T.R | Title | User | Personal Name | Date | Lines |
---|
1954.16 | The horror of smoking racks... | HEDRON::DAVEB | anti-EMM! anti-EMM! I hate expanded memory!- Dorothy | Mon Aug 15 1994 11:56 | 19 |
| So this Friday night, in the intro to Be My Baby, my rack goes, ack barf barf
barf...thunk! and emits this really great smelling cloud of smoke! My
quadraverb, is dark and smoking....so I quickly byass the damn thing and run
straight from the triaxis to the power amp, and finish the night that way (two
songs).
Saturday before we played I pulled it out and opened it up, one of the bypass
caps on a digital chips is black so I clip it and up she comes. I'm thinking
cool, a couple of the programs were wierded out but I fixed those before
showtime...as I'm tuning up to play the fisrt set my rack goes ack, bark bark
bark and the quad goes dark again...sigh...(no smoke this time)
just one of those great nights!
So I'm picking and grinning while Andy proceeds to break a string on both
guitars before the first set is done...
dbii (back from vacation)
|
1954.17 | ;-) | FRETZ::HEISER | Maranatha! | Mon Aug 15 1994 14:22 | 1 |
| way to void that warranty, dbii!
|
1954.18 | warantee? | HEDRON::DAVEB | anti-EMM! anti-EMM! I hate expanded memory!- Dorothy | Mon Aug 15 1994 15:03 | 5 |
| I bought this new in 1989!
warantee no good no more...
dbii
|
1954.19 | | UNYEM::REAUME | Analog Audio - Digital Control | Mon Aug 15 1994 23:24 | 10 |
|
What happened to the Intellifex? Mine still works (not that I'm
trying to rub it in. Just wondering.....
BTW ... I hate when that happens, but I always have a backup rig by
the name of REXX with me (which i probably why it doesn't happen to me)
|
1954.1 | | HEDRON::DAVEB | anti-EMM! anti-EMM! I hate expanded memory!- Dorothy | Tue Aug 16 1994 09:37 | 9 |
| The intellifex is in the "other" midi rack!
ya know the quattro/intellifex/patch bayette/rivera rack....
the one I'm using now...the quad and my triaxis ship out to their respective
manufacturers today. The quad for repairs ($55 fixed fee) and the triaxis for
an adjustment of the LVR whatever that is...and a software upgrade...
dbii
|
1954.2 | yech! | COPCLU::SANDGREN | Keep it simple | Wed Aug 17 1994 08:08 | 28 |
|
Well I bought the CD with BBM (Baker, Bruce & Moore), and I'm
disappointed bigtime! I thought two out of three, can't go
wrong and I had the old Cream sound in my ears when I bought
it - I only listened to a couple of songs in the store and
thought it sounded OK. First, Ginger Baker is shot. No fire
anymore, he just keeps the pace and he only uses one bass
drum now - I think he cannot manage to do the double bass
drum trick anymore (he's more than 60?)..
But even worse: Gary Moore. He just overplays everything in
a wild minor pentatonic race in an endless getting nowhere.
He just hasn't got anything to say! Geez in old days Clapton
used to compose every solo in Cream - I can still recall every
note of the solo in 'Sunshine Of Your Love'...
Gary Moore obviously tries to duplicate EC on this CD. He uses
the well known pull-off/hammer-on EC trademark all the time, he
even tries to copy his sound from the Cream days- but he is no
EC - he is nothing. I can find his sort of talent in the first
20 bars in the streets of Copenhagen any time! He can't even
sing!
Flame off, I'm just disappointed. But never ever will I buy a
CD with Gary Moore's name somewhere on the cover!
Poul
|
1954.4 | | LEDS::BURATI | Human Crumple Zone | Wed Aug 17 1994 14:23 | 15 |
| Re: Ginger Baker
I happen to be aquainted with Bill Ludwig III, heir to Ludgwig
Industries. He's a fairly close friend of Ginger's (as well as just
about anyone else that ever used Ludwig drums) and told me a few years
back that Ginger owns an olive farm in Italy where he now lives and
-- are you ready -- doesn't own a set of drums.
Every time Baker come to the US, he calls Bill who fixes him up a kit to
use while here. Bill, who used to run the endorser program for Ludwig
and now works as a consultant (his family sold the company to Selmer
around 1982), has some wild stories to tell of Baker being out of
control during those Ludwig endorser photo shoots back in the 70s.
--rjb
|
1954.5 | I'd pay 2 bucks to see THAT! | 16134::POIRIER | | Wed Aug 17 1994 17:06 | 20 |
|
Gordon Poirier
WMOIS::POIRIER
dtn 264-3392
I recently sent Fender 2 bucks, s/h, for their latest pr material. I
know, I know, money wasted, wrong. I got an oversized, big, envelope
stuffed with great things. It included a great poster of Tele's and
Strats from the past 40 years. Also, a catalog of all the AMPS that
Fender is offering from new to reissue to metal bangers, this in itself
was worth the 2 bucks.
Sooooooo send da mooooooney in to Fender and get ready to sit back and
want, want, want.
The address is in any guitar mag on the stand.
Gordie
|
1954.6 | whatta tease! | EZ2GET::STEWART | an E-ticket ride at Neuro-Disney | Thu Aug 18 1994 02:12 | 8 |
|
>The address is in any guitar mag on the stand.
Great...now I gotta spend $4 so that I can spend $2...I must be
experiencing another outbreak of GTS Simplex...where's that damn
ointment???
|
1954.7 | crazy man | POWDML::BUCKLEY | Venimus, Vidimus, Coastimus | Thu Aug 18 1994 02:14 | 1 |
| WTF am I doing on the net at the WiTcHiNg hOuR .!.!.!?!?!?!?
|
1954.8 | | COPCLU::SANDGREN | Keep it simple | Thu Aug 18 1994 07:05 | 24 |
|
re. Steve:
>Could part of your disappointment be based on your having a pre-
>conceived notion of what their music should have sounded like?
No, in fact I had this oponion about Gary Moore since I heard
his solo performances, I just thought he would control himself
a little together with Baker/Bruce - and regardless what type/
sound of music, Ginger's performance is way too sloppy!
>In spite of all the younger technical prowess out there, I still prefer
>the likes of Peter Green, Mick Taylor, Jeff Beck, SRV, Mike Bloomfield.
Amen!
>Too bad to hear that Baker is over the hill though.
Actually, the best work of his (of what I heard) was after Cream,
together with Baker-Gurvitz Army. Those drums were burning! It's
amazing he doesn't even have a kit in his house...
Poul
|
1954.9 | Barney is the beast | FRETZ::HEISER | Maranatha! | Thu Aug 25 1994 14:05 | 15 |
| Proof:
Given: Barney is a cute purple dinosaur.
Extract the Roman numerals:
(and remember that the Romans had no letter 'U',
they used 'V' instead)
CVTE PVRPLE DINOSAVR
CV V L DI V
Add them:
100 + 5 + 5 + 50 + 500 + 1 + 5 = 666
We suspected it all along.
|
1954.10 | Too funny!! | HOTLNE::LUCHT | Cool weather, stronger beer | Thu Aug 25 1994 14:15 | 1 |
|
|
1954.11 | | DNEAST::BOTTOM_DAVID | anti-EMM! anti-EMM! I hate expanded memory!- Dorothy | Thu Aug 25 1994 14:41 | 4 |
| Mike, that's intersting, just a week or so ago I expressed the opinion that
Barney was the antichrist....
dbii
|
1954.12 | | GOES11::HOUSE | How could I have been so blind? | Thu Aug 25 1994 15:19 | 1 |
| Take it to alt.dinosaurs.barney.die.die.die already.
|
1954.13 | | ADROID::foster | Don't change a thing for me | Thu Aug 25 1994 15:32 | 2 |
| ha ha ha ha! I heard Rodney Dangerfield was under that suite (8^o
|
1954.14 | | SOLVIT::SNORAT::OLOUGHLIN | The fun begins at 80! | Fri Aug 26 1994 10:48 | 7 |
|
I think your cheese slipped off your cracker.
;^J
|
1954.22 | Are we having fun now? | DREGS::BLICKSTEIN | db | Tue Aug 30 1994 15:37 | 19 |
| I was surprised to find out that a lot of people aside from Mikey and
I enjoyed that stuff. I got mail from people who said they enjoyed it
(which was a surprise to me).
But I think half the folks just got tired of it (don't blame them
really) and others just didn't understand that it was largely in jest.
Don't want to be pissing folks off, so aside from the occasional
irresistable "straight line", I guess we've stopped it.
>Let's see, what shall we talk about.... I think blues is much more
>'honest' music than progressive rock.
Since folks think that arguments make this file less usefull and fun
I'll answer that with:
"Oh I totally agree. Blues is much more 'honest' than prog rock".
Wow... isn't this fun!
|
1954.24 | | USPMLO::DESROCHERS | Mine's made outta unobtainium! | Tue Aug 30 1994 15:56 | 7 |
|
I was waiting for db to quote the latest GP. Didn't read the
whole article yet but from the first few remarks about Morse...
Oh yeah, Bruce roolz.
|
1954.25 | | FRETZ::HEISER | in a van down by the river! | Tue Aug 30 1994 15:59 | 4 |
| > But I think half the folks just got tired of it (don't blame them
> really) and others just didn't understand that it was largely in jest.
HEY!!! I WAS DAMN SERIOUS!!!
|
1954.26 | | E::EVANS | | Tue Aug 30 1994 16:27 | 5 |
| Did Bill Monroe die? I hear a rumor of this over the week-end.
Jim
|
1954.27 | And now, for something serious... | DREGS::BLICKSTEIN | db | Tue Aug 30 1994 17:52 | 3 |
| > HEY!!! I WAS DAMN SERIOUS!!!
Sure Mike.... sure....
|
1954.28 | | TAMRC::LAURENT | Hal Laurent @ COP | Tue Aug 30 1994 17:58 | 8 |
| re: .26
> Did Bill Monroe die? I hear a rumor of this over the week-end.
Hmm, I doubt it. I subscribe to the bluegrass mailing list on the
internet, and I'm sure I would have heard something there if he had.
-Hal
|
1954.29 | it's not fair | FRETZ::HEISER | Maranatha! | Tue Aug 30 1994 18:30 | 1 |
| NO!!! WAIT A MINUTE!! I WAS AS SERIOUS AS I COULD POSSIBLY BE!!!
|
1954.30 | As serious as they wanna be | DREGS::BLICKSTEIN | db | Tue Aug 30 1994 18:44 | 3 |
| >I WAS AS SERIOUS AS I COULD POSSIBLY BE!!!
Of that, I have no doubt, but that's not saying much is it?
|
1954.31 | COMMUSIC has moved to KDX200:: | TAMRC::LAURENT | Hal Laurent @ COP | Wed Aug 31 1994 10:40 | 3 |
| Any folks in here that read the COMMUSIC conference might want to know
that it has moved to KDX200::. A pointer was left in the old location,
but it's date is such that it won't show up in your unseen map.
|
1954.32 | ??? | EZ2GET::STEWART | an E-ticket ride at Neuro-Disney | Wed Aug 31 1994 18:10 | 7 |
|
Hey, what happened to the Debbie Gibson note????7
|
1954.33 | I'm pissed! | POWDML::BUCKLEY | Venimus, Vidimus, Coastimus | Wed Aug 31 1994 18:22 | 6 |
| >Hey, what happened to the Debbie Gibson note????7
OH NO -- Someone deleted note 2964 and all of it's replies!!!
8^(
Ok, fess up, who did it?!?
|
1954.34 | | FRETZ::HEISER | Maranatha! | Wed Aug 31 1994 18:58 | 3 |
| I cannot tell a lie.
db did it!
|
1954.35 | | KDX200::COOPER | Revolution calling! | Wed Aug 31 1994 22:10 | 6 |
| I did it. :-)
FWIW, and FWGIF, KDX200 now hosts six conferences... While disk
space isn't a problem, band width might be. SO, behave yourselves.
:-)
|
1954.36 | More apropos to another debate actually | DREGS::BLICKSTEIN | db | Thu Sep 01 1994 13:43 | 31 |
| > I was waiting for db to quote the latest GP. Didn't read the
> whole article yet but from the first few remarks about Morse...
> Lots of quotes just waiting for you to spring on Mikey...
Actually, I think the place to spring a lot of those quotes would've have
been in the old Blues vs. Progressive.
I think the main thing there was thing about how he appreciates the
"direct" stuff, but can't understand why anyone would lash out AGAINST
someone who also seeks to advance their technique.
I think what he's getting at is this:
The debate often seems to between folks who criticize bands like Blind
Melon for not exhibiting ENOUGH technique, and other folks (like BLind
Melon) who criticize others for exhibiting too much technique.
I think what Morse is saying is that BOTH these attitudes are screwed
up. You don't judge music based on how much NOR how little technique
was involved.
So I think what Morse would tell you is that if you reject Blind Melon
(for example) because they don't have good technique, you've got the
wrong attitude.
Likewise, if you reject Morse because his stuff exhibits a lot of
flashy technique, you've got the wrong attitude.
On the other hand, if you reject Satriani... you've DEFINITELY got
the right attitude.
|
1954.37 | | HOTLNE::LUCHT | Cool weather, stronger beer | Thu Sep 01 1994 13:50 | 8 |
|
I glanced over the Steve Morse article in the
music store the other day. I read something about
Steve using a guitar with SIX outputs, one for each
string. Anyone with some relevant info??
Kev --
|
1954.38 | | DREGS::BLICKSTEIN | db | Thu Sep 01 1994 14:52 | 12 |
| re: .-1
Steve has an acoustic where each string has its own output.
He is prone to doing some radical panning things such that a solo
jumps all over the place from left to right. Since "High Tension
Wires" seems to be the most popular album in here, I think he does
it on the solo for "Third Power" (not sure if that's the right title).
db
|
1954.39 | | FRETZ::HEISER | Maranatha! | Thu Sep 01 1994 17:34 | 6 |
| Re: -1
that's a common technique for people that can't play with emotion.
They try to confuse you and space you out by changing channels all the
time. Works great on those ancient tribute cover tours in 3rd World
countries.
|
1954.40 | I "change channels" whenever Satch comes on | DREGS::BLICKSTEIN | db | Thu Sep 01 1994 17:53 | 7 |
| > They try to confuse you and space you out by changing channels all
> the time.
Only a Satriani fan could be "confused" by something like that.
Play them anything more complicated than a 4/4 120 BPM guitar boogie
in E or A and you lose 'em.
|
1954.41 | | LEDS::BURATI | And the gods made love | Thu Sep 01 1994 18:13 | 6 |
|
Ummm, I know this was asked before but I can't find an answer. Does
anyone know if AFTER_HOURS is gone for good or what the story is?
--rjb
|
1954.42 | | FRETZ::HEISER | Maranatha! | Thu Sep 01 1994 18:19 | 4 |
| > Only a Satriani fan could be "confused" by something like that.
there are no Satch fans in 3rd World Countries. Neither are they fans
of rehashed tribute bands that can't get a real gig.
|
1954.43 | Still there, but... | AIMHI::KERR | Caught In The Crossfire | Thu Sep 01 1994 18:30 | 7 |
|
.41
AFTER_HOURS is still available at AKOFIN::AFTER_HOURS However,
there hasn't been any recent activity.
|
1954.44 | Utopia found | DREGS::BLICKSTEIN | db | Thu Sep 01 1994 18:35 | 4 |
| > there are no Satch fans in 3rd World Countries.
Thus proving that such countries are far more advanced culturally
than they are often given credit for.
|
1954.45 | | TAMRC::LAURENT | Hal Laurent @ COP | Fri Sep 02 1994 09:59 | 10 |
| re: .43
> AFTER_HOURS is still available at AKOFIN::AFTER_HOURS However,
> there hasn't been any recent activity.
AKOFIN changed node numbers recently. Check your NCP database to make
sure you're looking in the right place.
-Hal
|
1954.46 | ? | BIGQ::DCLARK | doin' that crazy hand jive! | Fri Sep 02 1994 12:11 | 5 |
| re .-1
uh, not to sound too naive, but how do you do that?
- Dave
|
1954.47 | The adresses should match - 24.456 | WAYLAY::GORDON | in a leaky boat off the coast of Cuba | Fri Sep 02 1994 13:10 | 32 |
| Can't recall if this requires privilege or notm, but I don't think so. (Been
running my own workstation so long I forget what it's like to be mortal.)
$ MCR NCP SHOW NODE AKOFIN
$ MCR NCP TELL ANCHOR SHOW NODE AKOFIN
Waylay-V6.1> $ MCR NCP SHOW NODE AKOFIN
Node Volatile Summary as of 2-SEP-1994 11:01:39
Node State Active Delay Circuit Next node
Links
24.456 (AKOFIN) SVA-0 31.1008 (MK1RT4)
Waylay-V6.1> $ MCR NCP TELL ANCHOR SHOW NODE AKOFIN
Node Volatile Summary as of 2-SEP-1994 11:01:43
Node State Active Delay Circuit Next node
Links
24.456 (AKOFIN) BNA-0 55.1014 (A55NIS)
--Doug
|
1954.48 | | GOES11::HOUSE | How could I have been so blind? | Fri Sep 02 1994 16:14 | 14 |
| Usually doesn't take any privileges to check the node number with NCP,
but it takes access to the database file to change it.
If it's not right, and you have the privileges to correct it, you can
fix it as such:
$ MCR NCP
NCP> CLEAR NODE AKOFIN ALL
NCP> PURGE NODE AKOFIN ALL
NCP> DEFINE NODE AKOFIN ADDR n.n ! n.n being the address ANCHOR had...
NCP> SET NODE AKOFIN ALL
NCP> EXIT
Greg
|
1954.49 | | TAMRC::LAURENT | Hal Laurent @ COP | Fri Sep 02 1994 19:11 | 30 |
| re: .48
> $ MCR NCP
> NCP> CLEAR NODE AKOFIN ALL
> NCP> PURGE NODE AKOFIN ALL
> NCP> DEFINE NODE AKOFIN ADDR n.n ! n.n being the address ANCHOR had...
> NCP> SET NODE AKOFIN ALL
> NCP> EXIT
Somehow the latent propellor-head in me is struggling to get out, and I'm
forced to point out that the CLEAR NODE and PURGE NODE aren't really
necessary (although they won't hurt either).
There *is* one other case that can happen, though, especially when your
node database gets maintained infrequently. Sometimes the new node number
is still assigned to and obsolete node name. Let's say for example that
your node database has node FOO assigned to node number 1.2, but it really
should be assigned to 3.4. But you can't change it directly, 'cause there
used to be a node called BAR assigned to 3.4, and it's still that way in your
local database. In that case you would have to do:
$ MCR NCP
NCP> CLEAR NODE 3.4 ALL
NCP> PURGE NODE 3.4 ALL
NCP> DEFINE NODE FOO ADDR 3.4
NCP> SET NODE FOO ALL
NCP> EXIT
-Hal
|
1954.50 | | KDX200::COOPER | Revolution calling! | Fri Sep 02 1994 19:34 | 8 |
| Or...
$ mcr ncp define node n.n name nodnam
$ mcr ncp set node n.n all
You weenies - this is GUITAR not the NCP/NCL Dialog class. :-)
|
1954.51 | Seen this enough times yet? | GOES11::HOUSE | How could I have been so blind? | Tue Sep 06 1994 19:16 | 14 |
| In case I missed anyone....
It brings me GREAT pleasure to announce the birth of...
Melody Ann House
Born: Friday, September 2nd, 1994 6:54pm
Weight: 7lb 8oz
Length: 21 1/4 inches
Proud Dad: Greg
Proud Mom: Dawn
Proud Sister: Heather
|
1954.52 | | POWDML::BUCKLEY | Venimus, Vidimus, Coastimus | Tue Sep 06 1994 19:24 | 14 |
| >Born: Friday, September 2nd, 1994 6:54pm
>Weight: 7lb 8oz
>Length: 21 1/4 inches
>Proud Dad: Greg
>Proud Mom: Dawn
>Proud Sister: Heather
Proud City: Colorado Springs
Proud State: Colorado
Proud Grandparents State: Nevada
...
;')
|
1954.53 | | LEDS::BURATI | My other keyboard's on a B-3 | Tue Sep 06 1994 19:36 | 5 |
| Proud conference: Guitarnotes
Nice going, Greg. Congratulations.
--Ron
|
1954.54 | | GOES11::HOUSE | How could I have been so blind? | Tue Sep 06 1994 20:51 | 13 |
| Proud Country: USA
Proud Planet: Earth
Proud Nebulae: Crab
> Proud Grandparents State: Nevada
Ack-schully... Proud Grandparent's State is now New Mexico, as of
the day before Melody was born! They closed on their new house on
Thursday, movers showed up with their stuff on Friday morning, got a
new granddaughter Friday evening, drove up here Saturday morning...
Greg
|
1954.55 | | GIDDAY::KNIGHTP | There's room for you inside | Tue Sep 06 1994 20:52 | 8 |
| re
baby house.
Congrats Greg...just keep her away from Alan Starr....8^).
P.K.
|
1954.56 | | GOES11::HOUSE | How could I have been so blind? | Tue Sep 06 1994 20:52 | 5 |
| > Proud Nebulae: Crab
Yeah...I realize that *we're* not in it, but...well, it's very very
proud.
|
1954.57 | | GOES11::HOUSE | How could I have been so blind? | Tue Sep 06 1994 20:53 | 3 |
| re: PK
WAAAAAHAHAHAHAHA!!!
|
1954.58 | its 8:40 am and I need coffeeee!!!!!!!!!!!!!!1 | GIDDAY::KNIGHTP | There's room for you inside | Tue Sep 06 1994 20:54 | 6 |
| Hey you guys are actually using the same time as me, isn't the
international date line a pain in the b*****.
P.K.
|
1954.59 | | FREEBE::REAUME | my 2 vices - GTS and coasters | Wed Sep 07 1994 00:04 | 9 |
|
Congrats Greg H! One is never enough! Well - I have two and I think
that's enough, so I guess it's an individual thing. Nice name! Musical
without being too different.
I'd say that it limits your GTS attacks, but don't use me as an
example!
|
1954.60 | One college tuition, comin' up! | KDX200::COOPER | Revolution calling! | Wed Sep 07 1994 01:00 | 6 |
| I wouldn't be too concerned about Gregs GTS - He's a confirmed
Marshall man and has enough M-Word gear in his house to shame
most...
However, I'd be watchin' those yearnings for a new tape machine
or something...
|
1954.65 | HULLOOOOOO AMERICA!!!!! | CHEFS::GEORGEM | Wedding Present......Seamonsters is ace, tip-top spot on. | Wed Sep 07 1994 11:13 | 5 |
| Sorry for crashing in on this conference, but I'm a massive music and guitar
fan/player, and I was just wondering what this conference is based on.
Is it just for American employees, or does it cover us in the UK?
And, if it does cover the UK, does anyone want to by my Peavey Bandit?
|
1954.66 | | BIGQ::DCLARK | doin' that crazy hand jive! | Wed Sep 07 1994 11:26 | 3 |
| 1. yes, it include employees all ove the world
2. no, nobody wants to buy your Peavey Bandit :-) :-)
|
1954.67 | | CHEFS::GEORGEM | Pixies revival @REO!!! | Wed Sep 07 1994 12:10 | 7 |
| Thanx a bunch!
$8^(=
Go on.....Peavey Bandit 65 (!)
ONLY 130 POUNDS!! ($195)
|
1954.68 | jim marshall is the gov'nor | POWDML::BUCKLEY | Venimus, Vidimus, Coastimus | Wed Sep 07 1994 12:24 | 3 |
| George,
Got any plexi Marshall tops kickin around??
|
1954.61 | Old joke, but :-) | SSDEVO::LAMBERT | Sam, Subsystems Engineering @CXO | Wed Sep 07 1994 13:47 | 4 |
| I don't know, I still think he should have named her Catherine.
-- Sam
|
1954.62 | What is it? | EVOAI2::SECU_LDV | Mr Strato | Wed Sep 07 1994 14:21 | 13 |
| Hi, I don't know if I'm in the right place but,...
There is one question that I want to ask since few years:
What is the name exact of this chord?:
076780
I know that is an "E" but an E what? E9, or something else?
That is the chord used by Hendrix in many songs.
Thanks,
-Fred-
|
1954.63 | | TOOK::LEVINE | What if there were no rhetorical questions? | Wed Sep 07 1994 14:41 | 10 |
| > What is the name exact of this chord?:
>
> 076780
>
> I know that is an "E" but an E what? E9, or something else?
I think I've seen it called E7#9. An E9, in your notation, would be 076770.
And it is a wicked cool chord...
-Lance-
|
1954.64 | Cool E's | EVOAI2::SECU_LDV | Mr Strato | Wed Sep 07 1994 14:57 | 3 |
| Thanks Lance, I put those chord in my brain!
-Fred-
|
1954.69 | :-) | KDX200::COOPER | Revolution calling! | Wed Sep 07 1994 16:49 | 6 |
| You guys know NOTHING!!
That chord is the "Jimi Chord".
:-)
|
1954.70 | | LEDS::BURATI | My other keyboard's on a Hammond B-3 | Wed Sep 07 1994 17:24 | 2 |
| I believe that's chord heard round the world:
The chord that opens the first Cream album.
|
1954.71 | | GOES11::HOUSE | How could I have been so blind? | Wed Sep 07 1994 18:15 | 3 |
| I've also heard it called an Eadd9.
gh
|
1954.72 | fwiw | POWDML::BUCKLEY | Venimus, Vidimus, Coastimus | Wed Sep 07 1994 18:19 | 2 |
| The "Jimi chord" is an 'E Dominant 7, #9' -- which is NOT the same as
'Eadd9'.
|
1954.74 | ;') | POWDML::BUCKLEY | Venimus, Vidimus, Coastimus | Wed Sep 07 1994 18:41 | 1 |
| I always thought of it as the Jan Akkermann chord, as in Hocus Pocus.
|
1954.75 | Dave Hickernell is back on the 'net | SPEZKO::FRASER | Mobius Loop; see other side | Wed Sep 07 1994 19:08 | 6 |
| Email from Dave Hickernell - he has a job in Boston and sends
regards - I've asked for permission to post his Inet address
here and well when he OKs to post it.
Andy
|
1954.76 | | FRETZ::HEISER | Maranatha! | Wed Sep 07 1994 19:44 | 3 |
| > Proud Nebulae: Crab
...and let's keep them out there where nobody can catch'em!
|
1954.77 | its a nice one | GIDDAY::KNIGHTP | There's room for you inside | Thu Sep 08 1994 00:38 | 9 |
| re the chord
I use that one in "walking by myself" Garry Moore during the
What more.....chord ...chord..can I do.
I'm walking,by myself etcetc
P.K.
|
1954.78 | | CHEFS::GEORGEM | Swansea for the league! | Thu Sep 08 1994 12:53 | 11 |
| Two points :
1. Has anyone got an idea how much my 1978 Fender Strat USA is likely to be
worth?
and 2. Seeing as someone mentioned funk#49 earlier, does anyone in the UK have
a transcript of it?
See ya,
Matt.
|
1954.79 | | KDX200::COOPER | Revolution calling! | Thu Sep 08 1994 16:21 | 4 |
| 1. '78 US Strats - $300-$400 depending on condition.
2. I don't...But it's got the jimi chord in it.
:-)
|
1954.80 | | GOES11::HOUSE | How could I have been so blind? | Thu Sep 08 1994 23:49 | 13 |
| > 1. '78 US Strats - $300-$400 depending on condition.
That depends on where you are. The person with the question was noting
from a node that I believe is in the UK, where prices are significantly
higher then here in the US.
Besides...I think this price range is a little low anyway. That was
true a few years ago, but it seems like the older USA made (pre
"American Standard") Strats seem to be commanding better prices these
days and the prices are all over the map too. I'd say $350-550, maybe
more.
Greg
|
1954.81 | BBM Fan | JARETH::KMCDONOUGH | SET KIDS/NOSICK | Fri Sep 09 1994 18:02 | 9 |
|
BTW, to go against the public opioion here....I *like* the BBM tunes
I've heard on the radio. Does Gary Moore exercise restraint in his
playing? Well, no, not much. Does that matter to me? Well, no, not
much. 8-)
Kevin
|
1954.82 | miracle ears wanted? | MILKWY::JACQUES | Vintage taste, reissue budget | Wed Sep 14 1994 01:31 | 6 |
| Does anyone know where I can find rack ears for a single-space unit.
I picked up an audio timer at the fleas last week that I would like
to rack-mount. The rack ears on my Tascam patch bay would fit
perfectly. Any suggestions would be appreciated.
Mark
|
1954.83 | | TAMRC::LAURENT | Hal Laurent @ COP | Wed Sep 14 1994 11:26 | 12 |
| re: .82
> Does anyone know where I can find rack ears for a single-space unit.
> I picked up an audio timer at the fleas last week that I would like
> to rack-mount. The rack ears on my Tascam patch bay would fit
> perfectly. Any suggestions would be appreciated.
If the unit isn't too thick you might be able to mount it to a rack shelf,
which is easy to find. Doesn't always work, though. Sometimes the result is
a bit too thick for one rack space.
-Hal
|
1954.84 | | TAMRC::LAURENT | Hal Laurent @ COP | Wed Sep 14 1994 12:00 | 3 |
| I don't remember if anyone's mentioned it here or not, but the
real life "Officer Obie" of Alice's Restaurant fame died over the
weekend. His real name was William J. Obanhein.
|
1954.85 | | SOLVIT::SNORAT::OLOUGHLIN | The fun begins at 80! | Thu Sep 15 1994 12:55 | 12 |
|
Alice's...
I've heard that the restaurant is in New Salem. True?
It's the one on the right in the center. (Hmmm, the
only thing on the right for that matter.)
-Rick.
|
1954.86 | | KDX200::COOPER | Revolution calling! | Thu Sep 15 1994 20:42 | 18 |
| RE: Rack Ears
First, go talk to your network guys. They generally have TONS of
rack goodies that they throw away on a daily basis. They have shelves,
racks, EARS (DS200 ears can be cut to do one space), screws, clips,
blanks, etc...
I picked up two scrap 'racks' for my studio of the 20space variety.
Wrote 'em as scrap and took 'em home and filled 'em up. Sturdy,
rugged, and all that, plus they look pretty good. I think mine
used to house RM80 disks or something. The boss had no problem
with signing the property pass 'never to be returned'. They were
gonna heave 'em anyway.
jc
|
1954.87 | | DNEAST::BOTTOM_DAVID | anti-EMM! anti-EMM! I hate expanded memory!- Dorothy | Fri Sep 16 1994 10:20 | 8 |
| re: old racks
yeah I've been working on my boss for one, but what they want to do instead is
give me a PRP and then just never ask for them back, of course if we got sold,
TSFo'd or I just finally gave up on DEC and left I'd have to return it. So I'm
still pushing the scrap idea.
dbii hu-hu
|
1954.88 | | KDX200::COOPER | Revolution calling! | Fri Sep 16 1994 13:36 | 5 |
| It *should* work. If its' destined for the Contoocook scrap heap,
then DEC doesn't lose anything by giving it to you... Just check the
"Never To Be Returned" box on the PRP.
jc
|
1954.90 | Someone had to say it... | PAVONE::TURNER | | Thu Sep 29 1994 14:11 | 7 |
| re -1
Yep! As the saying goes: "Variety is the spice of life!"
I think it's time for a rash of new topics.
Dom
|
1954.91 | | FRETZ::HEISER | Grace changes everything | Thu Sep 29 1994 14:20 | 1 |
| I've been on a music break for years! ;-)
|
1954.92 | | DREGS::BLICKSTEIN | db | Thu Sep 29 1994 14:58 | 5 |
| OK, how about this new topic:
Drop D tuning SUCKS!!!!!!!!!!!!!!!
Any takers? Didn't think so...
|
1954.93 | hey this too can be fun! | DNEAST::BOTTOM_DAVID | anti-EMM! anti-EMM! I hate expanded memory!- Dorothy | Thu Sep 29 1994 15:40 | 3 |
| personally I truely hate open G
dbii
|
1954.94 | Smashing new topic! | STKHLM::STENSTROM | Still Crazy After All These Beers... | Fri Sep 30 1994 12:48 | 5 |
| Whatabout a topic like "Truly stylish ways of guitar smashing on stage!".
(Townsend, Hendrix, Blackmore, Malmtsteen,...)
/tOM
|
1954.95 | MUSIC has moved | TAMRC::LAURENT | Hal Laurent @ COP | Tue Oct 11 1994 13:52 | 5 |
| Just a reminder to anyone here that also reads the MUSIC conference...it
moved to MR1PST::MUSIC the other day. I suspect from the lack of traffic
there that many people haven't figured it out yet.
-Hal
|
1954.96 | | BUSY::FISED::SLABOUNTY | I smell T-R-O-U-B-L-E | Tue Oct 11 1994 15:00 | 8 |
|
I just figured people wanted to spend more time in GUITAR,
"the land of gits and wankers".
8^)
GTI
|
1954.97 | | GOES11::HOUSE | How could I have been so blind? | Tue Oct 11 1994 20:23 | 2 |
| Just get rid of that pony tail before you go in there, least you become
too creative.
|
1954.98 | Bloodlines | RICKS::CALCAGNI | I thought I made a mistake but I was wrong | Wed Oct 19 1994 17:36 | 11 |
| Is there a topic or string for these guys already? I stayed up late
the other night and caught the band Bloodlines on TV (Conan, I think).
It's Robby Krieger's son on guitar, Berry Oakley's son on bass (and
playing his dad's old J-bass too), Miles Davis' son on drums and
Smokin Joe ?????? on lead (who's father isn't anybody I guess).
They were fun; lotsa energy (ah to be young again), and Smokin Joe
played a mean Strat. I think they hit the Paradise in Boston recently.
Anyone seen em?
/rick
|
1954.99 | Don't let this happen to you | DNEAST::BOTTOM_DAVID | anti-EMM! anti-EMM! I hate expanded memory!- Dorothy | Tue Oct 25 1994 09:43 | 12 |
| Last weekend St Amand played out in what is one of the nicer clubs we've been to
so far. Nice stage, dance floor, house lights etc. well we were getting down
running about acting like typical rock fools and Andy (our other guitarist) took
a leap off the stage and tore his achilles tendon...he finished the last set
and a half sitting down, and wasn;t too uncomfortable. Now he's off to surgery
today or tomorrow...and of course, we have a big gig this weekend...
The only real surprise to me was that it was Andy and not me that got injured.
So guys be careful out there!
dbii
|
1954.100 | | DREGS::BLICKSTEIN | db | Tue Oct 25 1994 10:42 | 5 |
| His achilles tendon will eventually recover... his pride will be
scarred for life.
db - who's been known to jump higher at gigs than on the volleyball
court.
|
1954.101 | | MPGS::MARKEY | One Shot Stopping with .45 ACP | Tue Oct 25 1994 16:15 | 11 |
| >His achilles tendon will eventually recover... his pride will be
>scarred for life.
>
> db - who's been known to jump higher at gigs than on the volleyball
> court.
Well, at least Buck will never suffer such indignity... :-) :-) :-) :-)
(sorry Mr. Buck, couldn't resist)
-b
|
1954.102 | not worth it | POWDML::BUCKLEY | I know all about the honor of God... | Tue Oct 25 1994 16:27 | 2 |
| I learned my lesson long ago jumping off a drum riser and severly
twisting my ankle!! No more poserish antics for moi.
|
1954.103 | | DNEAST::BOTTOM_DAVID | anti-EMM! anti-EMM! I hate expanded memory!- Dorothy | Tue Oct 25 1994 16:37 | 11 |
| Actually his pride seems to be ok. He's laughing about it...but then he hasn't
been in the OR yet....
The latest, he's going in Monday for the surgery. He will play this weekend
in a wheel chair!
We're gonna have some fun with that it being halloween weekend and all...
No more jumps off those high stages for this band.
dbii
|
1954.104 | at least the ones I've had | FRETZ::HEISER | Grace changes everything | Tue Oct 25 1994 17:01 | 1 |
| ankle sprains are worse than breaks.
|
1954.105 | | DREGS::BLICKSTEIN | db | Tue Oct 25 1994 18:41 | 12 |
| > ankle sprains are worse than breaks.
I've heard that dislocations can be better than sprains and generally
are better than breaks.
I know a guy whose ankle came completely out of the socket (i hear it
was at a very gross/disturbing angle) and yet who was almost fully
recovered in 6-7 weeks.
I've had one sprain that took that long.
db
|
1954.106 | | MPGS::MARKEY | One Shot Stopping with .45 ACP | Tue Oct 25 1994 18:49 | 9 |
| Oh puuuuuuhhhhleeeeeeeeeeeezzzzzzzzeeeeeeee!
Hey, I know... Let's talk about that quarterback who had his
leg broken in two on national television... compound fractures
make _excellent_ conversation pieces...
sheeesh.
-b
|
1954.107 | ;^) | GOES11::HOUSE | How could I have been so blind? | Tue Oct 25 1994 21:09 | 1 |
| OH yeah??? Well take a look at _THIS_ scar!!
|
1954.108 | was today a holiday? | EZ2GET::STEWART | fight fire with marshmallows | Fri Oct 28 1994 15:11 | 6 |
|
Wow, I don't believe I've ever seen this conference go this long
without some new note...and now I've gone and spoiled the streak...
|
1954.109 | Musician's humor | DREGS::BLICKSTEIN | db | Sat Oct 29 1994 16:10 | 91 |
| This is basically from the humor column of Guitar for the Practicing
Musician:
Q: How do you get two drummers to play in time?
A: Shoot one of them
Q: What's the range of a fretless bass?
A: Twenty yards if you have a good arm
Q: What do drummers use for birth control?
A: Their personalities
Q: Why are set breaks limited to 20 minutes?
A: So you don't have to retrain the drummer
Q: How many bass players does it take to change a light bulb
A: None, the keyboard player can do that with his left hand
Q: How does a lead vocalist change a light bulb?
A: He just holds onto the bulb and the world revolves around him
Q: If you were lost in the woods, who should you ask directions from: an
out-of-tune bass player, an in-tune bass player, or Santa Claus?
A: An out-of-tune bass player. The other two indicate that you were
hallucinating
Q: How many jazz pianists does it take to change a light bulb
A: Screw the changes, we'll fake it
Q: How many union roadies does it take to plug in an amp?
A: Eleven. You gotta problem with that?
Q: How do you get a guitar player to stop playing?
A: Put sheet music in front of him.
And my personal favorite:
Q: What was the epitaph on the blues players gravestone?
A: "I didn't wake up this morning..."
---
Three guys sitting in a bar:
#1: I make $75,000 a year after taxes
#2: What do you do for a living?
#1: I'm a stock broker. How much do you make?
#2: I should clear $60,000 this year
#1: What do you do?"
#2: I'm an architect
The third guy has been sitting there quietly staring into his beer,
when the other two turn to him
#2: Hey... how much do you make?
#3: Gee... ummm... I guess about $13,000
#2: Oh yeah? What kind of strings do you use?
-----
Another personal favorite:
A guitarist dies and goes to heaven. There he is greet at the pearly gates
by St. Peter, who says, "Oh, you're going to love it here. We have
Marshall stacks in all the practice rooms, every guitar you can imagine and
we have jam sessions every night until four a.m. Everybody's here: Jimi,
Stevie Ray, Duanne,... You'll love it here". The guitar replies: "That
sounds great but tell me, is Steve Morse here?"
St. Peter hesitates and reluctantly answer: "No, I am afraid that Steve
Morse didn't make it up here. But you must be tired so check into your
practice room and I'll see you later."
So the guitarist finds his way to the practice room and begins unpacking.
From the next room he hears the familiar strains of a progressive rock
guitarist.
As he listens more closely, he realizes that it sounds exactly
like Steve Morse. He walks back to St. Peter and says "I thought you
said Steve Morse wasn't here." St. Peter replies "That's correct,
he isn't."
The guitarist shrugs and returns to him room again. Again he hears
the incredible cross-picked lines, wide vibrato, pinched harmonics,
chicken pickin, and lightning fast riffs. He even hears the signature
lick to "Tumeni Notes". Bewildered, he goes back to St. Peter. "Look,
I know I heard Morse in the next room," he insists. "If that's not
Morse in the next room, then who is it?"
St. Peter glances around, making sure no one else is listening and
then pulls the guitarist close and says under his breath, "The guy
in the next room? It's not Morse... it's God. He just THINKS he's
Steve Morse.
|
1954.110 | BWA-HAHAHAHA! | NOVA::ASHOKM::ASHFORTH | | Mon Oct 31 1994 14:13 | 6 |
| Yo, db, that's the *best* Morse joke I've ever read! Um, well, yeah, it's the
*only* Morse joke I've ever seen, sure, but...
It's still too much! (Not Tumeni)
Bob (who's about to print out the previous reply...)
|
1954.112 | | FRETZ::HEISER | Grace changes everything | Mon Oct 31 1994 14:20 | 8 |
| >Marshall stacks in all the practice rooms, every guitar you can imagine and
I always thought Heaven will be awesome and have nothing but the best!
>in the next room? It's not Morse... it's God. He just THINKS he's
>Steve Morse.
That's not true. God thinks he's Phil Keaggy!
|
1954.113 | Clapton? Gary Moore? Hardly narrows it down does it? | DREGS::BLICKSTEIN | db | Mon Oct 31 1994 18:34 | 7 |
| >> It's not Morse... it's God. He just THINKS he's Steve Morse.
>That's not true. God thinks he's Phil Keaggy!
I was recently informed that god just came out with a blues album.
So, I think we can conclude it's neither Morse nor Keaggy.
|
1954.114 | hope this helps | FRETZ::HEISER | Grace changes everything | Mon Oct 31 1994 18:45 | 1 |
| Blues and God/Heaven are mutually exclusive.
|
1954.115 | | EZ2GET::STEWART | fight fire with marshmallows | Tue Nov 01 1994 11:31 | 5 |
|
guess I'll just be headin' down to the crossroads, then...
|
1954.116 | | SOLVIT::SNORAT::OLOUGHLIN | The fun begins at 80! | Tue Nov 01 1994 12:09 | 6 |
|
Anyone know how the Dawg-man is doing?
-Rick.
|
1954.117 | | USPMLO::DESROCHERS | Mine's made outta unobtainium! | Tue Nov 08 1994 11:15 | 5 |
|
fyi, Guitar Player is on the net at guitplyr@mfi.com.
Tom
|
1954.118 | Dennis Wolfsburg dead? | RANGER::WEBER | | Mon Nov 14 1994 13:16 | 5 |
| On Jay Leno's show last week, he intimated that comedian Dennis
Wolfsburg had died. Anybody here know anything about this? I know this
has nothing to do with guitars, but that's not unusual in this topic.
Danny W.
|
1954.119 | | EZ2GET::STEWART | fight fire with marshmallows | Mon Nov 14 1994 18:14 | 6 |
|
Yes, I'm pretty sure he's gone. Jay & a bunch of other big-name
comedians were doing a benefit in LA - last week I think...
|
1954.120 | fyi, re-posted from GRATEFUL notes | RICKS::CALCAGNI | I thought I made a mistake but I was wrong | Tue Nov 15 1994 11:19 | 47 |
| <<< NECSC::SYS_CLUSTER:[NOTES$LIBRARY]GRATEFUL.NOTE;1 >>>
-< Take my advice, you'd be better off DEAD >-
================================================================================
Note 86.46 Radio/TV Happenings 46 of 46
SLOHAN::FIELDS "Ain't gonna worry my life anymore" 104 lines 14-NOV-1994 11:22
-< Clapton Week on VH-1 get those VCRs warmed up. >-
--------------------------------------------------------------------------------
From: US4RMC::"jgallman@onramp.net" "Jim Gallman" 12-NOV-1994 00:56:01.30
To: slowhand-urgent@daacdev1.stx.com
CC:
Subj: FW: VH-1--BLUES & BEYOND
---------------Original Message---------------
Ok, folks--
Here's the scoop, directly from MTV Networks--all times given are EASTERN,
but check your local listings, as they say:
MONDAY:
Clapton and Friends--'86 Birmingham concert--10pm
TUESDAY
24 Nights-Part 1--10pm
WEDNESDAY
24 Nights-Part 2--10pm
THURSDAY:
Clapton Through the Ages (a newly produced career retrospective)--10:-10:30pm
Clapton Rarities (Derek &TD concert footage!!) 10:30-11:30pm
FRIDAY:
Clapton Through the Ages--8:30-9:00pm
Clapton Rareties--9-9:30pm
Clapton and Friends--10pm
SATURDAY:
Clapton From the Cradle--(rehearsal footage galore) 8-9pm
Clapton Through The Ages--9-9:30pm
24 Nights 9:30-11pm
SUNDAY:
Clapton Through the Ages 7:30-8pm
Clapton & Friends 8-9pm
Clapton From the Cradle--9-10pm
|
1954.121 | black fingers, pt II | RICKS::CALCAGNI | The animal trainer and the toad | Mon Nov 28 1994 15:08 | 14 |
| This just in from former DECCIE, noter, and unrepentant blueser
Ron Burati:
Remember that note in guitar notes from the guy whose fingers turned
black ever time he played his knew guitar? People were telling him
things like "it's the kind of strings you're using", etc. Well, I've
been playing my Tele a lot lately. Sunday morning I used some hand
lotion for the first time this year. A couple hours later I pick up
the Tele and played for about an hour. When I was done...I had ***black
finger tips***, well, very dark gray anyway. I've never gotten black
fingers from my strings like that before. A teensy bit gray --- maybe.
I wouldn't venture to guess what the chemistry behind it is, but it
would appear that something in the hand lotion caused oxidation.
|
1954.122 | What brand lotion did that?? | GOES11::HOUSE | How could I have been so blind? | Mon Nov 28 1994 15:48 | 4 |
| That's interesting. If it's doing that to your fingers, it's probably
also decreasing your string life pretty severely!
Greg
|
1954.123 | KY Jelly | FRETZ::HEISER | Grace changes everything | Mon Nov 28 1994 20:12 | 1 |
| > -< What brand lotion did that?? >-
|
1954.124 | Not to mention the danger of blindness | MPGS::MARKEY | Bill Clinton: recognizable obscenity | Mon Nov 28 1994 20:26 | 6 |
| RE: .123
That, I've heard, doesn't turn your fingers black... it grows hair on
your palms...
-b
|
1954.125 | It was me! | COPCLU::SANDGREN | Keep it simple | Tue Nov 29 1994 04:01 | 15 |
|
Well the guy with the black fingers was me! I was playing my
new Am. Std. strat with rosewood fretboard, and appearently it
was treated with SOMETHING that slowly disappeared after some
weeks of playing time. My fingers were BLACK as COAL! And it
wasn't the strings, I used the same set as always, tried to put
on a new set anyway, still black fingers. And I always wash my
hands with normal soap before playing, I should add...
Before I put on the new strings, I used a soft cloth to rub off
most of the stuff from the fretboard, but the warmth of the
fingertips I guess still picked some up. Strange!
Poul (now with clean fingertips)
|
1954.126 | something else to consider | FRETZ::HEISER | Grace changes everything | Tue Nov 29 1994 13:19 | 1 |
| everyone has different ph levels in their skin too.
|
1954.127 | Wurly's now open in Nashua | BLADE::ANDRE | I think, therefore I am, I think | Tue Nov 29 1994 13:59 | 13 |
1954.128 | MUSIC_MAKING has moved | TAMRC::LAURENT | Hal Laurent @ COP | Thu Dec 01 1994 12:46 | 4 |
| For any of you that might be interested:
The MUSIC_MAKING conference has moved to TAMVM3::MUSIC_MAKING
|
1954.129 | ;-) | FRETZ::HEISER | Grace changes everything | Thu Dec 01 1994 12:58 | 1 |
| Gee Greg, why don't you make this a little more obvious!
|
1954.130 | | GOES11::HOUSE | How could I have been so blind? | Thu Dec 01 1994 13:50 | 1 |
| Why Mike, I don't know WHAT you mean...
|
1954.131 | Or should that be ":-("... | COOKIE::LAMBERT | Sam, Storage Mgmt. S/W @CXO | Thu Dec 01 1994 14:07 | 4 |
| I do! I do! :-)
-- Sam
|
1954.132 | | KDX200::COOPER | Revolution calling! | Thu Dec 01 1994 14:37 | 3 |
| Ditto.
:-)
|
1954.133 | not another one? | GIDDAY::KNIGHTP | There's room for you inside | Thu Dec 01 1994 18:04 | 6 |
| HUH?
P.K.
|
1954.134 | | SOLVIT::SNORAT::OLOUGHLIN | The fun begins at 80! | Fri Dec 02 1994 10:37 | 5 |
|
lost.
|
1954.135 | | GOES11::HOUSE | How could I have been so blind? | Wed Dec 07 1994 18:55 | 6 |
| Well, as surmised, I am in fact leaving the company. I was trying to
keep it quiet in case they escorted me out when I resigned, but that
doesn't appear to be happening, so I'll letcha all know now that it's
official. My last official day will be Jan. 4th.
Greg
|
1954.136 | Where? | ROADKL::HALL | Euripides pants, Eumenides pants | Wed Dec 07 1994 19:53 | 4 |
| So Greg, are you going to MCI (their motto: "Where Employees Are A
Renewable Resource")?
Charlie
|
1954.137 | Sniff,sniff. | GIDDAY::KNIGHTP | There's room for you inside | Wed Dec 07 1994 21:32 | 16 |
| Well
after all this time it seems finally someone who is leaving us
is doing so under his own steam.
As I may not be back when you leave Greg, I wish you all the
best and every happiness in whatever it is that you chose to do.
I have enjoyed and learned an enormous amount from you over the last
Five years and I and everyone is will miss your noting in this and
many other conferences.
I hope you will be able to keep contact in some way or other,so
you can let us known what you are up to.
You and your family will always have a place to stay if you
ever decide to make the trip downunder.
Good luck mate!
P.K.
|
1954.138 | I don't know WHAT they'll be called when I get there... | GOES11::HOUSE | How could I have been so blind? | Thu Dec 08 1994 23:57 | 3 |
| Thanks guys!
...and no, Charlie, not MCI! (I took your advice!)
|
1954.139 | Total Guitar magazine | RICKS::CALCAGNI | The animal trainer and the toad | Fri Dec 16 1994 11:57 | 84 |
| I got this off the Internet. There's a new guitar mag out in the UK,
sounds interesting. I wish someone here would try something like this.
Date: Wed, 14 Dec 1994 08:34:17 CST
From: "Eric Bell, Howling Dog Systems" <71333.2166@compuserve.com>
Subject: Total Guitar - new UK mag is Awesome!
I picked up a new guitar magazine from the UK this weekend called
TOTAL GUITAR
It's a feature and review packed mag and comes with a CD featuring equipment
comparisons, reader demos, instrument demos, play-along samples, and teaching
examples from the text of the magazine.
Thought you guys and gals that read TBL might want to know about it.
It's so good, I sent this to the Editor:
December 13, 1994
Karl Foster
Total Guitar Magazine
Hi, I'm Eric Bell of Howling Dog Systems, here in Canada.
I picked up the first issue of 'Total Guitar' the other day. Cost me 2 1/2
times what a typical music mag does. I didn't care. I was blown away. What an
incredible magazine you've produced!
We've been hounding electronic music and keyboard oriented mags as well as
Guitar mags on this side of the pond to include CDs with their publications
but here in North America they can't seem to figure out how to do it and still
make money. But I think they are really missing the point.
I mean, you can write and write and write about gear, take pictures, etc. but
nothing can replace even a few seconds of *hearing* what its all about.
The value of your magazine easily surpasses the cover price, for just the
Overdrive pedal comparison alone. At last I got to hear all of those different
pedals in one fell swoop! In fact, we sat around and did a taste test,
quickly rating each one and comparing with your ratings. It was fun!
I've already spent more time with your magazine than with other typical music
magazines, and this bodes well for advertisers. I've listened to the CD
straight thru, and now I'm listening to each section as I go thru the
articles. This is a winning combination.
And your article / examples of Hendrix style playing pointed out a few things
that hadn't really 'jelled' in spite of the amount of time I've spent
listening to him. Like that bend up a fourth. It's so Hendrix, but I never
quite twigged. And the sound of those two string bends... have to add those to
my repertoire!
Anyway, you'll never keep it up. How can you possibly go on providing this
level of detail, and value, every month? Impossible! But I hope you'll try.
Best of luck,
Eric Bell, Howling Dog Systems
Here's the dope on them if you want to contact them directly.
Total Guitar, published by Future Publishing (same # as below)
30 Monmouth St.
Bath, UK
BA1 2BW
Phone: (44) 1225 442244
Fax: (44) 1225 462986
Internet: kfoster@futurenet.co.uk
Warning, though, I tried to use this internet ID for e-mail and it bounced
back. I don't know if its correct.
Subscription rates are 80 pounds UK for a year (special deal right now).
That's the overseas international rate and works out to about 120 bucks US. I
bought my issue for 10 bucks Canadian.
In the current (first) issue there's a nice write up on the Status Eclipse
Active bass, with demo track on the CD.
|
1954.140 | | DABEAN::REAUME | my 2 vices - GTS and coasters | Thu Dec 22 1994 10:27 | 11 |
|
I've got a funny feeling that Santa is bringing me a Rocktron
Midi-Mate foot controller. I happened to see a UPS package arrive
from East Coast Music Mall and that's the only thing I asked for
and it's the right size box.....
My wish list has been getting smaller. Most of my gear these days
is either Rocktron, Hughes & Kettner, or Rexx.
-B{}{}M-
|
1954.141 | Should old aquaint..... | GIDDAY::KNIGHTP | There's room for you inside | Thu Dec 22 1994 17:36 | 20 |
| Well it's that time of the year again.
Today's my last day at work for a week or so,so, Merry Xmas
to everyone and their families. Goodbye and goodluck again to
Greg House, thanks to Dave Blickstein and Mike D'iorio for taking
the trouble to send me stuff during the year.
1994 has been a big year of change for me and I hope 1995 settles
down so I can get back to the really important stuff, guitar playing
8^).
I hope everyone has a happy and safe Xmas and New year and see you
guys in January.
PS dont forget to brush up on Auld Lang Syne for The New years
gigs.
P.K.
|
1954.142 | | KDX200::COOPER | Revolution calling! | Thu Dec 22 1994 18:44 | 6 |
| Everyone enjoy massive festivities this weekend! I'm sure we can
all use some time off.
Fleas Navi Dawg!!
jc
|
1954.143 | O Solo Mio | DREGS::BLICKSTEIN | db | Sat Dec 24 1994 00:42 | 3 |
| I've boned up on Auld Lang Syne, but being that our New Years gig is
"The Italian Social Club of Keene" I'm also boning up on Tarantela.
Geez, you'd think that was a prog-rock tune!
|
1954.144 | Ladies and Gentlemen, Elvis has left the building | GOES11::HOUSE | How could I have been so blind? | Wed Jan 04 1995 15:06 | 12 |
| This is it, I'm here for another 5-10 minutes..maybe. Thought I'd drop
my final note in here. It's been great talking with you all. This
notesfile has been a bright spot in my Digital experience and I wish
the best for all of you. I'll have Internet mail access and will be
sending my new address as soon as I know it, so there's no need to lose
touch completely.
Don't bother replying or sending mail now 'cause I won't get it.
Thanks for the great conversations!!!
God Bless!
Greg
|
1954.145 | | SOLVIT::SNORAT::OLOUGHLIN | The fun begins at 80! | Wed Jan 04 1995 16:35 | 8 |
|
Okay, who can tell me what hot to check out in
Phoenix? I'll be there next week Wednesday thru
Saturday.
-Rick.
|
1954.146 | how hot are we talking? | RICKS::CALCAGNI | The animal trainer and the toad | Wed Jan 04 1995 16:39 | 3 |
| the desert?
:-)
|
1954.147 | been there, done that | EZ2GET::STEWART | fight fire with marshmallows | Wed Jan 04 1995 19:03 | 5 |
|
the hot place in Phoenix is the airport -- so you can get out of
there!
|
1954.148 | Now, just get the price down a bit... | VARESE::SACHA::IDC_CASE | | Thu Jan 05 1995 11:20 | 30 |
| re: .139
>I picked up a new guitar magazine from the UK this weekend called
>
>TOTAL GUITAR
>
>It's a feature and review packed mag and comes with a CD featuring equipment
>comparisons, reader demos, instrument demos, play-along samples, and teaching
>examples from the text of the magazine.
I read this with great interest, but was just too busy to find the time
to reply before Christmas. I might well try and pick up a copy next
time I'm back in the UK, although I do think that the price is a bit
too hefty to make me want to take out a subscription.
Funny how no one has come up with the idea of CD demos before; I guess
the soundcards in Guitar Player are about the nearest thing we've seen
up to now. I don't know about you guys, but the sensation I usually get
when reading equipment reviews in guitar magazines is pretty much the
same as I get when reading the labels on wine bottles: on the one hand,
you've got adjectives like "warm", "crunchy" and "ballsy", while on the
other you've got "earthy", "impertinent" and "vivacious" ;-) Fact is, I
tend to find that you might as well skip the reviewer's personal
judgements on the sound of a particular amp, so the specifications are
the only part of the review that's any real use. Well, maybe all that
has changed...
Not that it'll suddenly make me curious about the sound or the latest
rack-mounted effects units...;-)
Dom
|
1954.149 | | SOLVIT::SNORAT::OLOUGHLIN | The fun begins at 80! | Thu Jan 05 1995 15:25 | 16 |
|
You don't mean Airport _Road_ by chance, eh?
I'm stuck there Wednesday thru Saturday. The
nights are open. What the hell do I do in this
town? Any Guit-DECCIES left out there? Any way
cool clubs that shouldn't be missed?
As a last resort, there's always the Sun's!
Eeeeeeck. -----
Rick.
|
1954.150 | take something to read... | EZ2GET::STEWART | fight fire with marshmallows | Fri Jan 06 1995 02:35 | 8 |
|
Mike Heiser's in either Phoenix or Tuscon. Karl Moeller is in Phoenix
-- you might remember him as one of the charter COMMUSIC contributors.
Other than that, about the only useful thing to do there is check out
the pawn shops...
|
1954.151 | Try Mr. Lucky's | SMURF::SCHOFIELD | Rick Schofield, DTN 381-0116 | Fri Jan 06 1995 11:27 | 7 |
| I don't know if you're into C&W at all, but there's a great house band
at Mr Lucky's (I think it's near Grand & Indian School Rd). They are
very talented and play a good variety considering they're the house
band at a HUGE C&W bar. They did a pretty good rendition of Little
Miss Can't Be Wrong the last time I was there.
Rick
|
1954.152 | | JARETH::KMCDONOUGH | SET KIDS/NOSICK | Mon Jan 09 1995 14:01 | 11 |
|
A keyboard friend of mine is looking for a new amp. He already has a
pair of Peavey speakers that don't sound bad, so he's looking for an
amp-only solution, either self-contained or separate modules.
I'm thinking of the Roland JC-120H, the head only version. Any other
suggestions?
Kevin
|
1954.153 | sufferin with the blooze | RICKS::CALCAGNI | The animal trainer and the toad | Mon Jan 09 1995 14:38 | 5 |
| Has anyone else heard Lenny Kravitz's unplugged and bloozed up version
of "Are You Gonna Go My Way"? Does the dobro players intonation sound
a bit dodgey to you too? Man, it's almost painful. (Now go ahead,
someone tell me it was Ry Cooder or Jerry Douglas sitting in)
|
1954.154 | | KDX200::COOPER | Revolution calling! | Wed Jan 11 1995 13:39 | 4 |
| Who wants to make a run to The Bananna tomorrow night??
Send mail!
jc
|
1954.155 | | USPMLO::DESROCHERS | Mine's made outta unobtainium! | Thu Jan 19 1995 09:47 | 10 |
|
From USA Today - What's billed as the largest-ever auction of
rock'n'roll memorabilia - more than 60,000 items over 4 days -
starts today at New York City's Puck Building. Goodies include
the first Fender electric guitar, built in 1948 (estimated to
fetch $500,000); ... and a bloodstained Stratocaster smashed
by Kurt Cobain ($10,000-$15,000).
$500 k !!!!
|
1954.157 | the amp that launched a thousand notes | RICKS::CALCAGNI | The animal trainer and the toad | Thu Jan 19 1995 10:27 | 3 |
| Also rumored to be among the items, Boom's first Kitty Hawk!
:-)
|
1954.158 | 16 yr survivor | DABEAN::REAUME | my 2 vices - GTS and coasters | Thu Jan 19 1995 22:49 | 15 |
|
Hmmm - could be! I still have my second Kitty Hawk, the M1 100
watter. It still peels paint!!
I still fire it up from time to time. I'm mostly a H & K/Rocktron
kinda fan these days.
-B{}{}M-
every now and then you know it's
kinda hard to tell but...
(I'm still alive and well)
|
1954.159 | Anyone heard from Greg? | TAMRC::LAURENT | Hal Laurent @ COP | Fri Jan 20 1995 10:25 | 5 |
|
Has anybody heard from Greg House since he left? Does he have a new
email address yet?
-Hal
|
1954.160 | re: .-1 | GOES11::LAMBERT | Sam, Storage Mgmt. S/W @CXO | Fri Jan 20 1995 18:55 | 10 |
| Hal, re: Greg
Well, I helped him move some stuff out of his house a week after he
left DEC, but haven't heard from him since he left with that load.
As far as I know he does not have a net address yet, but he's only been
with the new company a week. He should be sending me email as soon as
he can. I'll post it here (with his permission) as soon as I get it.
-- Sam (note the new node name. Yes, it's Greg's old machine.)
|
1954.161 | Gibson Home Page | JARETH::KMCDONOUGH | SET KIDS/NOSICK | Tue Jan 24 1995 10:50 | 16 |
|
Maybe it's here and I missed it, but....
The Gibson WWW entry is at
http://www.gibson.com
That'll show you two computer jobs at Gibson. 8-) The guitars are
on the next page.
Some nice pics availble....
Kevin
|
1954.162 | www help request | MILKWY::JACQUES | Vintage taste, reissue budget | Thu Jan 26 1995 12:23 | 6 |
| Could someone give me some brief instructions on how to access the
WWW. I've used mosaic, but I'm not sure what path I need to use
or how to get outside of Digital's web.
Mark
|
1954.163 | Not really "instructions", but... | GOES11::LAMBERT | Sam, Storage Mgmt. S/W @CXO | Thu Jan 26 1995 12:44 | 10 |
| Just bring up Mosaic, pull down the File menu, select then "Open URL..."
item, and you'll get a dialog box asking for the URL you want to access.
Enter it, press "Open" and it'll go get it for you. There's no specific
trick to get "out on the Web".
I've tried twice now (over two days) to get to the Gibson server, and it
won't open it...
-- Sam
|
1954.164 | Gibson'e home page is there | SEESAW::PILANT | L. Mark Pilant, VMS Engineering | Thu Jan 26 1995 13:16 | 5 |
| RE: .163
Sam, I just tried it and got to Gibson's home page.
- Mark
|
1954.165 | | DNEAST::BOTTOM_DAVID | We now return you to the terror of contemporary employment | Thu Jan 26 1995 14:07 | 17 |
| You guys might want to check your mosaic setup to make sure you have a
proxy server defined
I use www-proxy.crl.dec.com the socket is 8080
here are the lines:
Mosaic.homeDocument: http://www.crl.dec.com/
Mosaic*ProxyGateway: http://www-proxy.crl.dec.com:8080/
Mosaic*NoProxy: dec.com, localhost
If no proxy is defined or it's incorrect you won't get out of the company
dbii
|
1954.166 | Proxy? Never heard of it (and it breaks mine) | GOES11::LAMBERT | Sam, Storage Mgmt. S/W @CXO | Thu Jan 26 1995 16:30 | 10 |
| Hmmm... I've never had the proxy set up, and never had a problem. I just
tried setting it up and keep getting errors. I did find, however, that I
have an evironment variable set up which defaults my home page for me:
setenv WWW_HOME http://www.csc.cxo.dec.com/home.html
Finally did get over to Gibson, too.
-- Sam
|
1954.167 | Tanks again! | MILKWY::JACQUES | Vintage taste, reissue budget | Thu Jan 26 1995 16:33 | 7 |
| Thanks for the help all. Found the Gibson home page. There's some
pretty neat gif files.
Mark - Surfin' the Internet!!
|
1954.168 | | USPMLO::DESROCHERS | Mine's made outta unobtainium! | Fri Jan 27 1995 15:08 | 7 |
|
fyi, this month's GP (EVH on the cover) has a letter from
Brian Rost. He rebutts an article about solid-state /
tube amps.
Tom
|
1954.169 | | JARETH::KMCDONOUGH | SET KIDS/NOSICK | Fri Jan 27 1995 18:14 | 8 |
|
...anyone who takes Brian on in an argument better sharpen his pencil.
Brian is a walking CDROM full of guitar related info. 8-)
Kevin
|
1954.170 | please help me here | COPCLU::SANDGREN | Keep it simple | Mon Jan 30 1995 11:02 | 18 |
|
I wonder if some of you guys from the US could help me here -
and this has nothing what so ever to do with guitars - but a
while back, I read about some city in USA, where the rich,
employed people live under earth, they have built streets
and shopping centres under earth and can go direct from
their work to home without going 'upstairs' into the streets.
The poor ones live in the streets, and are not permitted to
enter the life below the surface, guards are protecting the
entrancies. As soon as one of the rich goes out into streets,
the risc for attack and robbery is enormous.
My colleagues didn't believe what I was telling! And I'm sure
I read a *serious* article somewhere about this, but I forgot
the name of the city...
Poul
|
1954.171 | | MSBCS::EVANS | | Mon Jan 30 1995 11:31 | 6 |
| Poulo,
Don't believe everything you read about US cities.
Jim
|
1954.172 | | OCTAVE::VIGNEAULT | Just say nO-J! | Mon Jan 30 1995 12:47 | 6 |
|
The city you describe is located in Canada, forget exactly where.
Actually, British Columbia and Quebec ring a bell. I saw a show about
the same place. It does exist.
Lv
|
1954.173 | Montreal in the year 2050? | SEND::PARODI | John H. Parodi DTN 381-1640 | Mon Jan 30 1995 13:39 | 12 |
|
Well, this fabled city sounds like Montreal except for a few slight
differences. I don't think there is much if any underground housing. I
never saw any guards controlling who went underground. And even though
my car stereo got ripped off, I would hardly say the place was
high-risk for attack and robbery.
The real danger when leaving the underground malls for the streets is
freezing your face off -- but that's only true 11 months out of the
year.
JP
|
1954.174 | it was not in Canada | COPCLU::SANDGREN | Keep it simple | Tue Jan 31 1995 03:54 | 7 |
|
Well thanks for your response! But I'm quite sure it was one
of the larger cities in the US, perhaps one of those with many
illegal immigrates from Mexico?? Hmm.
Poul
|
1954.175 | or perhaps Mayberry! | MILKWY::JACQUES | Vintage taste, reissue budget | Tue Jan 31 1995 09:43 | 1 |
| Seattle?
|
1954.176 | caution. . . | GAVEL::DAGG | | Tue Jan 31 1995 10:17 | 4 |
|
I think there's some Yank baiting going here. . .
|
1954.177 | | KDX200::COOPER | Revolution calling! | Tue Jan 31 1995 12:34 | 4 |
| Anyone know what Brian Rosts net-address is??
|
1954.178 | Brian Rost Net Address | OBSESS::BREEN | wires is my life | Tue Jan 31 1995 12:39 | 6 |
| Yes...
"ROST@MAELSTROM.TIMEPLEX.COM"
kpb
|
1954.179 | | KDX200::COOPER | Revolution calling! | Tue Jan 31 1995 13:23 | 2 |
| Thanks!
jc
|
1954.180 | Arrival of James Allbery III | GANTRY::ALLBERY | Jim | Wed Feb 01 1995 14:34 | 17 |
| I'm pleased to announce the arrival of
James Dean Allbery III
Born: 1/22/95
Weight: 7 pounds, 5.5 ounces
Length: 20 inches
Mom and baby are doing fine. James wasn't due until 2/17, so he
caught us a bit by surprise.
Much to my pleasure, he seems to love to listen to me play guitar.
My Martin D-16H has taken up residence in the bedroom.
Regards,
Jim (Proud papa, working on his finger-style lullabies)
|
1954.181 | | KDX200::COOPER | Revolution calling! | Wed Feb 01 1995 14:59 | 6 |
| Congrats Jim!!
FWIW - Babies love music - I used to put my daughter to sleep
by playing her MegaDeth. Now she says "Louder Daddy!". Gotta
love it!
jc
|
1954.182 | | RICKS::CALCAGNI | The animal trainer and the toad | Wed Feb 01 1995 16:06 | 2 |
| Great news, congratulations Jim. Is this your first?
|
1954.183 | Too fast to live, too young to die, my my! | MILKWY::JACQUES | Vintage taste, reissue budget | Wed Feb 01 1995 16:35 | 4 |
|
Congrats, Jim. I like the choice of names, too.
Mark
|
1954.184 | As long as he doesn't take up accordian... | GANTRY::ALLBERY | Jim | Wed Feb 01 1995 18:34 | 25 |
| RE: James Dean Allbery III
Thanks for the congrats.
Yes, this is our first child. As far as the name, he is named
after his father and grandfather, not the actor (and certainly not
the purveyor of pure pork sausage), but it certainly has a nice
ring to it...
Haven't played him any MegaDeath yet, but my wife has been playing
him lots of Bach and Mozart for months (even before birth): she's
hoping for a violinist. That's fine with me: I've always wanted
an excuse to buy a fiddle. But if he wants to play guitar, drums,
or piano, we're already covered (but then again, he probably would
really need his *own* guitar).
Then again, maybe he'll turn out to be a drummer. Melanie (my
wife) and I met in high school band: we were both in the percussion
section. When she bought a drum set, she asked me to come over to
her house to help her set it up and tune it. We still have that
drum set (actually it's quite nice: a seven-piece Rogers memory-lock
set).
Jim (James Dean Allbery, Jr.)
|
1954.185 | | KDX200::COOPER | Revolution calling! | Thu Feb 02 1995 10:16 | 11 |
| I need internet help!!
I've got mosaic up and running but lost my pointed to the WEB page
that has the price lists on it - Ya know, where you find what you
want to purchase, and it shows you the average retail, and the
low, complete with address?? Can someone post a reply in the "WEB
Pointer" topic I'm about to create??
Thanks muchly!!
jc
|
1954.186 | | LUDWIG::LUCHT | Is it performance? Is it expression? | Fri Feb 03 1995 01:21 | 6 |
| Now that I'm in the market for some new gear, and seeing
how this year's NAMM show has passed, can anyone list some
of the new products for 95?
Kev --
|
1954.187 | Must be the air out here... | KDX200::COOPER | Revolution calling! | Fri Feb 03 1995 11:49 | 33 |
| Well, I sold a Marshall top (jcm900) anna pair of 4x12s. I too am in
the market for new toize (recall my queries regarding my building the
"ultimate" rig).
Anyway, my first stop will be to purchase a Marsall JMP-1 - simply
the most straight-ahead MIDI preamp I've ever heard/played with.
It does the clean/compressed thing, the Fender clean and the Marshall
clean, plus it does JCM900 style crunchies, AND the famous ADA
"Screamin' metal" tone that we've all grown to 'love'. :-)
All this, and its super simple: Gain, Volume, bass-mid-treb-pres,
anna gift "Bass Boost". 100 storage slots.
FWIW, I like the Mp2, but it's got just too damn many functions -
MIDI, real-time MIDI, Ten voices, two EQ's, enveloping, chorusing,
gating, N/R... I like to edit TOO much to enjoy PLAYING with this.
Anyway, to round it out, I'm still on the prowl for:
- All-tube power amp (Marshall 9100, Mesa 2:90, ??)
- Multi-FX from hell (but simple) LXP-15, IntelliFex, TSR-24??)
- One pair of Boogie Dual-Rectum Frier(tm) cabs with armour.
FWIW - I played the JMP-1 thru a Marshall 9100 amp (all tube, 50wpc,
two spacer). That thing LOUD (like marshall, I_NEED_DENTAL_WORK_NOW
loud). What a screamin' tone too. I easily dialed in several JCM900
type tones, plus all my other favorites.
I'm pretty excited.
jc
PS - I've also had the pleasure of recording a JMp-1 Direct. Marshall
REALLY has their ducks in a row regarding speaker-cab-emulation!!!
|
1954.188 | How much is a Roland SDE-1000 worth? | TAMRC::LAURENT | Hal Laurent @ COP | Fri Feb 03 1995 13:31 | 10 |
|
(Cross-posted to COMMUSIC, HOME_STUDIO, and GUITAR)
Can anyone out there give me an idea of the current market value of
a Roland SDE-1000 digital delay? A friend of mine wants to get rid of
his but doesn't know what it's worth. I don't either, and I don't want
to rip him off.
-Hal
|
1954.189 | Used Roland SDE-1000 prices | BLADE::ANDRE | I think, therefore I am, I think | Fri Feb 03 1995 13:45 | 9 |
| | Can anyone out there give me an idea of the current market value of
| a Roland SDE-1000 digital delay?
From the USA USED GEAR PRICE LIST (availble in many newsgroups on the internet):
Roland SDE 1000 delay efx $200 (1/4/95) !$200,$150,$50,$200,$175,$150(5/3/94)
Last one sold used for $200. Prices after the exclamation point are what other
people sold their units for over the past year or so.
|
1954.190 | | TAMRC::LAURENT | Hal Laurent @ COP | Fri Feb 03 1995 13:57 | 13 |
| re: .189
>From the USA USED GEAR PRICE LIST (availble in many newsgroups on the internet):
>
> Roland SDE 1000 delay efx $200 (1/4/95) !$200,$150,$50,$200,$175,$150(5/3/94)
>
>Last one sold used for $200. Prices after the exclamation point are what other
>people sold their units for over the past year or so.
Thanks! I've been watching for the Used Gear Price List, but I haven't seen
it in awhile. When and in what newsgroup do you last find it?
-Hal
|
1954.191 | | KDX200::COOPER | Revolution calling! | Fri Feb 03 1995 14:27 | 4 |
| Hal,
You should snag it for your studio...Great delays!
jc
|
1954.192 | | SOLVIT::SNORAT::OLOUGHLIN | The fun begins at 80! | Fri Feb 03 1995 14:27 | 6 |
|
What happened to Mike Heiser? His "Fretz" seems to be gone.
-Rick.
|
1954.193 | | TAMRC::LAURENT | Hal Laurent @ COP | Fri Feb 03 1995 15:34 | 19 |
| re: .191
> You should snag it for your studio...Great delays!
I *am* snagging it, I just don't know how much to pay him! :-)
The guy I'm getting it from is blind, and he's found that the SDE-1000
relies to much on the LCD display, and thus is hard for him to use.
I'm swapping him an Alesis Microverb for it. The Microverb is pretty
much just four knobs, so it's easy for him to handle. I think the
SDE-1000 is probably worth more, though, and I don't want to rip the
guy off.
BTW, I was wondering how he could determine levels on his mixer...it turns
out he's got a gadget with a light-sensitive probe that he can use to
tell which LEDs are lit. It makes a wierd noise when it detects light.
Pretty amazing!
-Hal
|
1954.194 | Used price guide can be found at ... | BLADE::ANDRE | I think, therefore I am, I think | Fri Feb 03 1995 15:48 | 11 |
| Re: .190
Last spotted in the rec.music.makers.marketplace news group on Wed, 1 Feb
1995 16:02:31 GMT. Also posted in rec.music.makers.marketplace and rec.music.
makers.synth.
The list contains used prices for synths, recording gear and effects boxes.
Nice guide for setting prices on things you're selling or figuring out what to
offer for things you're buying.
Andre'
|
1954.195 | | KDX200::COOPER | Revolution calling! | Fri Feb 03 1995 20:43 | 14 |
| Hal,
Good job.
FWIW - I see them quite often for 125-150. I recently paid 250 for a
*MINT* SDE3000.
Look at it this way -
Where can you go and buy a brand new, rackmount, good quality ddl?
You can't. Period. SDE series goodies are worth their weight in
gold to use sonic weenies.
jc
|
1954.196 | | DABEAN::REAUME | my 2 vices - GTS and coasters | Sat Feb 04 1995 13:29 | 11 |
|
Hey Coop - Multi effects for guitar? Checkout the new Rocktron
RepliFex - It has everything a guitarist could want plus great sonic
quality and smooth transitions between patches. The new Rocktron
catalog will run you three bucks but it's got a lot of guitar gear to
check out. and nothing in the catalog is cheesy crap!
-John R-
- waiting for your final posting of the latest rig.
|
1954.197 | like I need more strings to change... | EZ2GET::STEWART | fight fire with marshmallows | Wed Feb 15 1995 13:53 | 7 |
|
Any recent data on good prices for a mint condition Takamine Jasmine 12
string with gig bag? I've already got an electric 12 string, but I
can't get that Melissa Ethridge vibe with it...
|
1954.198 | Not a 12, but... | GOES11::LAMBERT | Sam, Storage Mgmt. S/W @CXO | Wed Feb 15 1995 14:19 | 19 |
| Funny you should ask that...
Just yesterday I received Jerry White's Jasmine *6* string via UPS (yes,
I bought it :-)). As for "bang for the buck" you couldn't ask for more,
IMO. I've been looking at electric/acoustics for 6 months, and this was
the best deal around. I still haven't been able to locate the laminate
lines on the (allegedly) plywood top.
I paid $240, including shipping, for the 6 string, elec./acoustic with
cutaway. Definitely worth every penny. Given that, I would hazard a
guess that the 12 string would also be a decent value. Also, keep in
mind that even if it is a plywood top, this could be an advantage with
a 12 (less top warping, etc). Especially if you plan to use it "plugged
in", where you can EQ it to death.
(My 12 is an Alvarez, BTW.)
-- Sam
|
1954.199 | | POWDML::BUCKLEY | WHAT a DUMP! | Mon Mar 20 1995 13:05 | 12 |
|
HEY ...
Any of you noters know how to get ahold of Rockin Ron Ross via
Internet? If so, please send mail to POWDML::BUCKLEY.
Ron played keys in 1987 with The Unpredictables, and I'd like to
send him some mail.
thanks in advance
|
1954.200 | | KDX200::COOPER | Revolution calling! | Tue Mar 21 1995 14:54 | 7 |
| Anyone ever heard of a Neve 8058 recording console??
I've been asked to make an offer on one, but have NO CLUE to
it's worth...and don't want to insult the guy...
|
1954.201 | | MPGS::MARKEY | Specialists in Horizontal Decorum | Tue Mar 21 1995 14:59 | 9 |
|
The Neve 8058:
It's considered a vintage console and somewhat desirable. Going
price is in the $25-45K range, depending on configuration. Can
even be retrofitted with moving faders. Good EQ. Not an IC to
be found...
-b
|
1954.202 | | KDX200::COOPER | Revolution calling! | Tue Mar 21 1995 15:18 | 7 |
| Whoops.
Guess an offer of $2500 would've been outta line, eh??
I should apologize to the guy for wasting his time.
I wanna Mackie!
|
1954.203 | | MPGS::MARKEY | Specialists in Horizontal Decorum | Tue Mar 21 1995 15:32 | 33 |
|
I have a Peavey Console... now, pick yourself up off the floor
and stop laughing.
It's called a Peavey Mark VIII and I have it in the 36 x 8 x 2
configuration.
It was originally intended as a live sound board, but of the
highest professional quality. It has 8 subs, 8 sends on each
channel, 4 band semi-parametric EQ, balanced line and mic
inputs on every channel, full foldback (probably better than
most studio consoles considering its intended application),
excellent (professional quality) noise specs all around,
extensive patching capabilities, and with the addition of
an outboard unit, VCA automation to SMPTE TC on the masters
and the subs. About the only thing it lacks is the "inline"
configuration of most present day studio consoles.
However, that's not a problem. I put my tape returns (from
my Tascam DA88s) through the first 24 channels, and I use
the remaining 12 channels as my tape sends. I rarely need
more than 12 channels of input at a time, especially since
I also have professional outboard mic pres and EQs.
This console is quite large and impressive looking, not
to mention great sounding. It lists for well over $10,000
new, and at that price, it is a bargain. I bought it for
$6000 because they couldn't find a home for it...
I'm very happy with this console, and everyone that has
come into the studio has thought it performed great.
-b
|
1954.204 | | KDX200::COOPER | Revolution calling! | Tue Mar 21 1995 15:37 | 11 |
| Sounds nice - and I wouldn't laugh at PV, not their pro-audio
line...
Thing that amazes me about Mackies stuff is the nearly un-limited
signal routing options on it. Triple bussed subs, aux-sends out
the whaazoo, stereo fx rtns, multiple can-mixes, talkback,
EVERYTHING....And affordable. Plus the (still vaporware) VCA
automation...
Oh - And the new Tascam M2600 is sharp too - Same kinda options.
$2500. Hmmmmmmm....
|
1954.205 | | POWDML::BUCKLEY | you'll be gone tomorrow... | Tue Mar 21 1995 15:38 | 2 |
| I can attest that Brian's PV board, as well as the Yamaha in the same
config, are both excellent boards!
|
1954.206 | | WMOIS::MAZURKA | Son_Of_One_Who_Likes_To_Ramble. | Thu Mar 30 1995 12:34 | 6 |
| A_While back Some_Body mentioned that The Black Crowes are on the
Cover of song Guitar Magazine this month.Does Any_One know which
Magazine it is????
Crazy_-_-Al
|
1954.207 | | BUSY::BUSY::SLABOUNTY | Trouble with a capital 'T' | Thu Mar 30 1995 13:26 | 3 |
|
Why ... did you forget what they look like?
|
1954.208 | honest | OUTSRC::HEISER | Hoshia Nah,Baruch Haba B'shem Adonai | Thu Mar 30 1995 14:30 | 1 |
| They were on the cover of "Teen Beat."
|
1954.209 | | USPMLO::DESROCHERS | Mine's made outta unobtainium! | Thu Mar 30 1995 14:47 | 5 |
|
It was Guitar Player and I think it was January's issue.
Tom
|
1954.210 | | KDX200::COOPER | Revolution calling! | Mon Apr 03 1995 17:36 | 18 |
| <<< KDX200::DISK$KDX200_USER2:[NOTES$LIBRARY]HEAVY_METAL.NOTE;1 >>>
-< Welcome to Heavy_Metal >-
================================================================================
Note 99.160 Mutterings/DYHIW/DYLIW/party discussions 160 of 160
KDX200::COOPER "Revolution calling!" 11 lines 3-APR-1995 13:34
-< Gregs mailing address... >-
--------------------------------------------------------------------------------
Folks - Greg House sends his apologies for it taking so long to
get his mail router info to you, but should you need to get in touch
with him, send mail to the following address!
Greg.House@Symbios.com
PS - Perhaps Buck could stick this is the addresses topic, which
he so carefully maintains for us??
|
1954.211 | Mail address for dbii | KDX200::COOPER | Revolution calling! | Tue Apr 04 1995 12:43 | 4 |
| Mail address for dbii (aka Dave Bottom):
0007583119@mcimail.com
|
1954.212 | feel free to move to the Garth Brooks note | RECV::PARODI | John H. Parodi DTN 381-1640 | Wed Apr 05 1995 13:41 | 16 |
|
I think we can all agree that Garth Brooks:
- is a fine musician
- is an outstanding stage performer
- comes from a different spiral arm of the Milky Way galaxy (those
_eyes_, man...and he never takes his hat off or undoes the top button of
his shirt -- I suspect he's hiding more eyes in both places)
- is in serious need of whatever his race uses for psychiatric analysis
(based on that all-white-except-for-gallons-of-blood video...I just
hope this characteristic is not normal for his species)
JP
|
1954.213 | | OUTSRC::HEISER | next year in Jerusalem! | Wed Apr 05 1995 14:20 | 1 |
| I didn't know Wayne's friend was that good.
|
1954.214 | Pa-PING! | KDX200::COOPER | Revolution calling! | Wed Apr 05 1995 16:34 | 3 |
| Guess my most recent post has everyone working in edit buffers?
|
1954.215 | but it'll get you everywhere :-) :-) | RICKS::CALCAGNI | more zip stupid juice | Wed Apr 05 1995 16:38 | 3 |
| Aw gee Coop, you flatter yourself
:-)
|
1954.216 | | KDX200::COOPER | Revolution calling! | Wed Apr 05 1995 16:43 | 1 |
| Besides all this, I can SET MOD.
|
1954.217 | Jeff Cooper's New Ruling Class | GOES11::LAMBERT | Sam, Storage Mgmt. S/W @CXO | Wed Apr 05 1995 17:38 | 4 |
| Yeah, but so can I... :-)
-- Sam
|
1954.218 | can you see... | EZ2GET::STEWART | donorcycle dot-rider | Wed Apr 05 1995 18:03 | 5 |
|
yeah, but can you SET ROCKER???
|
1954.219 | | KDX200::COOPER | Revolution calling! | Wed Apr 05 1995 18:04 | 5 |
|
Oh yeah, I can set rocker alright.
hey sam - Phfffttt...
:-)
|
1954.220 | country can be cool | AIMTEC::JOHNSON_R | | Fri Apr 07 1995 13:30 | 12 |
| re Garth Brooks and playing country...
Playing country country music can be fun. The band I'm in opened up
for John Anderson ("swinging") in Macon GA, at the "Cherry Blossem
Festivle Street Party". What an awesome stage. We used Travis Tritt's
sound system and crew. The sound was great. On the R&R stage, next
street over, was 38 Special and that Trucks kid. We didn't get to hang
around cause we had to get to the club to play, boy did the sound sux
after that experience.
Later,
rj
|
1954.221 | | KDX200::COOPER | Revolution calling! | Thu Apr 13 1995 15:50 | 4 |
| DYLIW - You just sold your console, and settled a deal for a new
(bigger, better, more-lights) console?! ILIWTH!!!
Yeeehaawww!!
|
1954.222 | | DABEAN::REAUME | my 2 vices - GTS and coasters | Fri Apr 21 1995 11:14 | 7 |
|
I'll be out in Maynard next week (Apr 23-27th) for training if
anything is going on guitar-wise. I know Buck has a mid-week trip
to Busch Gardens, but I was just checking to see who's out there.
BTW - How far is Danbury, CT from the Maynard area? I have yet to
hit East Coast Music Mall after buying most of my Rocktron gear
from there (I'd have to go to Rochester to buy it).
|
1954.223 | | MSBCS::EVANS | | Fri Apr 21 1995 11:28 | 5 |
| East Coast Music Mall is about 2 - 2.5 hours from Maynard. Danbury is pretty
close to NYC.
Jim
|
1954.224 | | SOLVIT::SNORAT::OLOUGHLIN | The fun begins at 80! | Fri Apr 21 1995 12:19 | 8 |
|
Stupid me.
Boom, I thought you lived around here?
Rick.
|
1954.225 | Manual request | ZEKE::MEMBRINO | | Fri Apr 21 1995 13:29 | 9 |
|
cross-posted in COMMUSIC
Does anyone have a Rocktron Compressor/limiter (single channel)
manual they wuould be willing to copy for me?
Thanks!
chUck
|
1954.226 | | POWDML::BUCKLEY | | Fri Apr 21 1995 15:12 | 12 |
| Boom,
Danbury is exactly a 2.5 hour drive from where you'll be staying.
Directions:
Rt 495 South
I-90 (mass pike) West
I-84 West
a few hours later, you're in Danbury!
|
1954.227 | | MPGS::MARKEY | The bottom end of Liquid Sanctuary | Fri Apr 21 1995 15:39 | 10 |
| ... directions:
I suggest the following as an alternative:
Rt 485 South
Rt 290 West
Rt I-90 West
Rt I-84 South
-b
|
1954.228 | | BUSY::BUSY::SLABOUNTY | Trouble with a capital 'T' | Fri Apr 21 1995 16:25 | 7 |
|
>Rt 485 South
I think I prefer Rte 495 to Rte 485 any day.
8^)
|
1954.229 | | MPGS::MARKEY | The bottom end of Liquid Sanctuary | Fri Apr 21 1995 17:06 | 4 |
|
Ooops... right, that should have read 495!
-b
|
1954.230 | NOTER ALERT -- NOTER GET TOGETHER | POWDML::BUCKLEY | | Fri Apr 21 1995 18:13 | 11 |
| HEY!!!
Any "GMA" (Greater Maynard Area) Geetar noters up for a social
gather on Tuesday eve, 25 APRIL?!?
We could meet somewhere neutral, like "Coffee, Tea, Melody" in
Stow, or at the "Sit n Bull" in Maynard.
If anyone is available and/or intersted in hanging with da BOOM,
please REPLY TO THIS NOTE. If there is serious interest, we can
get something together.
|
1954.231 | | STRATA::LUCHT | Is it a passion or just a profession? | Sat Apr 22 1995 00:17 | 5 |
| I've got Tuesday night off, so I'm up for anything. I'd definitely
like to meet some of the folks in here!!!
Kev --
|
1954.232 | | DABEAN::REAUME | my 2 vices - GTS and coasters | Sat Apr 22 1995 16:39 | 15 |
|
Count me in. Tuesday is a good choice. Anywhere is fine by me, I'll
be able to dial in and check up on what's going on.
If I was from around GMA, I'd probably be more visible. I'm in
Syracuse NY but I've managed to make it to a jam at Buck's, been down in
the back bay area a few times (Paradise, etc), and I've hit every
amusement park in New England.
East Coast Music Mall might be a long shot, by the time I got there,
they'd be getting ready to close. If I didn't have to rush back for a
gig on Friday night, I could stop on my way back west.
-B{}{}M-
|
1954.233 | FYI to all the players in GEETAR | POWDML::BUCKLEY | | Mon Apr 24 1995 17:31 | 17 |
|
GENERAL FYI PARTY NOTICE
========================
WHERE Sit n Bull Pub -- Main Street, Maynard, MA
WHEN Tuesday, 25 April, anytime after work (5:30 and on...)
WHY To meet/hang out with fellow noter John "Boom" Reaume
So, like, BE THERE OR DON'T is the general gist of this message.
Here are the specifics, if you wanna come, come.
Hasta...
Buck E Lee
|
1954.234 | | KDX200::COOPER | Revolution calling! | Wed Apr 26 1995 14:37 | 11 |
| Jeez...
I saw Dokken last night with the original line-up. George Lynch was
SMOKIN' (Boy does Don Dokken *hate* him...).
He was playing thru (1) 100wt Dumble, (1) Boogie Dual Rectum Frier,
and (2) Fender SUper-somethings... all into a pair of 4x12's. He had a
Lexicon PCM70 and a bunch of stomps too. Man, it was LOUDER than
loud!
jc
|
1954.235 | Dr Weber, please phone home! | MILKWY::JACQUES | Vintage taste, reissue budget | Wed Apr 26 1995 15:21 | 12 |
|
I haven't seen any notes in here lately from the notable Dr. Danny
Weber. I hope he's just off on vacation and hasn't flown the coop.
I don't remember seeing any "farewell" note so I remain optimistic
that he shall return shortly.
This notes file just wouldn't be the same without him. I figured he'd
be one of the first ones to reply to the Gibson Flat-top note.
Mark
|
1954.236 | | STRATA::LUCHT | Is it a passion or just a profession? | Wed Apr 26 1995 23:57 | 8 |
| RE: .234
-100w Dumble
Nice to see his cash flow is in no jeopardy.
Kev --
|
1954.237 | | KDX200::COOPER | Revolution calling! | Thu Apr 27 1995 12:29 | 7 |
| I'm sure George probably just borrowed it.... :-)
RE: .235
Flew the WHAT?
Coop
|
1954.238 | PBS Stevie Ray Vaughan Special's: | BLADE::ANDRE | I think, therefore I am, I think | Thu Apr 27 1995 17:26 | 16 |
| Attention SRV fans (U.S. only):
Article 49944 of rec.music.makers.guitar:
From: john4surf@aol.com (John4Surf)
Newsgroups: rec.music.makers.guitar
Subject: Re: SRV on PBS...INFO NEEDED.
Date: 26 Apr 1995 15:37:22 -0400
On May 11, PBS-TV will pay a tribute to SRV. Confirmed to appear are BBKing,
RCray, Buddy Guy (saw him 2 weeks ago at the Belly Up in Solana Beach - his
tributes to SRV, Jimmi and Clapton were AWESOME), EClapton, and Jimmie Vaughn.
On May 12 - most of the participants will play a public concert in the
Austin Music Hall.
Fire up them VCRs..........going to be a party!
|
1954.239 | Would *LOVE* a copy of that show | POLAR::KFICZERE | | Thu Apr 27 1995 17:51 | 6 |
| I'm going to ask ahead of time for a copy of this tape.These players
are all fav's of mine, and unfortunetly, i'm a canadian citizen without
a satellite.So, if anybody's interested, i have some other SRV footage
that may be of interested in a trading situation,should one arise.
-kev [feel free to E-mail me at above address]
|
1954.240 | Hello, MJ | RANGER::WEBER | | Thu Apr 27 1995 19:07 | 13 |
| re: .235
I spent most of April studying Polynesian harmony patterns and their
application to contemporary Hawaiian music at the Oahu Jazz and Surf
school, while engaging in my other hobby; exposing thousands of feet of
Velvia and Lumiere to sunlight though ED glass and polarizing filters.
Still trying to catch up with reality--I'll crawl into the flattop note
one of these days.
Thanks for worrying :-)
Danny W.
|
1954.241 | we must've just missed each other | RICKS::CALCAGNI | more zip stupid juice | Fri Apr 28 1995 12:27 | 2 |
| you too?
|
1954.242 | The Lap of luxary | MILKWY::JACQUES | Vintage taste, reissue budget | Fri Apr 28 1995 12:36 | 5 |
| Danny, it sounds like you're gonna be needin a National Tri-plate
style 3 (square-neck) so you can play authentic Hawiian Jazz ala
Bob Brozman.
Mark
|
1954.243 | | SOLVIT::SNORAT::OLOUGHLIN | The fun begins at 80! | Fri Apr 28 1995 13:24 | 11 |
|
Velvia? Is that a Hawaiian chesse?
Lumiere: Louis Jean & Auguste Marie Louis Nicolas Lumiere,
1862-1948, 1862-1954 respectivly. French inventors,
brothers. Invented (1895) the cinematograph, first
mechanism to project moving pictures on a screen
where they could be seen by an audience.
Rick.
|
1954.244 | | TAMDNO::LAURENT | Hal Laurent @ COP | Fri Apr 28 1995 14:45 | 12 |
| re: .240
> I spent most of April studying Polynesian harmony patterns and their
> application to contemporary Hawaiian music at the Oahu Jazz and Surf
> school, while engaging in my other hobby; exposing thousands of feet of
> Velvia and Lumiere to sunlight though ED glass and polarizing filters.
Hey, since you're into vintage archtops, you really ought to go whole
hog with the other hobby and get a view camera. PTS can be just as
rewarding as GTS. :-)
-Hal
|
1954.245 | blather | RANGER::WEBER | | Fri Apr 28 1995 16:06 | 21 |
| re: last several:
I actually sat in on a free ukelele class just so I could play a
fretted instrument for an hour. I had planned to visit a couple of
guitar makers on Maui (Steve Grimes and Rainsong) but just never got
around to it. Something about Hawaii Time...
Ektachrome Lumiere is named for the inventor. Fujichrome Velvia is
named for a cheese-like substance. What's your point? :-)
Anyone who hangs out in the Photo conference can tell you that I
already have enough equipment. Unlike vintage guitars, vintage cameras
have little to offer today's photographer except the fun of handling
nicely-machined metal--improvements in technology make modern cameras
perform better in every respect, from optics, to shutters, to metering
to film handling. About the only real improvement in archtops in the
last 35 years is better tuning pegs.
Rick: Sorry I missed you ;-)
Danny W.
|
1954.246 | I play Martins, & shoot Nikons | GANTRY::ALLBERY | Jim | Fri Apr 28 1995 19:13 | 18 |
| RE: Mr. Weber
>> Anyone who hangs out in the Photo conference can tell you that I
>> already have enough equipment.
Yes, I've told my wife about Dr. Weber, but she doesn't believe he
exists. She finds it hard to believe that someone could actually
have more guitars AND more camera equipment than I do. But to the
best of my knowledge, I have more astronomy stuff (at least I've never
noticed Danny hanging out in astronomy).
Between GTS, PTS, and ATS, (not to mention a new baby) I never lack
for opportunities to spend money...
Jim (who doesn't really have time for three hobbies but can't
imagine giving any of the three up).
|
1954.247 | I shoot Martins and play Nikons | RANGER::WEBER | | Fri Apr 28 1995 19:56 | 13 |
| The problem with astronomy as a hobby where I live is that when it is
not too cold the cloud of mosquitos ruins the view. Judy won't let me
add an ED glass dome to the house, so you got me on that one, Jim.
Considering that we mostly shopped and hung out at the beach, it's hard
for me to figure out how I shot 40 rolls of film--it's not like we went
anywhere new. I'm starting to run out of shoe boxes, not to mention
closets.
On the other hand, I didn't buy a single guitar the whole month, so we
came out ahead :-)
Danny W.
|
1954.248 | The "Kiss" priciple for me! | MILKWY::JACQUES | Vintage taste, reissue budget | Sat Apr 29 1995 00:33 | 23 |
|
This string has got me thinking about photography as it relates to
vintage guitars. Perhaps someone can tell me why 90% of the photos
I see of vintage guitars have wrinkled drop-cloths as backdrops.
Surely there are better backgrounds that can be used without distracting
from the instrument. My favorite pictures of guitars are in Mac Yasuda's
book (The Vintage guitar). In Mac's book, the guitars are photographed
in beautiful settings such as lush gardens, fountains, with vintage cars,
etc.
My wife and I enjoy photography too, but we like simlicity. We use
a Pentax Auto focus camera with a 135mm power zoom built-in. We don't
have to focus, set exposures, or remember to set the right film speed.
It also has a built-in winder. We also have a Sony 8mm camcorder that
we use a lot, mainly for taking pictures of the kids.
Last fall, we wanted to take pictures of my son's soccer team. A friend
of mine insisted I use his SLR. I wasn't familiar with the camera and
ended up having to reshoot all the pictures with my own camera. I was
focusing on the wrong field and ended up with blurry children with nice
crisp trees in the background. #^)
Mark
|
1954.249 | | RICKS::CALCAGNI | more zip stupid juice | Sun Apr 30 1995 14:40 | 21 |
| For me, the nicest photos of vintage axes are those done by John Peden.
He did the original run of centerfolds in Guitar World back when it was
still a decent rag, and many of these are classics and have been reproduced
elsewhere many times (in a couple of calendars, for instance). To my
recollection, John never used wrinkled drop cloths (well, maybe once
:-). His backgrounds were always interesting and well thought out; one
of my favorites was the trio of 50's Les Paul TVs surrounding an ancient
50's era television set showing a classic scene from the "The Fly".
John also seems particularly adept at lighting; his photos show lots
of texture and detail, like you could reach out and touch them, and at
the same time they always achieve a flattering glow. This is the one
area where imo a lot of vintage guitar photography comes up short. I'm
reminded in particular of the photos of his collection that John Entwistle
had done, some of which were featured in GP way back when. I'm sure he
paid a lot of money for those (they "looked" expensive) but imo the
instruments were darkly lit and often had shadows obscuring detail.
Not my cup of tea.
/rick
|
1954.250 | | OUTSRC::HEISER | the dumbing down of America | Mon May 01 1995 18:20 | 3 |
| Danny, Arizona is the place for astronomers! ;-)
Mike (another one of my hobbies)
|
1954.251 | | POWDML::BUCKLEY | | Wed May 03 1995 13:03 | 3 |
| Mike,
I may be moving to NM or AZ soon. Lets start a band!!
|
1954.252 | I don't have a life for fun stuff | OUTSRC::HEISER | the dumbing down of America | Wed May 03 1995 13:58 | 1 |
| sure, look me up in late 1996.
|
1954.253 | Ronzo's record reviews | RICKS::CALCAGNI | more zip stupid juice | Wed May 10 1995 17:05 | 50 |
| Some impressions of recent releases, courtesy of former guitar noter
Ron Burati (and the Internet):
Last night I finally found a copy of Relentless by Danny Gatton and Joey
DeFranscesco. DeFranscesco just blows me away, more so than Gatton. I've
heard Gatton do all that flashy, showy stuff before and frankly I get
weary of kinda fast. I really feel that he ignores content in favor of
quantity. It's that sense that someone's spinning their tires instead of
going somewhere. Also Danny descends into some rather bizarre sounding
stuff a few times and I could help but wonder what was going through the
minds of his session mates...I mean in one spot he almost sounds like
he's playing a 1966 Pete Townsend chord thing during a solo in a blues?!
Thankfully, he comes back to earth pretty quickly. Much more of that and
I'd bet that the track wouldn't have made it to vinyl (or aluminum). But
in fairness, he does treat us to some nice moments of jazz guitar too.
DeFranscesco's Hammond just smolders and burns on those tracks, though.
Real glad I bought it. I have two other albums by JD, and he doesn't
cook as much on those. Also, on those other albums he plays near-B3s,
not real ones. An XB2 on one and an XB5 on the other I think. They just
don't spit and scream like a real one and this record proves it! Here
Joey shows that he really is a monster on the B3. He not only has an
arsenal of chops, but he somehow at the tender age of 23 has acquired
the finesse of the great Hammond jazz players like Jimmy Smith, Brother
Jack McDuff, and Jimmy McGriff. It's his phrasing that puts him over the
top, though at one point he spends 4 bars showing us just how far he can
go before he red-lines. Scary stuff.
I also picked up Robert Cray's new CD and a 1993 Sonny Landreth CD on
Epic. A quick listening to the former indicates that Cray is still up to
finding new ways to express his own brand of blues. Sounds fine but I
need to sit down and listen more. I buy Robert Cray albums on principle
anyway, because I want Robert and his Mercury to keep it up.
The Landreth CD is odd. A disclaimer states that it contains some
previously released material so it sounds like a record deal dun-gone
bad and Epic owned the rights to these recordings and pulled the trigger
based on the mild critical success of the new South of I-10 (which is on
a different label).
I reluctantly passed over Smokin Joe Kubeck's new release. I heard a
tune off this on a blues radio show a few weeks back and it came right
out my car radio's speakers and smacked me upside the head. Good stuff.
I was sold on him after hearing him on one track of "B-3 Blues and Other
Grooves" by Ron Levy's Wild Kingdom. his playing is a jewel in this
otherwise mediocre album.
-rjb
|
1954.254 | true story | BIGQ::DCLARK | giddyup, giddyup 409 | Wed May 31 1995 15:54 | 22 |
| (pulled over from SOAPBOX)
(c) Copyright the News & Observer Publishing Co.
Man marries guitar; wife thinks he's crazy
LONDON -- A British man, besotted for 35 years, has finally "married" the
object of his desire -- his guitar.
Chris Black, 53, says he fell for his Fender Stratocaster the moment he
saw it. "We've had such a long engagement that I decided it was time we
did the decent thing," Black said.
Black asked a friend to perform the wedding ceremony last weekend after a
local vicar refused to do it.
"It was all over in a matter of minutes. We didn't even have time for a
honeymoon," Black told the UK News news agency.
Not surprisingly his wife of 29 years, Janet, is less than impressed. "My
wife thinks I'm crazy," said Black who is unrepentant. "When I die, I
want to be buried with it."
|
1954.255 | | MPGS::MARKEY | The bottom end of Liquid Sanctuary | Wed May 31 1995 16:14 | 14 |
|
I'm just waiting for them to describe how he consumated the
marriage, and if he found the "jack" to be adequately large
for his equipment...
I also wonder if the interpretation of "besot" that applies
here relates to meaning #1 or #2 (as taken from the Merriam
Webster Dictionary):
1. Infatuate
2. To make dull, esp. by drinking
-b
|
1954.256 | | BIGQ::DCLARK | giddyup, giddyup 409 | Wed May 31 1995 16:33 | 2 |
| I also had some questions about jack size, etc., but I had the
good taste not to post them here :-)
|
1954.257 | It's been real....really... | ICS::CONROY | I knew the poodle man... | Thu Jun 01 1995 11:40 | 15 |
| Hate to add another one of these but...
This is my last week with DEC. I didn't want to leave without
saying thank you to everyone in here for all the info, entertainment,
and of course, music.
I've been reading guitarnotes since it's inception, and it's been a real
pleasure hearing everyone's music on the guitarnotes tapes. I'm glad I
got the chance to meet some of you too.
Keep up the good work. There's some very talented people in here.
Muchas Gracias,
Cheers,
Rock on... Bob C.
|
1954.258 | last one outa here, shut the lights | RICKS::CALCAGNI | more zip stupid juice | Thu Jun 01 1995 11:45 | 2 |
| Geeze, sorry to see you go Bob. So, um, where ya goin?
|
1954.259 | | ICS::CONROY | I knew the poodle man... | Thu Jun 01 1995 13:14 | 6 |
| I'm going to an insurance company in Waltham. I've been looking
for awhile so it's a voluntary move.
I'll be on the network, so I won't be entirely out of touch.
Bob
|
1954.260 | | OUTSRC::HEISER | Maranatha! | Thu Jun 01 1995 15:07 | 1 |
| Congrats and best wishes, Bob!
|
1954.261 | Good or bad deal (??), you decide | OCTAVE::VIGNEAULT | Minister of chiles | Thu Jun 15 1995 09:48 | 7 |
| from the alt.guitar newsgroup:
We have a small music store in the North East and are overstocked with
both Ovation and Takamine guitars. We're selling them at 50% off list
price. If interested, E-mail with subject: Guitars.
toneyterry@aol.com
|
1954.262 | The obvious inquiry... | STRATA::LUCHT | Is it a passion or just a profession? | Thu Jun 15 1995 09:53 | 6 |
|
RE: toneyterry@aol.com
What's wrong with them?
|
1954.263 | Incoming! | HANNAH::BECK | Paul Beck, MicroPeripherals | Thu Jun 15 1995 11:47 | 3 |
| > What's wrong with them?
... they're Ovations and Takamines ...
|
1954.264 | Current Ovation Info | MLOBU1::BROOKS | Phasers don't kill, people kill | Fri Jun 16 1995 21:04 | 15 |
| I popped into Acton Music on Monday. They are blowing out Ovations at ~50%
off list (STD Balladeer $449.00, list is $900+), didn't see any Tak's
though.
Daddy's is also dealing on Ovations STD Balladeer around $550.00 but
that price includes the hardshell case. I'm told Kamen changed the
preamp and electronics between the 1994 and 1995 models, so these
'blowout' prices are probably on mostly '94 models.
BTW: Acton Music had (on Monday) both the 1994 and 1995 Collectors
models. The 1994 (list $1,695 on sale for $849) has the built in tuner.
Don't know what special goodies the '95 has ($1,899 list on sale for $999).
Unfortunately neither of these guitars visually appealed to me...
Larry
|
1954.265 | | SOLVIT::SNORAT::OLOUGHLIN | The fun begins at 80! | Mon Jun 19 1995 17:27 | 11 |
|
Seen in passing.
A Tak with EQ, single cut away, turquoise inlay.
Puurrrrrrtee lil'thang. Wa wuz it?
-Rick.
|
1954.266 | Upscale model for Country Wannabes. | MILKWY::JACQUES | Vintage taste, reissue budget | Mon Jun 19 1995 18:38 | 4 |
| The model with turquiose inlay is called the Rio Grande.
I believe these sell for more than $1k.
Mark
|
1954.267 | wait till you hear this... | COPCLU::SANDGREN | Keep it simple | Thu Jun 22 1995 18:27 | 20 |
|
Well talk about excitement! I just got a phonecall from my
friend, who runs a music store; he told that Mr. Robben Ford
is coming to Denmark to make three concerts here - and he's
gonna borrow MY amp! He claimed he HAD to play through a
Fender 'The Twin', and since my friend had none in the store
for the moment, he promised to ask me if the big man himself
could borrow it - and he would pay to rent it, of course.
On top of this, I'm offered free entrance at all three events
(July 7/8/9)...
Now, humble me, I'm not used rubbin' elbows with the big names,
but I'm certainly gonna ask him about how he sets the controls
on the amp and so on, he'll have to learn me a few tricks - and
be sure I'll make a report here! He'll offer me a rent about
$130 for the three days, I can't really decide if I should play
'Mr. Nice Guy' and refuse to take the money...hmmm...
An excited Poul =8-)
|
1954.268 | Mr Nice guy doesn't pay the rent! 8) | FABSIX::I_GOLDIE | resident alien | Thu Jun 22 1995 20:21 | 7 |
|
take the money@
ian 8)
|
1954.269 | | DABEAN::REAUME | It's what's happening ...again | Fri Jun 23 1995 02:48 | 3 |
|
What happened to his $4K Dumble ????
|
1954.270 | | COPCLU::SANDGREN | Keep it simple | Fri Jun 23 1995 11:43 | 3 |
|
I guess it stays in the US. But I'll ask him!
|
1954.271 | | KDX200::COOPER | Revolution calling! | Fri Jun 23 1995 13:30 | 3 |
| Poul, thats too cool! I dream about John Petrucci needing to borrow
my marshall goodies and throwing in some lessons ... Course, Petrucci
is a Boogie guy...
|
1954.272 | Robben and Twins | RICKS::CALCAGNI | more zip stupid juice | Fri Jun 23 1995 13:37 | 10 |
| When Robben does these clinic visits, it's typically as a paid
representative for Fender. As such, it is in everyone's interest that
he demo Fender products. We saw him do a clinic a couple of years
ago at the new EU in Boston, and he was using a "The Twin".
Poul, be sure to ask him to tell some Miles Davis stories; he's got
some great ones.
/rick
|
1954.273 | | OUTSRC::HEISER | Maranatha! | Fri Jun 23 1995 14:08 | 6 |
| > Poul, be sure to ask him to tell some Miles Davis stories; he's got
> some great ones.
speakin' o' the devil, Wednesday night's class was devoted to Miles!
Mike
|
1954.274 | | FABSIX::I_GOLDIE | resident alien | Fri Jun 23 1995 23:12 | 7 |
| the reason he probably didn't bring his US amp is because of the
different power rating in Europe(220-240)and I believe the frequency is
different too but don't quote me on that fact!
ian
|
1954.275 | | STRATA::LUCHT | Is it a passion or just a profession? | Fri Jun 23 1995 23:42 | 6 |
|
RE: .267
Awesome.
|
1954.276 | | CITYFS::KNIGHTP | | Mon Jun 26 1995 04:40 | 7 |
| Just got back from holidays 8^(
Where's home studio and commusic ???????????????
P.K.
|
1954.277 | | KDX200::COOPER | Revolution calling! | Mon Jun 26 1995 14:02 | 2 |
| COOMMUSIC is here... Err, on KDX200 (28.838)...
|
1954.278 | | NEWVAX::LAURENT | Hal Laurent @ COP | Mon Jun 26 1995 14:44 | 9 |
| re: .276
> Where's home studio and commusic ???????????????
HOME_STUDIO is on TAMVM3, although it's disk wasn't mounted earlier
today (Monday). It should be okay now.
-Hal
|
1954.279 | | PUMSEI::KNIGHTP | | Mon Jun 26 1995 21:31 | 8 |
|
re Home studio and commusic, I think I was trying to access the old address
for commusic, thanks
P.K.
Whose looking at notes for the first time under windows and boy
does it look weird.
|
1954.280 | MLO noters? | BIGQ::DCLARK | let your soul shine | Wed Jun 28 1995 12:39 | 4 |
| Any GUITAR noters still at the Mill? there's a good chance I'll
be moving over there in the near future.
- Dave
|
1954.281 | Old Folk's Boogie! | MILKWY::JACQUES | Vintage taste, reissue budget | Wed Jun 28 1995 12:56 | 1 |
| Are you making a career change into the elder-care industry?
|
1954.282 | Melobar anyone? | MILKWY::JACQUES | Vintage taste, reissue budget | Wed Jun 28 1995 17:32 | 26 |
| I thought there was a note in here regarding the Melobar. There may be,
but I can't find it anywhere.
I have an opportunity to trade an instrument for a Melobar. For those
unfamilar, the Melobar is a stand-up steel, basically a lap steel that
can be played standing up. To facilitate this, the Melobar has a solid
body with the neck attached at a very radical angle. You play it
standing up with your hand over the neck (the opposite from normal
playing technique). The Melobar was invented by a guy named Walt Smith.
Walt died in 1990, but his son has continued the company and is still
making these. I believe that Rusty Young (of Poco semi-fame) had
something to do with designing this unusual instrument. David Lindley
(Jackson Browne) has also been known to use one.
There are currently 2 offerings. One has a Flying V body, and the other
has a less radical body shape. The one I'm looking at is white and has
one EMG Select single-coil pickup.
Anyone have any comments on Melobars? I'd like to get an idea of what
these things are worth. The one I'm looking at is from a dealer who
claims it's brand-new, but I believe this instrument has been hanging
around his back-room for some time. It has a couple of minor scrathes.
I have the option of trading or making a cash offer. I would prefer
to make a low-ball cash offer on it.
Mark
|
1954.283 | | WEDOIT::ABATELLI | In Pipeline Heaven | Thu Jun 29 1995 10:31 | 6 |
| RE: .281
Hey! Watch it sonny, or I'll hit you with my bedpan!
Fred (who'll be closin' the place)
|
1954.284 | Ry Cooder on TV | SALEM::SHAW | | Thu Jun 29 1995 12:33 | 7 |
|
For those interested in Blues, TBS at midnight tonight has
John Lee Hooker, with guest stars Ry Cooder and Taj Mahal coming
at you from the House of Blues.
Shaw
|
1954.285 | too cheap for cable! | MILKWY::JACQUES | Vintage taste, reissue budget | Thu Jun 29 1995 13:33 | 5 |
| I take it TBS is a cable channel. If so, I'm out of luck unless I
have someone else record it for me.
Mark
|
1954.286 | but..but.. | AIMTEC::JOHNSON_R | | Thu Jun 29 1995 14:03 | 4 |
| I thought the House of Blues was shown on Friday and Saturday?
Guess I'll have to check my local listings....
rj/
|
1954.287 | that's *tomorrow* night! | SALEM::SHAW | | Thu Jun 29 1995 14:25 | 5 |
|
Sorry rj, I thought today was Friday, silly me ;-)
Yup it is Friday night at midnight.
Shaw
|
1954.288 | | GANTRY::ALLBERY | Jim | Fri Jun 30 1995 16:09 | 4 |
| Love the new conference title.
Jim
|
1954.289 | | CITYFS::KNIGHTP | | Tue Jul 04 1995 21:47 | 8 |
| re 4 Jul
Happy Independance day to you US noters.
P.K.
(maybe one day Oz will be independant)
|
1954.290 | | KDX200::COOPER | Revolution calling! | Wed Jul 05 1995 16:12 | 3 |
|
Thank Dana - it was his idea.
:-)
|
1954.291 | | BUSY::SLABOUNTY | Trouble with a capital 'T' | Thu Jul 06 1995 12:24 | 5 |
|
Coop, isn't it about time for a p_n change as well?
8^)
|
1954.292 | | KDX200::COOPER | Pffffftttt! | Thu Jul 06 1995 21:21 | 2 |
| Better??
|
1954.293 | | RICKS::CALCAGNI | salsa shark | Fri Jul 07 1995 12:05 | 4 |
| Hey Mister Mod, how about an updated conference directory listing?
The latest one I can find is from '91. Is there a more recent one
online?
|
1954.294 | | BUSY::SLABOUNTY | Trouble with a capital 'T' | Fri Jul 07 1995 12:23 | 10 |
|
DIR L-1/OUT=GUITAR.LIST
8^)
RE: Coop
I wouldn't say better ... more like "different". 8^)
|
1954.295 | Robben Ford and my amp | COPCLU::SANDGREN | Keep it simple | Fri Jul 14 1995 06:14 | 24 |
|
Well, things went different that I thought when Robben Ford
played on my amp - two of the concerts were out of my reach,
then I went to the final one; and it was so crowded that I
had no chances to speak to the man himself :-(. But at least
I got some nice photos! He also had another 'The Twin' on
stage, with a brighter front cloth - but I could see he used
mine, because the red LED shifted when he switched channels...
so he indeed used the lead channel as distortion effect..
After I got the amp back (and the money :-), I noticed the
positions of the knobs - surprisingly, all of them, on both
channels, were close to the mid position (also the volume
knobs =8-| !). If I play it that way, the amp appears somewhat
dead to me, except for the volume! (well I'm no Robben Ford ;-)..
The playing was superb, but honestly, a bit boring, I don't
think he sweats enough - also something has to be unique when
you only have a three piece band - the variations are limited
then, and the normal blues playing gets boring to me after a
while (no no, don't start that discussion again ;-).
Poul
|
1954.296 | Glad to see he used your amp, though ;-) | SACHA::IDC_BSTR | Oh no! NOT Milan Kundera again! | Fri Jul 14 1995 10:00 | 10 |
| I have to agree Poul, in that I've always found Robben Ford a bit on
the boring side. I mean, he's obviously got the chops, but I always
feel his music sounds pretty lifeless; perhaps it's because the
compositions themselves aren't up to much either, IMO. A far cry from,
say, Robert Cray.
No, give me Peter Green or Freddie King every time over Robben Ford or
SRV.
Dom
|
1954.297 | | KDX200::COOPER | Pffffftttt! | Fri Jul 14 1995 20:22 | 2 |
| Yeah, now see, I can't play squat, but I always came off stage
drippin' with sweat... ;-)
|
1954.298 | | OCTAVE::VIGNEAULT | Minister of chiles | Mon Jul 17 1995 14:28 | 5 |
|
For those of you seeking to send email to Brian Rost, I saw a post
from him in alt.guitar, his email is rost@nexen.com
Larry
|
1954.299 | | DREGS::BLICKSTEIN | My other piano is a Steinway | Tue Jul 18 1995 13:49 | 8 |
| You wanna hear a jazzer playing great blues go to a Larry Carlton
concert. He does one blues song every show. A classic lesson
in under-statement: if he did a whole show of just-blues I'd probably
be bored, but because it's just one song, it's "special" and often
the highlight of the evening.
He did a great duet with B.B. King on the "Friends" album called
"Blues for TJ".
|
1954.300 | first LC show | OUTSRC::HEISER | watchman on the wall | Tue Jul 18 1995 15:39 | 1 |
| got my tickets for next month already.
|
1954.301 | ??? | DREGS::BLICKSTEIN | My other piano is a Steinway | Tue Jul 18 1995 18:20 | 3 |
| > got my tickets already
Is he touring with Lee Ritenour?
|
1954.302 | LC & LR together in Phoenix | OUTSRC::HEISER | watchman on the wall | Tue Jul 18 1995 22:04 | 1 |
| yup
|
1954.303 | | USPMLO::DESROCHERS | Was this ignorance or bliss... | Wed Jul 19 1995 09:33 | 6 |
|
Larry and Lee are playing the Jazz festival at Newport
Rhode Island. I think it's in August.
Still lovin' the CD...
|
1954.304 | Vacation time! | KDX200::COOPER | Animal Instinct... | Thu Jul 20 1995 19:34 | 14 |
| I'm OUTTA here!!
I'm about to hop on a plane and head to Boston. I'll be staying with
and/or around my mother-in-laws place in Hudson. Should you happen to
want to get together for a jam, go see Dream Theater in Providence,
have a few beers and shoot the shy-mit, give a call over there... I'll
be mostly carless, but very creative. :-)
The number there is 508-562-2890, and if I'm someplace else (like
Maine) they'll be happy to give you a numbah...
Hope to see a BUNCH of ya!!!
jc
have the number and
|
1954.305 | my personal bass god | RICKS::CALCAGNI | salsa shark | Mon Jul 24 1995 12:39 | 7 |
| This was forwarded to me, off the Internet:
"Just read an interesting article in the entertaiment section of the local
newspaper. It seems "Hulk" Hogan (the pro wrestler) has been playing bass
for twenty years. He's going to tour with a band in the near future. His
weapons of choice are Fender Precision and a Music Man..."
|
1954.306 | Conklin Guitars | STRATA::LUCHT | Is it a passion or just a profession? | Thu Jul 27 1995 04:27 | 11 |
|
Has anyone ever tried out a Conklin (sp?) guitar? I saw a
picture of a custom (and very nice looking) 8-string. Yes,
an 8-string guitar. I think these things come in at the mid
$2K start point.
Does any store in the Mass. area have one of these? I'd love to
try one out.
Kev --
|
1954.307 | I forgot to mention... | STRATA::LUCHT | Is it a passion or just a profession? | Thu Jul 27 1995 04:59 | 12 |
|
RE: -1
This guitar also comes with 3 custom (long!) Bartolini pickups.
Now I thought Bartolini's were primarily bass pickups, but here
they are on this Conklin.
Has anyone ever heard Bartolini's on a regular 6-string guitar?
If so, what would they compare to?
Kev --
|
1954.308 | | POWDML::BUCKLEY | You ain't seen nuthin yet | Thu Jul 27 1995 14:47 | 11 |
| Time for a brain drain --
Anyone remember the "Moonstone" guitar and bass line?? I forget who
marketed them ... Morley possibly?!? They featured the same
electronics as found in Alembic guitars, and were all fancied up with
brass hardware and custom birdseye maple bodies and the whole works!!
They were pretty heafty for the time, too -- think the guitar was
running around $1,800+ dollars (which is cake these days for an axe).
Anyone remember these things, and more imp, anyone ever SEEN one?!?
|
1954.309 | claimin' a wicked 70's buzz | BIGQ::DCLARK | let your soul shine | Thu Jul 27 1995 15:31 | 2 |
| I remember looking at one in Mr. C's around 1984. He had a
Moonstone catalog. They even had semi-hollowbody guitars.
|
1954.310 | | RICKS::CALCAGNI | salsa shark | Thu Jul 27 1995 15:36 | 12 |
| Only seen them in pictures; they show up on used/vintage lists
occasionally and typically list for between $1k and $2k. I've
seen more basses than guitars listed.
The wood on these is described as "burled"; it's a very heavy intense
birdseye pattern. I always thought this was a natural occurence (like
flame and birdseye) but perhaps burling involves some man-made
processing as well? It's so intense it kind of looks artificial.
Any wood-gurus know?
/rick
|
1954.311 | Moonstone | RANGER::WEBER | | Thu Jul 27 1995 15:47 | 15 |
| I had a Moonstone M-80, which was a small (15") semi. It was intensly
quilted, but it looked better than it played or sounded and I did not
keep it.
They also made Alembic and LP Jr. knock-offs and even some flattops!
Burled wood comes from the tree crotch. It's eye-catching, but not
necessarily a good tone wood--however, Moonstones were made during the
"denser & heavier is better" period of guitar-making insanity.
The company was not in business long. I have their catalogs and even a
poster.
Danny W.
|
1954.312 | | BIGQ::DCLARK | let your soul shine | Thu Jul 27 1995 16:58 | 4 |
| >>necessarily a good tone wood--however, Moonstones were made during
>>the "denser & heavier is better" period of guitar-making insanity.
what period of guitar-making insanity are we currently in? :-)
|
1954.313 | it's Freedom Rock, man | RICKS::CALCAGNI | salsa shark | Thu Jul 27 1995 17:15 | 2 |
| the "if they did it in the 70's it must be great" period?
|
1954.314 | Burl | NOTAPC::HARPER | | Fri Jul 28 1995 11:51 | 7 |
| A burl is a big bump on the tree, like a branch was going to grow and
changed its mind. The grain is intense. My brother-in-law and I took
one in to a shop that sold log splitters and would give $50.00 if
their splitter wouldn't split any log. When we walked out the guy
was banging on the burl with a sledge trying to get it off of his
splitter blade and we had $50.
|
1954.315 | return with us now to those thrilling days of the 70s | POWDML::BUCKLEY | You ain't seen nuthin yet | Fri Jul 28 1995 18:22 | 10 |
| Hope y'all liked the flashback!!
Now, anyone remember:
- the Avatar geetar synth?
- the MXR Blue Box?
- the Electro Harmonix LPB-1?
- the Roland space echo
- the Heil talk box
|
1954.316 | Clean ended at about 1.2 | GANTRY::ALLBERY | Jim | Fri Jul 28 1995 18:34 | 6 |
| The LPB-1??? -- I still own one, though I probably haven't plugged
it in for over 15 years. I used to get some pretty mean distortion
running my Kay strat clone through my Linear Power Booster into my
Alamo Jet amp.
Jim
|
1954.317 | | MPGS::MARKEY | The bottom end of Liquid Sanctuary | Sun Jul 30 1995 18:22 | 15 |
| > - the Avatar geetar synth?
> - the MXR Blue Box?
> - the Electro Harmonix LPB-1?
> - the Roland space echo
> - the Heil talk box
I remember all of them, with varying degrees of fondness. On
the low end of the fondness scale I would place the Heil talk
box; thanks, in large part, to Peter Frampton and Joe Walsh.
The Avatar (made by the now defunct Arp, BTW) sure was a
finicky piece of gear; perhaps surpassed only by the
Mellotron for sheer -- almost breathtaking -- unreliability.
-b
|
1954.318 | tempermental guitars | BIGQ::DCLARK | no, I'm not | Thu Aug 24 1995 12:49 | 8 |
| Anyone else notice a drastic change in the way your guitar feels
now that the drier air is here? I guess the rosewood was sucking
up water from the air all summer, causing it to expand slightly
and straighten out the neck. There's a LOT more relief than
there was 2 weeks ago! Makes me want to get one of those
graphite polymer high tech necks.
- Dave
|
1954.319 | re: -.1 | RANGER::WEBER | | Thu Aug 24 1995 17:14 | 3 |
| That's why they have adjustable truss rods
Danny W.
|
1954.320 | | BIGQ::DCLARK | no, I'm not | Thu Aug 24 1995 17:31 | 5 |
| re .-1
I know; I'm just surprised how much shifting has occurred in a
short time period. I like the winter; instruments are in a more
controlled climate.
|
1954.321 | An imperfect world. | MILKWY::JACQUES | Vintage taste, reissue budget | Thu Aug 24 1995 17:48 | 13 |
| This may be true, but in homes that have electric heat, forced hot
air, or a wood/coal stove, the air tends to dry out so much in winter
that instruments can crack. This is a lot more serious than too
much moisture which won't crack an instrument, but it will cause
the neck and soundboard to move around a bit.
I have had more problems associated with dryness this year than
ever. So much so that I have started using humidifiers with all
of my acoustics. One of the reasons I had a problem is that my
instruments are kept out in the open on hooks or stands. If they
were kept in the cases, this would be less of a concern.
Mark
|
1954.322 | In praise of wood... | GANTRY::ALLBERY | Jim | Thu Aug 24 1995 18:12 | 13 |
| RE: high-tech necks:
As far as I'm concerned, the benefits of wood far outweigh its
disadvantages. But I'm mostly an acoustic kind of guy.
I did once own an Applause with a graphite top, aluminum fretboard,
and phenolic resin neck... The rosewood bridge was the only wood
on the guitar. I sold it four years ago, and haven't missed it.
I use humidfiers on my acoustics, too-- at least from October through
April. The summer is usually humid enough that I don't bother.
Jim
|
1954.323 | electrics also? | GAVEL::DAGG | | Fri Aug 25 1995 10:08 | 9 |
|
Could this (neck straitening because of humidity) be true
with electrics as well? I thought my Tele was
buzzing a little more during the real humid weather.
Or is this just an issue with acoustics?
Dave
|
1954.324 | | BIGQ::DCLARK | no, I'm not | Fri Aug 25 1995 10:13 | 6 |
| re .-1
I've been talking about an electric, although it would likely
be more pronounced on an acoustic. I noticed when the humid
weather came in I had to raise up the action a little; now
I have to lower the action/straighten the neck.
|
1954.325 | | RANGER::WEBER | | Fri Aug 25 1995 11:48 | 7 |
| All wooden guitar necks do this. It's frequently more obvious with
electric, since the action is often set lower.
As Mark pointed out, Winter is far tougher on guitars than is summer, except
in tropical climates.
Danny W.
|
1954.326 | vintage-tech | RICKS::CALCAGNI | salsa shark | Fri Aug 25 1995 12:10 | 14 |
| re high-tech necks
I've always been a 'wood guy' myself, but lately I've been weakening.
Checked out a Modulus 5-string bass the other day; I've always had
mixed feelings about these, mostly due to lack of 'wood' in the tone,
but the more I play them the more they grow on me. The response on
these is almost perfect and very even over the entire board. And
climate problems and warpage? Forget about em.
I still can't see it for acoustics, but on electric instruments the
composite designs have a lot to offer.
/rick
|
1954.327 | | KDX200::COOPER | Animal Instinct... | Fri Aug 25 1995 13:29 | 6 |
| Yeah, The Parker "Fly" keeps luring me...
FWIW - The Colorado Springs climate, tho very dry, STAYS dry.
I'll tell ya, I learned a lot about neck-tweeking whne I came from
South Carolina to here with my Ibanezzzzz'z super-skinny necks...
|
1954.328 | old Greg House joke... | POWDML::BUCKLEY | give em the boot! | Fri Aug 25 1995 16:28 | 2 |
| Just use a little Pledge...
8^)
|
1954.329 | An inexpensive evening of spanish guitar | DREGS::BLICKSTEIN | My other piano is a Steinway | Mon Aug 28 1995 15:57 | 24 |
| I thought I'd mention this...
I went to see some friends play in Newburyport a few weeks ago.
We parked near the post office (sorry, don't know the name of
the street but its the one the Post Office is on) and walked
down to the Grog and passed a coffee house on the left and heard some
very familiar spanish guitar music coming from it.
Apparently there is a coffee-house there that has a guy there doing
spanish/classical (mostly spanish) guitar music every Saturday evening.
The guy is quite good, has a rather amazing repetoire (amazing at least
in that he plays ALL my favorites) and it was just a "lovely" way to
spend an evening (especially since we couldn't get into the place
where our friends were playing).
So if you're a fan of spanish guitar (and I am a BIG LOVER of that
kind of guitar playing) I'd highly recommend this. And it's a cheap
date... only the cost of a couple of cafe mochas.
db
p.s. Only down point was the idiot sitting at the next table
loudly whistling along to the music!
|
1954.330 | Which would you rather be? | BLADE::ANDRE | I think, therefore I am, I think | Fri Sep 01 1995 11:35 | 22 |
| Appropos of nothing, but I thought this was amusing:
----------
Article 42328 of rec.music.makers.guitar:
From: tombrown@jhunix.hcf.jhu.edu (Thomas F Brown)
Subject: Re: Getting nervous in music stores
Date: 31 Aug 1995 00:53:25 -0400
In article <422apr$od5@tabloid.amoco.com> First Last <fmlast@amoco.com> writes:
> rost@nutshell (Brian Rost) wrote:
>
> When I had just started learning to play, I walked into a famous music
> store in Austin,Texas. I sat on a Fender Twin and began plucking away
> horribly on a strat. After playing my "best stuff" for about five minutes,
> I looked behind me and saw Jimmie Vaughan (SRV's brother) looking over my
> shoulder. My fingers froze and I quickly put the axe down. I've never
> been able to confidently play in a music store since.
I've run into Earl Klugh, Larry Carlton, and Stanley Clarke in music stores.
So what? They play better than me, but I'm smarter and better looking. It's
a trade-off.
|
1954.331 | PKO noters? | ASABET::DCLARK | formerly BIGQ::DCLARK | Fri Sep 01 1995 11:54 | 2 |
| Any guitar noters in the PKO complex? I just moved over
here a few days ago. Where's the guitar stores? :-)
|
1954.332 | | RICKS::CALCAGNI | salsa shark | Fri Sep 01 1995 12:14 | 9 |
| re Brian and Jimmy
just forwarded that to Brian, he was amused. Evidently the brush with
Jimmy Vaughn did not actually happen to him; he had entered a different
story but his name got tagged to this one by some sloppy cut-and-paste
on the part of the replier.
At least, that's what he's saying NOW :-)
|
1954.333 | | OUTSRC::HEISER | watchman on the wall | Fri Sep 01 1995 14:08 | 1 |
| What if your dumb and ugly and don't have chops? ;-)
|
1954.334 | | ASABET::DCLARK | formerly BIGQ::DCLARK | Fri Sep 01 1995 15:30 | 3 |
| re .-1
you become a drummer :-) :-)
|
1954.335 | | KDX200::COOPER | RuffRuff - BowWow! | Fri Sep 01 1995 19:26 | 3 |
| So Mike - Do you know what a paradiddle is??
:-)
|
1954.336 | | OUTSRC::HEISER | watchman on the wall | Fri Sep 01 1995 20:55 | 1 |
| What a pair of what?!
|
1954.337 | | GANTRY::ALLBERY | Jim | Tue Sep 05 1995 10:23 | 1 |
| I always liked triple ratamacues...
|
1954.338 | | AKOCOA::MAY_B | | Tue Sep 05 1995 10:42 | 1 |
| FLAMADIDDLE ARE THE BEST!!!
|
1954.339 | | BUSY::SLABOUNTY | Holy rusted metal, Batman! | Tue Sep 05 1995 15:30 | 5 |
|
Seen in Marlboro last week ... MA vanity
EGB DF
|
1954.340 | Going out of business sale, Luthier tools/supplies for sale | MILKWY::JACQUES | Vintage taste, reissue budget | Thu Oct 05 1995 12:10 | 32 |
| <<< BACK40::BACK40$DKA500:[NOTES$LIBRARY]SOAPBOX.NOTE;1 >>>
-< Soapbox. Just Soapbox. >-
================================================================================
Note 14.4222 News Briefs 4222 of 4223
CALLME::MR_TOPAZ 25 lines 5-OCT-1995 09:18
-< Fear & Tupperware >-
--------------------------------------------------------------------------------
Man recants enraged hooker story, says he cut off own penis
NEW YORK -- A man whose penis was severed has recanted his claim
that he was attacked by an enraged prostitute and now says he
injured himself by accident, police said today.
The missing member was recovered Tuesday in a plastic food
container in the man's kitchen, too late to be reattached, said
police Detective Frank Grecco.
Domingo Morales, 67, told police on Monday he had sex with a
prostitute in his apartment and that she attacked him after he
told her he had no money.
The retired truck driver later told investigators he made up the
story out of fear that he'd be committed to a mental institution,
Grecco said.
"He stated that he makes guitars in his apartment and that he had
the neck of a guitar between his legs while he was working on it
with a knife. The knife slipped off the guitar and severed part of
his penis," Grecco said.
"After it happened he got so excited that he doesn't even remember
putting it in the Tupperware."
|
1954.341 | YYYYYYYYYYEEEEEEEEEEEEEEEEOOOOOOOOOOOOWWWWWWWWWWWWW!!!!!!!!! | PRMS00::PBAER | | Thu Oct 05 1995 14:21 | 0 |
1954.342 | | KDX200::COOPER | RuffRuff - BowWow! | Thu Oct 05 1995 18:08 | 2 |
| He should've burped the tupperware...
:-)
|
1954.343 | what's for dinner....eeeeerghhhhh!!! | CITYFS::KNIGHTP | | Thu Oct 05 1995 19:54 | 7 |
| Wonder if he did any damage to the nut?
Safety Joe says: always have your underpants on when working on your
guitar.......
P.K.
|
1954.344 | Be Patriotic! | BSS::MANTHEI | Just another outta work guitar player | Thu Oct 05 1995 21:25 | 9 |
| I still don't think we should have to wear any clothes while working
on a guitar or playing it. This is America. I'm proud to be an
American. Guitar playing in the nude is (or at least should be) one
of our unalienable rights under the constitution!
Isn't that what makes our country great? Musicians with no clothes?
(It makes MTV a bunch of money...) ;-)
-Mike (right now, I completely naked)
|
1954.345 | naked truth, well clothed lies | CITYFS::KNIGHTP | | Thu Oct 05 1995 22:51 | 9 |
| re -1
This isn't America, it's Australia, we are always naked, except
when working on our guitars with sharp knives, in those situations
we always wear underpants, and safety glasses.
P.K.
|
1954.346 | I'm proud to be international, eh? | BSS::MANTHEI | Just another outta work guitar player | Thu Oct 05 1995 23:36 | 5 |
| re: -1
My apologies to those down under. (under where?) :-)
I forgot how international this thread was.
-Mike
|
1954.347 | Hazardous duty! | MILKWY::JACQUES | Vintage taste, reissue budget | Fri Oct 06 1995 10:14 | 7 |
| I wonder if the guitar the guy was working on was
"The Lorena Bobbit Signature Model".
That does it, from now on when I work on my guitars, I'm wearing a
cup.
Mark
|
1954.348 | ;-) | DREGS::BLICKSTEIN | General MIDI | Fri Oct 06 1995 10:51 | 3 |
| re: .-1
C'mon dude, Lorena uses a knife, not an axe.
|
1954.349 | | GANTRY::ALLBERY | Jim | Fri Oct 06 1995 12:57 | 5 |
|
After one unpleasant experience, I know *I'll* never use
a soldering iron while not wearing pants again.
Jim (older and wiser)
|
1954.350 | | OUTSRC::HEISER | watchman on the wall | Fri Oct 06 1995 13:29 | 1 |
| I hope the guitar is okay.
|
1954.351 | | KDX200::COOPER | RuffRuff - BowWow! | Fri Oct 06 1995 15:00 | 7 |
| RE: .348 (db)
<Insert Homer J Simpson voice here>
Dough!
<End insertion>
|
1954.352 | Sorry - I feel better now... | KDX200::COOPER | RuffRuff - BowWow! | Tue Oct 17 1995 12:58 | 25 |
| I got the ultimate referal from (of all places) ProSound here in Colo.
Spgs.
Seems that there is a local band who wants to press a CD here in town
and shop for a label. They've got this financial backer who has loads
of dollars to spend on this project, and he went off and contracted
Kelly Keagy from Night Ranger to produce the thing (at like $400/day
plus expenses).
Seems like Kelly requested a studio with a Mackie 8-bus...And I got the
referal from ex-band-mate Mark, and the staff at ProSound.
This is working out well:
- I get to engineer for a guy who obviously has seen some cool tricks
- I've made enough dough to carpet my studio and texture/paint the rest
of my basement (just in time to sell the house)
- I've learned how to recover from ADATs that eat tape and lose sync
- I've confirmed that ADATs will NOT live in my studio, TASCAM?
- I got to audition a Neumman U47 Tube mike... a REAL one. Wow!
('nuff said). :-)
So, I've decided I *do* wanna be an engineer when I grow up, and that
just cuz I don't have a Neve or an SSL doesn't mean I can't make stuff
sound 'right'.
|
1954.353 | What? Me worry? | BSS::MANTHEI | Just another outta work guitar player | Tue Oct 17 1995 22:19 | 13 |
| Coop! Who sez you gotta grow up?
If someone is throwing money around - and you're playing with cool
toyz - and someone is making music.... It doesn't sound like
*anybody* needs to grow up.
;-)
..and PS sounds like they may be changing too. I've heard that they
are doing _lots_ of referrals. It might just be that they have
learned they really do live in "our neighborhood". A little local
focus will do them good. (and us)
Mike in a light happy beat-"I don't wanna grow up..."
|
1954.354 | | KDX200::COOPER | RuffRuff - BowWow! | Wed Oct 18 1995 11:18 | 12 |
| Well, good point Mike - But I don't think PS is changing. Lets not
jump to conclusions. :-)
PS = PS
I was in there the other day looking for Elco snakes and I mentioned
that my patchbay was RCA. "Oh, well RCA is the PRO standard..."
I'm like Ex-Squeeze me? Baking Power??
RCA is the pro standard and I taught John Petrucci everything he knows.
Uh-huh; yep; no doubt.
|
1954.355 | | BSS::MANTHEI | Just another outta work guitar player | Wed Oct 18 1995 19:28 | 7 |
| right
Why are their Elco snakes over $300 when mail order is $155? Must
gain in value 'cuz it ships thru Denver!
Mike
|
1954.356 | | KDX200::COOPER | You're Aunty ...Aunty social! | Fri Nov 10 1995 19:28 | 9 |
| Umm, I slipped into my moderator hat when no one was looking and
blaster the "Clapton Is God" topic into the great bit bucket. This
has nothing to do with Clapton or God ...I just felt like blasting
someones notes and these were the first ones I stumbled upon.
Signed PRC,
Err, umm, I mean,
jc
|
1954.357 | ;-) | OUTSRC::HEISER | watchman on the wall | Fri Nov 10 1995 19:59 | 1 |
| keep up the great work!
|
1954.358 | I'm not a god, but I play one in notesfiles ;-) | DREGS::BLICKSTEIN | General MIDI | Sun Nov 12 1995 14:58 | 6 |
| > ...and blasted the "Clapton is God" topic..
> I just felt like blasting someones notes and these were the first
> ones I stubmled upon.
OK, so the new topic should be "Cooper is God". ;-)
|
1954.359 | | KDX200::COOPER | You're Aunty ...Aunty social! | Sun Nov 12 1995 20:49 | 7 |
| I'm certainly not worthy....
:-)
You've never heard PRC say "Goderator" ??
:-)
|
1954.360 | How does this silly editor work? | BSS::MANTHEI | Just another outta work guitar player | Mon Nov 13 1995 13:10 | 3 |
| Not worthy? [B
I've seen you spend money in a music store.....
You're not God..... but I was entertained.
|
1954.361 | | KDX200::COOPER | You're Aunty ...Aunty social! | Mon Nov 13 1995 13:41 | 2 |
|
You're easy, Mike. ;-)
|
1954.362 | Cheap Date??? | BSS::MANTHEI | Just another outta work guitar player | Mon Nov 13 1995 15:09 | 3 |
| Yeah, but just respect me in the morning.
/=\
|
1954.363 | Remember Jay Tashjian .. | OCTAVE::VIGNEAULT | Minister of chiles | Wed Dec 06 1995 08:24 | 7 |
|
Saw Jay Tashjian in the alt.guitar newsgroup. Anyone wanting his
email address, it's:
76562.117@CompuServe.COM
Rgds, Larry
|
1954.364 | Pointer, Please! | MILKWY::JACQUES | Vintage taste, reissue budget | Mon Dec 11 1995 23:11 | 5 |
| Does anyone remember a listing of all the transcriptions that have
appeared in Guitar World Magazine ? I know there was a list here
somewhere.
Mark
|
1954.365 | ovankol? nato??? | RICKS::CALCAGNI | Fast, Cheap, Good: choose any two | Wed Dec 13 1995 17:20 | 10 |
| I was looking at a new Yamaha acoustic and the specs said "ovankol
back" and "nato neck". Does anyone have any more information on these
mystery woods? Do they go by any other, more common names
(balsa, perhaps :-)?
Btw, the guitar was a Yamaha FG441S, a D35 copy with solid spruce top.
Anyone have experience/opinions on these?
/rick
|
1954.366 | | CUSTOM::ALLBERY | Jim | Wed Dec 13 1995 17:30 | 9 |
| Nato is very similar to mahogany (it might actually be a south Pacific
variant, in fact). Same general properties and appearance. A lot of
imports use nato for things traditionally done in mahogany (i.e. necks
and sides and backs).
If it is a D35 copy, I'd guess ovankol must be some other tropical
hardwood that looks like rosewood...
Jim
|
1954.367 | ADA Flanger | LUDWIG::LUCHT | Is it a passion or just a profession? | Fri Dec 22 1995 07:01 | 9 |
|
Pretty good reviews pouring in on that ADA Flanger pedal-thing
which I'm sure you've all seen on the back cover of the most
recent guitar magazines out there.
Anyone test run this unit?
Kev --
|
1954.368 | | POWDML::BUCKLEY | Reason for the Season | Fri Dec 22 1995 10:38 | 14 |
| >Pretty good reviews pouring in on that ADA Flanger pedal-thing
>which I'm sure you've all seen on the back cover of the most
>recent guitar magazines out there.
I used to be an FX nut back in the 70s -- for Flangers, I tried em all.
To be honest? My favorite was the rack mounted MXR Flanger/Doubler
unit...very nice. I'd put the ADA second in line, with the MXR
a/c-powered floor model in a closed third. I never really liked the
Boss box, but that's a personal preference. Even the TC floor unit
didn't wow me, but it certainly was a clean sounding unit.
Now for Chorus units, my fav was always the MXR yellow floor box.
Big, noisy, ugly -- but boy, what a sound!! I prefer this over
all other chorus units ... the TC, the ADA, etc.
|
1954.369 | more vintage profit's | NETCAD::BUSENBARK | | Fri Dec 22 1995 12:13 | 22 |
|
>Pretty good reviews pouring in on that ADA Flanger pedal-thing
>which I'm sure you've all seen on the back cover of the most
>recent guitar magazines out there.
I noticed this advertisement,it seemed kind of like contributing to
a vintage pedal market. I've never found much use for flanging,but chorus has
always had an appeal to me. Most units that are mentioned previously
I've owned or tried extensively seem to muddy your guitar tone too much.
I came to the conclusion that it was due to the limited frequency range
and bandwidth. Early multi effects box's did the same for my ears. I still
have and use a TC Electronics Chorus/Flanger/PM. The nice feature of this pedal
is that you can put it in a rackmount tray and control it with a footswitch
on the floor. For the kind of music I like to play it sounds great. If tone is
not a concern for a Vanhalen/crunch/munch type sound I'm sure the ADA/MXR etc
pedals provide the coloration typically needed.
Someone told me the other day that my original TS9 is worth $175,
which is more than I paid for my first guitar. :^( Vintage effects can
still be had at bargins,but just like everything else these items are getting
snagged up pretty quickly by the profiteers. Check out AnalogMike on the
Web....
|
1954.370 | snortin whiskey | RICKS::CALCAGNI | Fast, Cheap, Good: choose any two | Fri Dec 22 1995 12:47 | 5 |
| I hear to get a good dose of the ADA Flanger sound, check out any old
Pat Travers band record. I picked up one of the MXR AC powered floor
units myself awhile back, I think it's pretty nice. But I'm told the
ADA unit can get more *radical*.
|
1954.371 | | KDX200::COOPER | Heh heh - Not likely pal | Fri Dec 22 1995 13:11 | 3 |
| Ya know, I always found Roland SDE-1000 makes a cool flanger when
set up per the book!!
|
1954.372 | In case it wasn't mentioned.. | STRATA::LUCHT | Is it a passion or just a profession? | Sat Dec 23 1995 05:50 | 5 |
|
FWIW the ADA Flange pedal is a '79 reissue.
Kev --
|
1954.373 | attack of the blue meanie | MILKWY::JACQUES | Vintage taste, reissue budget | Mon Dec 25 1995 22:52 | 13 |
| It's funny that Buck mentioned the MXR flanger/doubler. I bought
one of these rack-mount blue units at a Flea market a couple of
years ago. It had pretty good sound, but I never used it and
decided to sell it. I brought it to the R.I. show but no one
gave it a second look. Then I put it into the Want Ads. It sold
the first day it was posted. I had people calling me for weeks
after wanting that unit. Apparently, these have some kind of
acult appeal to a small group of analog fenatics.
I still like the flange in my Alesis MVII but it hardly ever
get's used. I wouldn't mind one of the TC jobs.
Mark
|
1954.374 | Happy New Year | POWDML::BUCKLEY | Intl. Year of the Coaster -- 1996 | Tue Jan 02 1996 13:13 | 1 |
|
|
1954.375 | | JARETH::KMCDONOUGH | SET KIDS/NOSICK | Thu Jan 04 1996 16:30 | 13 |
|
...Under the category of useful info. Hit the www site
http://www.ups.com/
Under the new cost item, you can calculate how much to ship something
based on the starting/destination zip codes and the weight.
Easy way to figure out the "plus shipping" costs.....
Kevin
|
1954.376 | | cooper.cxo.dec.com::COOPER | Addicted to chaos | Fri Jan 12 1996 19:41 | 5 |
| Well, I'm just here testing my ability to note from my laptop via SLIP.
Plus I gotta see how I can set my access to moderate via SLIP...
jc
|
1954.378 | | DREGS::BLICKSTEIN | General MIDI | Mon Jan 15 1996 12:12 | 6 |
| Someone send Coop some batteries... I think the propeller on top of
his head is starting to slow down...
;-)
db
|
1954.379 | | JARETH::KMCDONOUGH | SET KIDS/NOSICK | Tue Jan 30 1996 10:56 | 12 |
|
Not guitar related, but noteworthy....
Last week's WantAds. Pair of Bose 802 series II speakers. Excellent
condition. $200 each. High quality stands for another $50.
Already sold, but the ad and price were very real. Say what you want
about the 802's, that's dirt cheap.
|
1954.380 | | KDX200::COOPER | Heh heh - Not likely pal | Tue Jan 30 1996 17:22 | 10 |
| RE: Comment about the children thinking you play too loud...
On a recent call to my folks, my 3 anna half year old daughter
told Gramma that she was listening to music with 'daddy' (thats me :-).
Gramma said "what kind of music" and Jaime said "Dream Theater - They
rule!"
God, I'm proud of that kid...
:-)
|
1954.381 | | OCTAVE::VIGNEAULT | Minister of chiles | Fri Feb 02 1996 07:54 | 6 |
|
Saw <insert_symbol_name>, the artist previously known as Prince the
other night on VH1. Man, that symbol shaped guitar he plays is one
ugly guitar imho.
Lv
|
1954.382 | | FABSIX::I_GOLDIE | resident alien | Fri Feb 02 1996 09:07 | 7 |
| re-1
agreed....I like some of his music but I can't stand to look at the
bloody freak.
Ian
|
1954.383 | stage antics aside | POWDML::BUCKLEY | Intl. Year of the Coaster -- 1996 | Fri Feb 02 1996 10:21 | 1 |
| <symbol> roolz! The cat can PLAY!
|
1954.384 | | OCTAVE::VIGNEAULT | Minister of chiles | Fri Feb 02 1996 10:23 | 2 |
|
No argument here, but that git is ugly !
|
1954.385 | | FABSIX::I_GOLDIE | resident alien | Fri Feb 02 1996 11:44 | 11 |
|
hahahahaha...I haven't heard anyone being called a "git" since I left
the UK!
thanks for the laugh!
yes,Price/Victor/symbol/Mr Potatohead is a git@! 8)
ian
|
1954.386 | | CTPCSA::GOODWIN | | Fri Feb 02 1996 12:00 | 12 |
|
-1
I could be wrong, but I think Larry was referring to his guitar being
ugly rather than prince himself...
...or perhaps it was a broad-brush pertaining to the entire visual image.
I thought he had gotten out of the performing rock & roll biz anyhow?
/Steve
|
1954.387 | | FABSIX::I_GOLDIE | resident alien | Fri Feb 02 1996 12:18 | 5 |
|
him or his guitar are both uglier than a bag of sh!t
ian
|
1954.388 | Guitar it was ... | OCTAVE::VIGNEAULT | Minister of chiles | Fri Feb 02 1996 12:18 | 6 |
|
Well, I was referring to the guitar, but TAPKAP (The artist previ..)
could very well be in competition with Wacko Jacko for the winner
of the freak contest.
Lv
|
1954.389 | | POWDML::BUCKLEY | Intl. Year of the Coaster -- 1996 | Fri Feb 02 1996 12:21 | 1 |
| that's TAFKAP!
|
1954.390 | | OCTAVE::VIGNEAULT | Minister of chiles | Fri Feb 02 1996 12:26 | 3 |
| Oops, your right, it's formerly not previously.
Lv
|
1954.391 | | CTPCSA::GOODWIN | | Fri Feb 02 1996 12:40 | 6 |
|
-2
... and here I was thinking you were both referring to a movie about
a jewel heist starring Melina Mercouri...
|
1954.392 | | DSSDEV::DEFELICE | | Fri Feb 02 1996 12:48 | 3 |
| Was that Topkapi, or something that that? (What the heck, we were off
on a tangent anyway...)
|
1954.393 | question | SEND::PARODI | John H. Parodi DTN 381-1640 | Mon Feb 12 1996 09:30 | 5 |
|
What was the name of the guitarist who played in Jim Croce's band (and
who got killed in the same plane crash that got Croce)?
JP
|
1954.394 | I knew friends of Jim's when I was in high school | WAYLAY::GORDON | Tired of driving... | Mon Feb 12 1996 13:48 | 6 |
| Maury Mulheison (sp? on the last name)
As far as I know, Maury had 1 album "Gingerbreadd" (I'm pretty sure
about the spelling of that.)
--Doug
|
1954.395 | a little off the subject | GAVEL::DAGG | | Mon Feb 26 1996 09:09 | 6 |
| Anyone see an article about Digital in the Phoenix
last week? I didn't, but I heard there was one,
and I'm curious what it was about.
Dave
|
1954.396 | fast and tasty | RICKS::CALCAGNI | what if dogs were one of us? | Wed Mar 06 1996 14:38 | 23 |
| Picked up a great little cassette cutout last week, "Guitar Player
Presents Legends of Guitar, Country Vol II". There's a whole series
of these "GP Presents" put out by Rhino, and I hope they're cutting
more of em out. These make great car tapes.
Anyway, the first track has a very tasty bit of speed playing on it.
It's called "Little Rock Getaway" and the guitarist is Jimmy Bryant.
This track is from an album Jimmy cut in the 60's called "The Fastest
Guitar in the Country". The liner notes say that country disc jockeys
originally refused to play cuts from this record because they were
convinced the solos were sped up in the studio. The producer actually
had to bring Jimmy to a deejay convention and have him play the parts
live before they would believe otherwise.
The cut starts with a slow tease intro, then it's off to the races.
Over before you can catch your breath. And there's something about
Jimmy's style that makes it seem even faster than it actually is.
Btw, has anyone seen or heard Country Volume 1 in this series? This
one is so good, I want more.
/jethro
|
1954.397 | where did you get it | AIMTEC::JOHNSON_R | | Wed Mar 06 1996 16:08 | 7 |
| jethro,
Where did you pick this up at? I would like to get one so
me and granny can cut-a-rug,
thanks
Uncle Jed
|
1954.398 | over by the see-ment pond | RICKS::CALCAGNI | what if dogs were one of us? | Wed Mar 06 1996 16:12 | 2 |
| Strawberry's, Sudbury MA. In the bargain bins.
|
1954.399 | a few more tidbits to tempt you | RICKS::CALCAGNI | what if dogs were one of us? | Wed Mar 06 1996 16:24 | 15 |
| Some of the other artists/cuts of interest:
Chet Atkins (of course)
Albert Lee doing "Country Boy" (interstellar overdrive country!)
James Burton
Clarence White (acoustic; there's supposedly an electric cut on Vol I)
Tony Rice
Dave Dudley - "6 Days on the Road", perhaps the definitive trucker
anthem
TWANG WARNING: many of these cuts contain healthy doses of pedal steel,
by masters such as Buddy Emmons and Herb Remington
/country_boy_at_heart
|
1954.400 | | FABSIX::I_GOLDIE | resident alien | Wed Mar 06 1996 16:34 | 5 |
|
"country boy" is absolutely brilliant.I don't know if I could handle
the rest though!
ian
|
1954.401 | Stuff you remember incorrectly... | WAYLAY::GORDON | Tired of driving... | Sat Mar 09 1996 12:23 | 8 |
| Corrections to .394. (Finally remembering to look it up at home.)
Maury Muehleison (wasn't even close before.)
The album was "Gingerbread" with only one 'd'
--Doug
|
1954.402 | Makes you wanna give up... | TRNUX1::IDC_BSTR | Oh no! NOT Milan Kundera again! | Mon Mar 11 1996 07:19 | 13 |
| Re. previous thread
"Country Boy" by Albert Lee is just devestating! I'm usually no great
fan of country picking, but when I saw AL do this live (he was playing
in Clapton's band at the time, c.1980), I couldn't believe my ears. The
speed of it all would have been enough to have me shaking my head, but
it went a lot further than that; the sheer clarity of his licks was
unbelievable.
And all done with a smile on his face and his eyes glued on the
audience!
Dom
|
1954.403 | | STAR::KMCDONOUGH | SET KIDS/NOSICK | Fri Mar 22 1996 10:14 | 7 |
|
BTW, did I miss something in the Music conference? Why is it
write-locked?
Kevin
|
1954.404 | | BUSY::SLABOUNTY | She never told me she was a mime | Fri Mar 22 1996 10:44 | 3 |
|
It was fine as of 10 minutes ago.
|
1954.405 | You need to update your notebook entry for MUSIC | DREGS::BLICKSTEIN | General MIDI | Fri Mar 22 1996 11:20 | 6 |
| MUSIC has moved, the old conference is write-locked.
MUSIC is now on KDX200 (like almost every other music-related
notesfile). Somewhere in the write-locked MUSIC you are reading
there's a pointer to it. Perhaps you were a bit too quick next
unseening thru those conference announcements. ;-)
|
1954.406 | | STAR::KMCDONOUGH | SET KIDS/NOSICK | Fri Mar 22 1996 11:48 | 6 |
|
OK, thanks. I should have known!
Kevin
|
1954.407 | | BUSY::SLABOUNTY | She never told me she was a mime | Fri Mar 22 1996 11:52 | 4 |
|
Sorry, Kevin, I forgot it moved recently, or I would have posted
the new location.
|
1954.408 | | KDX200::COOPER | Heh heh - Not likely pal | Fri Mar 22 1996 14:06 | 3 |
| I started a musical-notes-empire here on KDX200...
:-)
|
1954.409 | All hail the king! | BSS::MANTHEI | My wife is jealous of MS.DOS | Fri Mar 22 1996 18:40 | 8 |
| ...and the dictator shows his face!!!
Say, we're not going to get into that whole knight - in - armor /
dragon thing are we? Those steel shorts chafe my...
Mike
|
1954.410 | | STAR::KMCDONOUGH | SET KIDS/NOSICK | Mon Mar 25 1996 15:57 | 14 |
|
Found in a recent Want Advertiser
Fender Twin Reverb amp. Altec speakers. In exc condition.
$200/bo.
I didn't call, but that's a right price.
Kevin
|
1954.411 | | POLAR::KFICZERE | | Wed Mar 27 1996 09:08 | 3 |
| ...and you didn't buy it? That's an easy $500 made on reselling it.
|
1954.412 | | STAR::KMCDONOUGH | SET KIDS/NOSICK | Wed Mar 27 1996 10:24 | 11 |
|
Yeah, I figured that $400 would be fair for the amp, if the amp is
as stated in the ad. I'm guessing $400 based on other Twins for sale.
I just dropped some $$ on a 4-12 Marshall cab, so I've spent my musical
money for the moment.
Kevin
|
1954.413 | $$$$$ | POLAR::KFICZERE | | Wed Mar 27 1996 13:17 | 7 |
| That amp at that price wouldn't last 5 minutes around here. A Twin in
"fair to good" shape is in the $700 range. Now if you could find a Mesa
for that kind of price, I think it would be illegal NOT to buy it!
I was checking around for a small combo recently and those things start
at a grand......I don't think so...
-kev
|
1954.414 | Rated XXX!!! | POLAR::KFICZERE | | Tue Apr 02 1996 14:41 | 3 |
| Anybody score a copy of the new Pam and Tommy Lee movie yet?
-k
|
1954.415 | | BSS::SMITH_S | lycanthrope | Wed Apr 03 1996 01:11 | 2 |
| re -1
Nope didn't here 'bout this one. I'll keep my eyes open.
|
1954.416 | | POLAR::KFICZERE | | Fri Apr 05 1996 09:41 | 9 |
| Some construction worker was renovating there home last summer and
snagged a tape with "Pam and Me" written on it. Turns out it's Tommy
and Pam doing the wild thing, a home video they made themselves. I
guess the guy sold the tape to PentHouse mag and now the Lee's are
sueing for $10 000 000 in damages....
How long do you think it will take for this to hit the tapers
circut....
|
1954.417 | | SUBPAC::GOLDIE | Resident Alien | Fri Apr 05 1996 10:09 | 6 |
|
I would sue the contractor too....!
Ian
|
1954.418 | | PHXSS1::HEISER | watchman on the wall | Mon Apr 08 1996 14:20 | 1 |
| I could think of better ways to waste $12.95
|
1954.419 | | DREGS::BLICKSTEIN | The moment is a masterpiece | Mon Apr 08 1996 14:58 | 5 |
| > I could think of better ways to waste $12.95
There's a tape of Richie and Heather?
Can you make me a copy?
|
1954.420 | | PHXSS1::HEISER | watchman on the wall | Mon Apr 08 1996 16:27 | 1 |
| I wouldn't waste a penny on them two either.
|
1954.421 | How about... | DREGS::BLICKSTEIN | The moment is a masterpiece | Mon Apr 08 1996 16:28 | 1 |
| Cher & Ritchie???
|
1954.422 | I'll pass on this one however | DREGS::BLICKSTEIN | The moment is a masterpiece | Mon Apr 08 1996 16:58 | 1 |
| Or maybe... Roseanne and Tom Arnold?
|
1954.423 | | BUSY::SLABOUNTY | Good Heavens,Cmndr,what DID you do | Mon Apr 08 1996 17:15 | 3 |
|
Thanks, Dave ... there goes lunch, all over my desk.
|
1954.424 | novel idea | PHXSS1::HEISER | watchman on the wall | Mon Apr 08 1996 18:26 | 2 |
| How about you find your own woman instead of watching someone else's?
;-)
|
1954.425 | Another tact | DREGS::BLICKSTEIN | The moment is a masterpiece | Tue Apr 09 1996 11:34 | 9 |
| > How about you find your own woman instead of watching someone
> else's?
Dude, I'm just trying to find out which couple makes it above
YOUR $12.95 limit.
How about Tammy Faye and Jim?
db
|
1954.426 | ;-) | PHXSS1::HEISER | watchman on the wall | Tue Apr 09 1996 15:17 | 2 |
| Actually I just tossed out the $12.95 figure. I have no idea what
Ronco sells tapes for.
|
1954.427 | And no, I don't give green stamps! | DREGS::BLICKSTEIN | The moment is a masterpiece | Tue Apr 09 1996 16:59 | 4 |
| OK, $6.95 for Jimmy Swaggert and his prostitute and that is
my FINAL offer!!!!!!!
db
|
1954.428 | | PHXSS1::HEISER | watchman on the wall | Tue Apr 09 1996 18:50 | 1 |
| db, why would you even own that tape, nevermind sell it?!
|
1954.429 | A wretch like Swaggert | DREGS::BLICKSTEIN | The moment is a masterpiece | Tue Apr 09 1996 19:24 | 2 |
| If you can't figure out why I would sell it, then clearly you have
MUCH more use for the tape then I do.
|
1954.430 | | PHXSS1::HEISER | watchman on the wall | Tue Apr 09 1996 19:38 | 1 |
| No, I can't figure out why you bought it to begin with.
|
1954.431 | Jimmy "the John" Swaggert | DREGS::BLICKSTEIN | The moment is a masterpiece | Tue Apr 09 1996 22:57 | 3 |
| He was selling it to help pay for his legal fees...
I took pity on the poor bastard... what can I say?
|
1954.432 | | KDX200::COOPER | Heh heh - Not likely pal | Mon Apr 15 1996 13:46 | 6 |
| Well, it's done - I finally got moved into my house over the weekend -
mucho thanks to Mike Manthei who came over and helped... Now I've got
to get used to jamming in an empty concrete basement whilst I rebuild
my studio...
:-(
|
1954.433 | | BSS::MANTHEI | My wife is jealous of MS.DOS | Mon Apr 15 1996 14:14 | 12 |
| Coop
did ya ever get all the "miscellaneous" stuff out of the garage?
After 2 loads there was still plenty of non-packable stuff....
...and I didn't really help - I just came, drank a couple of brews, ate
pizza, and clowned around. ...still fun... let's do it again
sometime.
Mike -who doubts whether there *really* was an entire motorcycle hidden
among the wreckage....
|
1954.434 | | KDX200::COOPER | Heh heh - Not likely pal | Tue Apr 16 1996 14:57 | 7 |
| Thanks Mike, but I'll pass on the move (again). Ack!
RE: Motorcycles, oh yes there is!!
jc
|
1954.435 | Midnight madness sale at Cheshire Music | NOTAPC::HARPER | | Mon Apr 22 1996 15:10 | 21 |
| I've been looking for a good deal on an american strat new or used and
decided to check out the midnight madness sale at Cheshire Music in
Keene N.H. this weekend. The prices were to drop starting at 8:00P.M.
to 12:00P.M. the discount going down to 35% on Fender equipment at
midnight. We got finished jamming at 11:30 so I went down to check it
out. They had two new american strats left in the store. I asked
about the price and was quoted $625. The tag on the guitar said $975
retail. I asked what the 35% sale was calculated on. I had been by
the store a week before and was quoted $625 on the same guitar. Let
me get this correct now:
$975 x .35 = $341 this subtracted off of the ret = $633
So the sale price is actually $8 lower than the normal asking price?
N0! then the .35 is off of the asking price? I offered $400 and
was ready to grab my new strat. Guess again! The sale turned out to
be a big ripoff to get customers into the store.
Mark
|
1954.436 | | KDX200::COOPER | Heh heh - Not likely pal | Mon Apr 22 1996 22:39 | 4 |
| Man, I *hate* when they do that...
I was flippin', cuz I've been craving a strat lately...
:-(
|
1954.437 | Put your money where your mouth is! | MILKWY::JACQUES | Vintage taste, reissue budget | Tue Apr 23 1996 11:36 | 6 |
| I'm shocked!
Next time go armed with a list of mail-order prices. If you can get
them within $50 of a MO price, go for it. If not. why bother.
Mark
|
1954.438 | | POLAR::KFICZERE | | Wed Apr 24 1996 09:15 | 1 |
| Bastards!!!!!
|
1954.439 | From another viewpoint... | DREGS::BLICKSTEIN | The moment is a masterpiece | Wed Apr 24 1996 11:35 | 42 |
| Well, I guess once again I'm the iconoclast. I'm not shocked, outraged
and I don't think they are bastards.
> N0! then the .35 is off of the asking price? I offered $400 and
> was ready to grab my new strat. Guess again! The sale turned out to
> be a big ripoff to get customers into the store.
Why am I not the least bit surprised or outraged by this?
In some other note in here we've discussed dealing with music stores
and I have said many times that "sales" are (mostly) just ways to
get people in the store.
Think about it. What possible reason would they be willing would
they accept one price the day of the sale and refuse it one day
(or week) before or after?
The way to think of a sale is that the "nominal" asking price has
been lowered. In most cases that means that the sale sticker price
is now closer to the real "what they'll take for it" price.
Folks, there is only one "real price" for something: the minimum that
the seller will accept.
My reaction to your story was not "he was ripped off" but "gee, on the
non-sale day they didn't even make much of an effort to get list price
from him but offered what was, for them, probably a fairly reasonable
discount."
I.E. I'm impressed by how they treated you, not outraged. If you feel
"ripped off", then I think its because you just have a naive notion
of what a sale is.
To me, that's like saying an auto salesman who lowers his price for you
tried to "rip you off" by having a higher original asking price. It's
not necessarily a meritless argument, but it reflects a naive view.
Frankly, I'd rather go to a store where they offer me the equivalent
of "sale prices" everytime I walk in without any haggling than a store
that tells me that the price is whatever's on the sticker.
db
|
1954.440 | It wasn't the price | NOTAPC::HARPER | | Wed Apr 24 1996 12:23 | 13 |
| Dave,
I agree with your comments. It wasn't the price that I was ticked
about. There regular price is probably the lowest in the area,
including Vermont. When I went in a couple of days before the sale
the salesman put me off on buying the strat and inferred that the price
would be much better Sat night he stated, "you never can tell what
he'll do", referring to the owner and his pricing.
By the way I found a amer maple necked strat in mint cond for $475 that
I'm picking up tomorrow on the way to staff.
Mark
|
1954.441 | | NETCAD::HERTZBERG | History: Love it or Leave it! | Wed Apr 24 1996 13:14 | 24 |
| I used to be willing to pay my local stores a bit more than mail order
prices, because I believe in supporting local businesses. Although I'm
still willing, I find it unnecessary as of late.
My recent experience is that any of the bigger local stores will match
each others prices, and also match mail order pricing. It helps to be
a regular customer, naturally. At the store I frequent most often, I
don't bother working the price with them on minor stuff. I'm really
not interested in saving $5 on a $100 PC Midi interface and I don't
want them to automatically think I'm going to squeeze them as hard as I
can every time they see me coming. But on significant items it's worth
the effort to ask them to match or beat mail order pricing, and they
comply. I've saved good money recently on a mixer and rack reverb and
compressor. Because they like me (me money) so much, I've also been able
to go in unarmed with competetive pricing and say "give me a good price
on this" and they have complied (later research has confirmed).
The key thing is to be totally unable to stop yourself from spending
thousands of dollars every year on musical instrument equipment.
M
P.S. ... and that's _still_ an outstanding price we paid for those
PC88-MXs last year, Dave!
|
1954.442 | compare apples with apples! | MILKWY::JACQUES | Vintage taste, reissue budget | Wed Apr 24 1996 13:52 | 22 |
| When I said "I'm Shocked", I was being sarcastic. Virtually every
retail store plays this game to get customers into the store. An
informed shopper can smell a gimmick a mile away and will not fall
for this trick. I love calling retailers on their so-called sales,
if for no other reason than to get them to admit that their sale
isn't a sale.
There are a few reasons why a retailer should get a little more than
a mail-order house. Retailers have fancy showrooms that are expensive
to operate. They have money tied up in inventory. From the buyers
perspective you get instant gratification, you get to demo the gear
and if there is a problem you can bring it right back to the store.
Who wants to buy a guitar site-unseen? I certainly don't. Mail order
houses charge shipping. Many people don't factor that into the price
when comparing. As an example if an American Std. Strat is selling
for $499 + $20 shipping (via mail order) and your local dealer will
sell it for $569 + tax I would definately pay the extra $50 and buy
local. If the dealer wants $200 more than mail order, than tell them
to forget it.
Mark
|
1954.443 | Exchange rates suck! | POLAR::KFICZERE | | Wed Apr 24 1996 14:19 | 3 |
| If I could find an Am st strat for anywhere near the $400 mark, i'd buy
the lot! You could double that price when you cross north of the
border. Buy it!
|
1954.444 | With or without exch rate? | NOTAPC::HARPER | | Wed Apr 24 1996 14:34 | 5 |
| Do you mean $800 Amer or $800 Can? The last time I visited my wife's
family up in Cape Pale Sp? NB the exchange rate was .75 or 75 cents to
the dollar.
Mark
|
1954.445 | | POLAR::KFICZERE | | Wed Apr 24 1996 15:05 | 5 |
| Yeah, $800 Can. And that's considered a good price up this way.
So, how do you like it down east? I'm from those parts myself.
-k
|
1954.446 | | PHXSS1::HEISER | watchman on the wall | Wed Apr 24 1996 15:41 | 3 |
| I paid less than $800 U.S. for my Strat+
Mike
|
1954.447 | | POLAR::KFICZERE | | Wed Apr 24 1996 15:43 | 3 |
| CAnadian? Where? May be I can find a good deal on an amp there.
-kev
|
1954.448 | I agree 100%, point-for-point | DREGS::BLICKSTEIN | The moment is a masterpiece | Wed Apr 24 1996 16:37 | 44 |
| > My recent experience is that any of the bigger local stores will match
> each others prices, and also match mail order pricing. It helps to be
> a regular customer, naturally. At the store I frequent most often, I
> don't bother working the price with them on minor stuff. I'm really
> not interested in saving $5 on a $100 PC Midi interface and I don't
> want them to automatically think I'm going to squeeze them as hard as I
> can every time they see me coming. But on significant items it's worth
> the effort to ask them to match or beat mail order pricing, and they
> comply. I've saved good money recently on a mixer and rack reverb and
> compressor. Because they like me (me money) so much, I've also been able
> to go in unarmed with competetive pricing and say "give me a good price
> on this" and they have complied (later research has confirmed).
The best way for me to express how much I agree is to say that I
could easily have written what you've written above. In fact, I
probably have.
Main points:
o Local stores WILL match MO pricing when you factor in
shipping
o The best strategy is to establish yourself as a good customer
o Don't hassle them for $5 - that doesn't make for being
a good customer. But do make it clear to them that you expect
excellent price for the big ticket stuff and... you ALWAYS
expect good service
> The key thing is to be totally unable to stop yourself from spending
> thousands of dollars every year on musical instrument equipment.
Got that part down, just trying to figure out how to pay for it. ;-)
> P.S. ... and that's _still_ an outstanding price we paid for those
> PC88-MXs last year, Dave!
It's still the lowest price I've seen. It's lower than the lowest
price quoted on the Web's "New Equipment Price List". I suppose I
oughta send that price in.
And what's amazing is that even though we got a fabulous price, the
store still thanks me for the business everytime I walk in. I.E.,
EVERYBODY (buyer and seller) WINS!
db
|
1954.449 | Just don't flush! | MILKWY::JACQUES | Vintage taste, reissue budget | Wed Apr 24 1996 18:17 | 18 |
| I have not had the same experience shopping locally in the Worcester
area. Case in point: I bought my Fender Reissue 65 Deluxe Reverb
from a MO place in Altanta. Price including shipping was $550.
I tried to get local stores in Worcester (Kurlan's Music, EUW) to
come within a reasonable margin of this price and they were not even
close. The best price they would offer was $699 plus $35 tax.
What hurts is the MO place I bought the amp from is actually a
full-service music store complete with showroom, and big-haired
salesdudes.
I agree that you shouldn't play hardball every time you go into
your local store just to get $5.00 off a small-ticket item, but there
is no justification for marking up a $500 item by an extra $200. I
don't care how new or hot the item is.
Mark
|
1954.450 | UNLV closes OLGA under pressure from EMI | SMURF::SCHOFIELD | Rick Schofield, DTN 381-0116 | Fri Apr 26 1996 08:59 | 36 |
| Just got this via a chart/tab mailinglist I'm on. EMI had brought
or was threatening suit against UNLV for copyright infringement
over the OLGA archives. UNLV has either given in to the pressure,
or was ordered by the court to close down OLGA.
I don't know the status of the various mirror sites, but I'm
trying to get into the one I most often use at MIT. I'll
post here if I can still get in there.
Rick
>> Date: Thu, 25 Apr 1996 17:30:03 -0500 (CDT)
>> From: cal woods <rwoods@mailhost.tcs.tulane.edu>
>> Subject: Nevada Closed for good
>> Resent-to: ~riggv@ttacs.ttu.edu
>> To: olga-grunts@olga.net
>> MIME-version: 1.0
>>
>>
>>
>> people -
>>
>> i just received mail from dave hisaw that UNLV have decided to
>> make the closure permanent. my (and i presume mick's) accounts
>> have gone.
>>
>> i would forward the message, but there's a warning at the bottom
>> that i can't!
>>
>> cheers
>>
>> :-)
>> cal
|
1954.451 | Should I know/care? | SSDEVO::LAMBERT | Are we not SSMEN? We are SSDEVO! | Fri Apr 26 1996 12:50 | 10 |
| re: <<< Note 1954.450 by SMURF::SCHOFIELD "Rick Schofield, DTN 381-0116" >>>
> -< UNLV closes OLGA under pressure from EMI >-
"M. O. U. S. E."
What's the "OLGA"?
-- Sam
|
1954.452 | Those PC-88's were bought from EU (as an example) | DREGS::BLICKSTEIN | The moment is a masterpiece | Fri Apr 26 1996 20:29 | 13 |
| re: .449
Marc, you mentioned EUW in your list.
FWIW, That is one of the places I have ALWAYS (no exceptions) been able
to get to match a non-"blowout" MO price within the "S&H" difference
factor.
The PC-88MX price that was mentioned was even well below MO even
NOT including S&H.
db
|
1954.453 | seeking shareware | GAVEL::DAGG | | Tue Apr 30 1996 18:25 | 5 |
| Anyone know where to obtain a copy of "MiniTrax", a
shareware-basic-midi program?
Dave
|
1954.454 | | cxoras12.cxo.dec.com::cooper | Ho-Ho... | Mon Jun 03 1996 17:09 | 7 |
| How come I get a CXORAS nodename when I enter a note
in this conference via TEAMLINKS CONFERENCING??
This will make life miserable if I get a different
address and I want to moderate from the home NT box...
|
1954.455 | | NEWVAX::LAURENT | Hal Laurent @ COP | Mon Jun 03 1996 17:29 | 25 |
| re: .454
>How come I get a CXORAS nodename when I enter a note
>in this conference via TEAMLINKS CONFERENCING??
Because CXORAS is the RAS server that you're connected to the network
through.
>This will make life miserable if I get a different
>address and I want to moderate from the home NT box...
Yeah, it's a drag. A members-only conference is *loads* of fun!
You can get around the problem by telneting to a VAX and working from
there, but then you have to use the character-cell interface. It also
requires a terminal emulator that can do a decent imitation of a
VT 220 (or whatever).
On my list of midnight-hacks-to-do is a PC-to-VAX Notes interface that
works such that you're known by the username on the VAX. Unfortunately,
my available time for midnight hacks is so limited that the project will
probably never get done.
-Hal
|
1954.456 | | cxoras12.cxo.dec.com::cooper | Road Warrior | Mon Jun 03 1996 17:42 | 8 |
| I was gonna complain in TEAMLINKS notes, but wouldn't want
to infer that I use teamlinks for anything but conferencing.
...Or if TL is even responsible...
Perhaps the RAS server oughta pick up my machines name instead
of pasting the RAS servers name in there... Whatcha think?
|
1954.457 | | STAR::KMCDONOUGH | SET KIDS/NOSICK | Mon Jun 03 1996 18:49 | 6 |
|
I've found VTSTAR to be a very workable terminal emulator, and it
runs on my PPP connection from home, too.
Kevin
|
1954.458 | | cxoras12.cxo.dec.com::cooper | Road Warrior | Mon Jun 03 1996 21:34 | 5 |
| I use Keaterm for emulating terminals - works pretty good.
I've also used VTSTAR - in fact I helped beta test the thing
in an earlier life... It's good, cuz it's FREE! ;-)
jc (Who likes the PW Notes interface too, tho...)
|
1954.459 | | THEMAX::SMITH_S | Only users lose drugs | Tue Jun 04 1996 00:07 | 2 |
| You guys are real smart. Just thought I'd say that.
-ss
|
1954.460 | | KDX200::COOPER | Heh heh - Not likely pal | Tue Jun 04 1996 02:34 | 1 |
| Wise ass...
|
1954.461 | Yngwie swipes scallops? | RICKS::CALCAGNI | just back'in over the cats | Tue Jun 04 1996 11:59 | 13 |
| I just saw a picture of Deep Purple guitarist Ritchie Blackmore from the
70's, holding a bullet neck Strat with a very obviously, fully
scalloped fretboard. Duh! Am I the only one this is news to? I never
realized he was part of (started?) this trend (and this despite being
a huge Blackmore fan).
Back when Yngwie was rising to glory, he would constantly whine in
the press about how he wasn't a Blackmore clone, wasn't influenced by
him, never listened to him, etc etc; this despite some rather obvious
similarities. But I always assumed the scalloped thing was Yngwie's.
/rick
|
1954.462 | | ASABET::pelkey.ogo.dec.com::pelkey | professional hombre | Tue Jun 04 1996 12:44 | 8 |
| musta been the hair!
(Actually I also heard alot of similarities... I've been
a blackmore nut since Machine head,, which is still
BRILLIANT work...)
That was 71, I was 12... he was GOD...
|
1954.463 | Now all I need is a new hutch AND a strat... | KDX200::COOPER | Heh heh - Not likely pal | Thu Jun 13 1996 16:15 | 12 |
|
News Flash!!
I am officially off the hook for selling the strat that my wife gave me
a few years back... Seems that she doesn't like the finish on here
hutch and wants to sell it!!!
Repeat, she wants to SELL THE HUTCH - THE HUTCH, as in "I wanna buy a
hutch!" from the inflamed and seldom played "MRP-Rap"
|
1954.464 | | KDX200::COOPER | Heh heh - Not likely pal | Thu Jun 13 1996 16:15 | 4 |
| Oh, BTW Sam
Pffft. :-)
|
1954.465 | | KDX200::COOPER | He who laughs last, thinks slowest | Thu Jun 13 1996 16:16 | 3 |
| See, I changed my p_name...
:-)
|
1954.466 | | THEMAX::SMITH_S | Only users lose drugs | Fri Jun 14 1996 03:20 | 5 |
| re -1
Did you copy that off of the funny bumper sticker jokes that was sent
on the distrubution list? AHA! I caught ya!
-ss
|
1954.467 | | STRATA::LUCHT | Is it a passion or just a profession? | Fri Jun 14 1996 08:33 | 6 |
|
Rick Derringer will be playing the Main St. Brewpub in Worcester, Mass
tonight.
Kev --
|
1954.468 | | SUBPAC::GOLDIE | Resident Alien | Fri Jun 14 1996 10:21 | 8 |
|
re-1
how the mighty have fallen!
Ian
|
1954.469 | blooze | RICKS::CALCAGNI | just back'in over the cats | Fri Jun 14 1996 11:11 | 9 |
| A friend of mine turned me on to some early McCoys recently. My
impression of the McCoys was pretty much "Hang on Sloopy" (the first
tune I ever performed in public btw) and I always wondered how Rick
Derringer got hooked up with Johnny Winter. To my surprise, the McCoys
were a pretty smokin blooze rock band for the time. Kinda like early
Ten Years After in some ways.
/rick
|
1954.470 | | BUSY::SLABOUNTY | Duster :== idiot driver magnet | Tue Jun 18 1996 19:28 | 5 |
|
A couple years ago I saw Rick Derringer at The Zone in Mendon
MA. Not a big place, to say the least. But it was a relat-
ively large crowd.
|
1954.471 | magnetic forces made him do it! | PHXSS1::HEISER | watchman on the wall | Tue Jun 18 1996 20:51 | 3 |
| > <<< Note 1954.470 by BUSY::SLABOUNTY "Duster :== idiot driver magnet" >>>
Let me take a guess, Shawn: you drive a Duster!
|
1954.472 | | STAR::KMCDONOUGH | SET KIDS/NOSICK | Thu Jun 27 1996 17:15 | 15 |
|
....News Flash from REUTERS...
Van Halen, Roth Together Again - The impossible has happened. Van Halen
is working with original vocalist David Lee Roth after parting ways
with Sammy Hagar. Roth had split from the
Los Angeles-based quartet just over 10 years ago in one of the most
bitter incidents in rock'n'roll since the Beatles broke up in
1970. The band's manager says Roth is working with the band on
a track that will be included in a greatest hits package scheduled for
release in October. But it's not yet clear whether this is a prelude
to his re-joining the band in a full-time capacity.
|
1954.473 | And what about Dave's Las Vegas act? :-) | SSDEVO::LAMBERT | We ':-)' for the humor impaired | Thu Jun 27 1996 17:35 | 13 |
| And it's not even April 1st. Hmmm... :-)
Gee, what was "the most bitter breakup" (or whatever) all about? I had
heard it wasn't all that "nice", but never heard the details.
In a way the timing is too bad; I always thought Sammy was a poor
substitute, and that the band never really sounded like "Van Halen" sans
Roth, but I heard some cuts off the latest VH album and must admit they
sounded a lot better than previous Van-Hagar offerings. Eddie even lost
the keyboards and got his tone back.
-- Sam
|
1954.474 | | RICKS::CALCAGNI | just back'in over the cats | Thu Jun 27 1996 18:03 | 11 |
| I caught Dave on the Tonight show one night, just before the Vegas
thing was about to take off. He was really sad; lame humor, no timing,
he seemed burned out and wasted. I later read an article about his
Vegas debut; sounded like it flopped (no surprise) and that whole
thing was stalled.
To make it back with Van Halen he'd need to be in fighting trim; I'd
love to see it, but the Dave I saw was a long way from that.
/rick
|
1954.475 | | ASABET::pelkey.ogo.dec.com::pelkey | professional hombre | Thu Jun 27 1996 18:55 | 12 |
| Well this is good for Roth, I read an article on
him somewhere a while back,,, he sounded pretty
destitude to get some REAL work again.
Although I was never a huge fan of his both with
and after Van Halen, he always AMUSED me...
I think it's huge of them to put the past down and
try again..
But what the hell, Eddie got clean and sounds terrific
now, may D.L.R can do so too..
|
1954.476 | Money for nothin! | MILKWY::JACQUES | | Fri Jun 28 1996 11:46 | 15 |
| I believe when Eddie and David parted company, Eddie was hitting
the bottle pretty hard at the time. It almost cost him his marriage.
He went on the wagon and stayed there for quite some time, but as
soon as he went back on tour, he started drinking again. I heard
that when he returned home from his tour, Val had placed all of
his personal affects on the front lawn. I don't ususally keep
up on these things, but I heard it somewhere.
Over the years there have been countless band breakups. When the
money starts to run low, people become more willing to patch things
up. It happens at the highest levels in the entertainment industry.
Who would have predicted that the 3 remaining Beatles would ever
work together again?
Mark
|
1954.477 | business, music, life, sports, etc. | PHXSS1::HEISER | watchman on the wall | Fri Jun 28 1996 14:20 | 2 |
| Cash flows cover all sorts of problems. We should know that more than
anyone.
|
1954.478 | Goodbye... | NETCAD::HERTZBERG | History: Love it or Leave it! | Fri Jul 12 1996 12:34 | 18 |
| Well, folks, today's is my last day at Digital. Thankfully, this is my
own decision... I'll be making a go if it at a small start up company
in the networking business. I get to subtract 198919 from my badge
number. ;^)
It's been fun noting in here and other conferences. I've learned quite
a bit, got much good advice, met a few people. I think life without
notes may be the toughest part of the road ahead.
And if you absolutely _must_ read about upcoming HELP! gigs, drop a
note to "boyzfouru@aol.com" and we'll add you to our e-mail mailing
list. Or keep an eye on our ever-changing WWW home page at
http://www.kersur.net/~dodo/lpus.htm.
Take care, and break a leg.
Marc
|
1954.479 | | KDX200::COOPER | DO something Mister Peabody! | Mon Aug 05 1996 16:12 | 7 |
| Anyone know where I can get a Fender strat case cheap? I'd LOVE a
tweed one - does Fender sell 'em?? How about the Plastic/ABS ones?
Anyone know where I might be able to mail order one? or??
Thanks,
jc
|
1954.480 | | RICKS::CALCAGNI | like lightning giving birth | Mon Aug 05 1996 17:35 | 3 |
| Last time I was in Guitar Center, they had a pile o used tweed Strat
cases for sale.
|
1954.481 | Try SKB ??? | ASABET::pelkey.ogo.dec.com::pelkey | professional hombre | Wed Aug 07 1996 11:40 | 10 |
| Of course, the popular SKB has some nice cases for all styles, I
think they're around $70/$80 mail order for a good one..
Musicans Friend has a bunch of cases in they're latest mailer.
Tweed cases are really nice, but ya really got take it easy
on them... once they start getting beat up they tend to
look crappy..
|
1954.482 | | PHXSS1::HEISER | watchman on the wall | Wed Aug 07 1996 15:27 | 1 |
| I bought my Strat with the SKB case. I think they're pretty cool!
|
1954.483 | SKB for $58.00? | WEDOIT::ABATELLI | In Pipeline Heaven | Wed Aug 07 1996 16:34 | 5 |
| SKB has a "form fitted" Strat/Tele case for $58.00. These type fit
better in the trunk of smaller cars than the standard types.
JMO,
Fred
|
1954.484 | | ASABET::bflat4.ogo.dec.com::pelkey | | Wed Aug 07 1996 18:16 | 5 |
| the form fitted are easier to lug around, but as mentioned
in other replies, there's not a lot of room for stuff
like straps, tuners, cables.....
|
1954.485 | | KDX200::COOPER | DO something Mister Peabody! | Wed Aug 07 1996 18:34 | 5 |
| Yabbut...
Tweed LOOKS so cool...
:-)
|
1954.486 | | GLDX02::ALLBERY | Jim | Wed Aug 14 1996 11:24 | 6 |
| I dug out my strat for the first time in probably 4 months last night.
Plugged into the Deluxe Reverb and had a great time. Had so much fun,
I got out the Strat XII, too (for the first in *ages*).
I'm really looking forward to getting my studio built in my basement
and having all my stuff more readily accessible.
|
1954.487 | just keep em forever! | ASABET::pelkey.ogo.dec.com::pelkey | professional hombre | Wed Aug 14 1996 12:01 | 6 |
| Living proof that if you play guitar,, eventually,
you just gotta have a strat...
As much as I like the humbuckers,,,, the single coils are
the nads...
|
1954.488 | | CTPCSA::GOODWIN | | Wed Aug 14 1996 12:16 | 16 |
| > Living proof that if you play guitar,, eventually,
> you just gotta have a strat...
Probably true, but unlike GTS, one can be cured of this....
I was always primarily a Gibson player, but eventually did
buy a strat due to the truth of the above axiom. However,
I never really became comfortable with the strat, and after
a while I found myself reverting to the Gibsons more and
more frequently. Eventually the strat just became a dust
collector. Finally I sold it (at a significant loss, mind
you), and it's unlikely that I'll ever take the plunge for
a Fender guitar again.
Still love the old amps tho...
/Steve
|
1954.489 | | KDX200::COOPER | DO something Mister Peabody! | Wed Aug 14 1996 12:28 | 11 |
| RE: Steve
Hmmm - I've said THAT before. :-)
I just bought another strat...After selling the one I had before...
It's like my 6th strat... I keep coming back for that twang, I
guess.
Anyway, I can relate to having all your goodies in boxes...I'm building
a studio in my basement, and my 16track and mackie are sitting in boxes
for like, 6 months or more now. :-(
|
1954.490 | | ASABET::pelkey.ogo.dec.com::pelkey | professional hombre | Wed Aug 14 1996 13:07 | 9 |
| hey Steve, most people LOVE seafood,, personally I hate
the stuff... so there's the constant element of personal
taste...
As for me, I'll always have at least one strat...
(of course, here more is always better!)
/ray
|
1954.491 | Strat plusses and minusses | RICKS::CALCAGNI | like lightning giving birth | Wed Aug 14 1996 13:20 | 4 |
| Steve, didn't you have one of the Lace Sensor equipped jobs? To me
these just don't ooze the primal funk the way Leo's original single
coil design does.
|
1954.492 | | PIET01::DESROCHERS | psdv.pko.dec.com/tomd/home.html | Wed Aug 14 1996 13:23 | 8 |
|
I'm with Steve. The Strat has its' place but just doesn't
compare to a Gibson. The scale makes it harder to play,
especially bending. And the thin tone just doesn't hold a
candle to the fat sound of a Gibson. Of course, there are
times when the Strat is better suited but if I could only
have one guitar - no contest.
|
1954.493 | | ASABET::pelkey.ogo.dec.com::pelkey | professional hombre | Wed Aug 14 1996 13:37 | 13 |
| well, I dunno Tom, that may work for some, but for
me, I really can't compare the two...
The are so completely different in design and sound
that there's just is no way to put them side by
side...
I think most of it comes down to what the player plays.
both have their own unique advantages...
|
1954.494 | I like the longer scale (and maple fretboard on mine) | SSDEVO::LAMBERT | We ':-)' for the humor impaired | Wed Aug 14 1996 13:37 | 8 |
| Just goes to show it's all up to personal taste. I could re-write .-1
swapping Strat and Gibson. My Strat is definitely my first-and-fave
guitar, and I even almost sold my Gibbo recently, but thought better of
it when I compared the tones on tape - it's good to have both if you're
doing multi tracking. And my Gibbo is now set up as my "synth axe" so...
-- Sam
|
1954.495 | splitting the horns | RICKS::CALCAGNI | like lightning giving birth | Wed Aug 14 1996 13:43 | 11 |
| These are roughly close quotes from two players
Alvin Lee: "I love Strats, but to me they feel like toys. Gibsons
feel more like a real guitar"
Jimmy Vaughan: "Gibson always seemed so fragile, I'd worry about
breaking them. Fenders are more solid, you can play em hard"
I see some truth in both of these statements. Why fight it, get one
of each!
|
1954.496 | Different strokes... | CUSTOM::ALLBERY | Jim | Wed Aug 14 1996 16:13 | 12 |
| re: The scale makes it harder to play,
especially bending.
I guess it's all relative. Considering I normally play acoustic
steel strings, a set of .010s on a strat seems ridiculously light.
I used to have a Carvin with a 24.9" scale and I have an ES-175
clone. I never noticed the scale length making much of a difference
in playability when comparing these guitars to the strat.
If I could only have one guitar, it'd be my OM-28 ;^)
Jim
|
1954.497 | | ASABET::pelkey.ogo.dec.com::pelkey | professional hombre | Wed Aug 14 1996 18:04 | 26 |
| <Jimmy Vaughan: "Gibson always seemed so fragile, I'd worry about
<breaking them. Fenders are more solid, you can play em hard"
somewhat of a true statment..
Fenders just seem to bounce better....
When a Paul takes a dive, it's usually bad news..
With a fender, yea, you get a good nick here and there
and that sucks, but that neck can be easily replaced
if it snaps.. over all Fenders are easier to fix..
with a paul,,, it's much more tramatic and it's usually the
end of a georgous guitar. One reason I take the paul out for
rehersals much less than the strat goes,, I got a clumsy bass
player..
(and get this, I just spoke to Jim Clement at Mr. C's and he told
me that Gibson has ONCE AGAIN, put on a price hike. Les Pauls
have gone up anywhere anywhere from 200 to 500 bucks list..
Jimmy Page models are now in the nieghborhood of $4,200,... a
400 dollar list price increase ! Standards are now $2,400 list!)
|
1954.498 | | CTPCSA::GOODWIN | | Wed Aug 14 1996 18:55 | 25 |
| re: Rick-
Yes, my strat had the lace sensors and I know what you mean about
them not being like the traditional single coil units. Still, it
never felt quite right to me--the scale length does make it handle
quite differently than the Gibson and also the lack of neck tilt
seemed much less comfortable. There was a micro adjustment for this,
but it was just that--micro. There is a significant neck tilt on
the Gibsons.
Lastly, I was always somewhat disappointed by the thinness of tone.
I always felt that the strat required a 100W amp to get the desired
punch, whereas a Gibson could do just fine with 50 watts.
Don't get me wrong, I love strats, and they sound great in the right
hands (SRV comes to mind), but they're not for everyone, and definitely
not for me.
/Steve
p.s. I also agree with what both Alvin Lee and Jimmy Vaughan have to
say... Gibsons seem to have a "handmade" feel to them whereas Fenders
have that assembly line feel, but I also have to be very careful with
the '62 reissue SG... the neck/headstock is so thin that I worry about
snapping it off if I bumped into a mic stand.
|
1954.499 | | RICKS::CALCAGNI | like lightning giving birth | Wed Aug 14 1996 20:43 | 4 |
| btw, I've got some video footage of early TYA with Alvin Lee playing a
red Strat; and he sounds almost exactly the same as he does through the
335s
|
1954.500 | | KDX200::COOPER | DO something Mister Peabody! | Wed Aug 14 1996 21:38 | 9 |
| hmm.
There is something about the sound of a strat that no other
guitar can emulate... thats why I bought one. My Ibanez's
both do a pretty good job, but it's just not the real mccoy.
Neck like a club, but you gotta love 'em.
On the other hand, I betcha in a blind sound test, you'd never hear
the difference betwist my grim reaper anna LesPaul.
|
1954.501 | twang! | COPCLU::SANDGREN | Keep it simple | Thu Aug 15 1996 06:14 | 12 |
|
I find my solo playing is different when I play my LP or my
Strat - the tone and feel changes my playing. And when I need
a 'delicious' tone, I pick up my Strat, whereas the 'gnarling'
comes from the LP. A real jazz tone would also come from the LP.
Power chords with emphasis on the lower E and A (a la Townshend
in I'm A Boy) are best on the Strat! Blues is good on both.
As you see, I can't do without any of these babes!
Poul Townshend
|
1954.502 | | CTPCSA::GOODWIN | | Thu Aug 15 1996 10:56 | 7 |
| -1
I agree with everything except the bit about power chords on a
strat?!?! I thought the epitome of the power chord was achieved
with a Les Paul and a Marshall set to 11.
/Steve
|
1954.503 | | ASABET::pelkey.ogo.dec.com::pelkey | professional hombre | Thu Aug 15 1996 11:14 | 16 |
| Any guitar with a marshall on 11 will hurt things...
But the subtlties of the different pickup configurations
are quickly washed away when the amps are saturated..
Dirty up a strat just a touch, and they sound a lot
nicer to my ears, then when you're going for the
ultimate gain settings.
crunch up a telecaster, and you've defeated the purchase
of that guitar.
crunch up a paul, and it'll just sing...
Use these appropriately !! :)
|
1954.504 | | COPCLU::SANDGREN | Keep it simple | Thu Aug 15 1996 11:30 | 7 |
|
re. Steve: it's difficult to describe, if you listen to I'm A Boy with
The Who, you'll know what I mean. A heavy bottom with sort of a sharp
edge...
Poul
|
1954.505 | seeking guitar show | GAVEL::DAGG | | Fri Aug 16 1996 10:58 | 5 |
|
Any Guitar shows coming up in New England?
Dave
|
1954.506 | NYC | RICKS::CALCAGNI | like lightning giving birth | Fri Aug 16 1996 12:18 | 4 |
| New York City, September 21-22. It has a reputation as a very funky
show; more players/low-end/off-the-wall than usual. And it's in a bad
neighborhood, which just adds to the adventure :-)
|
1954.507 | | EVER::GOODWIN | | Mon Aug 19 1996 12:50 | 17 |
| Anybody catch the SRV tribute on WGBH over the weekend?
Featured performances by Jimmy Vaughan, EC, Buddy Guy,
Bonnie Raitt, B.B. King, and a few others. IMO, nothing
particularly exciting happened..(have I finally overdosed
on blues?!?!) Most everbody except BB King played strats.
There seemed to be a line of Fender 4x10 tweed and black-
face amps that folks were using, probably bassmans & supers.
One thing that struck me was how wimpy the tone was. Gets
back to my point about needing more than 50 watts to power
a strat. Each player covered a tune that SRV had recorded.
Results ranged from uninspired all the way to downright
boring -- really lacking the fire SRV was able to impart
to each tune.
Oh well, I guess it was the thought that counts.
/Steve
|
1954.508 | | ASABET::pelkey.ogo.dec.com::pelkey | professional hombre | Mon Aug 19 1996 12:54 | 9 |
| I missed it, wished I'd caught it though, it's been on
a few times I think...
as far as copying SRV, IMHO, that just aint gonna happen.
The man was one of a kind, just not easy to copy, what
for him, just came natural.
|
1954.509 | live or memorex? | RICKS::CALCAGNI | like lightning giving birth | Mon Aug 19 1996 16:13 | 8 |
| There's a newly released SRV tribute disc, with all the players you
mentioned. I thought that was a studio recording, but perhaps it's
actually live cuts from the show? I'll have to check. Anyway, sorry
to hear it didn't pan out. Fwiw, the one review of the record I saw
(Boston Globe) was very favorable.
/rick
|
1954.510 | | EVER::GOODWIN | | Mon Aug 19 1996 16:47 | 7 |
| WGBH was offering it for a $100 contribution.... I believe it is a
recording of the live tribute. I don't want to actually go so far as
to say that it was bad... but just imagine hearing a bunch of SRV
tunes, and then imagine hearing them with no SRV... well, you kind
of get the idea, ya?
/Steve
|
1954.511 | Got it | STRATA::COLEMAN | | Mon Aug 19 1996 22:08 | 18 |
| I have the disc, and it is the live recordings. It cost me $13.99
at Strawberries. I expected much more. It kind of makes you want to
pull out your SRV collection and start listening to the real thing.
The song list is as follows:
Bonnie Raitt - Pride and Joy
Jimmie Vaughan - Texas Flood
B.B. King - Telephone Song
Buddy Guy - Long Way From Home (?)
Eric Clapton - Aint Gonna Give Up On Love
Robert Cray - Love Struck Baby
Dr. John - Cold Shot
Six Strings Down - Jam with everybody
Tick Tock - Jam with everybody
SRV Shuffle - Jam with everybody
The whole thing is very uninspired, and I would of preferred to
hear guys like Chris Duarte, Robben Ford, and Eric Johnson.
|
1954.512 | | KDX200::COOPER | There is no TRY - DO or DO NOT! | Mon Aug 19 1996 23:54 | 5 |
| Wow - Chris Duarte mentioned in here? I didn't know he was that
popular! He plays (or played) in Woodland Park, CO all the time...
In a real hole of a bar too...
Anyway, he rocks...
|
1954.513 | | RICKS::CALCAGNI | like lightning giving birth | Tue Aug 20 1996 01:08 | 4 |
| "Texas Sugar Strat Magic" is the name of Chris Duarte's current disc,
right? I've heard that one mentioned a lot in the press, been meaning
to check it out.
|
1954.514 | | PIET01::DESROCHERS | psdv.pko.dec.com/tomd/home.html | Tue Aug 20 1996 09:39 | 10 |
|
I saw a few tunes towards the end. I'm with Steve, it was
pretty bad. The jam reminded me of our jams with everyone
playing at the same time - except we sound better... ;^)
One song ended and they all did a big-ending-riff. Bonnie
Raitt blew 'em all away.
Tom
|
1954.515 | was she slidin? | RICKS::CALCAGNI | like lightning giving birth | Wed Aug 21 1996 14:31 | 7 |
| I love Bonnie Raitt's slide work. She's forged a very powerful and
unique style, one of those people you can recognize in a single note.
She gets a pretty gnarly tone on that Strat too.
/rick
|
1954.516 | | PIET01::DESROCHERS | psdv.pko.dec.com/tomd/home.html | Thu Sep 05 1996 16:38 | 1708 |
1954.517 | | KDX200::COOPER | There is no TRY - DO or DO NOT! | Sat Sep 07 1996 23:36 | 43 |
| I don't know if this deserves it's own topic in here or not; you
decide.
In recent posts, someone (Sam maybe??) mentioned that he wished (insert
paraphrase here!) that the music behind some of the "guitar gods" had a
little more content...
Now, I like most of these 'heros' cuz they are obviously good
guitarists/musicians. So, don't get me wrong...
However, I find that most ALL of them are sorta boring to listen to for
a long time. Why? Cuz I like to hear ensembles...Ya know, BANDS!
I mean Satriani is cool for a listen, but the drum machine gets pretty
old, pretty quick (I ASSume it's a drum machine, or an automaton
drummer). Same with most of the 'heros' (Morse, Vai, etc...).
The rest of the band hides in the background hammering out a pretty
boring bed for these guys to wail over. If I wanted to hear that all
the damn time, I'd invite my pal Mark over.
Now, before I get stir up comments like "Oh, but listen to the drum
work on 'Yadda-Yadda'", I should say that this is a general
observation.
Now, to hop up on MY soap box, I'll say that this is precisely why I
like Dream Theater so much. The whole ensemble plays together SO well
that it makes get all chubby and stuff; (Isn't that the goal in
music?). Anyway, there isn't this "singling out" of any particular
band member. They ALL play extremely well, play well together, to the
point of another generalistic statement that EACH member of the band is
a master of their instrument (or vocal cords)...But more to the point,
the BAND is hot, but any one guy on his own?? Maybe...Maybe not.
So, now folks are saying "Oh shit, there goes coop on his DT thing
again"...
Well, think about some of the other bands out there - maybe one of your
favorites. Some examples that pop into my Saturday-hat are ELP,
Kansas, Queen, Yes, etc...
Food for thought.
|
1954.518 | | SEND::OMALLEY | Two turntables and a microphone... | Mon Sep 09 1996 12:17 | 12 |
| Miles Davis made a statement to the effect that it's
the rhythm section that is doing all the work when
someone is soloing and the soloist has to keep that
in mind.
I have to confess I'm not into guitar solo
albums (last one I bought was Jeff Beck), but it seems
to me that if the guitar player is smart, he'll hire
the most inventive rhythm section he can find, because
that will make him look better in the long run.
Peter
|
1954.519 | | BUSY::SLAB | Do you wanna bang heads with me? | Mon Sep 09 1996 12:21 | 11 |
|
I buy guitar instrumental albums because I love listening to
wailing guitar ... rhythm-type playing that takes the place
of a vocalist combined with guitar solos where they should
be [Satriani], and all-out shredding [Stump, Malmsteen, etc.].
If I want to hear a great BAND, I'll listen to Dream Theater.
If I want to concentrate on guitar, I'll listen to Satriani.
That's 1 reason that both types of albums co-exist.
|
1954.520 | don't ruin good music with a vocalist | PHXSS1::HEISER | maranatha! | Mon Sep 09 1996 13:25 | 11 |
| | So, now folks are saying "Oh shit, there goes coop on his DT thing
| again"...
|
| Well, think about some of the other bands out there - maybe one of your
| favorites. Some examples that pop into my Saturday-hat are ELP,
| Kansas, Queen, Yes, etc...
Jeff, they all sing too much. ;-)
hope this helps,
Mike
|
1954.521 | But they sing a lot, too... | GLDX02::ALLBERY | Jim | Mon Sep 09 1996 14:23 | 13 |
| One of the best bands I've listened too in a long time is Alison Krauss
and Union Station. Banjoist/Guitarist Ron Block's style is
understated, but he sure can pick the right notes. The mandolin
player (I'm drawing a blank on his name) is fantastic. And then
there's Alison, who probably has more musical talent in her left pinky
than most of us could ever dream of having...
When I saw them live, I was astounded at how well they listened to each
other-- the careful attention to dynamics, etc. "Synergy" is an often
over-used word, but it applies here. The total *is* greater than the
sum of the parts.
Jim
|
1954.522 | drums and guitar | GAVEL::DAGG | | Mon Sep 09 1996 14:40 | 20 |
|
For solos of any kind I'd say it
rocks hardest when the drummer (and
the rest of the band) are right with the solo.
When that happens in real time, that's the
true poop in my book.
Like:
(1) Billy Cobham with John McGloughlin
on the live Mahavishnu album,
(2) Zakir Hussein with John in Shakti
I'm curious about trying a drum machine, but I
probably will wish it were a real drummer!
Dave
|
1954.523 | | KDX200::COOPER | There is no TRY - DO or DO NOT! | Mon Sep 09 1996 18:14 | 10 |
| RE: .521 and synergy being over-used...
Well, I may be dating myself, but Synergy wasn't over used until an
application for the Pro300 series of computers came along. :-)
_ /|
\'o.O' AcK!!
=(___)=
U
|
1954.524 | Gonna be noizey in Csp over the next month or so... | KDX200::COOPER | There is no TRY - DO or DO NOT! | Wed Sep 11 1996 16:31 | 21 |
| Hmm - Got a MAJOR blast from the past the other night, and another
just a few minutes ago...
First,
Dave (dbii) Bottom is in town from Augusta. He works for SCI and they
recently bought the Apple plant here in the springs...
We went off and had a beer and talked gear and music until the
wee-hours. We're also going to try to get together for some noize
tomorrow night.
Anyone in the springs wanna pop over to my place??
Also, Greevie-king sends his regards via proxy!!
THEN, I got a call from Hunter Brown a bit ago. He's gonna be in town
in late October. Hunter was the drummer for RnR - a band that Steve
Dandrea and I formed when I was in South Carolina. so WE're gonna get
together for some noize too.
|
1954.525 | Dave Watch | STAR::KMCDONOUGH | SET KIDS/NOSICK | Thu Oct 03 1996 10:31 | 58 |
1954.526 | | PHXSS1::HEISER | maranatha! | Thu Oct 03 1996 12:41 | 1 |
1954.527 | | ASABET::bflat4.ogo.dec.com::pelkey | | Thu Oct 03 1996 13:20 | 13 |
1954.528 | | BUSY::SLAB | The Vanishing Hitchhiker | Thu Oct 03 1996 13:53 | 8 |
1954.529 | | ASABET::bflat4.ogo.dec.com::pelkey | | Thu Oct 03 1996 14:31 | 1 |
1954.530 | | SUBPAC::GOLDIE | Resident Alien | Thu Oct 03 1996 14:36 | 8 |
1954.531 | | BUSY::SLAB | The age of aquarius | Thu Oct 03 1996 14:48 | 5 |
1954.532 | yeah, whatever Dave... | POLAR::KFICZERE | | Fri Oct 04 1996 11:41 | 12 |
1954.533 | | SOLVIT::SNORAT::OLOUGHLIN | The fun begins at 80! | Fri Oct 04 1996 13:12 | 16 |
1954.534 | | POLAR::KFICZERE | | Fri Oct 04 1996 18:57 | 3 |
1954.535 | | KDX200::COOPER | There is no TRY - DO or DO NOT! | Fri Oct 04 1996 19:24 | 21 |
1954.536 | | ASABET::bflat4.ogo.dec.com::pelkey | | Mon Oct 07 1996 11:45 | 12 |
1954.537 | Van Halen != Van Hagar | SMURF::SCHOFIELD | Rick Schofield, DTN 381-0116 | Tue Oct 08 1996 10:42 | 29 |
1954.538 | Check classified for music gear! | MILKWY::JACQUES | | Tue Oct 08 1996 13:15 | 6 |
1954.539 | I don't believe it! | POLAR::KFICZERE | | Wed Oct 09 1996 13:32 | 7 |
1954.540 | | BUSY::SLAB | Candy'O, I need you ... | Wed Oct 09 1996 15:43 | 4 |
1954.541 | Dylan Jr. | MILKWY::JACQUES | | Wed Oct 09 1996 17:25 | 7 |
1954.542 | | STAR::KMCDONOUGH | SET KIDS/NOSICK | Wed Oct 09 1996 18:23 | 12 |
1954.543 | | POLAR::KFICZERE | | Wed Oct 09 1996 19:28 | 5 |
1954.544 | well-crafted tune | ASABET::DCLARK | SBU Technology Group | Thu Oct 10 1996 12:51 | 5 |
1954.545 | | ASABET::bflat4.ogo.dec.com::pelkey | | Thu Oct 10 1996 13:11 | 3 |
1954.546 | | STAR::KMCDONOUGH | SET KIDS/NOSICK | Mon Oct 21 1996 10:36 | 11 |
1954.547 | music to hunt tornados by | RICKS::CALCAGNI | it's hard to be a rebel when you're playing an accordion | Mon Oct 21 1996 12:02 | 5 |
1954.548 | | PHXSS1::HEISER | maranatha! | Mon Oct 21 1996 14:27 | 2 |
1954.549 | | BUSY::SLAB | Can you hear the drums, Fernando? | Mon Oct 21 1996 15:09 | 4 |
1954.550 | duh! | PHXSS1::HEISER | maranatha! | Mon Oct 21 1996 15:27 | 1 |
1954.551 | | BUSY::SLAB | Can you hear the drums, Fernando? | Mon Oct 21 1996 15:37 | 6 |
1954.552 | | PHXSS1::HEISER | maranatha! | Mon Oct 21 1996 16:12 | 1 |
1954.553 | | BUSY::SLAB | Career Opportunity Week at DEC | Mon Oct 21 1996 17:46 | 5 |
1954.554 | I thought she was married to Paul Reiser anyway | RICKS::CALCAGNI | it's hard to be a rebel when you're playing an accordion | Mon Oct 21 1996 17:52 | 2 |
1954.555 | | BUSY::SLAB | Catch you later!! | Mon Oct 21 1996 18:30 | 8 |
1954.556 | | PHXSS1::HEISER | maranatha! | Mon Oct 21 1996 23:16 | 2 |
1954.557 | | LUDWIG::LUCHT | Breathe deep the darkness inside you | Fri Nov 08 1996 03:38 | 5 |
1954.558 | To each his own.... | POLAR::KFICZERE | | Fri Nov 08 1996 04:09 | 2 |
1954.559 | close encounter | RICKS::CALCAGNI | sick but not insane | Fri Nov 08 1996 09:42 | 5 |
1954.560 | money to burn | RICKS::CALCAGNI | sick but not insane | Fri Nov 08 1996 09:45 | 5 |
1954.561 | | ASABET::bflat4.ogo.dec.com::pelkey | | Fri Nov 08 1996 11:27 | 4 |
1954.562 | | LUDWIG::LUCHT | Breathe deep the darkness inside you | Fri Nov 08 1996 23:30 | 8 |
1954.563 | | RICKS::CALCAGNI | Smokin' Walter, the Fire Engine Guy | Mon Nov 11 1996 11:32 | 2 |
1954.564 | Not conceited ... | OCTAVE::VIGNEAULT | http://www.ultranet.com/~larryv | Mon Nov 18 1996 10:19 | 9 |
1954.565 | Michael Landau | RICKS::CALCAGNI | Smokin' Walter, the Fire Engine Guy | Mon Nov 18 1996 11:28 | 15 |
1954.566 | | BUSY::SLAB | We're not #1, but we're up there | Mon Nov 18 1996 11:41 | 8 |
1954.567 | | PIET01::DESROCHERS | psdv.pko.dec.com/tomd/home.html | Mon Nov 18 1996 12:18 | 14 |
1954.568 | | BUSY::SLAB | Weird Al Yankovic in '96 | Mon Nov 18 1996 12:36 | 5 |
1954.569 | | RICKS::CALCAGNI | Smokin' Walter, the Fire Engine Guy | Mon Nov 18 1996 18:22 | 8 |
1954.570 | | PIET01::DESROCHERS | psdv.pko.dec.com/tomd/home.html | Tue Nov 19 1996 08:39 | 7 |
1954.571 | Advise needed on keyboard. | MILKWY::JACQUES | | Mon Dec 02 1996 12:09 | 14 |
1954.572 | me too | RICKS::CALCAGNI | thick slabs of dirt in a halo of airy twang | Mon Dec 02 1996 12:17 | 2 |
1954.573 | | BUSY::SLAB | Great baby! Delicious!! | Mon Dec 02 1996 13:06 | 10 |
1954.574 | | PIET01::DESROCHERS | psdv.pko.dec.com/tomd/home.html | Mon Dec 02 1996 13:12 | 6 |
1954.575 | | SOLVIT::SNORAT::OLOUGHLIN | The fun begins at 80! | Mon Dec 02 1996 15:18 | 24 |
1954.576 | | BUSY::SLAB | A Momentary Lapse of Reason | Mon Dec 02 1996 15:47 | 5 |
1954.577 | vote for Roland digital pianos | PHXSS1::HEISER | R.I.O.T. | Mon Dec 02 1996 20:13 | 2 |
1954.578 | News from Greg House | ZIGLAR::LAURENT | Hal Laurent @ COP | Fri Dec 06 1996 10:14 | 31 |
1954.579 | | STAR::EVANS | | Fri Dec 06 1996 10:43 | 6 |
1954.580 | Blast from the past | MILKWY::JACQUES | | Fri Dec 06 1996 10:47 | 5 |
1954.581 | | SUBPAC::GOLDIE | Resident Alien | Fri Dec 06 1996 11:06 | 7 |
1954.582 | there goes Tokyo... | RICKS::CALCAGNI | thick slabs of dirt in a halo of airy twang | Fri Dec 06 1996 11:35 | 6 |
1954.583 | | STAR::KMCDONOUGH | SET KIDS/NOSICK | Fri Dec 06 1996 12:15 | 5 |
1954.584 | The Wind Cries Dicky | RICKS::CALCAGNI | thick slabs of dirt in a halo of airy twang | Mon Dec 09 1996 13:39 | 15 |
1954.585 | attention Kevin McDonough | RICKS::CALCAGNI | thick slabs of dirt in a halo of airy twang | Mon Dec 09 1996 14:47 | 4 |
1954.586 | | PIET01::DESROCHERS | psdv.mro.dec.com/tomd/home.html | Mon Dec 09 1996 15:19 | 8 |
1954.587 | if he were alive today, he'd probably be doing Regis and Kathy Lee | RICKS::CALCAGNI | thick slabs of dirt in a halo of airy twang | Mon Dec 09 1996 16:26 | 3 |
1954.588 | | KDX200::COOPER | There is no TRY - DO or DO NOT! | Mon Dec 09 1996 19:12 | 6 |
1954.589 | | POLAR::KFICZERE | | Mon Dec 09 1996 22:57 | 6 |
1954.590 | | PIET01::DESROCHERS | psdv.mro.dec.com/tomd/home.html | Tue Dec 10 1996 09:23 | 13 |
1954.591 | | STAR::KMCDONOUGH | SET KIDS/NOSICK | Tue Dec 10 1996 09:38 | 12 |
1954.592 | don't get any on ya | RICKS::CALCAGNI | thick slabs of dirt in a halo of airy twang | Tue Dec 10 1996 10:36 | 5 |
1954.593 | live vs. studio | GAVEL::DAGG | | Tue Dec 10 1996 10:43 | 19 |
1954.594 | | PIET01::DESROCHERS | psdv.mro.dec.com/tomd/home.html | Tue Dec 10 1996 11:42 | 8 |
1954.595 | not really disagreeing with ya there Tom | RICKS::CALCAGNI | thick slabs of dirt in a halo of airy twang | Tue Dec 10 1996 17:06 | 5 |
1954.596 | To err is human... | POLAR::KFICZERE | | Tue Dec 10 1996 21:57 | 16 |
1954.597 | | PIET01::DESROCHERS | psdv.mro.dec.com/tomd/home.html | Wed Dec 11 1996 08:16 | 10 |
1954.598 | Drugs.... | POLAR::KFICZERE | | Sun Dec 15 1996 07:39 | 8 |
1954.599 | | STRATA::LUCHT | Breathe deep the darkness inside you | Wed Dec 18 1996 22:07 | 27 |
1954.600 | Journey! | COPCLU::SANDGREN | Keep it simple | Thu Dec 19 1996 08:24 | 11 |
1954.601 | | STRATA::LUCHT | Breathe deep the darkness inside you | Thu Dec 19 1996 08:36 | 11 |
1954.602 | < | STRATA::LUCHT | Breathe deep the darkness inside you | Thu Dec 19 1996 08:43 | 3 |
1954.603 | Mother of all collectors | MILKWY::JACQUES | | Thu Dec 19 1996 11:17 | 3 |
1954.604 | nitpicker suite | RICKS::CALCAGNI | thick slabs of dirt in a halo of airy twang | Thu Dec 19 1996 14:17 | 2 |
1954.605 | | LUDWIG::LUCHT | Breathe deep the darkness inside you | Sat Dec 21 1996 08:08 | 5 |
1954.606 | | FABSIX::K_LUCHT | Orbital | Thu Jan 02 1997 22:22 | 5 |
1954.607 | | SUBPAC::GOLDIE | Resident Alien | Fri Jan 03 1997 09:32 | 7 |
1954.608 | | FABSIX::K_LUCHT | Orbital | Fri Jan 03 1997 21:36 | 5 |
1954.609 | looks like I'm out of a gig | RICKS::CALCAGNI | thick slabs of dirt in a halo of airy twang | Wed Jan 08 1997 12:00 | 21 |
1954.610 | | STAR::KMCDONOUGH | SET KIDS/NOSICK | Wed Jan 08 1997 12:27 | 8 |
1954.611 | | SMURF::PBECK | Paul Beck | Wed Jan 08 1997 13:02 | 1 |
1954.612 | tax returns pleeze!! | FABSIX::K_LUCHT | Orbital | Wed Jan 08 1997 23:44 | 3 |
1954.613 | advise sought pleeze.! | FABSIX::K_LUCHT | Orbital | Fri Jan 17 1997 23:11 | 15 |
1954.614 | | KDX200::COOPER | There is no TRY - DO or DO NOT! | Sat Jan 18 1997 11:36 | 24 |
1954.615 | Limited recording time... | BSS::MANTHEI | My wife is jealous of MS.DOS | Mon Jan 20 1997 14:05 | 10 |
1954.616 | | STAR::EVANS | | Mon Jan 20 1997 16:13 | 5 |
1954.617 | | KDX200::COOPER | There is no TRY - DO or DO NOT! | Mon Jan 20 1997 16:31 | 7 |
1954.618 | | FABSIX::K_LUCHT | Orbital | Tue Jan 21 1997 23:26 | 8 |
1954.619 | | STAR::KMCDONOUGH | SET KIDS/NOSICK | Mon Jan 27 1997 09:27 | 12 |
|
DJHIW....the keyboard player, who happens to sing lead on half
of the material, comes down with strep throat the weekend of a
gig and can't make it?
DJLIW....you do the gig anyway, the other lead singer covers the
vocals, the gig goes fine, and the club owner gives you the full
pay, no questions asked!
Kevin
|
1954.620 | | FABSIX::K_LUCHT | Orbital | Fri Jan 31 1997 05:15 | 17 |
|
Remember that Roland VG-guitar system thingy? The virtual guitar
floor box? Well, I see that they've also got a Virtual-Drum
module now...
With the VGuitar system, you could choose 'virtual' miking
possibilities, amp dimensions, etc...with the VDrum unit, it allows
for 'virtual' skin materials, dimensions, and a mess of other
sh%t.
Pretty amazing...righteous Al DiMeola is even into the VGuitar
thang...I wonder if there are any pro-drummers using it.??
Maybe I outta put this in ::DRUMS where it probably belongs..
Kev --
|
1954.621 | | PIET09::DESROCHERS | psdv.mro.dec.com/tomd/home.html | Tue Feb 25 1997 10:12 | 6 |
|
Jazz great Tony Williams died sunday at 51 of a heart attack. I'd
bet most of us are familiar with him. His first solo album in 1965,
"Lifetime", is regarded as the first jazz fusion album.
Tom
|
1954.622 | | 56744::HARMON | Paul Harmon, ACMSxp Engineering | Tue Feb 25 1997 11:17 | 6 |
| re: -1
Bummer! Tony's drumming has always given me more goose-bumps per
tune than anybody elses.
Paul
|
1954.623 | | STAR::KMCDONOUGH | SET KIDS/NOSICK | Thu Mar 13 1997 10:27 | 19 |
|
If you're a hard rock fan, this is just about too good to be true.
Radio over the web. And it works through the firewall. 8-) You
do need a sound card, though.
http://www.audionet.com/music/hardradio/
BTW, there are stations for all kinds of music, not just hard rock.
And sports, sports, sports, news, current events.
http://206.190.33.246/
Very bizarre and extremely cool to listen to radio from all over
the country.
Kevin
|
1954.624 | | ANGLER::GRENIER | | Thu Mar 13 1997 12:10 | 5 |
| Neat isn't it? I was listening to a Tampa station the other
day. Kinda funny listening to traffic reports & weather for
Florida, in the middle of a snow storm!
steve
|
1954.625 | | PHXSS1::HEISER | Maranatha! | Thu Mar 13 1997 14:03 | 2 |
| Just the opposite for me. 80+ degrees and sunny, spring training teams
out playing everyday, and some clown thinks it's going to snow ;-)
|
1954.626 | | ANGLER::GRENIER | | Thu Mar 13 1997 14:11 | 1 |
| Rub it, why don't ya? 8^)
|
1954.627 | | ASABET::pelkey.ogo.dec.com::pelkey | Professional Hombre | Thu Mar 13 1997 15:05 | 12 |
|
HEY! ! We love winter, we get to play with snowblowers!!
AR-Ar-AR,,
(Truth be known, I've had enough already, I could
really use an 80 degree afternoon, and the smell
of fresh cut grass,,, or is that fresh stepped in dog
poop,,, either way, as long as it's 80, I'll take it!)
why do we live here again ?????
|
1954.628 | | PHXSS1::HEISER | Maranatha! | Thu Mar 13 1997 15:36 | 2 |
| I have more snow than anyone could want about 80 miles north of here
(right where I want it).
|
1954.629 | | BUSY::SLAB | Do ya wanna bump and grind with me? | Thu Mar 20 1997 08:32 | 8 |
|
Why does RealAudio give me an error 28 [server error] whenever
I try to access a RealAudio web site?
Are there special proxies to use to get through the firewall?
Thanks for any info.
|
1954.630 | | ANGLER::GRENIER | | Thu Mar 20 1997 09:13 | 2 |
| Yes! Look in GYRO::INTERNET_TOOLS for a listing.
|
1954.631 | | STAR::KMCDONOUGH | SET KIDS/NOSICK | Thu Mar 20 1997 09:13 | 6 |
|
'ya have to know the secret handshake....
Kevin
|
1954.632 | | PHXSS1::HEISER | Maranatha! | Thu Mar 20 1997 16:33 | 1 |
| kinda of a silly handshake, but still a handshake.
|
1954.633 | | STAR::KMCDONOUGH | SET KIDS/NOSICK | Fri Mar 21 1997 11:44 | 22 |
|
News from Sakman....
>>
Hey, if you haven't heard of this guy Gerry or Gary (I'm not sure
which) Stafford, a guitar player outta Somerville, you gotta check this
bad boy out. He's a monster!!! Fast and highly articulate solos. With
so many SRV stylists these days, this guy is different. If anything,
I'd say this guy is a Johnny Winter stylist. He's comin' down to Stormy
Mondays next Monday nite as an audition for Joanne, the proprietor
there. I'll be there as I have no travel scheduled.
Pass the word in the notes file. Maybe you and some of the others can
come. I'll be sure to wear my black hat so if you don't remeber what I
look like, you'll know who I am.
>>
Kevin
|
1954.634 | | STAR::KMCDONOUGH | SET KIDS/NOSICK | Thu Mar 27 1997 00:50 | 12 |
|
I got my cheezy 10 year award gift today. They tossed the engraved
plate into the box so that I could add it to the gift myself.
Instead, I put the plate on my Les Paul's case. Now, it looks like
Mother digital gave me a Les Paul as my gift! Looks *terrific!*
Who said I'm not easy to please! 8-)
Kevin
|
1954.635 | | PHXS01::HEISER | Maranatha! | Tue May 06 1997 19:00 | 2 |
| Anyone catch the movie rental "That Thing You Do" yet? I thought it
was a fun movie; some nice looking retro gear too.
|
1954.636 | Un_Pure Thoughts | WMOIS::MAZURKA | Son_Of_Dig_It_Al | Tue May 06 1997 20:31 | 1 |
| Ummmmmmmmmmmmmmmmmm Liv Tyler
|
1954.637 | yup | ASABET::DCLARK | Howl! | Wed May 07 1997 11:36 | 6 |
| re: That Thing You Do
I really liked that movie. Interesting how their gear went
from Silvertone to Ricks through Fender Amps when they made
it big. Lots of funny stuff (the look on the bass players face
the first time they played the tune fast).
|
1954.638 | | PHXS01::HEISER | Maranatha! | Wed May 07 1997 13:22 | 2 |
| I thought the guitarist was the funniest in the movie (naturally!)
Some of his lines had me cracking up.
|
1954.639 | "...the thing that you do..." - A Hard Day's Night :-) | TLE::RALTO | Bow to Chairman Bill | Wed May 07 1997 14:35 | 24 |
| This may be a "spoiler" for those who haven't seen it, so I'll
mention it behind a form-feed:
Notice that they never mentioned the bass player's name
throughout the entire movie. :-) He was always referred
to as "he", or "our/your bass player", or whatever.
Then, the payoff comes during the obligatory American
Graffiti style "what happened to them" ending, when the
name of the bass player is finally revealed as:
T.B. Player
I puzzled over that one for a few seconds, and finally
realized it was: "The Bass Player"! :-)
Great movie, really captured the look and feel of the times.
I did have trouble with the idea that these guys would just
walk away from fame and fortune while still on the rapid rise.
But hey, it's only a movie.
Chris
|
1954.640 | talented guy | PHXS01::HEISER | Maranatha! | Wed May 07 1997 15:40 | 2 |
| btw - I saw Tom Hanks on a talk show one day playing the title song on
a Tele. It turns out that he wrote the tune.
|
1954.641 | yoikes,.!!! | ASABET::pelkey.ogo.dec.com::pelkey | life aint for the squeamish | Thu May 08 1997 17:25 | 4 |
| Gawd, tom hanks on guitar,,, could be as scary as John
Travolta on Vocals,, (I seen, I was scared...)
/pelksta
|
1954.642 | | MRPTH1::16.121.160.234::slab | labounty@mail.dec.com | Fri May 09 1997 02:33 | 6 |
|
"Go greased lightning you're burning up the quarter mile ..."
Don't you go slagging the "Grease" soundtrack, or I might have to get
violent.
|
1954.643 | Mel Bay, RIP | RICKS::CALCAGNI | ice cold water runnin through my veins | Mon May 19 1997 11:57 | 10 |
| Associated Press
MEL BAY, 84, whose music instruction books sold more than 20 Million
copies, died Wednesday in St. Louis of a heart ailment. He was known as
the "George Washington of the guitar world" because his face was on the
books that taught generations of students. His first book, "The Orchestral
Chord System", was published in 1947, followed in 1948 by "Modern Guitar
Method". His later "Mel Bay Method" books offered how-to intstruction for
a variety of instruments. One recent book on the harmonica featured
baseball great Stan Musial, who played in Mel Bay's trio, "Geriatric Jazz."
|
1954.644 | on Mr. Bay... | GLDX02::ALLBERY | Jim | Mon May 19 1997 12:16 | 24 |
| RE: Mel Bay, RIP
Acoustic Guitar had a one-pager on Mel Bay about a year ago. I thought
it was rather nice of them to do it while Mel was still around.
I never have heard MB referred to as the "George Washington of the
guitar world."
On one of the Chet Atkins/Les Paul duet records ("Chester and Lester",
I think), Les asks Chet "if he had heard of Mel Bay?" Chet replies,
"He's the guy that writes all of those books on playing guitar." To
which Les responds, "Maybe we should send for one." Or something to
that effect.
Anyway, I was just recently drooling over Mel Bay's D'Angelico that
graces the cover of many of his books. I particularly get a kick from the
introductory book that shows a child (actually Mr. Bay's grandson, I
believe) playing the D'Angelico. How many kids starting to play get
to play a $40,000+ guitar!
Mel Bay certainly made a significant contribution to music, and guitar
playing in general. May he rest in peace.
Jim
|
1954.645 | My mentor | 4446::WEBER | | Wed May 21 1997 15:29 | 8 |
| I still have an original copy of Mel Bay's Orchestral Chord System,
from which I learned most of what I know. Despite all the advances in
teaching methods, this is still a fine book for learning jazz rhythm
chords. I owe a lot to Mel and am saddened by his death.
re:-.1--Mel's guitar has been valued at around $250k by George Gruhn.
Danny W.
|
1954.646 | | GLDX02::ALLBERY | Jim | Wed May 21 1997 16:27 | 11 |
| re: Mel's guitar has been valued at around $250k by George Gruhn.
Wow! I knew that D'Angelicos typically were going for $40K or more,
and Mel's certainly appeared to be mint, but $250K??? What makes
this one so valuable?
For all you bargain hunters out there, Mandolin Bros. has a blonde
New Yorker cutaway with a repaired headstock, going for the bargain
price of $35K.
Jim
|
1954.647 | | 4446::WEBER | | Wed May 21 1997 18:26 | 4 |
| It's a one of a kind mix of features and is rather well known, so it's
even more collectible than just any old D'Angelico :-)
Danny W.
|
1954.648 | | GLDX02::ALLBERY | Jim | Wed May 21 1997 18:45 | 4 |
| >It's a one of a kind mix of features and is rather well known, so it's
> even more collectible than just any old D'Angelico :-)
And I suppose Scott Chinery has the money to spend ;^)
|
1954.649 | | STAR::EVANS | | Thu May 22 1997 11:19 | 5 |
| Has anybody in there actually PLAYED a D'Angelico? I know about their
reputation, but are they REALLY superior instruments to play?
Jim (who-has-been-thinking-about-an-archtop)
|
1954.650 | | GLDX02::ALLBERY | Jim | Thu May 22 1997 11:42 | 3 |
| >Has anybody in there actually PLAYED a D'Angelico?
See 19.33. Maybe Danny can offer further comment.
|
1954.651 | Orchestral Chord System? | SMURF::SCHOFIELD | Rick Schofield, DTN 381-0116 | Thu May 22 1997 12:59 | 8 |
| > I still have an original copy of Mel Bay's Orchestral Chord System,
> from which I learned most of what I know. Despite all the advances in
> teaching methods, this is still a fine book for learning jazz rhythm
> chords.
Sounds like a winner. Anyone know if it's still in print?
Rick
|
1954.652 | re .649 | 4446::WEBER | | Thu May 22 1997 19:18 | 20 |
| I've owned several D'Angelicos and have played many. Generally they are
wonderful instruments. 15 years ago they were clearly superior to
almost anything else available, but with the number of skilled luthiers
making archtops and with Gibson's much-improved quality, I think the
gulf has narrowed quite a bit.
I think that the intrinsic value of a really fine archtop guitar runs
from about $5-$15k, depending on the quality of wood, amount of
decoration and workmanship. A $50k guitar has a lot of collectibility
and potential investment value built into the price, but doesn't offer
anything extra to the player. Although some of the D'Angelicos I've
played recently have been extremely nice guitars, I've never given even
the slightest thought to plunking down that kind of money for one,
given that a really nice Wes Montgomery can be had for under $5k.
There's a good chance that if we have this conversation again in 10
years, the $50k price will seem cheap, but once the value of a guitar
makes me afraid to take it out of the case, I'd rather put the money in
the stock market.
Danny W.
|
1954.653 | He's at it again! | MILKWY::JACQUES | | Tue May 27 1997 13:05 | 49 |
|
I bought an old amp this weekend at a yard sale. It is a
"Sabre Reverb I" made by CMI (Chicago Musical Instruments).
The amp has a 15" speaker and a compression driven horn.
The horn is aimed out the left side and there is a small
cut-out with grille cloth on the left side. The amp is
solid state. There is little or no delay when powering up
the amp and no noticeable hum or noise.
The front of the amp has 2 1/4" inputs, each has a volume
knob. Input 2 also has a reverb level control and reverb on/off
rocker switch. There are treble and bass knob which affects
both channels and an on-off rocker switch for the amp. I
looked inside the chassis and most electrical components have
1966 date codes except for a few with 1968 codes. This leads
me to believe the amp is from 1968 or '69.
On the rear panel there is a round jack which is labeled
"transicord". This input (and the horn) leads me to believe that
this amp was intended for either accordian or keyboard.
After giving the amp a good bath and a shot of Armour-all
it looks like new and it plays very well. You can hear the
highs coming out the left side via the horn. The reverb does
not get very deep but it is noticeable when cranked.
I did a little reading last night and noticed that Chicago
Musical Instruments was a large conglomerate that once owned
Gibson and also had exclusive distribution for National and
Dobros. They developed the Valco trade name.
Would anyone care to take a stab ar what this amp is worth?
I played my Strat throught it over the weekend. It sounds
pretty cool for guitar when cranked. The reverb channel is
not quite as loud as the normal channel. I'd estimate the
amp to be about 30-40 watts of SS power. It's a little louder
than a Princeton Reverb with a fuller sound thanks to the 15"
speaker.
If anyone is interested in buying the amp or perhaps trading
something for it, please send me mail. It could be just
the ticket for that Cajun Accordian or vintage Keyboard.
Mark
Milkwy::Jacques or Jacques@Milkwy.enet.dec.com
|
1954.654 | That thing you do! | MILKWY::JACQUES | | Mon Jun 02 1997 10:59 | 17 |
| I rented the movie "That thing you do" this weekend. The movie
is about a 1-hit wonder band during the mid-60's called The Wonders.
Tom Hanks played the part of a record company promoter for Playtone
records.
This movie is loaded with 60's memorabilia including cars, appliances,
fashion, musical instruments (**guitars**), etc. At the beginning
of the movie the Wonders are a local band from Pa. The guitars they
used at that time included Danelectros (bass and guitar) and a Gibson
LP junior. Tons of old Microphones were used. Amps were mostly
Silvertones. Later on in the film after they hit the big time, they
got *new* instruments including a fireglow Rick 335, Fender Jazzmaster,
and P-bass. Lots of vintage Fender amps were used, mostly piggy-back
band-masters. This movie is great fun! Check it out.
Mark
|