T.R | Title | User | Personal Name | Date | Lines |
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314.1 | | CSC32::B_KNOX | Bad Sneakers and a Pina Collada | Mon Oct 26 1992 17:50 | 7 |
|
I have read that the issue of "accent" was a point of contention
within the Beatles. During their early years, they were persuaded
to hide their Liverpool pronunciations. John thought this was
artistic interference and Paul thought it was a good business tactic.
/Billy_K
|
314.2 | Same Language... | DREAMN::MELENDEZ_M | | Mon Oct 26 1992 17:56 | 3 |
| I think is because it is all English. Would you say Julio Iglesias
has an accent when he sings?
|
314.3 | | DELNI::STHILAIRE | Food, Shelter & Diamonds | Mon Oct 26 1992 18:10 | 5 |
| re .2, yes, but that doesn't explain why they almost all sound
American.
Lorna
|
314.4 | | ICS::ANDERSON_M | | Mon Oct 26 1992 18:30 | 14 |
| On our cable television channels we got some stations that have shows
in French, Spanish and some Italian. When I hear Julio sing it very
obvious to me that he has an accent ... and is the case when I watch
the variety shows in French.
I am trying to think of some American's who, perhaps, have thick
Southern accents - Elvis, Dolly Parton, Loretta Lynn that do not
sing in with a southern drawl. Even Mel Tillis - who stutters when
he talks - does NOT stutter when he sings.
M
|
314.5 | lack of accents | WELCLU::HEDLEY | Lock up your wildebeest, it's the RCC! | Tue Oct 27 1992 06:52 | 7 |
| I don't think it's so much bands adopting American accents, just that
most artists accents seem to fade when they sing, so they all sound
alike (I would argue with the fact that Eric Clapton sounds American!)
Possible exceptions to this are wotsisname out of REM and Jimmy
Nail...
Chris.
|
314.6 | Wish I could be like David Watts. | ARRODS::OHAGANB | Lights Out in London | Tue Oct 27 1992 10:35 | 10 |
| Meanwhile in the "we don't sing with American accents" department
you can find a fine little posse of eccentric British pop groups:
The Kinks, The Jam, The Fall, The Cure, The Smiths, The Sex Pistols,
XTC, Madness, The Small Faces, Roxy Music, Mott the Hoople, Jethro
Tull to name but a few. Guaranteed no mid Atlantic drawl.
^)
barry.
|
314.7 | | ICS::ANDERSON_M | | Tue Oct 27 1992 10:36 | 7 |
| ...oh I don't know (re: Eric Clapton). I have many of his tapes
and I just got his new CD (Unplugged) and he does NOT have a
British accent - accept when he speaks.
I guess my question is "why do their accents fade when they sing"?
|
314.8 | 57 channels and nuthin' awn... | REFINE::BARKER | I like to do drawrings. | Tue Oct 27 1992 10:47 | 4 |
| What I wanna know is where Spruce Springteen gets that Southern Drawl
all the way up there in NJ. I just don't get it.... (oops wrong note).
-Jesse
|
314.9 | Eh up let's sup! | WELCLU::HEDLEY | Lock up your wildebeest, it's the RCC! | Tue Oct 27 1992 11:02 | 10 |
| Presumably they're taught to sing without an accent. Not too sure why,
perhaps it's so that more people can understand what they're singing
about! (with the exception of Muttley McLad, where it's better for all
concerned NOT to be able to understand him!! :-) )
To look at things the other way, from the sound of the vocalist there's
been a number of bands which I've been surprised to discover are
American and not British!
Chris
|
314.10 | | GJO001::REITER | | Tue Oct 27 1992 12:05 | 18 |
| One thing you may want to bear in mind is that many of the artists that
you are referring to are performing a style of music that is blues-based
(Jagger, Clapton) or rhythm-n-blues (Springsteen, S.Easton). This
music originated in the American south, and so they are most likely
emulating the inflections and pronunciations of the originators of this
genre. Much of C+W doesn't sound right without that certain 'twang'
either (Baillie & The Boys are from NJ, for example).
Another thing that I have noticed is that most singers, whether or not
they are classically trained, have a singing voice that doesn't sound
much at all like their speaking voice (that doesn't explain WHY,
though)..... I think the artists like Billy Bragg who intentionally
carry their accents into their music do so intentionally, so that is as
much an affectation as if he were to adopt a C+W twang, IMO.
This is a FASCINATING subject, to me; maybe we can hear from a singer
of voice coach who can answer this mystery!
\Gary_who_has_a_2_note_range_but_an_opinion_on_everything ;7)
|
314.11 | | ICS::ANDERSON_M | | Tue Oct 27 1992 12:35 | 13 |
| I also wonder if some of it has something to do with the brain and/or
speech patterns.
I always found it fascinating to hear Mel Tillis (C&W) sing the words
beautifully ... and clearly pronounced, yet when he speaks he stutters
and has, to the best of my knowledge, all of his life. Perhaps in a
conversing his brain (or thought process) cannot work fast enough to
translate the idea into words. Yet, when memorizing the words to a
song - he can sing without stuttering.
M
|
314.12 | | GJO001::REITER | | Tue Oct 27 1992 14:19 | 13 |
| re: .11
Perhaps, in a strict neurological sense, singing has very little to do
with speech. They may be primarily controlled by different areas of
the brain, yet still share some faculties.
I have to look in my VCR library, but I recall an early episode of
the DEC-sponsored Infinite Voyage series, one about the mind, where
certain people have a disorder that totally disconnects them from what
is going on right in front of them. They have no idea who anyone is,
but those that were musically trained before the onset of this disorder
could recall perform flawlessly, both instrumentally and vocally.
\Gary
|
314.13 | | DELNI::STHILAIRE | Food, Shelter & Diamonds | Tue Oct 27 1992 14:26 | 8 |
| re .5, I thought REM were American! Aren't they from Georgia?!!
Also, Bruce Springsteen doesn't normally have a Southern drawl. I
think he was just acting silly on the 57 Channels and Nuthin on
recording.
Lorna
|
314.14 | wish I could sing without an accent | OTOOA::ESKICIOGLU | | Tue Oct 27 1992 15:12 | 24 |
|
When you listen to "you can't always get what you want" very carefully,
you hear the girls at the background singing
- You KONT (the British way)
and then Mick Jagger comes in and sings
- You KANT (the American way)
It always catches my attention everytime I listen to that song.
Weeks ago, I was watching a standup comedian on tv. One of those who
come to the stage with his guitar and make musical jokes. He had a
hang up on this topic, Brits singing with American accent. He imitated
an interview: They are interviewing this English performer and he is
speaking with heavy English accent and then he starts singing with
exaggerated American accent. And then he said "wouldn't it be great if
American performers shocked the British audience by first speaking in
heavy Yankee accent and then started singing in British ?". And then
he imitated that scenario too. His impersonations were very funny.
(He also said that the presence of Keith Richards in the band was
making Mick Jagger look healthy)
Lale
who has a very heavy accent speaking AND singing
|
314.15 | am i making this up? | GJO001::REITER | | Tue Oct 27 1992 17:57 | 10 |
| re: .14 You Can't Always Get What You Want
I think there's a reason that the "girls' chorus" sounds 'British'.
I don't have my copy of 'Let It Bleed' handy, but if memory (of 23
years ago) serves, this is a well-known English boys chorale society
that normally performs classical works, that the Stones hired to sing
on that cut. I think it was the producer's way of having a contrast
between the formality and sound of those voices against Jagger's.
\Gary
|
314.16 | boys classical choir | OTOOA::ESKICIOGLU | Never smile at a crocodile | Tue Oct 27 1992 18:27 | 12 |
| I don't think you are making it up. They very well may be "boys".
The point is, the chorus sound British and Jagger sound, I don't know,
regular. Although they are all British, there is a difference in the
way they pronounce words. I can't understand why Jagger doesn't sound
British.
Thanks for the info by the way, hadn't heard that before. It always
boosts the quality when there is a classical touch. You know, Beatles,
Procol Harum, they all used symphony orchestras and all that.
Lale
|
314.17 | Keeping my mind from wondering... | DREGS::BLICKSTEIN | db | Tue Oct 27 1992 18:56 | 11 |
| re:.0
This same observation has befuddled me for two decades now.
BTW, I saw an interview with Paul McCartney where he recited a lyric,
and then they showed a clip of him singing it:
Recited version sounded typically liverpuddlian: "I'm fixing a 'ole..."
The sung version sounded very american: "I'm fixing a hole..."
db
|
314.18 | | SAHQ::LUBER | Home of 1992 Western Division Champs | Tue Oct 27 1992 19:18 | 4 |
| Another Paul McCartney:
"There were birds, on a hill, but I never soar them winging
No I never soar them at all , till there was you"
|
314.19 | they're from Athens | WELCLU::HEDLEY | Lock up your wildebeest, it's the RCC! | Wed Oct 28 1992 06:18 | 7 |
| re .14
I know REM are American! I was commenting on the fact that the singer
has a strong American accent, as opposed to the neutral accent
prevalent in lots of bands these days!
Chris.
|
314.20 | You have to WORK to keep the accent | TANNAY::BETTELS | Cheryl, DTN 821-4022, Management Systems Research | Wed Oct 28 1992 07:40 | 12 |
| Maurice Chevalier had to take accent lesons to maintain his French accent in
English. When I sing French, because I have memorised the words, my very
heavy mid-Atlantic accent goes away. Singing is by imitation.
When you study voice, even in your own language you learn to pronounce words
differently than when you speak them. For example, in English, vowels are held
and drawn out and then the final constant is added only at the end (and
somewhat enunciated so that it is definitely heard. If you are in the habit
of dropping the final t, vocal music training will put it back in when you sing.
You'll probably still drop it when you speak.
Cheryl
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314.21 | More Macca Accented Singing | HARDY::PARMENTER | | Wed Oct 28 1992 13:53 | 2 |
| Vera Chook and Dave
|
314.22 | Not that I can actually SING, mind you . . . | NEMAIL::CARROLLJ | The Bright-Eyed Boy | Wed Oct 28 1992 23:14 | 13 |
|
I've heard a few explanations for the mysterious disappearing accent -
one - much like -.2's reply has much to do with the different
phonetics of singing and speaking. Another, more cynical explantion,
says that British singers purposely try to sing with no accent to sell
more records in the States. I tend to believe that it has much to do
with the way the song is learned, practiced and repeated. One of my
favortie artists, John Wesley Harding, has a noticable Brit accent when
he sings - and when I sing along, I find myself also singing with an
accent (?) - although that probably has more to do with mimicking than
outright singing.
-Jimbo
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314.23 | influences, influences | TOOK::SCHUCHARD | Don't go away mad! | Thu Oct 29 1992 16:13 | 9 |
|
for those old time british rock-n-rollers i suspect shear imitation
led to most of it. Face it, late 50's, early 60's most rock-n-roll
came from this side of the pond. You look at a Beatles set-list from
before aug 62 and you see lot's of R&B, top40 ballads etc. Seems to
me in the early 70's we had lots of Murican singers trying to sound
like Bowie...
bob
|
314.24 | much is put on | SOLANA::BROWN_RO | Slick Willie in '92 | Thu Oct 29 1992 17:09 | 8 |
| I hear Oakland rappers with Brooklynn accents, obviously imitating
the east coast sound.....
Or Shabba Ranks, from Jamaica, who is becoming a big star, and nobody
can even tell what he is saying! Then, Johnny Gill sings along putting
on an island accent....
|
314.25 | It's a physical thing.. | SNAX::MOORADIAN | | Thu Oct 29 1992 18:02 | 6 |
|
I read an article somewhere about singing and talking being
controlled by different portions or the brain. That's why
Mel Tillis stutters in his speaking voice but not at all when
he sings...maybe the accent thing has a similar relationship.
|
314.26 | | DELNI::STHILAIRE | show me how the sun shines | Thu Oct 29 1992 19:16 | 7 |
| re .25, does that mean that people who can't sing are missing the part
of the brain that controls that? :-)
(i'm also missing the part that does math)
Lorna
|
314.27 | | FORTSC::CHABAN | Pray for Peter Pumpkinhead! | Thu Oct 29 1992 21:59 | 6 |
|
Who could forget the Ramones trying to sound like BritPunks:
Aye, Oeh, Let's Goe!
-Ed
|
314.28 | Ease and prettiness of singing | USABLE::GOOD | Michael Good | Fri Oct 30 1992 02:13 | 14 |
| Cheryl's right in .20 about the difference between singing and speaking
pronounciation. Certainly in classical singing, it's a whole different
way of producing sound than speaking. Actually, it's common for
Americans to be trained to sound more "British" by dropping r's, for
instance. Vowel sounds are also modified, especially the diphthongs,
to make them easier, clearer, and prettier to sing. So singers with
many different speaking accents will have a much greater similarity of
singing styles to the extent that they use more classical singing
techniques. The goal of prettiness is much different in pop than
classical music, but ease of singing is still a concern.
It's sort of like the difference between typing and playing the piano -
you're moving your fingers over keys in both cases, but they are still
very different sets of motor skills.
|
314.29 | i wouldn't think many | DELNI::STHILAIRE | show me how the sun shines | Fri Oct 30 1992 13:01 | 4 |
| But, how many rocks singers have actually studied singing?
Lorna
|
314.30 | Why certainly, I'd be delighted | GJO001::REITER | | Fri Oct 30 1992 23:51 | 9 |
| Now that we've solved the singing voice mystery, someone needs to
explain why all of the Hollywood actors and actresses (who grew up in
Iowa) back in the '30s and '40s spoke in those affected, clipped
pseudo-British accents when playing upscale genteel 'murican folk...
Maybe that was the standard for stage elocution back then?
It has always had an emetic effect on me. ;7)
\Gary
|
314.31 | | VERGA::CLARK | | Sat Oct 31 1992 12:38 | 14 |
| > explain why all of the Hollywood actors and actresses (who grew up in
> Iowa) back in the '30s and '40s spoke in those affected, clipped
> pseudo-British accents when playing upscale genteel 'murican folk...
Maybe, lingering, recessive Euro-centrism in upscale genteel 'murican
culture?
Of course, we're way beyond that now.
And now we return to "Masterpiece Theater".... - Jay
(Just a glib remark - I enjoy a good wallow in the riches of European
cultures, esp. musical, myself...)
|
314.32 | | DELNI::STHILAIRE | show me how the sun shines | Mon Nov 02 1992 14:11 | 8 |
| re .30, those phony, clipped accents in old movies drive me crazy! I
can't stand them! In real life I have never heard anyone talk like
that. One thing I noticed about Clark Gables movies, is that he never
used that clipped, weird way of talking. He always talked like a
normal person, the way actors do today.
Lorna
|
314.33 | | ICS::ANDERSON_M | | Mon Nov 02 1992 14:28 | 11 |
| Did anyone know that when "Gone With the Wind" was casting the
characters ... Clark Gabel was told he had to play the part of
Rhett Butler - some studio political move! He agreed (did he
have a choice ?) but he said HE WOULD NOT speak with a Southern
accent.
Watch the movie closely next time - he is the only actor who
does not speak with a Southern drawl.
|
314.34 | One more example | DREGS::BLICKSTEIN | db | Sun Nov 08 1992 03:53 | 10 |
| Since we've mentioned Mel Tillis, there's another example that always
comes to mind on these "singing differently than they talk".
Have you ever heard Jim Nabors, who played Gomer Pyle sing and talk.
My recollection was that the Gomer Pyle accent was "real" - i.e
he really did talk like that even when he was out of character.
And yet, when he sings he sounds like an English professor. Not
even a trace of "Gomerness".
|
314.35 | the wayback machine | PENUTS::DDESMAISONS | | Mon Nov 09 1992 13:13 | 9 |
|
>> My recollection was that the Gomer Pyle accent was "real" - i.e
>> he really did talk like that even when he was out of character.
I don't think this is the case, Dave. Anyone else recall?
Di
|
314.36 | How ya'll? | HARDY::PARMENTER | | Mon Nov 09 1992 14:30 | 7 |
| Jim Nabors is from Sylacauga, Alabama, if you'll pardon the expression, and I'm
sure he knows how to talk like that, but it may not be completely natural. My
southern accent, courtesy Valdosta, Georgia, is much stronger when I'm at
home, with my brothers, or talking on the radio, than it is when I'm just
living my life on the Newton-Nashua axis.
In other words, Jim's accent is natural, but accentuated.
|
314.37 | | SWAM2::MASSEY_VI | It's all in the cue | Mon Nov 09 1992 15:52 | 3 |
| Hey you Valdostian! Ever hear of Madison, FL?
|
314.38 | | PENUTS::DDESMAISONS | | Mon Nov 09 1992 15:53 | 8 |
|
>>In other words, Jim's accent is natural, but accentuated.
Ah. Yeah, that sounds right. I knew I had seen him on talk shows
and that the accent wasn't anywhere near as pronounced as Gomer's.
Di
|
314.39 | nice little courthouse in the road | HARDY::PARMENTER | | Mon Nov 09 1992 17:13 | 3 |
| Madison, sure, it's on the way from Valdosta to Tallahassee and is also
famous as the nome of the marvelous Liquid Summer hot sauce.
|
314.40 | Valdosa -- Home of the Wildcats | HARDY::PARMENTER | | Mon Nov 09 1992 17:15 | 4 |
| Oh, right, we say Valdostan.
How come you didn't pop up when I was using Dosta Flash as my p-name?
|
314.41 | >Yup. | SWAM2::MASSEY_VI | It's all in the cue | Mon Nov 09 1992 17:43 | 9 |
| You know us Madisonians, we like to kick back and relax no matter what
is happening. Truth, I probably didn't notice. The family has a bit
of land in Madison and I have spent quite a few summers there. Did
quite a bit of roppin in Valdosta, but it also had the closest mall to
us. Talahasse is just too far a drive for me.
So, are you like, still in that area. I am in California right now.
Virginia
|
314.42 | just an old sweet song . . . | RAGMOP::T_PARMENTER | | Mon Nov 09 1992 18:55 | 5 |
| Virginia, I am up in the land of the Yankees, Newton, Mass., for living, and Nashua, NH,
for working.
It's not as bad as it could be. One of my grandparents was a Yankee, and I guess my
wife and kids are too, but I'm a rebel (non-racist version) all the way.
|
314.43 | | ZYDECO::MCABEE | Raised by humans | Thu Nov 12 1992 23:46 | 14 |
| I think a couple of previous replies had it about right. The pronunciation
and accent are just part of the style and the singers imitate the whole style.
British and Celtic traditional folksingers sing with a definite accent and
when I sing their songs, I have a hard time resisting the accent.
As a native Southerner, I'm really amused that so many folks poke fun at our
speech, yet so many imitate it or accept it in popular songs without a
thought. Y'all better watch out or we'll have y'all converted 'fore yuh
know it.
Ain't y'all Yankees figgered out yet that rock'n'roll is the revenge of the
Confederacy? :^)
Bob
|
314.44 | hit me again, bubba | EZ2GET::STEWART | I jam, therefore, I am | Thu Nov 12 1992 23:49 | 8 |
|
If that's your idea of revenge, bring it on! I ain't had enough, yet.
maximum_southerner_raised_in_the_midwest_John
|
314.45 | Whale Goooooolllyyy.... | DREGS::BLICKSTEIN | db | Mon Nov 16 1992 16:34 | 8 |
| I guess I have to own up to a mistake. I shouldn't have said Jim
Nabors really talks like Gomer Pyle in real life. The Gomer character
does accentuate certain things.
What I meant to say is that Nabors, to my recollection, does have a
pronounced southern accent in real life.
|