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Conference napalm::guitar

Title:GUITARnotes - Where Every Note has Emotion
Notice:Discussion of the finer stringed instruments
Moderator:KDX200::COOPER
Created:Thu Aug 14 1986
Last Modified:Fri Jun 06 1997
Last Successful Update:Fri Jun 06 1997
Number of topics:3280
Total number of notes:61432

2041.0. "SONG AND MESSAGE" by DNEAST::PUSHARD_MIKE () Mon Nov 26 1990 15:07

          
                                                          By

                 BE HIS CHILDREN                          MICHAEL H. PUSHARD
                                                          RFD #2 BOX 3980
                                                          NEWPORT,ME 04953
                                                          NOVEMBER 20TH,1990
           SEE THE CHILDREN,HOW THEY SAY                 

           WHAT WE WANT,IS TO PRAY                    

           THAT WE CAN,STAY AWAY

           FROM THE KILLING,OF TODAY

             LET ME SAY,IF I MAY

             FROM A CHILD IS OUR WAY

           SEEK THE PEACE OF A MOUNTAIN

           FOLLOW THE PATH OF LOVE
 
           DO WHAT YOU CAN TO SPREAD ITS MESSAGE

           AND REMEMBER,IT CAN BE DONE

           
           TAKE THE TIME,LOOK AROUND YOU

           SEE WHATS HAPPENING,HERE TODAY

           WHAT WE NEED,TO COME TOGETHER

           UNITY IS THE WAY

             ASK THE CHILDREN,IF YOU WILL

             FROM A CHILD WILL BE THE WAY

           TURN TO HIM,THAT LOVES AND GUIDES YOU

           FOR THE MESSAGE OF OUR AGE

           BE HIS CHILDREN,PLANT HIS GARDEN

           SHARE HIS LOVE,FROM TODAY
    
    
       I am going to be leaving Digital in a month,and,would like to thank
    you all for the fellowship in this conference. It has been a very good
    experience for me. The song above is one I wrote by inspiration,to be
    used for the promotion of peace and unity in the World. Use it for that
    purpose. If you would like to have the music for it,write to me,I have
    made a recording of it. I will use it for only the purpose in which it
    was written,no personal gain will be had. You may make copies and
    distribute them for cost or free. Anything in reguards to
    copywrite,please write me,for,I have exclusive writes to this. I hope
    you will continue this note in my absense,and,help the cause. God bless
    you all,we may meet again some day. Any well wishes please send off
    line,thank-you.
    
    Peace
    Michael
    
T.RTitleUserPersonal
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2041.1Submit it to Tom !GSRC::COOPERMIDI Rack PukeMon Nov 26 1990 15:317
    Mike, why don't you send a copy of your tape to Tom Gallo as
    a submission to the GUITAR NOTES tape ??
    
    That way you'll be imortalized a a DECcie/Guitar Noter, and we can all 
    hear this song ?
    
    jc
2041.2ditto!HAMER::KRONMon Nov 26 1990 16:551
    
2041.3addresssDNEAST::PUSHARD_MIKEMon Nov 26 1990 17:305
    
    A good idea...An address please. Thanks.
    
    Mike
    
2041.4song structureXOANAN::HEISERmy son is student of the monthMon Apr 08 1991 17:009
    Sorry mods, but I didn't know where else to put this...
    
    Can someone recommend some reading material on song construction?  I
    haven't been writing long, but usually just write what I feel.  I don't
    know anything about song structure, but would like to.
    
    What are some "standard" techniques that you use?
    
    Mike
2041.5verse, chorus, bridgLEDS::BURATIInfidel THIS!Mon Apr 08 1991 17:3147
    RE .4

    I'm not sure if you mean song development or structure. If it's
    structure that you want, my favorite pop arrangements are usually
    something like these:
    
    intro
    verse
    chorus
    verse
    chorus
    bridge
    verse
    chorus
    chorus
    out

    or
        
    intro
    verse
    verse
    chorus
    verse
    chorus
    bridge
    verse
    chorus
    chorus
    out
    
    The Beatles' EIGHT DAYS A WEEK was different, probably because they
    didn't have more lyrics. It went something like this:

    intro
    verse
    chorus
    bridge
    verse
    chorus
    bridge
    verse
    chorus
    out
    
    Remember, the bridge is very important.
2041.6clarificationXOANAN::HEISERmy son is student of the monthMon Apr 08 1991 19:003
    I guess I meant development.
    
    Mike
2041.7humm a few barsLEDS::BURATIInfidel THIS!Mon Apr 08 1991 19:244
    AAAHHHH. Well that's much different. I haven't quite figured that
    one out yet.

    Ron
2041.8Off the track?BEEZER::FLOWERSI have a burning ambition...Tue Apr 09 1991 06:0533
    
    All I could suggest (I have only just started writing stuff) is that 
    you tape everything you play when you sit down to fiddle, that you make
    notes somewhere of every line you think up or every line you hear
    someone say....you know when the old lady on the train sat next to
    comes out with a comment and you think 'Wow great lyrics'....write
    it all down.
    
    Then wait a while.
    
    Then start to write, if you get to a point where you think 'What the
    hell am I going to do next', make sure you have what you've got down 
    already written/taped and then.....
    
    Wait a while.
    
    If you do this for a while you will end up with loads of stuff that
    will hopefully help you finish things up, or spark off new stuff.
    
    The only thing I would say to avoid is the old 'I'm gonna sit down and
    write a song' mainly coz I can't do it that way (I've tried) and it
    gets you down.
    
    Just my HO
    
    J. (Who just this weekend wrote what he thinks is a killer hook! but
    	then again he would!!!!)
    
    PS. Even better than carrying around a notepad is one of those tiny
        cassette players, coz you can hum into them, so you have a record
        of every tune, lyric, whatever.
    
    
2041.9BTW Its my B/Day!!BEEZER::FLOWERSI have a burning ambition...Tue Apr 09 1991 06:1114
    
    I think maybe my last reply was not what you asked (although it might 
    help).
    
    A little thing I use (beware! everybody probably does this) So
    you have strung some chords together and you have some verses and
    you are stuck with what to play for the chorus or the bridge.
    
    Work out what key you are playing in and for the bridge/chorus start
    fiddling around with chords in the relative major/minor it might give
    you a few ideas.....and it will fit. (Mostly) Or take the whole riff
    up a tone and see how that goes.
    
    J
2041.10what about lyrics-music relationshipsXOANAN::HEISERmy son is student of the monthTue Apr 09 1991 17:0412
    Re: -1
    
    Happy Birthday!  That's more in line with what I was wondering as far
    as the music goes.  I've been experimenting with this and I'm getting
    more confident in it.
    
    How about for writing?  Do you just use what sounds okay?  Or do you
    apply, for example, beats per measure to each sentence?  Does beats per
    measure dictate if you should rhyme every other line or every third
    line?
    
    Mike
2041.11WHELIN::OMALLEYHomey Cheese Whiz KidTue Apr 09 1991 19:033
    Step #1:	Have something to say.
    
    Surpising how many people omit this step...
2041.12PIPPER::KELLYJTone droidTue Apr 09 1991 19:2512
    Actually, having something to say is the hard part.  I feel like the 
    lyrics I write are incredibly trite and stupid sounding.
    
    The only time the lyrics sound better occurs when I write a song
    completely and quickly.  When I have to struggle of the lyrics, they
    wind up sounding too forced.
    
    Any other noters with hints for writing witty, cool, insightful, 
    catchy lyrics ;^) ?
    
    Regards,
    Johnny Jupiter
2041.13Hahaha!GOES11::G_HOUSEStereotype, monotype, blood type...Tue Apr 09 1991 19:308
    Just make 'em as cryptic as possible and even if they don't mean squat
    to you someone will read something into them and think you're
    profound...
    
    ;^)
    
    Greg (who's written a lot of really cryptic poetry in his time, but not
          a lot of songs)
2041.14No?WHELIN::OMALLEYDo not taunt Happy Fun BallTue Apr 09 1991 19:471
    re: .13 	Sounds like Yes.