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Conference bookie::movies

Title:Movie Reviews and Discussion
Notice:Please do DIR/TITLE before starting a new topic on a movie!
Moderator:VAXCPU::michaudo.dec.com::tamara::eppes
Created:Thu Jan 28 1993
Last Modified:Thu Jun 05 1997
Last Successful Update:Fri Jun 06 1997
Number of topics:1249
Total number of notes:16012

985.0. "Home for the Holidays" by ONOFRE::SKELLY_JO () Tue Dec 19 1995 22:21

    I'm surprised not to find a topic on this movie. Well, I almost waited too
    long to see it, so maybe everyone else did too.

    This movie is directed by Jodi Foster and stars Holly Hunter as
    Claudia, an art restorer who, a few seconds after the credits, gets
    fired. This is definitely bad timing as she has a cold and is dreading
    the fact that she is about to fly home for Thanksgiving with her
    parents. On the way to the airport, her teenage daughter's parting
    remarks only worsen the situation and everything goes downhill from
    there. She loses her coat, there's turbulence on the flight and the
    woman sitting next to her refuses to shut up even when Claudia calls
    her brother Tommy on the phone and tearfully begs him on his answering
    machine to come home for Thanksgiving too.

    Her fat father (Charles Durning) and chain-smoking mother (Anne Bancroft)
    meet her at the airport and somehow her mother just knew to bring an extra
    coat. They get caught in a traffic jam and as her mother blows smoke at her
    and comments that her roots are showing, she looks into nearby cars and
    discovers other grown children looking back and looking equally trapped and
    desperate.

    Tommy, played by Robert Downy Jr., does show up, bringing along a "business
    partner", the handsome and charming Leo, played by Dylan McDermott. Claudia
    is not sure whether to like Leo or not because she is worried about the
    missing Jack, the serious love of Tommy's life last time she saw him. Their
    sister, Joanne (Cynthia Stevenson) and her husband, Walter (Steve
    Guttenberg) arrive with their bratty children and are more worried about
    having to spend the day with Tommy, who wasn't supposed to be there. They
    have reason to be afraid. He doesn't even let them get out of the car
    before he attacks. He is irrepressibly annoying, being as eager to kid
    around and jerk other people's chains as they are to mimic the Cleavers in
    normalcy. Add the very misnamed Aunt Glady (Geraldine Chaplin), the
    family's flatulent nutcase who drinks too much, and you have the
    traditional Thanksgiving dinner from hell.

    It's a strange movie, with a rather split personality. Somehow the family
    conflicts seem just a bit too exaggerated. It's a set up for slapstick
    comedy, which does happen, but then the movie has very serious, sometimes
    sentimental, but sometimes very realistic dramatic moments. I found the
    comedy too extreme for the drama and vice-versa. The scenes are announced
    with titles and one of them is "The Point". Well, I didn't get the point,
    not even after I watched that scene.

    Maybe it's good it's on its way out of theaters so nothing I will say will
    necessarily discourage anyone from seeing it. It just won't be there much
    longer to see. I think I may rent it when it comes out on video. Now that
    I've seen the whole story, it may be worth studying it again from start to
    finish, but in a way, that suggests the fault I have to find with the
    movie. It leaves one feeling slightly dazed and confused, like something
    was missing. I'm not sure what. Perhaps, just a clear sense of intent.

    My minor complaint was the sound. That may have been the theater's fault,
    but I don't think so. There was a lot of quick dialogue with other people
    talking or music in the background that made many lines unintelligible. I
    kept thinking what I was missing, were the punch lines.

    John
    
    
T.RTitleUserPersonal
Name
DateLines
985.1A Point for MeTNPUBS::MILGROMFri Dec 22 1995 14:5797
I enjoyed the movie immensely. Jodie Foster's direction and 
intelligence came through to make a major point: that through 
all our differences and idiosyncracies, even the greatest chasms 
between us can be bridged by love. That love did not prevail at the 
hilarious and painful family meal. Only the differences prevailed. 

But in the end, the love shines through like the sun slowly 
penetrating through thick clouds. The light intensifies the shadows 
that surround and follow us, but it also brings meaning to them in the 
context of the whole "picture." By accepting those differences and the
shadows, we enrich and highlight the natural beauty of that picture.

I enjoyed much of the humor in the movie. Humor can be  a healthy means 
of accepting our differences and fallibilities. Some of the humor 
of the film ranked with the typical put-down humor of most sit-coms. 
This kind of humor is not something I consider healthy. The humor I mean 
is that which allows us to look at ourselves and each other in a more 
understanding way, allowing us to accept, forgive, and move on with our 
lives. 

Yes, there was plenty of sentimentality, but some of it rang deep in 
my soul, such as the goodbye between Holly Hunter and her parents 
at the airport, her slow, long walk down the tunnel. How many of those
goodbyes I experienced, the tears of recognition how much I really 
love my parents, the ones who brought me down my first tunnel, and how 
unimportant my differences with them really are in contrast to that 
love.

Thank you Jodie.

Phil



                     <<< Note 985.0 by ONOFRE::SKELLY_JO >>>
                           -< Home for the Holidays >-

    I'm surprised not to find a topic on this movie. Well, I almost waited too
    long to see it, so maybe everyone else did too.

    This movie is directed by Jodi Foster and stars Holly Hunter as
    Claudia, an art restorer who, a few seconds after the credits, gets
    fired. This is definitely bad timing as she has a cold and is dreading
    the fact that she is about to fly home for Thanksgiving with her
    parents. On the way to the airport, her teenage daughter's parting
    remarks only worsen the situation and everything goes downhill from
    there. She loses her coat, there's turbulence on the flight and the
    woman sitting next to her refuses to shut up even when Claudia calls
    her brother Tommy on the phone and tearfully begs him on his answering
    machine to come home for Thanksgiving too.

    Her fat father (Charles Durning) and chain-smoking mother (Anne Bancroft)
    meet her at the airport and somehow her mother just knew to bring an extra
    coat. They get caught in a traffic jam and as her mother blows smoke at her
    and comments that her roots are showing, she looks into nearby cars and
    discovers other grown children looking back and looking equally trapped and
    desperate.

    Tommy, played by Robert Downy Jr., does show up, bringing along a "business
    partner", the handsome and charming Leo, played by Dylan McDermott. Claudia
    is not sure whether to like Leo or not because she is worried about the
    missing Jack, the serious love of Tommy's life last time she saw him. Their
    sister, Joanne (Cynthia Stevenson) and her husband, Walter (Steve
    Guttenberg) arrive with their bratty children and are more worried about
    having to spend the day with Tommy, who wasn't supposed to be there. They
    have reason to be afraid. He doesn't even let them get out of the car
    before he attacks. He is irrepressibly annoying, being as eager to kid
    around and jerk other people's chains as they are to mimic the Cleavers in
    normalcy. Add the very misnamed Aunt Glady (Geraldine Chaplin), the
    family's flatulent nutcase who drinks too much, and you have the
    traditional Thanksgiving dinner from hell.

    It's a strange movie, with a rather split personality. Somehow the family
    conflicts seem just a bit too exaggerated. It's a set up for slapstick
    comedy, which does happen, but then the movie has very serious, sometimes
    sentimental, but sometimes very realistic dramatic moments. I found the
    comedy too extreme for the drama and vice-versa. The scenes are announced
    with titles and one of them is "The Point". Well, I didn't get the point,
    not even after I watched that scene.

    Maybe it's good it's on its way out of theaters so nothing I will say will
    necessarily discourage anyone from seeing it. It just won't be there much
    longer to see. I think I may rent it when it comes out on video. Now that
    I've seen the whole story, it may be worth studying it again from start to
    finish, but in a way, that suggests the fault I have to find with the
    movie. It leaves one feeling slightly dazed and confused, like something
    was missing. I'm not sure what. Perhaps, just a clear sense of intent.

    My minor complaint was the sound. That may have been the theater's fault,
    but I don't think so. There was a lot of quick dialogue with other people
    talking or music in the background that made many lines unintelligible. I
    kept thinking what I was missing, were the punch lines.

    John
    
    

985.2ok GRANPA::JBOBBJanet Bobb dtn:339-5755Tue Sep 03 1996 18:4033
    Rented this over the weekend.
    
    I liked it more than my husband did, but we both agreed that we should
    watch it every year before we go to family get-togethers and then ours
    won't seem so bad! 
    
    I'd give this mixed reviews. The first 2 notes here really capture the
    essense. Plot was a bit jumpy. You couldn't hear some of the dialog,
    even with rewinding the tape and concentrating. Some of the scenes were
    hard to figure out.
    
    The movie was a mixture of humor/depression. I though Robert Downey's
    character was too much over the top - like he was high on something for
    most of the weekend, but Downey can play that type of part very well.
    If he was my brother he would have eaten that camera! (character had a
    polaroid camera and would take pictures of his sister in the shower,
    sleeping and other equally embarrassing positions).
    
    Loved Charles Durning - washing the cars in the cold, sitting in the
    basement watching old family movies. Grabbing his wife and dancing just
    for the heck of it. Seeming to be oblivious of the surroundings and
    then making very poignant statements. His comment to jack on the phone
    is case in point. And the last scene at the airport was definately
    endearing (at least one hanky for me - but then I can tear up at
    hallmark commercials).
    
    Small nit - the chicago airport she flew out of in the beginning of the
    movie - sure looked like Baltimore Washington Airport (unless Chicago
    was build by the same guy)- so it was a bit confusing for us locals -
    she's supposed to be flying home to Baltimore, yet she's going to
    airport at Baltimore? 
    
    **1/2 out of *****
985.3Ditto to note .1HOTLNE::SHIELDSSun Jan 19 1997 07:0810