so... ?!?
    
 *****************************************************************************

        " W H E N  D R E A M  A N D  D A Y  U N I T E "  S O U R C E S 
 
 *****************************************************************************

As always, Columbia House is carrying WDADU on cassette through their ordering
club.  This is their print of the U.S. version.  The order number is 382842.
Order normally, or call 1-800-487-0500.  (Note: You have to be a member or join
Columbia House to go this route.  Also, the wait can be long--but it's
definitely worth it...)

---

Ranjit Padmanabhan, a distributor, is selling the German CD for $18.95 (plus 
first class p+h).  Contact information:

Ranjit Padmanabhan
566 Crystalberry Terrace
San Jose, CA  95129

---

I have heard some people in Goldmine, a rare-records magazine, are selling
WDADU.  You may try this route, especially if you also collect bootlegs and
such.  The phone number for subscription is 715.445.2214.  It is also
available in some collectibles stores for $2.95.

---

Record-Rama is selling the German (?) version of WDADU.  I was unable to get a
complete address or price, but the phone number is 412.367.7330.
The partial address is at the corner of McNight St. and Siebert Rd. in
Pittsburgh, PA.  

---

Life By Design is now carrying the German WDADU (they were carrying the
Japanese version) on CD for $21.17 ($22.45 on CO). (Note: credit card orders 
not accepted--check or Money Order only)  The address is:

  Life By Design
  129 N. Wahsatch
  Colorado Springs, CO  80903
  ph. #: 719.475.0937
  Fax #: 719.471.1408

---

CDs We Bee is carrying the Japanese version on CD for $23.99.  Their address
is:

  CDs We Bee
  S. 3420 Whipple St.
  Spokane, WA  99206
  ph. #: 509.922.7378 (ask for Spike)

---

Sound City 2000 has the Japanese CD for $25.99 (plus $3.75 p&h).  The order
number (which must be included in the order) is N02-D042687-J.  The address
is:

  Sound City 2000
  P.O. Box 22149
  Portland, OR  97269-2149
  ph. #: 503.654.2196

---

Metal Disc is selling WDADU (no price or country info given).  The address is:

  Metal Disc
  P.O. Box 4649
  Thousand Oaks, CA  91359
  ph. #: 805.492.METL

---

The Exclusive Co. is selling the German CD for $15.99 (they may be out at the
time of this writing...I don't know).  Try them at:

  The Exclusive Co.
  508 State Street
  Madison, WI  53703
  ph. #: 608.255.2433

---

Worldwide CD is selling the German CD for $18.00...call or write at:

  Worldwide CD
  P.O. Box 543
  Villa Park, IL  60181
  ph. #: 708.941.7619
  Fax #: 708.941.7923

*****************************************************************************
542.1014BUSY::BUSY::SLABOUNTYTrouble with a capital 'T'Tue May 16 1995 15:383
    
    	I checked the BMG catalog and they don't list it on CD either.
    
542.1015KDX200::ROBRWho wants to live forever?Tue May 16 1995 16:1610
    
    fwiw i bought my copy from worldwide cd... plus they send you a cool
    quarterly catalog with lots of cool stuff listed...
    
    damn it, dahlia just found leatherwolfs *FIRST* album on cd!!!
    (not the self titled one, the one before that!  ive never even been
    able to find it on tape or anything).  apparently newbury comics is
    emptying out their warehouses and is dumping tons of old stuff thats
    been gathering dust for like $6 a piece...
    
542.1016not to mention she scooped you on the MOSH plate!POWDML::BUCKLEYTue May 16 1995 18:081
    Damn -- Dahlia def. scores some prime CDs
542.1017FABSIX::I_GOLDIEresident alienTue May 16 1995 18:155
    Leatherwolf...!hells bells...I haven't heard of them in years(thank
    goodness) 8)
    
    
    						ian
542.1018KDX200::ROBRWho wants to live forever?Tue May 16 1995 18:164
    
    what r u, nuts ian???  leatherwolf is the gnads!  definately in my top
    10 bands of all time probably....
    
542.1019FABSIX::I_GOLDIEresident alienTue May 16 1995 18:1914
    re-1
    
    really?!?!?!I thought they were just barely ok...typical American stuff
    that came out about that time...except for the 3 guitar players!At the
    time they first came out they got a ton o' hype in the UK but never
    really did anything!
    
    
    							ian
    
    ps...at least they weren't as shite as Pretty Boy Floyd..worst rock
    band of all time!
    
    
542.1020leatherwolf - something like tnt with lots of harmoniesKDX200::ROBRWho wants to live forever?Tue May 16 1995 18:474
    
    pb floyd?  ugh!  leatherwolf isnt glam at all!  its some mildly
    progressive stuff with killer vocals and guitar work.
    
542.1021FABSIX::I_GOLDIEresident alienTue May 16 1995 19:336
    I wasn't saying they were glam but just the crappest band of all time!
    I'd need to hear more of Leatherwolf other than the 3 songs I've
    already heard!
    
    
    						ian
542.1022STRATA::LUCHTIs it a passion or just a profession?Tue May 16 1995 22:5711
    
    Cool article.  Interesting how he generates odd times with
    the rest of the band. 
    
    "Erotomania" is SO insane in that area (definitely one of my
    favorites.)  Kicking myself 'cause I missed 'em live.
    
    Thanks for posting it Buck.
    
    Kev --
     
542.1023Hanging with Dream Theater on Long IslandPOWDML::BUCKLEYSun Jun 04 1995 22:4744
    I found my way Saturday evening into a private soiree featuring 3/5 of
    the band dream theater in attendance!!  John P was supposed to be there
    as well, but his dad got sick and he couldn't make it.  Besides
    chatting old Berzerklee war stories and getting some of my *rare*
    stuff autographed, here is the significant news right from the mouth
    of Mike Portnoy:
    
    - Dream Theater is doin TWO *rare* shows before they head off to tour
      Europe and Japan -- They are:
    
      Friday, June 9 at Birchhill Nightclub in Old Bridge, NJ (908) 536-
      0650.  Tickets are $12.50 in advance and $15.00 at the door.
    
      Tuesday, June 13 at The Malibu on Long Island (forget exact town
      location).
    
      Mike promises a very eccentric set list for these two shows, and says
      they're *not* to be missed!!  The band will be debuting the new
      version of "A Change of Seasons" at these two shows.
    
      
    - Their EP should be released in September.  It features a newly
      revamped studio version of A Change of Seasons (which now clocks in
      at an amazing 23 minutes!).  Mike brought a tape along from the
      rough mixdown, and the tune sounds fackin awesome!  It was produced 
      by David Prater, who did I&W, so it has that sort of sound (sans the
      triggered drum sounds -- all drum sounds were real this time around)
    
    - The rest of the EP will feature outtakes from the band's now
      legendary Ronnie Scotts gig in London, where they did ALL cover
      tunes!  Take note members of Metropolis, among these songs are
      Funeral For A Friend/Love Lies Bleeding, Bohemian Rhapsody, Carry
      on Wayward Sun, Perfect Strangers, and generally the same type of
      tunes y'll play.  Mike played tapes of this stuff, and it was killer
      as well.
    
    - There will be two versions of the EP released -- the US one will
      have only the RS songs with all DT playing.  The Japanese vcersion
      will have the songs that featured guests (like Jayms Hetfield, etc)
    
    
    Mike also had the skinny on Fates Warning, but lets pop over to that
    note for info...
    
542.1024POWDML::BUCKLEYMon Jun 05 1995 00:404
    PS -- just checked -- the DT show on LI 6/13 at the Malibu in
    Lido Beach, Long Island (next to mike's home town of Long Beach).
         
    
542.1025POWDML::BUCKLEYMon Jun 05 1995 11:072
    For those people who don't SET SEEN back to the weekend notes, check
    out -2
542.1026why an EP???!!!!SUBSYS::MSOUCYMon Jun 05 1995 13:2713
    
    How come they are taking so long to produce a new album? I'd rather see
    a new one than an EP put out and delay a full release for however
    long.....just my opinion! ;-)  Also, I picked up the CD "When Dream and
    Day Unite" for $25 at Newbury comics a week ago (along with the new
    Fight CD and an EP from Cathedral (I want FULL dream theatre though!))
    and it is different....I haven't given a verdict if I am going to keep
    it or dump it....I don't like their old singer.....at least from what I
    have heard of this one......if I decide to sell it, I'll put it in here
    if someone is interested.
    
    Mike
    
542.1027BUSY::BUSY::SLABOUNTYTrouble with a capital 'T'Mon Jun 05 1995 13:315
    
    	Did I tell you I got WDADU used for $7?
    
    	[OK, I know I did ... I just like reminding people.  8^)]
    
542.1028POWDML::BUCKLEYMon Jun 05 1995 13:5233
    
    >How come they are taking so long to produce a new album? I'd rather see
    >a new one than an EP put out and delay a full release for however
    >long.....just my opinion! ;-)  
    
    Because they tour for over 2 years for each album (per their record
    company).  They're huge in Europe and Japan, so they go their often,
    and do the states twice over while trying to build a more solid 
    following.
    
    The EP was done because:
    
    a) fans were screaming for ACOS and the record co didn't want to waste
       most of an album with a 23 minute song!
    b) fans were screaming for release of the ronnie scotts uncovered gig.
    c) fans petitioned the record company to foot the bucks for the
       project!
    d) the band had time to record it between the 1st and 2nd leg of the 
       Awake world tour.
    
    
    >Also, I picked up the CD "When Dream and Day Unite" 
    
    ROOOLIN!  My personal fav DT album!!
    
    
    >it or dump it....I don't like their old singer.....at least from what I
    >have heard of this one......if I decide to sell it, I'll put it in here
    >if someone is interested.
    
    I'll buy it if you don't like it.  Charlie is his own singer, you gotta
    get into it -- just think "old rush"
                                        
542.1029POWDML::BUCKLEYMon Jun 05 1995 14:123
    PS -- they have already written a ton of new stuff for the next album,
    but it will be Only A Matter of Time before they're finally off tour
    and able to record it.
542.1030hmm, okSUBSYS::MSOUCYMon Jun 05 1995 15:488
    
    Where can I hear "A change of seasons" I know someone had mentioned
    this "awesome" tune to me before and that is was fairly long.....I
    don't want to spend $$ for an EP! :-}
    
    Or is this one on Awake/I&W? Have to look at these song names again!
    
    
542.1031POWDML::BUCKLEYMon Jun 05 1995 15:5216
    >Where can I hear "A change of seasons" I know someone had mentioned
    >this "awesome" tune to me before and that is was fairly long.....I
    >don't want to spend $$ for an EP! :-}
    >
    >Or is this one on Awake/I&W? Have to look at these song names again!
    
    It is not on ANY of their albums!!
    
    They have played it at select shows live, and it is floating around on
    a couple of rare bootleg discs.
    
    But I don't see what you're bitching about, Mike -- ACOS will be part
    of a 8-10 song disc (they're calling it an EP, but should have more 
    music on it than, say, I&W!).  Don't let the name fool you, this will
    be a great addition.  The cover tunes are WORTH hearing.
    
542.1032BUSY::BUSY::SLABOUNTYTrouble with a capital 'T'Mon Jun 05 1995 16:475
    
    	So this EP is 8-10 songs and 1 of the songs is 23 minutes long.
    
    	What kind of a moron decided to call this an EP?
    
542.1033POWDML::BUCKLEYMon Jun 05 1995 17:489
    >	So this EP is 8-10 songs and 1 of the songs is 23 minutes long.
    
    Yeah, and the other cover tunes (like Bohemian Rhapsody and Funeral
    For A Friend) are like 7-8 minutes a piece?!
    
    
    >	What kind of a moron decided to call this an EP?
    
    The record co
542.1034ZZZZzzzzzzOUTSRC::HEISERMaranatha!Mon Jun 05 1995 23:491
542.1035POWDML::BUCKLEYGFYMon Jun 12 1995 13:121
    DT was roolin last Friday in Jersey!!
542.1036;')ICS::WHITMANMon Jun 12 1995 17:544
    
    
    
    I wouldn't have expected anything different from you buck...
542.1037STRATA::LUCHTIs it a passion or just a profession?Tue Jun 13 1995 22:208
    RE:  .1035
    
    Post a review Buck...Is the TriAxis still in his rack?  I was
    reading somewhere that he runs two (!) TriAxis' and a Duel
    Recto head as well as a couple 2:90's.  How'd he sound?!?!
    
    Kev --
    
542.1038Dream Theater EP info?FAILTE::YOUNGMMARK YOUNGThu Jun 15 1995 10:049
    Can you give me anymore info on this ep?
    When is it due for release?
    As a total DT head I need to know!
    As I am from Scotland I may find it difficult to pick up so is there an
    address I can write away too?
    
    					Thanx for any info you may have,
    								Mark.
    
542.1039Big Sounds...FAILTE::YOUNGMMARK YOUNGThu Jun 15 1995 10:077
    I saw Dream Theater in Edinburgh not so long ago, and he has a huge
    rack containing two TriAxis AND two 2:90's. Needless to say his sound
    was IMMENSE!
    
    		Cool...
    
    Mark.
542.1040POWDML::BUCKLEYYou ain't seen nuthin yetThu Jun 15 1995 14:5416
    RE: Whitforbrains
    
    smart man!
    
    
    RE: Kev
    
    Loud!
    
    
    RE: Mark
    
    The EP is due for a September release stateside.  You'll be sorry to
    note that DT will NOT be touring the UK in July as planned.  Not sure
    what the deal is, as they are touring Europe and Japan.  Many German
    dates already announced.
542.1041yet another DT show...POWDML::BUCKLEYYou ain't seen nuthin yetFri Jul 07 1995 19:139
    
    		D R E A M     T H E A T E R     A L E R T 
    
    
    DT will be playing Friday, 28 July, at the Canoe Place Inn (C.P.I.),
    Montauk Highway, Hampton Bays, L.I.
    
    Be there ... or don't!
    8^)
542.1042OUTSRC::HEISERwill pray for foodFri Jul 07 1995 22:003
542.1043KDX200::COOPERPffffftttt!Sat Jul 08 1995 17:022
    Hmm...  I wanna go.  I'll be in Boston then too.
    Hm....
542.1044SCUBA::SLABOUNTYTrouble with a capital 'T'Mon Jul 10 1995 11:506
    
    	If you're gonna be in Boston, you'll miss them since they'll be
    	in New York.
    
    	[Glad to help.  8^)]
    
542.1045...don't know what I'd do without you... :)KDX200::COOPERPffffftttt!Wed Jul 12 1995 01:575
    Thank you SHAWN!  :-)
    
    My point is, the drive to L.I. is a might shorter from Boston than
    it is from Colo. Spgs.
    
542.1046show alertPOWDML::BUCKLEYYou ain't seen nuthin yetMon Jul 17 1995 13:354
    Dream Theater at the Stand Theater
    Thursday, August 3rd
    Providence, RI
    
542.1047what's a missing 'r' amongst friends? :^)POOKY::OROURKEheaven help the heartMon Jul 17 1995 14:375
    
    Buck...is this right near the SIT Theater?   :^)
    
    /jen
    
542.1048KDX200::COOPERAnimal Instinct...Mon Jul 17 1995 22:021
    I'm there...
542.1049OUTSRC::HEISERwatchman on the wallTue Jul 18 1995 02:341
542.1050KDX200::COOPERAnimal Instinct...Wed Jul 19 1995 11:215
    Cindi is picking up my tix as we speak.  Hey Jen - thanks for the heads
    up!!  I'da bummed if I'd missed it!!
    
    
    Can anyone say ROAD TRIP!
542.1051BUSY::SLABOUNTYTrouble with a capital 'T'Wed Jul 19 1995 11:518
    
    	Let me try ...
    
    	ROAD TRIP!
    
    
    	How'd I do?
    
542.1052JJ? db? GTI? /k? ian?POWDML::BUCKLEYYou ain't seen nuthin yetWed Jul 19 1995 17:2212
    So far from H_M (past n present), we have:
    
    	Coop
    	CJ
    	/jen
    	Buck
    	Rob
        Kristy
     	Seth-E-Pooh
    
    Going to the 03 AUG Dream Theater show in Providence at the Strand.
    Any other takers?!?
542.1053OUTSRC::HEISERwatchman on the wallWed Jul 19 1995 18:034
542.1054BUSY::SLABOUNTYHoly rusted metal, Batman!Wed Jul 19 1995 18:109
    
    	Providence??
    
    	Isn't that all the way in RI?
    
    	Forget it!!  8^)
    
    	[Kidding, but I probably won't go.]
    
542.1055ABACUS::JENNISONGuess I Was Born To Be BadWed Jul 19 1995 18:132
    
    THEN! Im definately not going if your not going ! 8(
542.1056BUSY::SLABOUNTYHoly rusted metal, Batman!Wed Jul 19 1995 18:169
    
    	Oh, you're not going?
    
    	OK, then I will go.
    
    
    
    	8^)
    
542.1057FABSIX::I_GOLDIEresident alienWed Jul 19 1995 19:506
    
    not this time,Buck!I have to work that night and have no vacation time
     to spare!
    
    
    							ian
542.1058!STRATA::LUCHTIs it a passion or just a profession?Thu Jul 20 1995 08:137
    
    WHY couldn't this show happen on the weekend?!?!?!?!?!?!?
    
    
    FABbed again,
    Kev --
       
542.1059KDX200::COOPERAnimal Instinct...Thu Jul 20 1995 19:3611
    C-mon!!
    
    I'm flying in from Colorado to hit the show!!
    :-)
    
    Count me in Buck - check out the note I'm about to leave in
    99.lately...
    
    Guys like Kevin need to get in touch with me!
    jc
      
542.1060BUSY::SLABOUNTYHoly rusted metal, Batman!Fri Jul 21 1995 12:376
    
    	Does anyone have directions to The Strand?  And the show is
    	August 3rd?
    
    	How much is this going to cost?
    
542.1061POWDML::BUCKLEYYou ain't seen nuthin yetFri Jul 21 1995 13:4115
    > Does anyone have directions to The Strand? 
    
    This one is for /jen -- I know HOW to drive there -- it's only like 2
    blocks from the Civic Center...but negotiating those twisty Providence
    streets can be tough!
    
    
    > And the show is August 3rd?
    
    Yes.
    
    
    > How much is this going to cost?
    
    Tickets are $9.00, and available through TicketShafter.
542.1062BUSY::SLABOUNTYHoly rusted metal, Batman!Fri Jul 21 1995 13:443
    
    	OK, thanks!!
    
542.1063OUTSRC::HEISERwatchman on the wallFri Jul 21 1995 14:111
542.1064direx to the StrandAKOMI2::OROURKEheaven help the heartSun Jul 23 1995 21:2820
    
    RE: .1061  Did I see my name mentioned in relation to directions?  Just
    cuz I went to school down there doesn't mean I can find it!  And if you
    can handle the twists of Boston...Providence is CAKE!
    
    RE: .1060  Seriously, Shawn....Take 95 South to exit 22.  Take a right
    off the ramp.  Go thru the first set of lights (once their green of 
    course).  The road will end with a parking garage in front of you.
    Take a right onto Washington Street.  The Strand is up on your right
    (#81).  Washington Street is a one-way heading out.
    
    On a THursday night you should be able to find parking on the street
    around Kennedy Plaza.  If you do pick a garage be sure to check their
    hours...some close at 11:00 or midnight (Providence isn't exactly
    hopping!).   The one at the Biltmore Hotel is a 24 hour one with
    security.  
    
    OK Mikey...you go to Clinton and we'll be sure to see you there :^)
    
    /jen
542.1065H_M party in Providence! :)POOKY::OROURKEheaven help the heartThu Jul 27 1995 11:408
    
    RE: .1052
    
    After talking to James Utz (RON) last week, I saw him again yesterday.
    Said I 'talked him into the DT' show so that is Jim + 1 more co-worker
    to add to the list.
    
    /jen
542.1066PARTY IN PROVIDENCEPOWDML::BUCKLEYYou ain't seen nuthin yetThu Jul 27 1995 14:2416
    So far from H_M (past n present), we have the following folks going to
    the 03 AUG Dream Theater show in Providence at the Strand:
    
     1)	Coop
     2)	CJ
     3)	/jen
     4)	Buck
     5)	Rob
     6) Kristy
     7) Seth-E-Pooh
     8)	GTI
     9)	James Utz
    10)	Mysterious co-worker
        
    
    Any other takers?!?
542.1067DREGS::BLICKSTEINMy other piano is a SteinwayThu Jul 27 1995 18:311
    I'm now planning on going.
542.1068POWDML::BUCKLEYYou ain't seen nuthin yetThu Jul 27 1995 18:595
    -1
    
    Kewl -- you'll like their new keyboardist, Derek Sherinian ... his
    major influences are Keith Emerson, Rick Wakeman and Kansas -- he's
    a real banger!
542.1069FABSIX::I_GOLDIEresident alienThu Jul 27 1995 19:0710
    
    re-1
    
    a banger?Thats British slang for a sausage!
    
    
    have the rest of the band got nicknames that are food related? 8)
    
    
    						tattie goldie
542.1070FYI -- if you wanna see DT...POWDML::BUCKLEYYou ain't seen nuthin yetMon Jul 31 1995 18:328
    For those who care --
    
    The Long Island show last Friday eve and the Providence show this
    coming Thursday are the ONLY TWO REMAINING U.S. dates for THIS YEAR!
    
    After this Thursday's show, they're off to Japan for a couple of dates,
    and then it's into the studio to record album #3 while EastWest records
    readies the Sept. release of their "A Change of Seasons" mega-EP.
542.1071BummedDREGS::BLICKSTEINMy other piano is a SteinwayTue Aug 01 1995 11:382
    FWIW (don't know if anyone is reserving tickets or what not) but
    I can't make it.   I have about 30,000 obligations for Thursday.
542.1072BUSY::SLABOUNTYHoly rusted metal, Batman!Tue Aug 01 1995 12:175
    
    	Oh good, maybe I will go to the show after all.
    
    	8^)
    
542.1073POWDML::BUCKLEYYou ain't seen nuthin yetTue Aug 01 1995 13:489
    2nd courtesy FYI to those who care...
    
    If you're planning on going to the show on Thursday, and have NOT got
    tickets yet, you may want to start thinking about doing just that.  The
    word is out on the Internet that this is their last U.S. date for
    probably almost a years time -- fans have said they're road tripping
    to this show from cities such as New York, Philly, Wash DC, etc.
    
    
542.1074Providence is a bit FAR from NH,too. :(POOKY::OROURKEheaven help the heartTue Aug 01 1995 14:0311
    
    RE: 1071
    
    ** I have about 30,000 obligations for Thursday.
    
    db!  And I thought Pamela Anderson and I had busy calendars!  Does this
    mean your harem is back in town?  You busy guy! :^)
    
    /jen
    
    
542.1075Echolyn is opening the 03 AUG DT show...POWDML::BUCKLEYYou ain't seen nuthin yetTue Aug 01 1995 19:076
    db:
    
    Sorry you won't be able to make the show.  Prog-rock masters Echolyn
    will be opening the show for DT on Thursday.  They are an EXCELLENT
    band, if you've never caught them!!  You may wish to FYI the Echolyn
    info to the members of CITADEL...
542.1076How can you go to the Theater without a programme?POWDML::BUCKLEYgive em the boot!Wed Aug 02 1995 15:103
    
    BTW -- I've made a special programme for tomorrow evenings performance.
    Be sure to get yours before the show in the lobby!
542.1077BUSY::SLABOUNTYHoly rusted metal, Batman!Thu Aug 03 1995 14:135
    
    	What time do you suggest getting there tonight?
    
    	Show starts at 8, or doors open at 8?
    
542.1078here's an idea!POOKY::OROURKEheaven help the heartThu Aug 03 1995 14:317
    
    Shawn....
    
    Why don't you get there around 6:00 and save spots for the rest of us?
    :^)
    
    /j
542.1079BUSY::SLABOUNTYHoly rusted metal, Batman!Thu Aug 03 1995 14:377
    
    	Well, yes, that IS an idea.
    
    	Not a good one, mind you, but an idea nonetheless.
    
    	8^)
    
542.1080BUSY::SLABOUNTYHoly rusted metal, Batman!Fri Aug 04 1995 12:188
    
    	Excellent show!!  First time I've seen them, but I was blown
    	away.  It's one thing to hear "Images and Words" 20 or 30 times,
    	but to see them play that stuff really makes you appreciate the
    	work they put into those songs.
    
    	I'd have to say they're one of the most talented bands ever.
    
542.1081great showPOWDML::BUCKLEYgive em the boot!Fri Aug 04 1995 12:2740
    I concur with GTI -- DT isn't a band that is *always* on ... lord knows
    Rob and I have seen our fair share of mediocre shows ... but last night
    was an exception!
    
    The crowd was pumped, and the band rocked!  Singer James LaBrie was in
    excellent vocal form, and drummer MIke P. pushed the tempos to "brisk"
    level, forcing the fingers of guitarists John Myung and John Petrucci
    to _really_ fly!
    
    Their cover of Deep Purple's Perfect Strangers really rocked -- I hope
    they release this as a single off the upcoming "EP" album (you know,
    the 80+ minute EP...).
    
    The set list:
    
    6:00
    Under a Glass Moon
    The Mirror
    Lie
    Lifting Shadows off a Dream
    A Change of Seasons
    Surrounded
    A Mind Beside Itself:
    	Erotomania
    	Voices 
    	The Silent Man
    Pull Me Under
    
    Encore #1:
    ---------
    Perfect Strangers
    
    Encore #2:
    ---------
    Wait for Sleep
    Learning to Live
    
    
    From HM ... GTI, Coop, RobR, /jen, James Utz and myself were spotted,
    the others -- MIA?!
542.1082BUSY::SLABOUNTYHoly rusted metal, Batman!Fri Aug 04 1995 12:325
    
    	I loved that keyboard solo ... sounded almost like a guitar solo
    	at breakneck speed.  I wouldn't have been surprised if he played
    	"Eruption" after that!!
    
542.1083STRATA::LUCHTIs it a passion or just a profession?Fri Aug 04 1995 23:259
    
    Glad to hear the show rocked!!!  "Perfect Strangers" is one
    wild tune!!  I wish I could have checked it out.
    
    Next time I guess (whenever that might be).
    
    Kev --
    
                                               
542.1084KDX200::COOPERAnimal Instinct...Sun Aug 06 1995 14:317
    You had your chance to come up with an eye problem there, Kev...
    ...You know, like when you just can't see coming to work??
    :-)
    
    I loved the show - and I loved the opening act too; def. a together
    ensemble.  Dream Theater RULZ!
    
542.1085can't wait to hear the covers!AKOMI1::OROURKEheaven help the heartMon Aug 07 1995 19:1030
    
    Well..just back from Florida....have slept about 1 hour since Thursday
    night's DT show so excuse typos!
    
    This was my first DT concert.  I had pretty much only been listening to
    I&W and had heard Awake a few times after its release.  I got the first
    album just before the show and do wish they'd play some of the older
    stuff!
    
    I was EXPECTING the band to be precise per the earlier replies in this
    Note.  However, I will admit that I had a little concern that they
    might be a bit mechanical.  You know,  science over soul kinda thing.
    (I hate to use the comparison but I saw Whitney Houston once and she
    was like that....beautiful voice but no heart...just hit notes for
    the h*ll of it...if she had been filing her nails at the time it would
    have been perfect).
    
    Anyway....what I got instead was a great show WITH impressive playing.
    They did some really nice interpretations (and some acoustics) of things
    so NO it was not like just sitting at home and listening to the CD.  
    
    My live favorites included : "Lifting Shadows...", "Surrounded",
    "Silent Man" and OH MY...."Pull me Under".  I mentioned that night that
    I've heard that song a zillion times and even thought I admit to being a
    musical midget, I never appreciated the bass work till I saw it live!
    
    Hey Mikey...I might have been DREAMING at the show but I certainly
    wasn't SLEEPING!  :^)
    
    /jen
542.1086BUSY::SLABOUNTYHoly rusted metal, Batman!Mon Aug 07 1995 19:319
    
    >(I hate to use the comparison but I saw Whitney Houston once and she
    >was like that....beautiful voice but no heart...just hit notes for
    >the h*ll of it...if she had been filing her nails at the time it would
    >have been perfect).
    
    	The same with Mariah Carey ... but even moreso.  I'd rather listen
    	to Whitney any day.
    
542.1087POWDML::BUCKLEYgive em the boot!Tue Aug 08 1995 11:097
    >	The same with Mariah Carey ... but even moreso.  I'd rather listen
    >	to Whitney any day.
    
     
    I saw Mariah Carey the other night at Rye Playland, but that's a
    different story for a different note...
    
542.1088KDX200::COOPERAnimal Instinct...Thu Aug 24 1995 12:287
    Hey!
    
    Where is DT's new DT !?  Is there a release date yet??  I want it,
    I want it!!
    
    jc
    
542.1089take a nap!POOKY::OROURKEheaven help the heartThu Aug 24 1995 12:546
    
    Coop-
    
    Ya gotta wait another MONTH!
    
    /jen
542.1090KDX200::COOPERAnimal Instinct...Thu Aug 24 1995 12:589
    WHAT?!?!?!?!?
    
    
    I thought it was the end of AUGUST?!
    
    I *need* it BAD
    
    jc - Who's not talking to you since you called me a manilow-wuss
    :-)
542.1091how does it feel to need? :^)POOKY::OROURKEheaven help the heartThu Aug 24 1995 13:008
    
    RE: -1
    
    Well since you're not talking to me, I'll just say to anyone else that
    might be reading that the date is Sept 26th according to Buck.  :^)
    
    /jen
    
542.1092POWDML::BUCKLEYgive em the boot!Thu Aug 24 1995 18:276
    The 08+ minute EP, "A Change of Seasons", is currently available as a
    in promo copy ONLY -- but some DT enthusiasts have touted that they
    have walked into specialty record shops and purchased the disc as a
    promo copy...check it out if you can't wait.
    
    Otherwise, the release is scheduled for late sept.
542.1093BUSY::SLABOUNTYHoly rusted metal, Batman!Thu Aug 24 1995 18:315
    
    	Wow, 8+ minutes??
    
    	How many songs?  1/2?  8^)
    
542.1094KDX200::COOPERAnimal Instinct...Thu Aug 24 1995 18:585
    Hey Buck,
    
    What else is supposed to be on the EP besides COS??
    
    jc
542.1095POWDML::BUCKLEYgive em the boot!Mon Aug 28 1995 16:379
    I forget the exact track listing, but it's cut into "5" songs (-1
    should have read 80+ minutes!):
    
    1) A Change of Seasons (studio)
    2) Perfect Strangers (live)
    3) Funeral For a Friend/Love Lies Bleeding (live)
    4) Medley (of a whole bunch of stuff, inc. Bohemian rhapsody, a dregs 
       tune, etc etc) (live)
    5) a Led Zep medley (live)
542.1096BUSY::SLABOUNTYHoly rusted metal, Batman!Mon Aug 28 1995 17:067
    
    	A Dregs tune??
    
    	Eesh!!  Could they stoop any lower?
    
    	8^)
    
542.1097No matter how low they stoop, they will still not be worthyDREGS::BLICKSTEINMy other piano is a SteinwayMon Aug 28 1995 17:506
    > A Dregs tune??
    
    >  Eesh!!  Could they stoop any lower?
    
    Only "stooping" involved there is the bowing in worship to the gods
    that the Dregs are.
542.1098POWDML::BUCKLEYI'm full just looking at it!Tue Sep 05 1995 15:2724
    Here is a track listing of Dream Theater's forthcoming "A Change of
    Seasons" EP:
    
    
1. A Change of Seasons
    I. The Crimson Sunrise
   II. Innocence
  III. Carpe Diem
   IV. The Darkest of Winters'
    V. Another World
   VI. The Inevitable Summer
  VII. The Crimson Sunset
  
2. Funeral for a Friend - Love Lies Bleeding (Elton John)
3. Perfect Strangers (Deep Purple)
4. The Rover - Achilles Last Stand - The Song Remains the Same 
    (Led Zeppelin Medley)
5. The Big Medley 
    I. In the Flesh (Pink Floyd)
   II. Carry on Wayward Son (Kansas)
  III. Bohemian Rhapsody (Queen)
   VI. Lovin', Touchin', Squeezin' (Journey)
    V. Cruise Control (Dregs)
   VI. Turn It on Again (Genesis)
542.1099STRATA::LUCHTIs it a passion or just a profession?Tue Sep 05 1995 22:214
    
    Cool, when's it due out?
    
    
542.1100Dreamy snarf!POWDML::BUCKLEYI'm full just looking at it!Thu Sep 07 1995 19:001
    September 26th.
542.1101KDX200::COOPERRuffRuff - BowWow!Fri Sep 08 1995 15:144
    Gotta,gotta, gotta HAVE IT!!
    
    Anyone poke around in the When Web And Day Unite WWW page?
    
542.1102POWDML::BUCKLEYI'm full just looking at it!Fri Sep 08 1995 17:251
    When Web and Day Unite is a *great* WWW page!
542.1103BUSY::SLABOUNTYHoly rusted metal, Batman!Fri Sep 08 1995 17:295
    
    	What's the URL for the WWW page?
    
    	Thanks!!
    
542.1104Dream Theater Web PagesKDX200::COOPERRuffRuff - BowWow!Fri Sep 08 1995 17:418
    Here are some that I know of:
    
    http://cs.muohio.edu/~mjones/music/dt/dt.html
    
    http://www.cs.brandeis.edu/~mikeb/dt.html
    
    These two are hyper-linked to a few more...
    jc
542.1105Mike on ACoS EP!POWDML::BUCKLEYas if?!Fri Sep 15 1995 15:1489
This is the message included in the Japanese version of ACoS from Mike Portnoy 
to all the Japanese Dream Theater fans:


GREETINGS ONCE AGAIN TO OUR LOYAL AND BELOVED JAPANESE FANS!!

It is with great pleasure that we present to you this collection of odds and
ends from the Dream Theater vault.  The new and improved recorded version of 
"ACOS" is something that we've been longing to do for many years now and are 
very excited to have finally released.

We were able to make many changes (musically, lyrically, and melodically) from
the original 1989 version, which can give you a sense of where we were, where
we are, and where we are going.  It also marks the first recorded performance 
of our new keyboardist, Derek Sherinian, whose talents shall prove to be a very 
valuble asset to both the writing and enthusiasm of the band.  Welcome aboard 
Derek!!  The "Uncovered" show at Ronnie Scott's was a one-of-a-kind, unique 
experience for all of us involved.  During our tour of Japan in January of 1995,
while you fans were gearing up to attend our shows, we were onstage at 
soundchecks learning endless amounts of cover songs.  (In fact, we even threw 
Pink Floyd's  "In The Flesh" into a couple of our shows on that tour to test 
it out on stage!)  Here's a brief walk-through of the tracks we selected for 
inclusion on this release:

1. "Funeral for a friend / Love lies Bleeding"
The often overlooked Elton John masterpiece that really seemed right up our 
alley to cover. (The long and mysterious instrumental overture combined with a 
great melodic rock & roll song.)  When citing our influences, everybody is very 
quick to point out our Progressive Rock or Heavy Metal favorites. However, we 
are also big fans of classic, mainstream stuff like Elton, Billy Joel, U2, 
Journey, Peter Gabriel, The Beatles, etc.

2. "Perfect Strangers"
Deep Purple were an obvious choice as a band for us to cover. They were one of
the first bands to combine progressive elements with metallic overtones. They 
also use keyboards as a predominant and lead instrument in the same way that we 
do.  We originally chose and rehearsed "Child In Time", but on the day before 
the "Uncovered" show, we recorded a version of "Perfect Strangers" with Bruce 
Dickinson on vocals for his BBC1 radio show in England.  It felt so powerful 
and alive that we decided to go with this track instead.

3. "The Rover/Achilles Last Stand/The Song Remains The Same"
Led Zeppelin were THE band of the '70's to any teenager growing up in America 
at the time. Their influence on modern music is practically unparalleled by 
any other band.  Their extensive, improvised jams in their live shows set the 
precedent for bands (including Dream Theater!) who occasionally dabble in a 
bit of self-indulgence.  Choosing a Zeppelin song to cover was a tough one 
because there are so many classics and a lot of them have already been done. 
We decided to choose three of the less-likely choces and combine them for a 
mini-medley.  We were fortunate enough to have the privilege of playing several 
shows with the reunited Page/Plant this past summer in Germany, and those shows 
only confirmed their status as legitimate living legends!

4. The Big Medley
In June of 1990, while still searching for that "right" vocalist we did an 
instrumental show on Long Island, New York, under the moniker of "Ytse Jam". 
The encore of that show was a medley made up of old favorites of ours, and we 
used that medley as a blueprint for this medley.

A) "In The Flesh?" - The opening track to possibly the greatest album of all 
   time.  (Pink Floyd's "The Wall")  Pink Floyd have always been a huge 
   influence to us and this seemed to be a great start to the big medley.
B) "Carry On Wayward Son" - The old classic Kansas AOR radio hit. They were an
   incredibly talented band, and maybe one of the most overlooked of the 
   progressive rock movement of the '70's.
C) "Bohemian Rhapsody" - Our original medley from 1990 included this piece, 
   and that was before "Wayne's World" made this song a household name. Queen 
   are another huge influence for us and they made some of the most innovative 
   music of the '70's.
D) "Lovin' Touchin' Squeezin'" - A bit of nostalgia here: This was the very 
   first song we played with James when he auditioned for the band in January of
   1991. Steve Perry is one of James' biggest vocal influences and, judging by 
   the way he sings this song, you'll see why he got the gig with us!!
E) "Cruise Control" - The Dixie Dregs were the original, instrumental, 
   progressive band. Their virtuosity was untouchable and their influence on 
   us is immeasurable.  They never got the appreciation that they deserved. 
   (Except, of course, from John Petrucci, who still to this day cites Steve 
   Morse as his biggest guitar hero!)
F) "Turn It On Again" - It probably would have been more appropriate for us to
   have covered an older, more progressive song by Genesis, but this one really 
   seemed to wrap up the big medley quite nicely. Maybe at the next "Uncovered" 
   show we can do "Firth of Fifth"......or "In The Cage"......or "Supper's 
   Ready"......or........


Enjoy and we'll c-ya on tour again real soon.
Kanpai!!

Mike Portnoy / Dream Theater
542.1106POWDML::BUCKLEYas if?!Fri Sep 15 1995 15:184
    
    BTW -- while the release date of ACoS remains 26 SEP for Canada,
    apparently it's been bumped up a week to 19 SEP for the U.S.  This
    has been confirmed by MANY music stores and chains across the country.
542.1107BUSY::SLABOUNTYHoly rusted metal, Batman!Fri Sep 15 1995 15:194
    
    	Bruce Dickinson doing "Perfect Strangers" ... yes, I think that
    	would sound very good.
    
542.1108STRATA::LUCHTIs it a passion or just a profession?Fri Sep 15 1995 22:323
    
    Yeah, I want to hear that.
    
542.1109Dream Threater WWW pagesPOWDML::BUCKLEYas if?!Sun Sep 17 1995 20:5531
WWW Sites:

1)	Skadz's Dream Theater Site
	http://www.dreamt.org

2)	CSS's Official Dream Theater Home Page
	http://www.music.net/music/dt/dt.html

3)	Caught In A World Wide Web: Dream Theater Page
	http://www.cs.brandeis.edu/~mikeb/dt.html

4)	When Dream and Web Unite
	http://cs.muohio.edu/~mgjones/music/dt/dt.html

5)	Dream Theater Info
	http://www.geom.umn.edu:8000/~bmeloon/music/bandinfo/dt.html

6)	Ed Polzin's DT Page</a>
	http://isr0939.urh.uiuc.edu/dt/dt.htm
        
7)	Images and Web
	http://www.usmcs.maine.edu/~laferrie/music/dt/dt.html

8)	Bill's Dream Theater Page
    	http://b62772.student.cwru.edu/~bill/music/dt/dt.html
        
9)	Scott Bell's NEW Dream Theater Page
    	http://silver.ucs.indiana.edu:80/~scebell/spot/dream.html

10)	The Dream Theater Song Book
    	http://www.indirect.com/www/mkizer/index.htm
542.1110BUSY::SLABOUNTYHoly rusted metal, Batman!Mon Sep 18 1995 11:135
    
    	Any recommendations as to the better page[s]?
    
    	Thanks.
    
542.1111KDX200::COOPERRuffRuff - BowWow!Tue Sep 19 1995 17:397
    
    It roolz.  Nuff said.
    
    Since I'd heard COS live, I went right to the covers - Too cool!
    Dream Theater would've been a great cover band making 350/night at
    The Gardens.  :-)
    
542.1112BUSY::SLABOUNTYHoly rusted metal, Batman!Wed Sep 20 1995 12:289
    
    	"The Song Remains the Same" appears on the insert, but not on the
    	CD.  Strange.
    
    	However, right before popping ACOS into the CD player, I had been
    	listening to Led Zeppelin's "Remasters" box set and had mentioned
    	to myself that that song was perhaps the worst Led Zeppelin song
    	that I had ever heard, so it sure doesn't matter to me.
    
542.1113Prosecution restsHOZHED::FENNELLA cowboy's life is not for meWed Sep 20 1995 12:401
This from a guy who likes Donna Summer and Abba...
542.1114KDX200::COOPERRuffRuff - BowWow!Wed Sep 20 1995 13:521
    Hey Shawn - It IS on the CD, listen to it, BUB!
542.1115BUSY::SLABOUNTYHoly rusted metal, Batman!Wed Sep 20 1995 14:027
    
    	The whole song?
    
    	Maybe I wasn't paying attention and thought it was a continuation
    	of the Pink Floyd song or something, but I don't remember hearing
    	it.
    
542.1116POOKY::OROURKEheaven help the heartWed Sep 20 1995 14:047
    
    Coop-
    
    Don't give Shawn too many assignments.  I've already told him to go
    home and NOTICE the CD art!
    
    /jen
542.1117KDX200::COOPERRuffRuff - BowWow!Wed Sep 20 1995 14:115
    Ya...  Shawn dood - it's a three song medley The Rover, Achilles Last
    Stand and The Song Remains The Same.  It's like prego sauce - It's 
    IN THERE.
    
    :-)
542.1118DREGS::BLICKSTEINGeneral MIDIWed Sep 20 1995 15:1024
    I think I will (eventually) like the new song, COS, but the covers
    leave me kinda cold.
    
    I was amused to see that the new keyboard player plays the piano solo
    in "Love Lies Bleeding" about as cluelessly as I do.
    
    It's not like it's hard, but it's hard to remember exactly what Elton
    did and yet almost nothing else seems to fit very well.  I certainly
    think that's the weak point of that DT cover.
    
    The medley of tunes contained a lot of favorites, but I didn't find the
    arrangement to be overly artful or clever.
    
    You wanna hear a great/clever/artful arrangement of covers, listen to
    the Medley on the Dixie Dregs "Bring 'Em Back Alive" CD.    Those songs
    are spliced together "like buttah".
    
    I also don't care all that much for any of those particular Zep tunes.
    
    It's rather amazing though that I even started to like COS on first
    listen.  It usually takes quite a number of listens for me to
    appreciate a DT tune.
    
    	db
542.1119POWDML::BUCKLEYas if?!Wed Sep 20 1995 15:2318
    ACoS rooolz!  i have various incarnations of this song on tape --
    the original 1989 instrumental version sans vocals, the 03/04/94
    NYC version w/vocals, etc.  While some of my favorite parts are
    now gone in the new version, I really love the new beginning and
    think as a "whole", the song now flows a lot more evenly.
    
    The covers are "ok" -- I know they whipped these together in a 
    flash, so I wasn't expecting greatness ... but I didn't think 
    DT played FFAF/LLB or Carry on Wayward Sun much better than
    Metropolis (db, Rob, Buck band) did, to be honest.  I'm glad
    that the Ronnie Scott gig is on disc, however -- that is one
    of the more rare tapes floating around the world!
    
    All in all, I'm really happy with the EP and it's currently
    dominating my home and car stereos.
    
    
    /Buck
542.1120POWDML::BUCKLEYas if?!Wed Sep 20 1995 16:148
    P.S. --
    
    Coop ... what are you talking about -- "I skipped to the covers
    having already heard COS..."
    
    I'm curious, WHERE have you heard it?  Did you buy that Subconscious
    CD off the Internet??  If not, then I have no idea where you would
    have previously heard ACOS.
542.1121BUSY::SLABOUNTYHoly rusted metal, Batman!Wed Sep 20 1995 16:215
    
    	Buck, he was probably standing right behind you at The Strand.
    
    	8^)
    
542.1122KDX200::COOPERRuffRuff - BowWow!Wed Sep 20 1995 16:222
    I heard 'em do it live....I could wait another minute or two...
    
542.1123KDX200::COOPERRuffRuff - BowWow!Wed Sep 20 1995 16:234
    
    Yeah, that...
    
    ;-)
542.1124DABEAN::REAUMEvintage rackerWed Sep 20 1995 18:469
    
    
     I'm currently playing aCoS on our office Celebris 590FP system. I
    picked it up over lunch and plugged it into the CD-ROM drive. I agree
    that aCoS goes over the first listen (I'm trying to remember, but I'm
    pretty sure they played it when I saw them live in '93). 
      I think the covers are OK at first listen. I'll be checking it out 
    more this week.
    
542.1125the cassette is around $6.00POWDML::BUCKLEYas if?!Thu Sep 21 1995 11:033
    
    FYI -- DT's new ACOS CD is on sale at Strawberries this week for under
    $10.00!!!  Not a bad price for an "EP" with 80 minutes worth of music!
542.1126BUSY::SLABOUNTYHoly rusted metal, Batman!Thu Sep 21 1995 11:2015
    
    	When I added the track times from the cover I got less than 60
    	minutes total.
    
    	And I now know how I missed "The Song Remains the Same" on 1st
    	listen.  I'm not familiar with "The Rover", and thought "Achilles
    	Last Stand" was the Pink Floyd song from "The Wall", so naturally
    	I thought they skipped "The Song Remains the Same" and went right
    	into "Carry On My Wayward Son".  Of course, then my next problem
    	was that they skipped "In the Flesh", but now I know.
    
    	And Jen ... the artwork on the CD doesn't do much for me.  Sorry.
    
    	8^)
    
542.1127BUSY::SLABOUNTYAct like you own the companyTue Sep 26 1995 16:526
    
    	Am I the only one that thinks that the title track is just a bit
    	too long?
    
    	Probably.
    
542.1128STRATA::LUCHTIs it a passion or just a profession?Wed Sep 27 1995 23:258
    
    I picked up their new CD over the weekend, listened, and liked it
    alot.  They certainly got their chops down on those covers and I
    liked ACOS just as much.
    
    Kev --
    
    
542.1129makes driving to work "fun"POWDML::BUCKLEYas if?!Thu Sep 28 1995 16:1120
    >	Am I the only one that thinks that the title track is just a bit
    >	too long?
    >
    >	Probably.
    
    Probably is right.
    
    I think with the new arrangement, ACOS is "perfect".  I think it flows
    really well from section to section, and is pretty darn cohesive as a
    work as a whole.
    
    The "old" version (bootleg circa 1989 - 1992), I felt, was much more
    rough in the transitions, and just seemed to be one long compilation
    of relatively unrelated musical pieces strung together.  I don't feel
    that way about the new ACOS arrangement at all?!
    
    Maybe it's just me?!
    
    Besides, the song is exactly the amount of time it takes me to drive
    from my drive to work -- works out REAL nice that way!!  8^)
542.1130POWDML::BUCKLEYas if?!Fri Sep 29 1995 16:572
    Dream Theater's "A Change of Seasons" debuted at #23 on the Boston
    Hot 25 selling albums!
542.1131so far it sounds pretty good!SUBSYS::MSOUCYMon Oct 02 1995 08:5216
    
    I like the song, moves/works well. The covers are also done pretty good
    too! I haven't listened to it all yet, have to listen to track 5 in its
    entirety. And I thought this thing was supposed to be like 83 minutes?
    Mine is only showing 57 and change.....anything hidden on it? And what
    was the big deal with the artwork? Kid on a beach of snow with pale and
    rose growing, and then old man sitting in chair with parka on and
    calendar date sheets blowing around and rose dead (appears that way),
    and yes, I can see the title worked into that, just put there
    differently than normal changes! My interpretation anyways! Did I miss
    something there?
    
    I also saw they worked with Hogarth and one other Marillion person!
    
    Mike
    
542.1132BUSY::SLABOUNTYA swift kick in the butt - $1Mon Oct 02 1995 10:346
    
    	Jen was referring to the artwork on the CD itself, not the pack-
    	aging.
    
    	And she's wrong, because it's pretty boring.  8^)
    
542.1133POWDML::BUCKLEYas if?!Mon Oct 02 1995 10:373
    of course, the artwork describes what ACOS is all about -- the essence
    of life, and one man's journey from childhood through death (as realted
    to the changing seasons of nature).
542.1134BUSY::SLABOUNTYA swift kick in the butt - $1Mon Oct 02 1995 10:559
    
    	If I buy a CD, I don't want to have to think about these things.
    	I just want to hear the music.
    
    	If I want a f****** mystery to solve I'll buy an Alfred Hitch-
    	cock book.
    
    	8^)
    
542.1135POWDML::BUCKLEYas if?!Mon Oct 02 1995 17:545
    There are other sublteies in the DT album cover.  
    
    One, for instance, is the rose blooming in the bed of snow.  Singer
    James LaBrie's last band was named Winter Rose...  The Majesty symbol
    on the bucket, etc.
542.1136any of his stuff out?SUBSYS::MSOUCYTue Oct 03 1995 09:287
    
    Is any of LaBrie's old band stuff available on CD, and if so, is it any
    good? How did they come up with that "Majesty" symbol? I was wondering
    what it was/related to/meant.......
    
    Mike
    
542.1137POWDML::BUCKLEYas if?!Tue Oct 03 1995 12:5912
    >Is any of LaBrie's old band stuff available on CD, and if so, is it any
    >good? 
    
    The Winter Rose demos aren't out on CD to my knowledge (yet), but with
    the Majesty Demos, Kevin Moore demos and every other bootleg is, so,
    I'm sure it's only a metter of time.
    
    
    >How did they come up with that "Majesty" symbol? I was wondering
    >what it was/related to/meant.......
    
    It's a comination of the letters which spell Majesty.
542.1138Europ tour???HERON::KHANMon Oct 09 1995 12:2110
    Hi everyone,
    
    	I'm dfinitely one of the greatest fan of DREAM THEATER and I have
    all their albums. However, I'm very desapointed not to have see them
    live : I live in France (Nice) and as I know they never decide to
    perform live near. So, I'd like to know if they intend to come near...
    
    	Thank you for any answer...
    
    RV
542.1139KDX200::COOPERRuffRuff - BowWow!Mon Oct 09 1995 13:526
    Well, I dunno about any european dates, but to satiate yourself,
    perhaps a copy of their live video would be in order??
    
    Unless of course, you already have it...
    
    :-)
542.1141I want MOORE back!KDX200::COOPERRuffRuff - BowWow!Mon Oct 09 1995 20:3413
    Someone (db, Buck?) wanna tell me who had the brilliant idea of 
    leaving the newbie keyboard player ALONE in the control room at 
    approx. 18 minutes into the final mix ACOS??  There is a patch 
    change in there that just DOESN'T fit!!  Makes me think of my 
    first day on a new Casio CT670.  :-)  Beats the HELL outta me
    what rocket scientist producer let that electronic FART go un-noticed.
    
    Another note - who the HELL writes this guys patches (in general)?
    They SUCK!  Funeral For A Friend for instance:  A Caliope?  A Chorused 
    Piano??  Is this supposed to be a Hammond patch??  Gimme a BREAK!
    
    Okay - I feel better...
    
542.1142rectificationHERON::BAILEWed Oct 11 1995 07:465
    What you must know is that this keybord isn't an inexperienced one : he
    was the keybord of Alice Cooper and a Kiss member (I read this on a DT
    FAQ)
    
    RV
542.1143POWDML::BUCKLEYas if?!Wed Oct 11 1995 10:219
    Coop
    
    Stop ragging on Derek -- he lived across the hall from me at Berklee
    and is an excellent player.  I stole many a lick from him!  8^)
    
    I think I know which patch you're talking about and I LOVE that
    sound change!!
    
    /B
542.11452 unknown songsHERON::SIRENE::STEELEHello Betsy!Wed Oct 11 1995 11:227
	As I surfed through the Web 8*(), I read something about 2 songs :
		Eve & ... that were mentionned at the same time that Change 
Of seasons. All i want to know is Where I can find those 2 songs...

	Thank you all in advance

	RV
542.1147POWDML::BUCKLEYas if?!Wed Oct 11 1995 11:5111
    RV writes:
    
    >As I surfed through the Web 8*(), I read something about 2 songs : Eve
    >& ... that were mentionned at the same time that Change  Of seasons.
    >All i want to know is Where I can find those 2 songs...
    
    Probably EVE and TO LIVE FOREVER.
    
    They are available via bootlegs (try the Subconscious CD) or on
    the LIE CD single (released)
    
542.1148Update on DT Holiday ShowsPOWDML::BUCKLEYas if?!Wed Oct 11 1995 12:298
    Dream Theater are doing some area shows around the Holidays.  Here are
    three dates confirmed so far through TicketShafter: 
    
    12/27	El-N-Gee	New London, CT		(860) 437-3800
    
    12/28	Malibu		Lido Beach, NY 		(long Island)
    
    12/29	Birch Hill	Old Bridge, NJ		(908) 536-0650
542.1149STRATA::LUCHTIs it a passion or just a profession?Wed Oct 11 1995 23:529
    
    Their version of "Perfect Stangers" is great.  I was playing the
    CD for a DP-fan-buddy of mine and together we nearly ripped his living
    room apart at concert-level volume!!!  
    
    I've GOT to see the CT show in December.
     
    Kev --
    
542.1150POWDML::BUCKLEYas if?!Thu Oct 12 1995 17:4110
    Kev --
    
    Will see you there -- I'm hitting all three shows (surprised?!?).
    
    The NY and NJ shows are being sold through Ticket Master, but the CT
    show is not to my knowledge -- best bet is to call the club directly.
    
    ...and soon!  With DT not playing many shows, the ones they DO play
    attract hard-core fans from as far away as Florida and Wisconsin
    (seriously).
542.1151FABSIX::I_GOLDIEresident alienThu Oct 12 1995 17:576
    
    
    whats the problem with Florida and Wisconsin?
    
    
    						ian
542.1152POWDML::BUCKLEYA Change of SeasonsThu Oct 19 1995 16:5310
    >whats the problem with Florida and Wisconsin?
    
    er...they're naff and DT doesn't wanna play there?!?
    8^)
    
    The band is only doing 6 more dates until the next album comes out in
    late 96 -- three in Japan at the end of October, and the three Holiday
    dates in CT, NY and NJ.
    
    Catch em if you can
542.1154POWDML::BUCKLEYA Change of SeasonsThu Oct 19 1995 17:3518
    Dream Theater are doing some area shows around the Holidays.  These are
    the last three shows until LATE 1996 and their next U.S. tour:
    
    12/27	El-N-Gee	New London, CT		(860) 437-3800
                                                        Tickets through
    							the Club or from
    							Strawberries.
    							$10 adv, $15 DOS
    
    12/28	Malibu		Lido Beach, NY 		(516) 888-9000
                                                        Ref. #: ELB1228
    							TicketShafter NY
    							$12.50 adv, $15 DOS
     
    12/29	Birch Hill	Old Bridge, NJ		(908) 536-0650
    							Tickets through
    							TicketShafter
    							$12.50 adv, $15 DOS
542.1155KDX200::COOPERRuffRuff - BowWow!Thu Oct 19 1995 19:292
    Denver please....   :-)
    
542.1156DT and CO Coasters would be cool!POOKY::OROURKEMyOtherVehicleIsABroomThu Oct 19 1995 20:094
    
    Only if we can all fly out and the parks are open too! :)
    
    /jen
542.1157Last Update (I promise!) on those DT shows!POWDML::BUCKLEYA Change of SeasonsFri Oct 20 1995 17:11122
    Regarding those ever-important DT Holiday shows...
    
    
    Below I've tried to supply a compiled list of general information to
    aid all  those people on the jam looking for assistance in getting to
    see one of these  shows.  I've tried to cover all the bases below -- my
    apologies up front if  I've alleviated any pertinent information!
                                                                     
    P.S. -- I'll be doing my infamous 'Programmes' for these shows, which
    are fast becoming little collectors items in themselves.  I print up
    100 copies per show, so be sure to grab one if you you can.

----------------------------------------------------------------------------

CLUB				SHOW DATE	
----				---------
El N Gee			27 DEC 95
P.O. Box 2210
New London, CT  06320
(860) 437-3800

How to get Tickets:

1) Available from Strawberries Record Stores in the general CT area (possibly
   MA and RI, but don't quote me on it).

2) Send a MONEY ORDER for $10.00 PER TICKET, along with a _SASE_, to the club
   at the address listed above.  Mark CLEARLY on the envelope "ATTN:  DREAM
   THEATER TICKETS" -- the club will process the money order and mail your
   tickets back to you via U.S. Snail Mail.

Directions to the Club:

From the North -- Follow I-95 south to Exit 84 S.  You'll cross the Gold Star
Bridge.  At the other end of the bridge is a "double exit" of sorts ... you 
want to follow the road marked "84 S / Downtown".  This road will obviously 
bring you into downtown New London.  Note -- if you're traveling from the 
south and are headed north on I-95, these directions may vary slightly -- don't
know, never come this way, but regardless you want to follow any and all signs
leading you towards Downtown New London!

You'll go through 3 sets of traffic lights.  After the 3rd set of lights, 
there is a LARGE parking lot (free/public) on your left.  Park in there.  The
club is directly across the street. 

----------------------------------------------------------------------------

CLUB				SHOW DATE	
----				---------
Malibu Night Club		28 DEC 95
Lido Beach, NY
(516) 432-1600

How to get Tickets:

1) They are being sold through TicketShafter in NY.  Call (516) 888-9000,
   use Ref. #: ELB1228 for the show.  Tickets are $12.50 each, PLUS a $2.75
   service charge and a $2.05 special handling charge, for a whopping ticket
   total of $17.30 per ticket!!  Tickets are ordered through a major credit
   card, and will be mailed to the address listed on your card.

Directions to the Club:

Get to either the Long Island Expressway (aka, the LIE) or 495, and go to the 
"Meadowbrook Parkway South" exit (towards Jones Beach).  (If you'd like, you 
can also take the Grand Central Parkway, which becomes the Northern State 
Parkway, to exit 31 [I think], which is also the Meadowbrook...).

Once you're on Meadowbrook Parkway South, for this for a while until you come
to the last exit before Jones Beach (there should be signs for the toll booths 
beforehand).  There's an exit for the Loop Parkway, which takes you to Lido 
Beach/Long Beach/Point Lookout -- TAKE THIS EXIT!!

You will be heading west.  Cross the bridge, and at the first light you get 
to, make a RIGHT.  About a 1/4 mile down, there will be another light, and if 
you look to your left, you will see a sign that says "Malibu - Dec. 28 - 
Dream Theater."  Make a LEFT at this second light and park ... there is PLENTY
of free parking!

----------------------------------------------------------------------------

CLUB				SHOW DATE
----				---------
Birch Hill Night Club		29 DEC 95
Route 9 South
Old Bridge, NJ
(908) 536-0650

How to get Tickets:

1) They are being sold through TicketShafter in NJ.  Call (609) 520-8383 to
   order tickets for the show.  NOTE -- I tried 4 different TM phone numbers 
   for NJ -- ALL said they couldn't sell me tickets to this event!!  Please
   note if you get this line of BS from them, the above number DOES have the
   Birch Hill show on their system -- just push them to look the damn thing
   up and sell you tickets!!!

   Tickets are $12.50 each, PLUS a $2.75 service charge and a $2.05 special 
   handling charge, for a whopping ticket total of $17.30 per ticket!!  
   Tickets are ordered through a major credit card, and will be mailed to the 
   address listed on your card.

Directions to the Club:

From North or South, take your favorite roads leading to the NJTP (that's
the New Jersey Turnpike for you NJ virgins!) or the GSP (Garden State Parkway). 

If you're coming in from the NJTP, Exit 11 will take you to the GSP.  Once on 
the GSP (which you can take directly from certain locations), take Exit 123 
to get to Route 9, heading south.  Birch Hill is down a couple of miles in 
Old Bridge on the right hand side.  The place has a big sign, you can't miss it!


Happy rails,                                        ....   
Buck                                             .++++++++.\           
--                      .+++.                 .+++++++++++++++.\               
      ...             .+++++++.             .+++++++++++++++++++++.\
    .+++++.         .+++++++++++.          .+++++++++++++++++++++++++++.       
  .+++++++++.     .++++++    William J. Buckley, Jr.    +++++++++++++++++++.
.+++++++++++++...++++++++  buckley@powdml.enet.dec.com  ++++++++++++++++++++++.
-----------------------------  CoastrBuck@aol.com   ---------------------------
-----  Support an American Tradition ... RIDE MORE ROLLER COASTERS !!!!!  -----
542.1158POWDML::BUCKLEYA Change of SeasonsTue Oct 24 1995 10:3429
    The following review of "A Change Of Seasons" appears in the new issue
    (November 1995) of Metal Hammer, a UK-based publication:
    
    ---------------------------------------------------------------

    So the Internet finds a new use:  Recorded in response to requests from
    computer techno-crazy fans, this mini-album's title track twists and
    turns through 23 minutes of complex musical imagery.  A melting pot of
    time-changes and varying moods, 'Seasons' is by turns gentle, dramatic
    and even fearsome; an epic adventure that will delight devotees of the
    band.
    
    And those live tracks?  As someone who missed the show, hearing a 
    remarkably faithful rendition of Deep Purple's 'Perfect Strangers' in 
    its entirety, followed by brief morsels of various classic songs, is 
    quite odd.  And although each cover holds a trace of the original 
    artists (particularly Pink Floyd's 'In The Flesh'), the Dreamer's 
    precise musical personalities are so strong that every new composition
    is impregnated with a level of performance perfection that all but
    eradicates any hint of a live atmosphere.
    
    No sweat, no fire - a definate case of 'Ya shoulda been there'.  
    
    'Seasons is a must for Dream Theater fans, but that is really the 
    extent of its commercial appeal.                           
    
    Lyn Guy
    
    Rating:  ***1/2
542.1159DEMOS WANTEDHERON::BAILEMon Oct 30 1995 10:174
    Hi
    	Does anybody know where (or how) I can find DT demos???
    I check at my favorite Music import store but I get no good answers...
    
542.1160POWDML::BUCKLEYA Change of SeasonsMon Oct 30 1995 13:344
    -1
    
    Do you know specifically what you're looking for??  I know a few
    sources I can direct you to...
542.1161ICS::snobrd.pko.dec.com::whitmanTue Oct 31 1995 11:068


more like "a few hundred" sources probably...

;')

Whit-
542.1162POWDML::BUCKLEYA Change of SeasonsTue Oct 31 1995 11:293
    Well, I didn't wanna scare him away, whit...
    
    8^)
542.1163ICS::snobrd.pko.dec.com::whitmanTue Oct 31 1995 13:374


hahahaha!!
542.1164what a difference a state makes :^)AKOMI2::OROURKEMyOtherVehicleIsABroomSun Nov 05 1995 22:238
    
    RE: .1157
    
    The Strawberries in Acton did not have the New London show on their
    sell list but the Strawberries in Rhode Island did.  Ticket price of
    $10 plus a $1.50 service charge.
    
    /jen
542.1165EvePOWDML::BUCKLEYbullet with butterfly wingsFri Nov 10 1995 12:3634
Song: EVE 
    
Music by Dream Theater
Lyrics taken from "Portrait of an Artist as a Young Man", by James Joyce.

    
	Chapter One.  Once upon a time, and a very good time it was,
	there was a moo cow coming down along the road.

    	[instrumental break]

    	So He came Himself in weakness, not in power,
	and He sent thee, the creature, in His stead.
	With the creature's comeliness, and luster,
	suited to our state.

	And now, thy very face and form, dear mother,
	speak to us of the eternal.  Not like earthly beauty, 
        dangerous to look upon, but like the morning star, 
        which is thy heirloom -- bright, and musical -- breathing 
        purity, telling of Heaven and its easing peace.

	O harbinger of day!  O light of the pilgrim!
	Lead us still, as thou hast led.  In the dark night, 
        across the bleak wilderness; Guide us on to our Lord Jesus; 
        guide us home.

	[instrumental]

	"Tower of Ivory?" they used to say, "House of Gold?"
	"How could a woman be a tower of ivory or a house of gold?"

	Our Father, who art in Heaven, hallowed be thy name,
	Lead us not into temptation, and deliver us from evil.  Amen.
542.1166POWDML::BUCKLEYbullet with butterfly wingsFri Dec 01 1995 11:3112
    
    The John Petrucci REH instruction video is now available!!!
    
    
    The guy I spoke to at Warner said it was about 2 hours long, with some
    of the band in the video!  Cost is around $50.00.
    
    You can call for more info or to order at:
    
    Warner Bros. (or REH)
    Note Music Service
    1-800-628-1528  (ext. 215)
542.1167FABSIX::I_GOLDIEresident alienFri Dec 01 1995 12:477
    
    watch it while it's in "fast foward" mode and then it'll look like he's
    really shredding~ 8)
    
    
    
    						ian
542.1168KDX200::COOPERYou're Aunty ...Aunty social!Fri Dec 01 1995 13:373
    Bah!
    
    Watch it in half-speed and he's still too quick for me!
542.1169party with Dream Theater POWDML::BUCKLEYReason for the SeasonWed Dec 06 1995 16:088
    Not that ANY of you care -- but ...
    
    There is a special party being arranged before the Dec. 28th DT show
    on Long Island WITH the band, themselves!!  Meet n greet the members
    of Dream Theater!  Hang out, chat with em, get autographs, tell em
    they're shite, whatever.
    
    In the slim chance anyone is interested, send me mail...
542.1170SCASS1::BARBER_AMumbojumbo TranslatorusWed Dec 06 1995 16:183
    I'm not interested, but I have a question (speaking of Dream Theater)
    
    Has anyone heard from Rob lately?????????????....ab ('pril)
542.1171POWDML::BUCKLEYReason for the SeasonWed Dec 06 1995 16:466
    Pril!!!
    
    I dedicate that 11-69 I got -2 back to you!  8^)
    
    Re: Rob -- yeah, chatting with him in mail as we speak -- he is going
    to DT in Connecticut.  I'll send you his internet address...
542.1172POWDML::BUCKLEYReason for the SeasonFri Dec 08 1995 14:1161
    The new Petrucci REH instructional guitar video is awesome.  Here is
    the description as found on the back:

    * * * * * * * * *
    
    ROCK DISCIPLINE is an awesome two-hour epic on the art of modern rock
    guitar. As the cornerstone for the innovative band Dream Theater, John
    Petrucci has quickly become one of the most respected and talked-about
    guitarists of the 90's. He has been featured in virtually every major
    guitar publication worldwide and was voted 'Best Guitarist' in Guitar
    Magazine and 'Break Through Guitarist of the Year' in Guitar for the
    Practicing Musician.

    John begins the video with a valuable segment on stretching and warming
    up the muscles in your shoulders, arms and hands. Then it's time to
    grab your guitar for some unique right and left hand warm-up exercises. 
    John follows up with a detailed lesson on speed and accuracy as you
    learn subdivisions of the beat, chromatic exercises, and playing with
    dynamics.  John emphasizes practicing with a metronome to track your
    progress as you build stamina and speed. Then John shows how to connect
    'scale fragments' to form long solo lines. Other sections in the video
    include techniques like picking through arpeggios, string skipping,
    sweep picking and legato playing.  John also demonstrates how to expand
    power chords by adding more color and texture.  John unleashes dozens
    of inspiring demonstrations throughout the program and includes many
    exercises and special etudes ranging from easy-to-master to very
    challenging.

    The video also takes you behind the scenes of a Dream Theater sound
    check where John gives you a tour of his guitars and live stage set-up. 
    He also talks about his influences, the band and his views on composing
    and practicing.  ROCK DISCIPLINE is one of the most complete courses on
    rock guitar and should be placed at the 'top of the list' for every
    serious player.
    
    (booklet included with examples in standard music notation and
    tablature)
    
    * * * * * * * * *

    Overall, this video is awesome.  Two hours of instruction!! If I had to
    be _real_ picky, I wish he would have covered some specific licks from
    his songs and that they would have given close up shots of his gear
    (all shots from a distance).  But that is being picky.
   
    The quality of the video is another plus.  Most guitar vids I have are
    very simple.  This video gives split screens, and mixes color shots
    with black and white shots (very 'image'y and 'words' feel).  So not
    only are you watching quality instruction, but you're watching it
    presented very artistically.
    
    The very reason why we like DT and Petrucci is their commitment to
    quality.  It should be no surprise that a video that Petrucci puts out
    would be anything less than top-notch quality!
    
    You can order this video for about $50 from Warner Bros. 1-800-628-1528
    (ext.215).
                
       
    Cheers,
    Buck
542.1173FABSIX::I_GOLDIEresident alienFri Dec 08 1995 14:206
    
    it actually sounds like a good tape but I'm not willing to spend $50
    on it!
    
    
    					ian
542.1174STRATA::LUCHTIs it a passion or just a profession?Fri Dec 08 1995 20:534
    
    ...that's why Buck's gonna make us a copy.  8^)
    
    
542.1175next time BUY EARLY!AKOMI2::OROURKEconfectionary_celebritySat Dec 09 1995 19:029
    
    tsk tsk Kev--
    
    If'n ya can't even support the band by driving to little ole New
    London, why would anyone do that for ya!! :^)
    
    /jen
    
    
542.1176puss pussHERON::SIRENE::KHANWed Dec 20 1995 05:131
	Your Puss
542.1177BRAT::JENNISONLittle Voices Tellin Me What To DoWed Dec 20 1995 09:512
    
    LAST ONE:    I suggest that you KHAN state who you are insulting....
542.1178another chance to rock with Dream TheaterPOWDML::BUCKLEYReason for the SeasonWed Dec 20 1995 13:0260
    			NEW DREAM THEATER HOLIDAY SHOW ADDED!!!!!
                        ====================================
    
CLUB				SHOW DATE	
----				---------
El N Gee			27 DEC 95 -- SOLD OUT
P.O. Box 2210                       &
New London, CT  06320		30 DEC 95 -- Now on sale!
(860) 437-3800
    
Directions to the Club:
======================

**FROM THE NORTH (Providence/Boston):
- Take I95-S to Exit 84S to Downtown New London. 
- This puts you on Eugene O'Neill Drive.
- Go through 3 traffic lights.
- Park in the LARGE parking lot (free/public) on your left.
- El N Gee is the club is on Golden St., directly across the street 
  which you came down, NOT the club across the side street which 
  abuts the parking lot.

**FROM THE NORTH (Hartford/Western MA)
- Take 395-S to Exit 78 (a left exit) - for Rt. 32.
- Take Rt. 32-S until it ends.
- Veer left for Downtown New London.
- This puts you on Eugene O'Neill Drive.
- Go through 3 traffic lights.
- Park in the LARGE parking lot (free/public) on your left.
- El N Gee is the club is on Golden St., directly across the street 
  which you came down, NOT the club across the side street which 
  abuts the parking lot.

**FROM THE SOUTH (New Haven/New York):
- Take I95-N to Exit 83.
- Go straight through traffic light at end of ramp.
- After about 1/2 mile, there is a traffic light and a restaurant,
  "The Gondolier" is on your right.  Go through this intersection to the next.
- At the next light (almost immediately following), turn LEFT onto State St.
- Follow State St. about 1/4 mile to intersection w/ Eugene O'Neill Drive.
- At this traffic light, turn RIGHT onto E.O'Neill Drive.
- Park in the LARGE parking lot (free/public) on your left.
- El N Gee is the club is on Golden St., directly across the street 
  which you came down, NOT the club across the side street which 
  abuts the parking lot.

    
CLUB				SHOW DATE	
----				---------
Malibu Night Club		28 DEC 95
Lido Beach, NY
(516) 432-1600
    
    
CLUB				SHOW DATE
----				---------
Birch Hill Night Club		29 DEC 95
Route 9 South
Old Bridge, NJ
(908) 536-0650
542.1179LUDWIG::LUCHTIs it a passion or just a profession?Thu Dec 21 1995 20:514
    
    Thanks Buck.
    
    
542.1180on the road againPOWDML::BUCKLEYIntl. Year of the Coaster -- 1996Wed Dec 27 1995 11:387
    Tonight ...
    
    Jen O'rourke
    Rob Rothberg
    Bill Buckley
    
    New Longdon-bound to rock out with DT!!!
542.1181DECWIN::JUDYThat's *Ms. Bitch* to you!Wed Dec 27 1995 11:515
    
    
    	Tell Rob I said hi..... I sent mail to him at portkar but
    	I guess that's the wrong enet address......
    
542.1182POWDML::BUCKLEYIntl. Year of the Coaster -- 1996Wed Dec 27 1995 11:574
    No, that's right --
    
    "rothberg@portkar.com" is his home address.
    
542.1183DECWIN::JUDYThat's *Ms. Bitch* to you!Wed Dec 27 1995 14:274
    
    
    	hmmm..... well it didn't make it for whatever reason...
    
542.1184how was the show????SUBSYS::MSOUCYThu Dec 28 1995 08:564
    
    So, HOW WAS THE SHOW??????????????????????????
    
    
542.11851185 replies and I have no clue who they are...INTRIGUED!POLAR::RENAUDPWho killed Nice Guy Eddie????Thu Dec 28 1995 09:289
    Alright, I'm gonna do the Shane thing and admit something here.....
    
    WHO THE HELL ARE DREAM THEATRE??
    
    I've never heard of these guys and you all rave about them.
    Who are they, what do they sing, and why are they so popular???
    
    Paully
    
542.1186heres a little info, others have moreSUBSYS::MSOUCYThu Dec 28 1995 09:3219
    
    Dream Theater are a group of 5 individuals that play progressive style
    music. Excellent band all around. They have 4 official cd's out that I
    can think of, oh, one live I think also, titles;
    
    When dream and day unite (with original singer)
    Images and Words	     (new singer, I like him better!)
    Awake
    A change of seasons	     (title track is 23+ minutes long! great tune!)
    A live one, can't recall the name of it right now.
    
    The main song that was on the radio a while back was "Pull me under".
    
    Very good band all around, excellent guitar work/drummming/keys/bass.
    
    Get Images and Words or Awake first then go for A change of Seasons.
    
    Mike
    
542.1187HOZHED::FENNELLPorcelina of the oceans blueThu Dec 28 1995 10:551
I think they're all Berklee alumni - for what it's worth.
542.1188one review!AKOMI2::OROURKEconfectionary_celebrityThu Dec 28 1995 11:2529
    
    RE:1184
    
    The show was good, but logistically kinda strange.   The doors at the
    club were supposed to open at 8, but did not open till after 10:00 so
    we went bar hopping to keep busy/warm.   Rob kept Buck and I amused..
    now I have a better understanding of him winning H_M's party animal
    award! :^)
    
    Due to the late start, the show had to be cut short by two songs
    because the men in blue were there not so quietly talkinging about
    curfew.
    
    The club is very small and the sound was kinda messed up...a bit loud
    (and getting lounder) and distorted....but we were very close...(I
    think Rob was shaking hands with them! :^)  )
    
    Buck jotted down the song list so I'm sure he can post it after seeing
    them in NY & NJ.....and hopefully give us a comparison.
    
    They are still very cool to see live....precise without being boring. 
    I usually like the fact that they do some 'interpretations' and don't
    sound just like the CD, but they did kinda massacre "Quiet Man" last
    night IMO....kinda gave it this blusey/electric twist!
    
    /jen
    
    
    
542.1189now I gotta figure out which song it is!SUBSYS::MSOUCYThu Dec 28 1995 11:288
    
    /jen
    
    Quiet Man? Now I hafta go look at the song listings of Awake and I&W to
    figure out which one that is, then think of it bluesy! ;-)
    
    Mike
    
542.1190BUSY::SLABOUNTYHeavy duty rock'n'roll!!Thu Dec 28 1995 11:333
    
    	Definitely not on "I&W".
    
542.1191POWDML::BUCKLEYIntl. Year of the Coaster -- 1996Thu Dec 28 1995 11:443
    Jen is referring to "The Silent Man", which is no longer being done
    acoustically, but done electrically as a band, with a faster tempo.
    it didn't work very well.
542.1192which is obviously something I'm not! :^)AKOMI2::OROURKEconfectionary_celebrityThu Dec 28 1995 11:467
    
    oh my gawd...you can tell it is early...I'm confusing 'john wayne'
    movie titles with DT song titles.
    
    The correct name is "The Silent Man" and it is off of AWAKE!
    
    /jen
542.1193KDX200::COOPERHeh heh - Not likely palFri Dec 29 1995 18:412
    ....and one of my favorite toons....
    
542.1195Dream Theater -- Home for the HolidaysPOWDML::BUCKLEYIntl. Year of the Coaster -- 1996Tue Jan 02 1996 10:43111
    Well, the pilgrimage is over -- I successfully attended all FOUR Dream
    Theater holiday shows.  Basically took a week and drove from Boston ->
    CT -> NY -> NJ -> CT -> Boston.
    
    Great shows with diversified set lists!  Saw Jamez Utz at show #4 -- Hi
    James.  All four shows SOLD OUT.  Every club was packed to the hilt,
    and even oversold in terms of tickets (Malibu holds 2,000 people --
    3,000 tickets were sold!  Birch Hill holds 700 people -- 2,000 tickets
    were  sold!)
    
    EL N GEE -- SHOW #1
    -------------------
    Under a Glass Moon
    The Mirror
    Lie
    Lifting Shadows off a Dream
    Cover Medley:                  
    	The Rover (Led Zeppelin)
    	Killers (Iron Maiden)
    	Damage, Inc. (Metallica)
    	In The Flesh? (Pink Floyd)
    	Heart of the Sunrise (Yes)
    A Change of Seasons
    Surrounded
    A Mind Beside Itself
    	Voices 
    	The Silent Man
    Pull Me Under
    
    Encore:
    ------
    None (Police pulled the plug at 1am!)
    
    
    THE MALIBU -- SHOW #2
    ---------------------
    The Mirror
    Lie
    Take The Time
    Lifting Shadows off a Dream
    Scarred
    A Change of Seasons
    Another Day
    Cover Medley:
    	The Rover (Led Zeppelin)
    	Killers (Iron Maiden)
    	Damage, Inc. (Metallica)
    	In The Flesh? (Pink Floyd)
    	Heart of the Sunrise (Yes)
    A Mind Beside Itself
    	Voices 
    	The Silent Man
    Pull Me Under
    
    Encore:
    ------
    Wait for Sleep
    Perfect Strangers (Deep Purple)
    
    
    BIRCH HILL -- SHOW #3
    ---------------------
    The Mirror (Intro Only!)
    Take The Time
    Lie
    Lifting Shadows off a Dream
    Cover Medley:
    	The Rover (Led Zeppelin)
    	Killers (Iron Maiden)
    	Damage, Inc. (Metallica)
    	In The Flesh? (Pink Floyd)
    	Heart of the Sunrise (Yes)
    Voices 
    A Change of Seasons
    Another Day
    Scarred
    The Silent Man
    Pull Me Under
    
    Encore:
    ------
    Bad (U2)
    Learning To Live
    
    
    EL N GEE -- SHOW #2
    -------------------
    6:00
    Under a Glass Moon
    Caught In a Web
    Lie
    Lifting Shadows off a Dream
    Scarred
    Surrounded
    A Mind Beside Itself
    	Erotomania
    	Voices 
    	The Silent Man
    Pull Me Under
    
    Encore:                          
    ------
    Perfect Strangers (Deep Purple) 
    
    
    All in all, a killer set of shows.  All four shows were bootlegged,
    so live tapes will be circulating soon.
    
    
    Cheers,
    Buck
542.1196POOKY::OROURKEconfectionary_celebrityTue Jan 02 1996 14:259
    
    <sigh>...DT doing U2 live.   
    
    Buck,
    
    Pretty please let me know if you get your hands on a bootleg of that!
    
    
    	/jen
542.1197BUSY::SLABOUNTYHemorrhoid from HellTue Jan 02 1996 14:386
    
    	[sigh] is right ... why don't they stick to covering songs
    	by GOOD bands?
    
    	8^)
    
542.1198POWDML::BUCKLEYIntl. Year of the Coaster -- 1996Tue Jan 02 1996 14:388
    >> <sigh>...DT doing U2 live.   
    >>
    >> Buck,
    >>
    >> Pretty please let me know if you get your hands on a bootleg of that!
    
    
    Ha -- already have it (as does GTI!).
542.1199POWDML::BUCKLEYIntl. Year of the Coaster -- 1996Tue Jan 02 1996 14:471
    Gotta go for...
542.12001200 Dreamy repliez!POWDML::BUCKLEYIntl. Year of the Coaster -- 1996Tue Jan 02 1996 14:481
    
542.1201I wanna copy too!SUBSYS::MSOUCYTue Jan 02 1996 15:477
    
    I wanna copy of this too! Pleaz, pretty Pleaz!
    
    I would have liked to hear them do Damage, Inc.! Dump the U2 stuff
    though!
    
    
542.1202KDX200::COOPERHeh heh - Not likely palTue Jan 02 1996 18:113
    Me-me!!  Buck - I gotta have it!!
    
    jc
542.1203couldn't resist! :^)POOKY::OROURKEconfectionary_celebrityTue Jan 02 1996 18:407
    
    RE: -1
    
    Really Coop- do you really think you should be discussing your s*x life
    in here?  :^)
    
    /jen
542.1204POWDML::BUCKLEYIntl. Year of the Coaster -- 1996Tue Jan 02 1996 18:515
    Jen, Coop is always discussing sex ... this is news?
    
    
    Coop and others ... what, have I suddenly been elected King of all
    Dream Theater dups?
542.1205KDX200::COOPERHeh heh - Not likely palTue Jan 02 1996 23:425
    RE: Buck
    
    Yes.
    
    :-)
542.1206not!POWDML::BUCKLEYIntl. Year of the Coaster -- 1996Wed Jan 03 1996 00:571
    Thanks for the honours...
542.1207KDX200::COOPERHeh heh - Not likely palThu Jan 04 1996 15:191
    :-(
542.1208BTW, TriAxis presets???!! 8^)LUDWIG::LUCHTIs it a passion or just a profession?Thu Jan 04 1996 20:408
    
    Buck, you were at that NJ show right?  Someone on the 'net was
    saying something about the door being oversold by like 1500+ tix!!!
    
    That must have been mayhem to the friggin' 15th power!!
    
    Kev --
    
542.1209a new listenerPOLAR::LYLEvalley of giantsTue Jan 16 1996 11:3311
    
    Well I ordered A Change of Seasons and it arrived yesterday.
    I listened to it twice.
    I think this band is very good. It reminds me of alot of bands. Rush,
    Queensryche and Deep Purple mainly.
    The band seems very tight with the live stuff. By reading some past
    notes, I get the impression that they are excellant live. And now after
    hearing them live, I have to agree. The next step is actually seeing
    them live.
    
    Dave
542.1210POWDML::BUCKLEYIntl. Year of the Coaster -- 1996Tue Jan 16 1996 11:378
    Welcome aboard, Dave.
    
    Sadly, the new DT album isn't slated for release until September, 96.
    The tour probably won't kick off until October, since that is when they
    usually start their tours.  They usually begin in the New York/New
    England area, then swing up through Toronto/Ontario early on in the
    tour, so plan to look for concert dates in the mid-late October time
    frame.
542.1211POWDML::BUCKLEYIntl. Year of the Coaster -- 1996Tue Jan 16 1996 11:374
    P.S. --
    
    If you liked ACOS, pick up the bands second album, "Images & Words" --
    a CLASSIC album!!!
542.1212La Villa...LUDWIG::LUCHTIs it a passion or just a profession?Sat Feb 03 1996 07:406
    
    Anyone hear something about Mike Portney and some various other
    artists doing a RUSH tribute CD?
    
    Kev --
    
542.1213KDX200::COOPERHeh heh - Not likely palSat Feb 03 1996 14:311
    Hmmm....  That'd be cool...
542.1214DREGS::BLICKSTEINGeneral MIDIMon Feb 05 1996 10:3812
    Although I'm in what is essentially a "tribute band", I kinda wish
    these guys would stop doing all these weird things and just put
    out another "Images and Words" type album.
    
    Leave tributes to tribute bands I guess.  It's not the kind output
    I prefer from these guys.
    
    They already did a tribute album - time to create some material for
    some other band to pay tribute to down the road (like a Metropolis,
    Dream Theater tribute night).
    
    ;-)
542.1215RumormillSTRATA::LUCHTIs it a passion or just a profession?Fri Feb 09 1996 23:015
    
    Mike Portney and Billy Sheehan will be doing "La Villa".  
    
    COOL.
    
542.1216Tribute albums CAN work I guessDREGS::BLICKSTEINGeneral MIDIMon Feb 12 1996 15:338
    I just checked out a VERY COOL Yes tribute album.   It's on Magna
    Carta records and is mostly by band's you haven't heard of that
    are signed on that record or other fairly obscure bands but each
    track roolz
    
    Some of the bands: Magellan, Steve Morse (does "The Clap" and "Mood for
    a Day"), Robert Berry, Annie Haslam & Steve Howe duet, Shadow Gallery,
    Patrick Moraz,...
542.1217Oh...Steve Howe & Shadow Gallery tracks???POOKY::OROURKEI'm going to a land downunderMon Feb 12 1996 15:396
    
    Hey Db,
    
    That sounds cool.  Did you find it in a major chain store or what?
    
    /jen
542.1218RockitDREGS::BLICKSTEINGeneral MIDIMon Feb 12 1996 16:5516
542.1219sad newsPOWDML::BUCKLEYMantis -- Rules the Shrubs!Tue Feb 13 1996 09:2255
> LATEST FROM THE ECHOLYN CAMP...                           (Feb. 5,1996)
> 
> Though we are all saddened by the dissolution of echolyn, do not fear.  A
> new echolyn CD is in the works.  No, they didn't get back together, but a
> new album called, "When the Sweet Turns Sour" will be released in late
> March or early April.  The band is now shopping the disc around to
> different labels in order to get funded for the production.  One
> possibility is to get a Japanese label for support and then have it
> released in the United States.  Don't worry though, the Japanese won't get
> any bonus tracks, so you won't need to buy the import.  echolyn very much
> appreciates the support of its fans and will in no way leave anyone in the
> dust.
> 
> "When the Sweet Turns Sour" will be like REM's "Dead Letter Office" in a
> way.  It's a collection of b-sides in some respects while also being a new
> album.  The new album will have...
> 
> 2 songs that didn't fit on "as the world" 
> 3 brand spankin' new songs (recorded in the fall of 1995)
> An acoustic version of "Meaning of the Moment"
> A cover of Genesis' "When the Sour Turns to Sweet" 
>           (was to be on Magna Carta's Genesis Tribute album)
> A live track from ProgDay '95 (either "Suite Thing" or "A Little Nonsense")
>   (BTW, "Suite Thing" is a 12-minute abridged version of "A Suite for the
>   Everyman")
> 
> The total time will be approximately 45 minutes.
> 
> echolyn is now offically free of Sony Music.  According to Greg, the band
> was dropped about 7 months ago, but the documentation arrived about 10 days
> ago.  To date, "as the world" has only sold about 15,000 copies.  Sony
> wanted 50,000.  Then again, Sony showed no support through promotion.  So
> those of you that haven't bought it yet, shame on you.  GO BUY IT and
> support some of the best and most unique progressive rock in existence.
> 
> Ray, Paul, and Brett are assisting a fellow band at the moment, but will
> soon return to their own project for which they already have 5 songs
> written.  Chris is writing his own material at the moment and says that his
> music will remain in the progressive/classical end of things.  Tom hasn't
> been heard from since about Christmas time.  Best of luck to all!!
> 
> For those of you looking to get any of the albums prior to "as the world,"
> you are out of luck.  "echolyn" (2000 copies), "Suffocating the Bloom"
> (3000 copies), and "...And Every Blossom" (1000 copies) are all completely
> sold out.  Bridge Management does NOT have anymore.  There are about 9
> cassettes of the first album remaining.  Sony has bought the rights to the
> first three albums, but, unfortunately, don't expect them to ever be
> released.  T-shirts (black with a red, gold, or green apple on the front)
> and videos are still available in limited quantities.  Contact Bridge
> Management for availability.
> 
> Well, that's the up to date news on echolyn.  I hope you all will continue
> to listen to echolyn and support their music.  Remember to look for "When
> the Sweet Turns Sour" in early April.  I will send out updates as they
> become available.
542.1220PCBUOA::WHITMANJTue Feb 13 1996 14:287
    
    
    Wow! 15k?! thats it?! Pete's band sold 10k!! and that was in 
    Europe alone!!!! 
    
    ;')
    
542.1221seriouslyPOWDML::BUCKLEYMantis -- Rules the Shrubs!Tue Feb 13 1996 14:371
    Correction -- 10k copies in Europe at .07 a piece!!
542.1222DREGS::BLICKSTEINGeneral MIDITue Feb 13 1996 15:324
    >  Correction -- 10k copies in Europe at .07 a piece!!
    
    Although I knew there was an "untold story" behind that 10k number,
    I'd still say that's impressive.  No funny faces either.
542.1223PCBUOA::WHITMANJWed Feb 14 1996 10:146
    
    
    
    .07? What a bargain.. I wouldn't go over .05 though..
    ;')
    
542.1224WONDER::REILLYSean / Alpha Servers DTN:223-4375Tue Feb 20 1996 18:557
    
    I don't think I've ever heard a song by these guys.  Did they have
    a hit I would have caught on the radio?  They seem pretty popular
    in here (judging by the amount of notes I'm not going to read  :^))...
    don't wanna be missing out on anything, though...
    
    - Sean
542.1225just go buy Images & Words!POOKY::OROURKEI'm going to a land downunderTue Feb 20 1996 18:598
    
    - Sean,
    
    "Pull me Under" certainly got airplay.  Others depending on what
    stations you listen too.
    
    /jen
    
542.1226Ducking for cover...HOZHED::FENNELLA cowboy's life is the life for meTue Feb 20 1996 19:061
They're alright.
542.1227BUSY::SLABOUNTYDon't like my p_n? 1-800-328-7448Tue Feb 20 1996 19:1012
    
    	Sean, buy "Images and Words".
    
    	In a nutshell, they're progressive hard rock.  Picture what ELP
    	would be doing now if they had some heavy influence.  Maybe a
    	Robert Fripp on guitar instead of whichever ELP guy did/does it.
    
    	Next time you plan to be in my neighborhood [MRO or Uxbridge, I
    	don't care ... I live within a mile of Mary Lou's coffee shop],
    	let me know and I'll let you borrow it.  But I want it back in
    	a week or so.  8^)
    
542.1228mmmmmmmm..... Mary Lou's Donuts unlimited......WONDER::REILLYSean / Alpha Servers DTN:223-4375Tue Feb 20 1996 19:165
    
    Shawn, only because it's you, I'll let that comparison of ELP
    to Fripp in the same sentence just slip by....  :^)
    
    - Sean
542.1229HOZHED::FENNELLA cowboy's life is the life for meTue Feb 20 1996 19:213
ELP guitarist was Greg  Lake

I never understood what the big deal was about Carl Palmer.
542.1230MKOTS3::GRENIERTue Feb 20 1996 21:596
    I thought Greg Lake was a bass player?  I don't remember ELP having 
    much guitar.
    
    ...and Robert Fripp sounds like John Petrucci?  I see no resemblance
    whatsoever!  Not that one is better than the other; I think they're
    both phenomenal.
542.1231HOZHED::FENNELLA cowboy's life is the life for meWed Feb 21 1996 11:073
When I saw ELP Greg Lake played bass but he also played guitar if I remember
right.  Think of the song C'est la Vie.  There is acoustic guitar in the intro.

542.1232Greg is a fine (if not "flashy") guitaristDREGS::BLICKSTEINGeneral MIDIWed Feb 21 1996 12:4513
    Greg Lake plays mostly bass, but also plays guitar.
    
    ELP's biggest hits, "From the Beginning" and "Lucky Man" were both
    tunes that Greg played (mostly) guitar on.
    
    I think one of his finest efforts on guitar is "The Sage" from
    "Pictures at an Exhibition".   It's a fine example of neo-classical
    guitar.  I like it better than most of the classical guitar stuff
    that Steve Howe has done.
    
    	db
    
    p.s. I created tablature for that if anyone is interested in it.
542.1233Not quite Dream Theater related, but...MKOTS3::GRENIERWed Feb 21 1996 13:4810
    Thanks guys, I forgot those songs had guitar.  I'm just so used to
    hearing most ELP having keys/bass, that I forgot that they have
    guitar occasionally.
    
    So could Greg Lake have been an accomplished guitarist (like Fripp,
    Howe, Hackett, Latimer, etc) if he hadn't played with ELP?  I know 
    he played bass with Crimson prior to ELP, but don't know if he 
    played guitar as a band member prior to that.  Was it Emerson's 
    choice that guitar be kept to a minimum with ELP?
    
542.1234FABSIX::I_GOLDIEresident alienWed Feb 21 1996 14:218
    
    ELP...Fanfair for the Common Man.
    
    
    Great tune that was used for Scottish evening news for a few years!
    
    
    						Ian
542.1235DREGS::BLICKSTEINGeneral MIDIWed Feb 21 1996 15:2126
    I don't think Greg Lake would've been known as a guitar player.
    
    But I think he has one of the best voices around.  In fact, his voice
    sounds better today than it ever did.   I also think he's a great
    song and lyric writer.  "The Only Way" is one of my favorite lyrics,
    its posted on my office wall). 
    
    So, I wouldn't have been surprised if he had made it on his own
    as a singer/songwriter.  Remember that ELP's biggest hits were
    tunes he wrote.
    
    > Was it Emerson's choice that guitar be kept to a minimum with ELP?
    
    I gather from interviews that it was, but over the course of the years
    there were at least two guitar players that had talks with ELP and
    were pretty close to joining:
    
    One was Steve Howe!
    
    The other... even more surprisingly... was...   JIMI HENDRIX!!!!
    
    ELP played with Hendrix at the Isle of Wright and apparently KE was
    blown away by JH and JH was blown away by KE.   Apparently they had
    some very serious talks about him joining ELP (to form "HELP" ;-)).
    
    	db
542.1236WMOIS::MAZURKASon_Of_A_GunWed Feb 21 1996 15:411
    Did Greg Lake Sing fer ASIA???That Guys Voice was Flat!!!!
542.1237Lake and AsiaDREGS::BLICKSTEINGeneral MIDIWed Feb 21 1996 16:548
    I think the answer is "Yes and no".
    
    If I recall correctly, Greg did a tour leg with Asia but never recorded
    with them.   I don't remember who the original singer was.  Asia was
    a big dissappointment for me, although various other members of
    Metropolis seem to like them.
    
    	db
542.1238FABSIX::I_GOLDIEresident alienWed Feb 21 1996 17:449
    
    didn't John Wetton sing for Asia on record?
    
    
    
    btw..the 2nd Asia album is good!
    
    
    ian
542.1239MKOTS3::GRENIERWed Feb 21 1996 22:3223
    Original Asia lineup was:
    
    John Wetton: Vocals, bass		(King Crimson, UK)
    Geoff Downes: Keys			(Buggles, Yes)
    Steve Howe: Guitar			(Yes, later GTR, ABWH)
    Carl Palmer: Drums			ELP
    
    Talk about a supergroup!  But like most supergroups, the hype
    didn't match the material.  I thought they wrote some pretty
    decent pop songs, but their material should have been _much_
    better with that lineup.
    
    RE: DB
    
    I never knew that Howe and Hendrix were being considered for
    ELP!  Who knows what that would have turned out to be.  I can't
    even imagine Hendrix and Emerson writing songs together.  Gives
    me the chills thinking about it.  8^)
    
    Another audition that never worked out:  Robert Fripp was under
    consideration when Peter Banks left Yes.  Of course, Howe ended
    up getting the job.  Did Fripp and Wakeman ever play together?
    That's another combo I'd like to hear!
542.1240Those progressive rockers were and incestuous lot... :^)WONDER::REILLYSean / Alpha Servers DTN:223-4375Thu Feb 22 1996 11:0411
    
    > Another audition that never worked out:  Robert Fripp was under
    > consideration when Peter Banks left Yes.  Of course, Howe ended
    > up getting the job.  Did Fripp and Wakeman ever play together?
    > That's another combo I'd like to hear!

    I don't know.  But Jon Anderson sang for Fripp on the "Lizards" King 
    Crimson LP.
    
    - Sean
    
542.1241MKOTS3::GRENIERThu Feb 22 1996 14:4812
    >  Those progressive rockers were and incestuous lot...  :^) >-
    
    They sure were!  Just look at the Canterbury scene:
    Soft Machine
    Gong
    Matching Mole
    Hatfield & the North
    National Health
    Caravan
    Camel
    ...and a bunch of others.  The fusion scene was the same thing.
    Bill Bruford probably holds the record, though.  8^)
542.1242DREGS::BLICKSTEINGeneral MIDIThu Feb 22 1996 18:4922
>    I never knew that Howe and Hendrix were being considered for
>    ELP!  Who knows what that would have turned out to be.  I can't
>    even imagine Hendrix and Emerson writing songs together.  Gives
>    me the chills thinking about it.  8^)
    
    I gotta tell you truthfully... I'm AWFULLY glad it did NOT happen.
    
    I am a big fan of Emerson - he really is WHY I play today.
    
    And I am also a pretty big Hendrix fan, but it just seems like
    a very pointless combination.
    
    Emerson's thing was complicated neo-classical composition.   Hendrix's
    thing was... for lack of a better word... this incredible "power"
    in his playing.   
    
    I don't think I would've like what they'd have done.
    
    Things happened the way that was best.  Actually, I'm kinda glad that
    ELP nevr had a real full-time guitar player.
    
    	db
542.1243POLAR::LYLEfuzzy-wuzzy wasn't fuzzy.... was he???Thu Mar 21 1996 07:258
    
    I saw the video to Pull Me Under yesterday on MuchMusic.
    Cool vid. What's the deal with the heart in chains thing?
    
    BTW would someone tell me which album Pull Me Under is on please.
    Thanks
    Dave
    
542.1244I&WSUBSYS::MSOUCYThu Mar 21 1996 08:328
    
    re: -1
    
    It is on Images & Words disc. Good disc, but I think I like Awake
    better due to it being a bit heavier (IMO). I also like A Change of
    Seasons cuzz that tune is AWESOME!
    
    
542.1245I want more.....POLAR::RENAUDPHAKUNA MA-TATA!!Thu Mar 21 1996 08:366
    I saw it too Davey. Now that someone put a name to the tune for me, I
    guess I have heard them before.  Not bad, but i'd like to hear more
    before I go buying the collection!
    
    Paully
    
542.1246POWDML::BUCKLEYThu Mar 21 1996 11:4212
    When Dream and Day Unite is my all-time fave DT album!!!
    
    DT Discography
    ==============
    
    1) When Dream and Day Unite (1989)
    2) Images & Words (1992)
    3) Live at the Marquee (1993)
    4) Awake (1994)
    5) A Change of Seasons (1995)
    
    6) ??? (1996)
542.1247MUST BE BIGGER IN THE STATES...KDCA01::CDCUP_TORRENGotta B Willin 2 Crash-n-burnFri Mar 22 1996 15:327
    	I don't think Dream Theatre is very big in Canada. I've heard
    little about them as well. You'd think by the amount of notes ect
    in this topic that they were a house hold name. I'm not dissin'
    them, but the few songs I have heard sound a lot like Queensryche
    (did I spell that right?)
    
    	Bobby T
542.1248BUSY::SLABOUNTYShe never told me she was a mimeFri Mar 22 1996 16:053
    
    	These guys make Queensryche sound like a garage band.
    
542.1249SCASS1::BARBER_Abreath in, breath outFri Mar 22 1996 16:113
    You know, somehow I've managed to not buy any of their albums or listen
    to them in depth.  If they're really better than Queensryche, I must
    check them out pronto.
542.1250MKOTS3::GRENIERFri Mar 22 1996 17:119
    >  <<< Note 542.1248 by BUSY::SLABOUNTY "She never told me she was a
    >
    >These guys make Queensryche sound like a garage band.
    
    I wouldn't go quite that far, but Dream Theater _are_ pretty 
    incredible.
    
    
    Steve
542.1251BUSY::SLABOUNTYShe never told me she was a mimeFri Mar 22 1996 17:365
    
    	OK, a good garage band then.
    
    	8^)
    
542.1252NEW ALBUM?POLAR::DASILVAWed Apr 03 1996 00:145
    Does anybody know if they're working on the new album yet?
    
    Just curious!!
    
    Frank
542.1253STRATA::LUCHTIs it a passion or just a profession?Wed Apr 03 1996 01:028
    
    There's been alot of chat in regards to that Rush Tribute thing
    and the DT connection.
    
    Don't know what's up with any new studio stuff..
    
    Kev --
    
542.1254later this yearSUBSYS::MSOUCYWed Apr 03 1996 09:385
    
    Last I saw/heard/read was it was due out late summer, i.e. Sept.
    timeframe...
    
    
542.1255POWDML::BUCKLEYWed Apr 03 1996 10:0910
    The new DT album is in progress and slated for a Sept. release, with
    a worldwide tour kicking off in Oct.
    
    
    RE: DT not very big in Canada..
    
    As if!  Singer James LaBrie is from Toronto, and formerlly with
    Winter Rose (a big Canadian band) -- indeed, they have a rather
    large and faithful Canadian following.  Lord knows they tour 
    rather extensively up there.
542.1256Right onPOLAR::LYLEnever play leapfrog with a unicornThu Apr 04 1996 01:256
    
    re: -1
    
    Good!!! Can't wait to see them live.....
    
    Dave
542.1257allllrighty then!!POLAR::DASILVASat Apr 06 1996 04:108
    
    
    DITTO!!!!!!!!!!!!!!
    
    
    
    
    Frank.
542.1258THEMAX::SMITH_SFri May 24 1996 02:332
    They are all very talented, but not hevy enuf for me.
    -ss
542.1259THEMAX::VASQUEZFri May 24 1996 02:354
    That's fair. I'm sure for some people it's just a little too hard.
    Really it doesn't matter that much.
    
    -BG
542.1260WONDER::REILLYSean / Alpha Servers DTN:223-4375Wed Jun 19 1996 10:0528
542.1261HOOPLE::FENNELLYuri! quit smooshing packagesWed Jun 19 1996 14:258
It's funny, I was listening to this the other day and heard the same thing.  Too
many cliches - bad 70's arena rock lyrics.  I even wondered about Kenny G in
Another Day.

I keep trying to like this and can't get into it.  It's not bad but I don't get
the raves about it.  Everybody's different I guess.

Tim
542.1262METALX::SWANSONLOADWed Jun 19 1996 15:128
    "Find all you need in your mind, if you take the time"  is painful??
    
    Why??
    
    I actually thought those were pretty good lyrics myself! 
    
    Ken
     
542.1263SCASS1::BARBER_AI guess I'm not that hungryWed Jun 19 1996 15:201
    Ouch, that's GOT to hurt!!
542.1264Well, thats what *I* did when I did the solos on Metropolis... :-)KDX200::COOPERHe who laughs last, thinks slowestWed Jun 19 1996 15:234
    The sax solo was performed by Jay Beckenstein (Spyra Gyra).
    
    I understand he came in, clippped on a mike and just popped it
    off...Then went home...
542.1265WONDER::REILLYSean / Alpha Servers DTN:223-4375Wed Jun 19 1996 17:2731
    
    > "Find all you need in your mind, if you take the time"  is painful??
    >
    > Why??
    >
    > I actually thought those were pretty good lyrics myself! 
    
    Well, painfully funny, I should have said.  :^)
    
    Maybe there's just too many bands who've covered this territory
    and done a better job (Moody Blues, King Crimson), maybe
    I'm just turning into a crusty old fart, or maybe I've just
    listened to too much of another band, but after the following,
    how can you take stuff like that seriously...
    
      "Life is just a dream, an unconscious stream,
       A picture worth five hundred words.
       Rise! for you are cream.
       And you can have the strength of ten.
       ...Just begin again."
                             - Spinal Tap "Just Begin Again"
    
      "And it feels so real you can feel the feeling!"
                             - Spinal Tap "Majesty Of Rock"
                             
      "You were younger than a virgin, older than the sea.
       You were angel, you were devil, and I was all of me."
                             - Spinal Tap "The Sun Never Sweats"
    
    
    - Sean
542.1266WONDER::REILLYSean / Alpha Servers DTN:223-4375Wed Jun 19 1996 17:284
    
    Ahhhhhhh! Spyro Gyra - my wife plays that all the time....
    
    I knew something about that part annoyed me  :^)
542.1267METALX::SWANSONLOADWed Jun 19 1996 17:527
    Sean,
    
    You're quoting Spinal Tap....  How can you even talk about taking stuff
    seriously, and then quote Spinal Tap lyrics!  :')
    
    Ken
    
542.1268SG = good stuffSUBSYS::MSOUCYThu Jun 20 1996 09:419
    
    re: .1266
    
    There's NOTHING wrong with Spyro Gyra! Tell your wife she has good
    taste in that kind of music!!
    
    Now if it was country, I'd have to say otherwise! ;-)
    
    
542.1269WONDER::REILLYSean / Alpha Servers DTN:223-4375Thu Jun 20 1996 12:126
    
    > You're quoting Spinal Tap....  How can you even talk about taking stuff
    > seriously, and then quote Spinal Tap lyrics!  :')
    
    That was my point!  How can you take stuff that sounds like Spinal Tap
    seriously?
542.1270DREGS::BLICKSTEINThe moment is a masterpieceFri Jun 21 1996 15:2511
    Interesting thing is that as big a DT fan as I am now (I consider I&W
    to be the best album of the last 10-15 years), I had EXACTLY the 
    same reaction when I first listened to it.
    
    What's really strange is that these days, I can't possibly imagine how
    I ever could have NOT liked this album.  Without a doubt, this album
    set my personal record for "most consecutive listens".
    
    "Let the light surround you"
    
    	db
542.1271KDX200::COOPERHe who laughs last, thinks slowestFri Jun 21 1996 15:389
    Gotta agree with Dave - I couldn't figure out what all the hub-bub
    was abuot when I first heard I&W's...Now, there is hardly a time when
    a DT CD is NOT in my player...
    
    'Cept this morning when I just had this urge to listen to Bostons
    first recording...  What a fine example of production techniques
    of the late 70's.  Twas a masterpiece...
    
    But I digress...
542.1272don't think I could honestly put this even in the top 500.WONDER::REILLYSean / Alpha Servers DTN:223-4375Fri Jun 21 1996 17:0810
    
    So you guys figure I got a revelation coming to me if I just give it
    enough spins?  :^)  Maybe they use subliminal messages!
    
    Anyway, I don't think that's gonna happen, but "best album of the last
    10-15 years"????  Shoosh!!  Would have figured a band would have to
    have Steve Morse in it for that honor...
    
    - Sean
    
542.1273you surround light the letHOOPLE::FENNELLYuri! quit smooshing packagesFri Jun 21 1996 17:151
Play it backwords man...
542.1274Parlet voius?KDX200::COOPERHe who laughs last, thinks slowestFri Jun 21 1996 17:552
    Oh!  Sounds french!
    
542.1275Dark to LightDREGS::BLICKSTEINThe moment is a masterpieceFri Jun 21 1996 18:0423
>    So you guys figure I got a revelation coming to me if I just give it
>    enough spins?  :^) 
    
    Not really.   Different strokes for different folks.
    
    Just relating my experience.
    
>    Anyway, I don't think that's gonna happen, but "best album of the last
>    10-15 years"????  Shoosh!!  Would have figured a band would have to
>    have Steve Morse in it for that honor...
    
    Yeah... and that oughta tell you just how much I like "Images and
    Words".
    
    I'm not as enamored of the other DT albums as the die-hard DT fans in
    here.  Many of them will tell you that WDADU is the best DT album,
    and that "Awake" is as good as I&W (or some variation).
    
    But to me, I&W shines above the rest of the albums.
    
    I actually wore out my CD of I&W!
    
    	db
542.1276SUBPAC::GOLDIEResident AlienFri Jun 21 1996 18:2111
    
    I think they're bollocks!
    
    
    
    
    ;^)
    
    heh,heh,heh! stirring up the sh!te
    
    						ian
542.1277WONDER::REILLYSean / Alpha Servers DTN:223-4375Sat Jun 22 1996 12:586
    
    How was their "Big Medley" on their next album?  Looked like a pretty
    interesting melange of 70's arena behemoths...  almost bought that over
    I&W for that song.
    
    - Sean
542.1278DREGS::BLICKSTEINThe moment is a masterpieceSat Jun 22 1996 21:2126
    Y'know... to be honest, while I was impressed with the "selection", I
    really didn't find the performance/recording to have much inspiriation
    in it.
    
    I heard that they threw those tunes together very quickly and to these
    ears, it showed.   I'm surprised they released that.
    
    However, I was really amazed to see how many of the tunes they picked
    were tunes that my band Metropolis had done.
    
    What really amazed me was the inclusion of "Funeral for a Friend/Love
    Lies Bleeding" by Elton John.   Although I don't consider Elton to be a
    progressive rock artist, I do consider that tune to 100% "progressive
    rock".
    
    I've had a lot of fun with Metropolis, but none more than finding out
    that everyone else in the band was hot to do that tune.   I had always
    wantedt to do that tune with a band.
    
    Although that experience may be surplanted - we seem to be heading
    towards doing "Icarus" by Kansas which is #1 on my "Most wanted to do
    with a band tune".   We've been foooling around with that tune for
    years and in the process, we seem to have ended up essentially learning
    it by osmosis.
    
    	db
542.1279BUSY::SLABOUNTYDogbert's New Ruling Class: 100KMon Jun 24 1996 14:268
    
    	Truthfully, I never really paid attention to the lyrics on I&W.
    	I can probably rattle off most of them, but I never thought a-
    	bout them too much.
    
    	The lyrics are definitely 2nd-fiddle to the instrumentation on
    	this album.  IMO, this album is a musical masterpiece.
    
542.1280WONDER::REILLYSean / Alpha Servers DTN:223-4375Mon Jun 24 1996 14:335
    
    All right all right...  I need details if you guys are gonna keep
    building this band up.  What am I not recognizing as musical greatness?
    
    - Sean
542.1281BUSY::SLABOUNTYDogbert's New Ruling Class: 100KMon Jun 24 1996 14:419
    
    	I mentioned the "complicated" aspect of the music, but of course
    	you had to throw a monkey wrench into the discussion and ask if
    	they were "more technologically complicated than Yes-Fragile or
    	Yes-90210".  8^)  Unfortunately, I couldn't answer that question
    	[and still can't] because I am not extremely familiar with the
    	old Yes stuff [I have "YesYears" but would have to give it an-
    	other listen or 4 to even hope to form an opinion].
    
542.1282WONDER::REILLYSean / Alpha Servers DTN:223-4375Mon Jun 24 1996 14:4710
    
    I think I said something more like "was it complicated *like*
    Yes-Fragile *or* Yes-90210!" meaning I think they are two different
    things  :^)  I'll give DT a similarity to the latter, as it was a more
    pop-oriented work.
    
    DT riffs just seem overdone and overproduced to me - nothing I
    haven't heard a billion times before.
    
    - Sean
542.1283DREGS::BLICKSTEINThe moment is a masterpieceMon Jun 24 1996 15:4325
    I would state un-equivocably the DT tends to do more "complicated"
    music than Yes, but... who cares.
    
    What I really like about DT is that unlike a lot of modern-day prog
    rock bands, I get the overwhelming sense that the complication came
    from "inspiration" and not "perspiration".  
    
    That is, with a lot of bands I get the sense that they write something
    simple, and then add the complexity.   At the risk of having a bunch
    of people flame at me, that's often the sense I get from Rush.  Their
    time-signature changes seem contrived, deliberate and to these ears
    the gaps between the different time-signatures are often like ugly
    seams/gaps in the flow of the music.
    
    The sense I get with DT is that the music they write just happens to be
    complicated.  The complexity was a by-product, not a "goal".  I rarely
    notice the time-signature changes even though there's hardly a piece
    where they don't fly from one time-sig to another.
    
    Just my opinion.
    
    	db
    
    p.s. I like Rush (now), didn't used to.  But not everything they do
    	"works" for me.
542.1284KDX200::COOPERHe who laughs last, thinks slowestMon Jun 24 1996 18:0620
    Well said db.
    
    I'll add that while Ithink all the musicians in DT are awesome,
    it's the way they play TOGETHER, that makes me chub_up  :-)
    
    They are an ensemble from the git-go.
    
    Just a simple fact:
    
    I'd read about them in here WAY back...  And even a couple folk sent 
    me mail and said "You'll love these guys"..  But I didn't listen.
    
    Then they showed up at Rack-N-Roll here in Colo.Spgs for $.94
    admission, so I went with CJ and some friends...
    
    ...So here I was sitting there drinkin' and yackin' with my cohorts
    (barely listening) when after about 3/4's of the first song it hit me:  
    "Man, these guys are SMOKIN'!!  What did you say the name was again??"
    
    Whew! 
542.1285WONDER::REILLYSean / Alpha Servers DTN:223-4375Mon Jun 24 1996 23:1119
    
    Well, I don't really hold Yes up as any example, but they my opinion
    is that the music seems more elaborate.  I'd still place King Crimson, 
    Brian Eno, Mahavishnu Orchestra, Moody Blues up at the top in terms of
    musical prowess in an art-rock endeavor.
    
    But that's besides the point for me, because I am just hearing a
    different tune.  It is like I hear REO Speedwagon and everyone else
    is talking genius progressive rockers.  I hear arena pop, period, so
    I guess I'm just gonna chalk this up to being DT-impaired.  Maybe
    I'll have that revelation after some future spins (it's happened
    before), but right now, er, I just don't even get how the topic of
    prog rock even fits here...  
    
    To me, the Big Medley surveys the type of music this band plays more
    than progressive rock.
    
    - Sean
    
542.1286KDX200::COOPERHe who laughs last, thinks slowestTue Jul 30 1996 17:345
    Any news on the new release??
    
    I'm dyin' for it!!  
    
    "Must to be having a large helping of DT, please"
542.1287MEET DREAM THEATER -- YtseCon IIIPOWDML::BUCKLEYValkyrie: The Joy of SixWed Jul 31 1996 17:0141
    Dear jammers,

    Hey there!  Here's an update for the YtseCon III!  First of all, it
    will take place at the La Guardia Marriot (Queens, NY), on Saturday,
    October 12th from 1pm to 5pm.  We have spoken to Dream Theater and
    management, and they say that they should be there.  

    The cost for pre-paid tickets is $20 per person.  The cost at the door
    will be $25 per person.  This will cover the cost of the conference
    room and other miscellaneous stuff (name tags, programs, etc.).  If you
    would like to pay in advance, please send a check to:

    YtseCon III 
    c/o Jeff Chew 
    350 Broadway
    Suite 703 
    New York, NY 10013

    When you send a check, please include a note or letter that says your
    name, return address, e-mail address, and phone number.  This makes
    things a lot easier for us when we send the tickets back to you, plus
    if we ever need to get in contact with you. 

    Due to the lack of reservations, we have decided to return the block of
    75 rooms to the Marriot.  Now, we will be reserving rooms on an as-need
    basis.  I will be getting the number so you can reserve rooms from the
    Marriot directly, but I can still take checks for reservations.  I
    should still be $100 per room per night.  If you need someone to split
    a room with, we are still doing taht, so e-mail me at
    jc309@columbia.edu. or give me a call at (516) 674-4828.  

    If you plan on flying to the YtseCon III, we have arranged something
    with Rich Worldwide Travel so you can reserve airline tickets through
    them by calling their 800 number.  Please call 1-800-431-1130, and tell
    them that you are going to the 'Dream Theater Convention'.

    If you can provide a ride to the YtseCon III, or if you are in need of
    a ride, please contact me by either e-mailing me or calling me and I
    will see what I can do.

    Well, that is all there is for now!  I hope to see you at the YtseCon!
542.1288One and all...let me know!POLAR::TYSICKCan someone here stop it? EMPIRE!Tue Sep 17 1996 16:1210
542.1289DREGS::BLICKSTEINThe moment is a masterpieceTue Sep 17 1996 16:2411
542.1290Keep'em comin' anyway...POLAR::TYSICKCan someone here stop it? EMPIRE!Tue Sep 17 1996 16:3811
542.1291DREGS::BLICKSTEINThe moment is a masterpieceTue Sep 17 1996 16:4614
542.1292BUSY::SLABAs you wishTue Sep 17 1996 16:496
542.1293???100 kph = 60 mph???POLAR::TYSICKCan someone here stop it? EMPIRE!Tue Sep 17 1996 17:009
542.1294BUSY::SLABAudiophiles do it 'til it hertz!Tue Sep 17 1996 17:045
542.1295BUSY::SLABBasket CaseTue Sep 17 1996 20:036
542.1296Or I'll check previous catalogs?POLAR::TYSICKCan someone here stop it? EMPIRE!Wed Sep 18 1996 10:416
542.1297WHEN DREAM AND DAY UNITE!!!POWDML::BUCKLEYAutumnWed Sep 18 1996 14:021
542.1298KDX200::COOPERThere is no TRY - DO or DO NOT!Thu Sep 19 1996 17:522
542.1299POWDML::BUCKLEYFri Oct 11 1996 12:582
542.1300Meet DT!POWDML::BUCKLEYFri Oct 11 1996 13:0010
542.1301KDX200::COOPERThere is no TRY - DO or DO NOT!Mon Oct 14 1996 12:135
542.1302Song titles from the new albumDREGS::BLICKSTEINThe moment is a masterpieceMon Oct 14 1996 18:335
542.1303KDX200::COOPERThere is no TRY - DO or DO NOT!Tue Oct 15 1996 13:361
542.1304;-)DREGS::BLICKSTEINThe moment is a masterpieceTue Oct 15 1996 13:543
542.1305yeah, I'd say so...POWDML::BUCKLEYTue Oct 15 1996 14:597
542.1306Thats what I thought. ;-)KDX200::COOPERThere is no TRY - DO or DO NOT!Sun Oct 20 1996 21:033
542.1308ticket date?SUBSYS::MSOUCYThu Oct 31 1996 11:376
542.1309BRAT::JENNISONAngels Guide Me From The CloudsThu Oct 31 1996 13:126
542.1310Home for the HolidaysPOWDML::BUCKLEYThu Oct 31 1996 15:4975
542.1311SUBPAC::GOLDIEResident AlienThu Oct 31 1996 15:5213
542.1312KDX200::COOPERThere is no TRY - DO or DO NOT!Thu Oct 31 1996 18:4911
542.1313DREGS::BLICKSTEINThe moment is a masterpieceThu Oct 31 1996 19:106
542.1314BUSY::SLABSubtract LAB, add TUD, invert nothingThu Oct 31 1996 19:493
542.1315POWDML::BUCKLEYFri Nov 01 1996 10:165
542.1316Dream Theater oughta take a hint from their IDOLS! ;-)DREGS::BLICKSTEINThe moment is a masterpieceFri Nov 01 1996 10:454
542.1317yeah, where ARE they now?!?!?POWDML::BUCKLEYFri Nov 01 1996 11:103
542.1318MKOTS3::ELMAKISSSat Nov 02 1996 12:205
542.1319Where Rod Morgenstein is nowDREGS::BLICKSTEINThe moment is a masterpieceMon Nov 04 1996 11:2820
542.1320KDX200::COOPERThere is no TRY - DO or DO NOT!Mon Nov 04 1996 14:283
542.1321MKOTS3::ELMAKISSTue Nov 05 1996 04:198
542.1322POWDML::BUCKLEYTue Nov 05 1996 10:113
542.1323KDX200::COOPERThere is no TRY - DO or DO NOT!Tue Nov 05 1996 23:138
542.1324portnoy clinic and new albumMKOTS3::ELMAKISSTue Nov 19 1996 01:5769
542.1325KDX200::COOPERThere is no TRY - DO or DO NOT!Tue Nov 19 1996 09:324
542.1326Update on DT Strand showPOOKY::OROURKEMoonlighting as a Witch!Fri Dec 06 1996 16:488
542.1327KDX200::COOPERThere is no TRY - DO or DO NOT!Fri Dec 06 1996 17:313
542.1328MKOTS3::ELMAKISSTue Dec 10 1996 23:419
542.1329BUSY::SLABCrackerWed Dec 11 1996 12:205
542.1330MKOTS3::ELMAKISSWed Dec 11 1996 23:416
542.1331BUSY::SLABA Parting Shot in the DarkThu Dec 12 1996 11:525
542.1332MKOTS3::ELMAKISSSat Dec 14 1996 12:195
542.1333BUSY::SLABCome On'N'OnMon Dec 16 1996 12:069
542.1334BUSY::SLABCome On'N'OnMon Dec 16 1996 12:063
542.1335MKOTS3::ELMAKISSWed Dec 18 1996 23:218
542.1336BUSY::SLABAfterbirth of a NationThu Dec 19 1996 12:183
542.1337Some inside news on DT's interim keyboard player Jordan RudessDREGS::BLICKSTEINThe moment is a masterpieceThu Dec 19 1996 19:1838
542.1338STRATA::LUCHTBreathe deep the darkness inside youThu Dec 19 1996 21:213
542.1339MKOTS3::ELMAKISSFri Dec 20 1996 03:493
542.1340KDX200::COOPERThere is no TRY - DO or DO NOT!Fri Feb 28 1997 17:023
    WHERE THE HELL IS THE NEW ALBUM!!!?!?!?!?
    
    Gotta have it!
542.1341just had to !POOKY::OROURKECalifornia Dreamin' April 2, 1997Fri Feb 28 1997 17:398
    
    RE: -1 **Gotta have it!
    
    Coop-
    
    enuff about your sex life.  This is the H_M file!
    
    /j
542.1342BUSY::SLABForm feed = &lt;ctrl&gt;v &lt;ctrl&gt;lFri Feb 28 1997 18:224
    
    	But Coop wasn't amused by the introduction of the CD since the
    	hole in the center is bigger than that of the 33 1/3 LP.
    
542.1343KDX200::COOPERThere is no TRY - DO or DO NOT!Sat Mar 01 1997 11:063
    Hardy-har-har...
    
    :-)
542.1344"Listen" by Jordan RudessDREGS::BLICKSTEINThe moment is a masterpieceMon Mar 03 1997 17:155
    Coop, while you're waiting you might wanna check out Jordan Rudess's
    "Listen" album.  I'm pretty blown away.  Kinda like Kevin Moore's
    writing with Keith Emerson's chops.
    
    	db