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Conference napalm::guitar

Title:GUITARnotes - Where Every Note has Emotion
Notice:Discussion of the finer stringed instruments
Moderator:KDX200::COOPER
Created:Thu Aug 14 1986
Last Modified:Fri Jun 06 1997
Last Successful Update:Fri Jun 06 1997
Number of topics:3280
Total number of notes:61432

2903.0. "Bridge saddle camber" by KERNEL::MCGOWAN () Fri Mar 11 1994 08:34

    Hi
    
    Should the individual height of bridge saddles match the camber of the
    fretboard on an electric guitar ?  I would have thought so, but some
    bridges without individually adjustable saddles (i.e. Gibson) have a
    flatter camber than the fretboard. Is there any advantage to this ?
    
    Pete
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2903.1It dependsRANGER::WEBERFri Mar 11 1994 10:205
    On Gibson Tuneomatics, it is common to notch the bridge saddles to
    match the curve of the fretboard. Whether it needs to match exactly
    depends on your playing style.
    
    Danny W,
2903.2KERNEL::MCGOWANFri Mar 11 1994 10:3912
    Danny
    
    Do you mean cut deeper notches in the outermost saddles, but leave the
    existing grooves in the middle saddles ?
    
    On my LP if I set the high E action to be 3/64 and low E to 4/64, then 
    the G is about 2/64 due to the neck camber.
    
    Strats I've played have normally been set the same camber on bridge and
    fretboard.
    
    Pete
2903.3Just play it!NAVY5::SDANDREATonya wacked Jimmy HoffaFri Mar 11 1994 10:476
    geee, all this time, I thought my Les Paul neck was flat!  To me, it
    plays like a dream, and I can't see any noteable difference in
    string height when comparing string to string.  Maybe all the parts
    have worn to 'fit' each other!
    
    sd
2903.4what he saidRANGER::WEBERFri Mar 11 1994 18:0916
    I actually agree with Steve--I usually find the match between fretboard
    and bridge to be close enough for my low action setups without doing
    anything else. I generally set both E's to 3/64" and let the D&G be a
    little closer. If the frets are properly level, this works fine.
    
    I have seen collapsed TOMs, where they have flattend out over the
    years. It's possible to fix this, but a replacement is easier. If the
    guitar is vintage, put the original bridge in the case for resale
    value.
    
    However, if the height difference bugs you, notching the end saddles a
    little deeper is easy enough, and if you don't like the results, the
    saddles can be replaced. If the cause of the problem is uneven frets,
    fix them first, though.
    
    Danny W.
2903.5what he said I said.....NAVY5::SDANDREATonya wacked Jimmy HoffaMon Mar 14 1994 10:4111
    >>I actually agree with Steve--
    
    made *my* day....thanks Danny!    8*}
    
    I replace my TOM last year when I replced the tuning pegs/keys on the
    Les Paul.  I just installed it at the same height as the old one and
    did nothing to the notches.  I have the action set very low, and the
    guitar plays like no other I've owned......stock.  I never
    even thought about the strings being different heights.......duh.
    
    sd
2903.6KERNEL::MCGOWANMon Mar 21 1994 09:126
    Thanks for the replies - I'm not getting any real problems, but I was
    curious as to why the camber of neck and saddles was different.
    
    As you say, just play it ! :-)
    
    Pete
2903.7he drops the grenade and then runs......8)NAVY5::SDANDREAPlonkerMon Mar 21 1994 11:357
     >I'm not getting any real problems, but I was
     >curious as to why the camber of neck and saddles was different.
    
    Oh sure, Pete, get me all riled up and thinking my Les Paul has some
    kinda alien bacterial warpage, and then "never mind".....sheesh!
    
    8*}